Holograph catalogue of Philip Stanhope, Earl of Chesterfield's library at Ethrope. The manuscript begins with an explanation of the shelving system at the library, followed by an index to the volume which divides the work by book size and language. ...
Description:
In English.
Subject (Geographic):
Great Britain and England
Subject (Name):
Betterton, Thomas, 1635?-1710., Cervetto, Giacobbe, 1682-1783., Chesterfield, Philip Stanhope, Earl of, 1755-1815., Darly, Matthias., Dryden, John, 1631-1700., Duck, Stephen, 1705-1756., Edwards, A., Hogarth, William, 1697-1764., and Walpole, Horace, 1717-1797.
Subject (Topic):
Collectors and collecting, Nobility, Books and reading, Private libraries, and Intellectual life
An attractive young woman in country attire is shown arriving in the yard of the Bell Inn, London. An old woman approaches as a man watches from the doorway of the inn, his servant peaking out from behind him. A wagon with other country girls under t...
Alternative Title:
Harlot's progress. Plate 1
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out ...
Description:
Title from captions written each image.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
New Dunciad done with a view of the fluctuating ideas of taste and New Dunciad done with a view of fixing the fluctuating ideas of taste
Description:
Title etched above image. The word "fixing" in the title is deliberately scratched out by the artist; "[the]" represents the brevigraph sometimes mis-transcribed "ye".
New Dunciad done with a view of the fluctuating ideas of taste and New Dunciad done with a view of fixing the fluctuating ideas of taste
Description:
Title etched above image. The word "fixing" in the title is deliberately scratched out by the artist; "[the]" represents the brevigraph sometimes mis-transcribed "ye".
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting ...
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
The central figure of this satire is Lord Bute who stands on a chest labeled "Treasure Box". He is surrounded by his supporters, including Hogarth, and other members of the administration, Smollett, Murphy, Bedford, Dashwood, Townshend, Talbot, Kirby,...
Alternative Title:
Set of blocks for Hogarth's wigs
Description:
Title engraved above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Townshend, Charles, 1725-1767, Talbot, William Talbot, Earl, 1710-1782, Hogarth, William, 1697-1764, and Kirby, Joshua, 1716-1774
Subject (Topic):
Taxation, Seven Years' War, 1756-1763, Anglo-French War, 1755-1763, Barbers, Engravers, Devil, and Wigs
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
Bound portfolio of 67 prints by William Hogarth. According to Ronald Paulson it was assembled in 1753, possibly by Hogarth himself for his friend Bishop Hoadly. Formerly held in a library in Winchester, Hoadly's diocese. The first sheet is the portrai...
Description:
Title assigned by cataloger.
Subject (Name):
Hoadly, Benjamin, 1676-1761, and Hogarth, William, 1697-1764.
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, i...
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, i...
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
The harlot is shown in her bedroom after she has lost the protection of the Jew. She is seated on the side of the bed, only partially dressed, waiting to be served breakfast by her slatternly attendant. A kitten plays at her feet as she swings a man's...
Alternative Title:
Harlot's progress. Plate 3
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
A loose plagiary (reversed) after Hogarth's plate 7 in the Rake's Progress series; a room in the Fleet Prison; Tom sits at a table to left, on which is a rejection letter from John Rich to whom he has submitted a play; his old wife brandishing her fis...
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Murphy, Arthur, 1727-1805, Hogarth, William, 1697-1764, Johnson, Samuel, 1709-1784, and Tower of London (London, England)
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Murphy, Arthur, 1727-1805, Hogarth, William, 1697-1764, Johnson, Samuel, 1709-1784, and Tower of London (London, England)
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat...
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat...
A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coin...
Description:
Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend."
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats...
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats...
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats...
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The...
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Having been released from Bridewell Prison, the harlot is shown in a squalid bed-chamber, wrapped in a long sheet and seated in a chair by the fire, her head resting against a pillow in a swoon. Her dismayed attendant turns for help from the two docto...
Alternative Title:
In a high salivation and at the point of death
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Bedrooms, Physicians, Prostitutes, Servants, and Sick persons
"Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Covent Garden (London, England),, England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Fighting, Intoxication, Rake's progress, Watchmen, and Women
Portrait after a self-portrait; half-length in an oval frame, directed to right, looking towards the viewer, arms at his sides, wearing a plain coat buttoned at the waist, a white cravat and tricorn over a shoulder-length wig
Description:
Title etched below image.
Publisher:
Published according to act of Parliament, June 1781, and sold by C. Townley, Arlington Street, Piccadilly
Envelope illustrated on the left with scenes of drunkenness taken from the William Hogarth print "Gin Lane" (1751) and on the right, a scene of sobriety, a couple at home surrounded by two small children, one of whom is in cradle at their feet with a ...
Alternative Title:
Intoxicating drinks are the bane and curse of society
Description:
Title from item.
Publisher:
Agents Paton & Ritchie, Ednir.; William Tweedle, 337 Strand, London; William Bremner, 11 Market Street, Manchester
A manuscript invoice with fifty-four entries listing Hogarth prints and bound volumes sold to Mrs. Hogarth, William Hogarth's widow, by John Boydell between 28 November 1782 and 15 November 1784. The list includes many of his most important works, wit...
Description:
In English.
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, Jane, 1711?-1789.
William Hogarth shown above text in a chinoiserie frame. Two examples of prints in the foreground: one of Cupid with "C. Vanloo Pinx't" and "B. Clowes sc" below the image, the other with title "Petite vue d'Hollande."
Alternative Title:
Portrait of Hogarth
Description:
Title from item.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Cupid (Roman deity)
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor,...
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image.
Publisher:
J. and J. Boydell?
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor,...
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image.
Publisher:
Pubd. Jun 4, 1796 by J. & J. Boydell, No. 90 Cheapside & at the Shakespeare Gallery, Pall Mall, London
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text in frame encicling the portrait.
Publisher:
Publish'd according to act of Parliament by r. Sayer opposite Fetter Lane
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the c...
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the c...
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding ...
Alternative Title:
Gate of Calais
Description:
Title engraved below image.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
A broadside satirizing William Hogarth and his print "The Times plate 1" and a reply to Henry Howard's song "The Queen's Ass"; with an etching showing an ass with a human head representing Hogarth
A broadside satirizing William Hogarth and his print "The Times plate 1" and a reply to Henry Howard's song "The Queen's Ass"; with an etching showing an ass with a human head representing Hogarth
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, hol...
Description:
Title engraved above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, hol...
Description:
Title engraved above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech ...
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech ...
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
Kinnaird 76K(a) Box 115
Image Count:
1
Resource Type:
still image
Abstract:
Satire on Hogarth's 'Analysis of Beauty'; an impression with letterpress on the verso with a parody proposal to the public to publish an analysis of the sun
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
754.00.00.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
Satire on Hogarth's 'Analysis of Beauty'; an impression with letterpress on the verso with a parody proposal to the public to publish an analysis of the sun
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
754.00.00.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
Satire on Hogarth's 'Analysis of Beauty'; an impression with letterpress on the verso with a parody proposal to the public to publish an analysis of the sun
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, collector
Published / Created:
[1732-1764]
Call Number:
Folio 75 H67 764 (Oversize)
Image Count:
76
Abstract:
A collection compiled by Queen Charlotte of 84 Hogarth engravings including: Hogarth painting the Comic Muse; A Harlot's Progress; The Rake's Progress; Marriage a-la-mode; Morning, Noon, Evening, Night, Before, After; A Midnight Modern Conversation; T...
Alternative Title:
Hogarth's works
Description:
Title assigned by cataloger.
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818. and Hogarth, William, 1697-1764.
Copy of the first state of William Hogarth's subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and one, along with a satyr, lifting the shift of a sculpture of many-breasted Diana of Ephesus. Enscribed...
Description:
Title etched below image.
Publisher:
Publish'd April 23d, 1782 Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Bute, John Stuart, Earl of, 1713-1792., Hogarth, William, 1697-1764, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, and St. James's Palace (London, England)
Bute, John Stuart, Earl of, 1713-1792., Hogarth, William, 1697-1764, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, and St. James's Palace (London, England)
A group of four persons-- the Princess of Wales, Earl of Bute, the Queen, and the King-- stand up and dance before five courtiers who sit, three along the wall on the left, two along the wall on the right. A bagpiper on the left plays, with the words...
Alternative Title:
Windsor minuet 1762
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Hogarth, William, 1697-1764.
A group of four persons -- the Princess of Wales, Earl of Bute, the Queen, and the King -- stand up and dance before five courtiers who sit, three along the wall on the left, two along the wall on the right. A bagpiper on the left plays, with the wor...
Alternative Title:
Windsor minuit 1762 and Windsor minuet 1762
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Hogarth, William, 1697-1764.
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to res...
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to res...
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wal...
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wal...
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wal...
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures, which are to be sold on the last day of this month
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. T...
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Hogarth 762.10.00.03 Box 111
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. T...
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. T...
Alternative Title:
Boot and the block-head and Boot and the blockhead
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Hogarth 762.10.23.01 Box 111
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. T...
Alternative Title:
Boot and the block-head and Boot and the blockhead
Description:
Title etched above image.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; hi...
Description:
Title from text above image.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
