"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published 10 January 1796 by Thomas Macklin., Sheet trimmed within plate mark., and Temporary local subject terms: Quizzing -- Dutchmen.
Publisher:
Published Jany. 1, 1809 by J. Deeley, 95 Berwick St. Soho
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
Volume 2, page 95. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a reissue published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 95 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
Title etched below image., Title above image: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry -- Quizzing glasses -- Walking staves -- Bludgeons., and Watermark: J Whatman.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Earrings, Hand lenses, and Staffs (Sticks)
"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., and Watermark: Strasburg bend with initials C & S below.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., Subject identified on mat below image., Watermark: Curtels & Sons., 1 print : etching ; plate mark 26.6 x 28.7 cm, on sheet 29 x 32 cm., and On laid paper, hand-colored, matted to 47 x 63 cm.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors