"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
Leaf 63. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (Captain Grose) standing peering at a painting through a large magnifying glass."--British Museum online catalogue, description of an earlier state
Alternative Title:
Connoisseur admiring a dark night piece
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4683 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "19" in upper right corner., Temporary local subject terms: Connoisseurs -- Quizzing glasses -- Framed paintings., First of three plates on leaf 63., and 1 print : etching with engraving on laid paper ; plate mark 16 x 10.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parlt., Novr. 12, 1771, by MDarly, No. 39 Strand
Leaf 63. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (Captain Grose) standing peering at a painting through a large magnifying glass."--British Museum online catalogue, description of an earlier state
Alternative Title:
Connoisseur admiring a dark night piece
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4683 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "19" in upper right corner., Temporary local subject terms: Connoisseurs -- Quizzing glasses -- Framed paintings., and Partial watermark: L.V.G.
Publisher:
Pubd. accordg. to act of Parlt., Novr. 12, 1771, by MDarly, No. 39 Strand
"Satire on village life. A country fair in which three young women are running for the prize of a smock; the third in line has tripped over a dog and is being helped up by a man. In the foreground, left to right: a young couple embrace beneath two trees hung with drapery; a small girl fills a mug of beer from a cask on which leans the village constable, asleep, with an empty mug in his lap; a small girl beside him holds a book lettered, "Compleat Peace Off[ice]r."; a dog steals food from a plate discarded on the ground; an old man stands on tip-toe holding his eye-glass to read a notice lettered, "To be Run for by Men in Sacks, A Flitch of Bacon on Tuesday next" which is pinned to one of the trees; a sailor sits on a branch of the tree holding up the hem of the prize smock which hangs on a pole at either end of which is a three-cornered hat; another sailor lounges on the ground looking at the runing women, a large jug near his foot; a chimney boy grabs a gingerbread crown from a boy who is holding a donkey by a chain; a small girl holds a younger child who waves another gingerbread crown while a dog jumps up to reach it. Behind the area roped off for the race is a crowd of spectators and a farm cart which a woman climbs into with the help of two men and another woman already in the cart; a man with a cockade in his hat waves a small flag on a pole, perhaps indicating the start of the race; a larger flag with a cross flies behind; other villagers are gathered in and around a makeshift tent; a one-horse carriage driven by a woman and carrying a gentleman comes into the scene from the right; behind the carriage two men are fencing. Women watch from upper windows of a large house in the background; on its walls are two bird-bottles and a dove-cote which a cat is eyeing with interest from a window sill; beyond is a windmill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Country fairs -- Buildings -- Prizes: Holland smock -- Tricorne hats -- Constables -- Barrels with spiggots -- Beer -- Food: gingerbread -- Vehicles -- Chaise -- Animals -- Trades -- Donkey-driver -- Dishes: tankards -- Dove-cot -- Placards: race notice -- Customs: allusion to the "Flitch of bacon" -- Quizzing glasses -- Naval uniforms: sailor's uniform., and Mounted to 28 x 38 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors
Leaf 35. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed to plate mark on top edge., Plate numbered '22' in upper right corner., Temporary local subject terms: Quizzing glasses., Second of two plates on leaf 35., and 1 print : etching on laid paper ; plate mark 17.5 x 24.9 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Publish'd as the act directs, Novr. 16, 1772, by M. Darly, 39 Strand
Subject (Name):
Farmer, Richard, 1735-1797
Subject (Topic):
Dandies, British, Obesity, Critics, and Hand lenses
Leaf 35. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed to plate mark on top edge., Plate numbered '22' in upper right corner., Temporary local subject terms: Quizzing glasses., Watermark., and Ms. note in contemporary hand below title: Dr. Richard Farmer - critic & theologian.
Publisher:
Publish'd as the act directs, Novr. 16, 1772, by M. Darly, 39 Strand
Subject (Name):
Farmer, Richard, 1735-1797
Subject (Topic):
Dandies, British, Obesity, Critics, and Hand lenses
"Two designs side by side. BALL ROOM. A repetition of British Museum satires no. 14646 [2]. The M.C. has no wand, but holds an opera-hat; he says: 'Will you accept of this Lady for a partner, Sir?' The hussar, who lounges with hands in pockets and both legs over the back of a chair, answers: 'Shew her off!--Trot her out!! let us see her foine legs'. A civilian standing behind the lady (left) laughs: 'Ha! Ha! Ha! So this is one of the extra polite Dandies of the Tenth'. Two fellow officers stand beside the first. One says: 'No! Tenth don't daunce!!' [cf. British Museum satires no. 14643A]. The other inspects the lady through an eyeglass, saying, 'Zounds, Dam-me!' DRAWING ROOM. The lady of the ball-room stands beside another; both are young and pretty and in ball-dress. The officer (right) bows from the waist, pointing the left toe, left hand on hip and holding up an eye-glass. He is without pelisse and sword. The second lady, holding up a fan, says: 'Sir this is the Lady you desired me to Trot up to you.' The lady in question also bends from the waist, pointing a toe, inspecting the officer through an eye-glass. She holds a lighted candle, saying, 'No--Wont do! Trot him out!!--Trot him out!!'"--British Museum online catalogue
Description:
Title from text below images., Text above images: Ball room. Drawing room., and Matted to: 40.5 x 51 cm.
Publisher:
Pubd. April 1824 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Topic):
Ballrooms, Drawing rooms, Interpersonal relations, Military officers, British, Dandies, and Hand lenses
Titled separately under each image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fashion -- Male dress, 1795 -- Female dress, 1795 -- Quizzing glasses., and Watermark (partial): fleur-de-lis.
Publisher:
Published 30th March 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Hand lenses, and Fans (Accessories)
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair, the one on the right with a quizzing glass. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", and See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Hand lenses, and Pictures
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print., and Manuscript "Aug 1835" added after imprint.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Floor coverings, Hand lenses, and Pictures
"A buxom lady walks forward and to the right towards a man in riding-dress (right) who inspects her through a quizzing-glass. A ribbon encircles her high waist (cf. BMSat 8571, &c.) and her petticoats projecting in front exaggerate her portly figure. She carries a large muff and holds a glove in her left hand. Behind her a small footman holding a large closed umbrella marches stiffly. In the background is a tree, under which is a seat in back view, on which a man and woman are sitting."--British Museum online catalogue
Description:
Title from item., No. 119 in Laurie & Whittle series of Drolls., and Watermark.
Publisher:
Published 12th June 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Benches, Hand lenses, Muffs, Obesity, Servants, and Umbrellas
"Two figures, over life-size, on a low pedestal embrace; the King as Bacchus, nude except for a girdle of vine-leaves and grapes, and a wig decked with leaves; Lady Conyngham as Ariadne, a more classic figure, with drapery hanging from the hips. Against the pedestal leans a portfolio: Lady C------s Attitudes Suppressed. A connoisseur (right) gazes up through an eye-glass, saying, Bacchus was the God of Wine and good cheer, his 'favourite was Cxxxxxxm [lightly scored through] Ariadne, she was another mans Wife. Lord Conyngham (left), with antlers sprouting from his forehead, looks up at the statues; he says, Poh! Poh! this is never meant for Bacchus and Ariadne, It's more like my Wife and the * * * * or I'm no Cunning-sure I mean Connoisseur."--British Museum online catalogue
Description:
Title etched below image., Publisher's statement etched within bottom part of image, on portfolio leaning against pedestal of statue., Date of publication from British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 4 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Conyngham" and "Lady Conyngham" identified in ink below image, with the additional identification of "George IV" written in pencil at bottom of sheet; the word "Suppressed" has been added in ink in the lower right, followed by the date "Nov. 1820."
Publisher:
Pubd. J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Dionysus (Greek deity), and Ariadne (Greek mythological character)
Subject (Topic):
Adultery, Mistresses, Sculpture, Portfolios, Hand lenses, and Antlers
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
Title etched below image., Title above image: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry -- Quizzing glasses -- Walking staves -- Bludgeons., and Watermark: J Whatman.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Earrings, Hand lenses, and Staffs (Sticks)
"Two pretty women leave a shop (left) to enter a coach whose back is towards the spectator. The foremost (? Duchess of Rutland), raising her petticoats high, puts a foot on the step. She is followed by (?) Lady Jersey, who crosses a step laid across a barred area or cellar, also raising her petticoats. A little girl (left) stands in the doorway. The legs of the ladies are eagerly inspected by male loungers. One man crouches at the back of the coach to peep through a quizzing-glass. The roadway on the right of the coach is crowded. Men with telescopes are indicated in the windows of the houses (right). Other spectators stand in the cellar or area looking upwards through the bars. The cover of a coal-hole in the pavement is pushed aside to show a profile. ..."--British Museum online catalogue
Alternative Title:
Cause of the lounge!!
Description:
Title etched below image., Printmaker Isaac Cruikshank's initials are incorporated into the design, etched within the escutcheon on the back of the coach., Date in imprint transcribed as "April 1st, 1793" in the British Museum catalogue; etched lines resembling a "7" are found beneath the superscript "st" but may not actually represent a digit., and Imprint continues: ... who has just fitted up his Exhibition in an entire novel stile, admitance [sic] 1 shg. N. folios of caracatures lent out.
Publisher:
Pub. April 17st [sic], 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831 and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Stores & shops, Carriages & coaches, Streets, Hand lenses, Telescopes, and Voyeurism
Volume 2, page 95. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a reissue published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 95 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published 10 January 1796 by Thomas Macklin., Sheet trimmed within plate mark., and Temporary local subject terms: Quizzing -- Dutchmen.
Publisher:
Published Jany. 1, 1809 by J. Deeley, 95 Berwick St. Soho
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
Leaf 89. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking in profile to the right. In his right hand he holds a botanic drawing, in his left a magnifying glass or lorgnette. His gouty right leg is swathed; from his right wrist hangs a knotted walking stick."--British Museum online catalogue and "A portrait of Joseph (afterwards Sir Joseph) Banks, see British Museum Satires Nos. 4695, 5146, who at this time had recently returned from his expedition with Solander, see British Museum Satires No. 4696, to Iceland."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "11" in upper right corner., Second of three plates on leaf 89., and 1 print : etching on laid paper ; plate mark 17.6 x 12.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd as the act directs Novr. 14th, 1772, by M. Darly, 39 Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Gout, Clothing & dress, Dandies, British, Naturalists, Hand lenses, and Staff (Sticks)
Leaf 89. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking in profile to the right. In his right hand he holds a botanic drawing, in his left a magnifying glass or lorgnette. His gouty right leg is swathed; from his right wrist hangs a knotted walking stick."--British Museum online catalogue and "A portrait of Joseph (afterwards Sir Joseph) Banks, see British Museum Satires Nos. 4695, 5146, who at this time had recently returned from his expedition with Solander, see British Museum Satires No. 4696, to Iceland."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "v. 5" in upper left corner and "11" in upper right corner.
Publisher:
Publish'd as the act directs Novr. 14th, 1772, by M. Darly, 39 Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Gout, Clothing & dress, Dandies, British, Naturalists, Hand lenses, and Staff (Sticks)
Leaf 16. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Three men examine a curious head, which the man on the left is lifting off a low pedestal. The head has hollow eyesockets, is missing the nose, but has a moustache and wears what purports to be a crown. In the middle of the picture the man who faces us wears a brocaded coat, the star and ribbon of the Order of the Bath[?]. The fat man on our right is a portrait of Francis Grose, antiquarian and draughtsman. He holds a magnifying glass in his right hand and what looks like a small carved animal [possibly an armadillo?] in his left hand over the head
Alternative Title:
Connoisseurs
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Printseller's announcement following imprint statement: ... where may be had the greatest variety of comic prints, by several ladies, gentlemen, and the most humourous artists., One line of text below title: The head is undetermined, some taking it for Julius Caesar, some for Holifernes, other for an antideluvian [sic] law giver &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., On leaf 16., and 1 print : etching and engraving on laid paper ; plate mark 25.2 x 35.4 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. according to act of Parlt., Sepr. 1th [sic], 1771, by MDarly, engraver, (39) Strand ...
Leaf 16. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Three men examine a curious head, which the man on the left is lifting off a low pedestal. The head has hollow eyesockets, is missing the nose, but has a moustache and wears what purports to be a crown. In the middle of the picture the man who faces us wears a brocaded coat, the star and ribbon of the Order of the Bath[?]. The fat man on our right is a portrait of Francis Grose, antiquarian and draughtsman. He holds a magnifying glass in his right hand and what looks like a small carved animal [possibly an armadillo?] in his left hand over the head
Alternative Title:
Connoisseurs
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Printseller's announcement following imprint statement: ... where may be had the greatest variety of comic prints, by several ladies, gentlemen, and the most humourous artists., One line of text below title: The head is undetermined, some taking it for Julius Caesar, some for Holifernes, other for an antideluvian [sic] law giver &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Strasburg bend with initials LVG below., and Matted to 49 x 62 c
Publisher:
Pubd. according to act of Parlt., Sepr. 1th [sic], 1771, by MDarly, engraver, (39) Strand ...
"Seven Aldermen, with ass's ears, sit in conference (a meeting of the Court of Aldermen) in Guildhall wearing their furred gowns. The table is covered with a cloth on which are the City Arms and motto, 'Domine Direge [sic] Nos', but a turtle replaces the griffin as the sinister supporter. The arcaded wall, showing the lower part of the windows (with the City Arms), forms a background. The table is flanked by the statues of the giants, 'Gog' (left) and 'Magog' (right), on pedestals. The former, holding a staff with a spiked ball dangling from it, asks: "I say Brother what do you think of our City Asses." Magog, holding pike and shield: "Why I think Brother Gog they are a set of D--n'd Stupid Blockheads." Five Aldermen are on the farther side of the table. The other two sit facing each other at the opposite ends. In the centre sits Bridges; he says: "As late Mare I should be a Great Ass if I did not differ from those Radical Individuals who trust in their own confidence-- I say the Q--n must not go to St Pauls." On his right is Curtis, the largest and most prominent, who says with raised forefinger: "We shall have a speedy Revolution and soon [see British Museum Satires No. 11306], if she is allowed to come into the City-- I protest on my part against prayers of any description." The man at the head of the table says: "No Prayers by St Paul I say for one." The Alderman next him asks: "Where is our friend At--ns, he knows all about burning the Thames" [see British Museum Satires No. 13272]. The others (left to right) says: [1] "Let me see--Keep her out by all means." He stares through an eye-glass, shutting one eye. [2] "Oh dear we shall all be ruined if she comes." [3] "If the Q--n is prayed for we are all dished by Goles--I'll have the Caracatures taken out of the Windows." In the upper margin: 'List of the Wise Men--G. Br--s, Billy Blubber [Curtis], C. Fl--r. [Sir Charles Flower, see vol. viii], G. Sc--y [Scholey, see British Museum Satires No. 12038, &c.], S B--h [Birch, see vols. vi-ix], C. Ma--y [Magnay], W. H--y--e [Heygate].' [This list is in the order of the signatures to their letter of 28 Nov.]."--British Museum online catalogue
Alternative Title:
Seven wise men of the East, prophesying before Gog and Magog of a row in the city, November 29th, 1820
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in black ink in lower right corner. Above the censored "List of Wise Men" at top of image are annotations in brown ink that name the men: Aldn. Bridges, Curtis, Flower, Scholey, Birch, Magnay, Heygate.
Publisher:
Published December 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bridges, George, approximately 1762-1840, Curtis, William, Sir, 1752-1829, Flower, Charles, Sir, 1763-1834, Scholey, George, -1839, Birch, Samuel, 1757-1841, Magnay, William, 1767-1826, Heygate, William, Sir, 1782-1844, and Guildhall (London, England),
Subject (Topic):
Interiors, Tables, Robes, Coats of arms, Sculpture, Arms & armament, City council members, and Hand lenses
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Walking staves -- Spy glasses., Watermark in center of sheet., and Mounted to 25 x 18 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard, London
Subject (Topic):
Food, Prosperity, Staffs (Sticks), and Hand lenses
Leaf 78. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A satirical portrait of an elegant young man, whole length in profile facing left, reading through a glass at a book on which is printed the alphabet. Probably a representation of Henry Howard, 12th Earl of Suffolk
Alternative Title:
Illiterate macaroni of twenty-one learning his A.B.C.
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 3" in upper left corner and "20" in upper right corner., and Second of three plates on leaf 78.
Publisher:
Pub. accordg. to act by MDarly, Strand
Subject (Geographic):
England
Subject (Name):
Suffolk and Berkshire, Henry Howard, Earl of, 1739-1779
Subject (Topic):
Clothing & dress, Dandies, British, Hand lenses, Books, and Wigs
Leaf 30. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two soldiers; on the left, a middle-aged man who has lost an eye, an arm and a leg; on the right, a young man peering at the other through an eye-glass."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numberd "V. 2" in the upper left corner and "11" in the upper right corner of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Military uniforms -- Spying glasses -- Wooden legs., Second of two plates on leaf 30., and 1 print : etching on laid paper ; plate mark 17.7 x 24.7 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. May 1, 1773, accord. to act by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Soldiers, Veterans, Hand lenses, Eye patches, Amputees, and Peg legs
Leaf 30. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two soldiers; on the left, a middle-aged man who has lost an eye, an arm and a leg; on the right, a young man peering at the other through an eye-glass."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numberd "V. 2" in the upper left corner and "11" in the upper right corner of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Military uniforms -- Spying glasses -- Wooden legs., and Watermark, partially trimmed: Strasburg bend with initials L V G below.
Publisher:
Pub. May 1, 1773, accord. to act by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Soldiers, Veterans, Hand lenses, Eye patches, Amputees, and Peg legs
"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., Subject identified on mat below image., Watermark: Curtels & Sons., 1 print : etching ; plate mark 26.6 x 28.7 cm, on sheet 29 x 32 cm., and On laid paper, hand-colored, matted to 47 x 63 cm.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., and Watermark: Strasburg bend with initials C & S below.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
Title from item., Companion print to his "Young ladies" published also in 1798., Temporary local subject terms: Old men -- Furniture: garden bench -- Literature: Chesterfield, Philip Dorner Stanhope, Letters -- Quizzing glasses -- Male dress: spencer., and Watermark: John Hall 1805.
A group of fashionably dressed elderly gentlemen engage in a range of activities including reading aided by magnifying lenses, browsing newspapers, and gazing into mirrors. A placard on the wall reads: Young gentlemen instructed in fashionable accomplishments
Description:
Title and date based on Laurie & Whittle published etching after this drawing. and For further information, consult library staff.
Subject (Topic):
Older people, Newspapers, Mirrors, Bachelors, and Hand lenses
Title devised by curator. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Physical diagnosis, Hand lenses, Medicines, Tongues, Sick persons, and Physicians