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1. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Kinnaird 21K Box 305
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., and The print has been touched in red ink by Hogarth(?).
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]
2. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., This impression, face and chest of woman is printed in reddish ink; the man's hands printed in blue., and On page 92 in volume 1. Sheet 488 x 393 mm.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]
3. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Lock on wife's forehead added in ink., and On page 113 in volume 2. Sheet trimmed to: 38.6 x 45.6 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
4. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Kinnaird 14K Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., and Image 'touched': Stray hair and lock added in ink, presumably by Hogarth.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
5. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
6. [Evening] [graphic].
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > [Evening] [graphic].
7. The bruiser, C. Churchill (once the Revd.!) in the character of a Russian Hercules, regaling himself after having kill'd the monster Caricatura that so sorely gall'd his virtuous friend the heaven born Wilkes / [graphic]
- Creator:
- Bell, A., printmaker
- Published / Created:
- publish'd according to act of Parliament, August 1, 1763.
- Call Number:
- Hogarth 763.00.00.62 Box 111
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace"--British Museum onlne catalogue
- Description:
- Title engraved below image., Text below title: "But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye.", "From the original print designed & engraved by Mr. Hogarth.", Copy of no. 4084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and For a discussion of this image see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 215.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
- Subject (Topic):
- Bears, Dogs, and Caricatures
- Found in:
- Lewis Walpole Library > The bruiser, C. Churchill (once the Revd.!) in the character of a Russian Hercules, regaling himself after having kill'd the monster Caricatura that so sorely gall'd his virtuous friend the heaven born Wilkes / [graphic]
8. Going to court he's arrested at St. James's Gate [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.20+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Saint James Westminster, London, England : Parish),
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
- Found in:
- Lewis Walpole Library > Going to court he's arrested at St. James's Gate [graphic].
9. He and his drunken companions raise a riot in Covent Garden [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.19+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38341i., Date of publication from Paulson and the British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title: Young Ramble, without witt or dread, Does non a drunken party head ... Uplifted staves, drawn swords oppose, And stabs are well repaid with blows., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 43 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Covent Garden (London, England),, England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Fighting, Intoxication, Rake's progress, Watchmen, and Women
- Found in:
- Lewis Walpole Library > He and his drunken companions raise a riot in Covent Garden [graphic].
10. Invoice listing prints and bound volumes delivered to Mrs. Hogarth : [London], 1782 November 28-1784 November 15.
- Creator:
- Boydell, John, 1719-1804
- Call Number:
- LWL Mss File 2
- Image Count:
- 1
- Resource Type:
- unspecified
- Abstract:
- A manuscript invoice with fifty-four entries listing Hogarth prints and bound volumes sold to Mrs. Hogarth, William Hogarth's widow, by John Boydell between 28 November 1782 and 15 November 1784. The list includes many of his most important works, with prices charged, including "Hogarth moraliz'd", "Garrick", "March to Finley", "Marriage a la mode", "Strolling actresses dressing in a barn", "Wilkes", "Rake's progress", "Four stages of cruelty", etc. Two entries are added at the end by Boydell with a note: "My Bill del'd. Jan. 3. 1784 [i.e., 1785?]."
- Description:
- In English., Title devised by cataloger. Text at top of sheet: "1782 Mr. Boydell dr. to Mrs. Hogarth.", List in an unidentified hand except the last few lines which have been indentified as that of Boydell., and For further information, consult library staff.
- Subject (Geographic):
- Great Britain.
- Subject (Name):
- Hogarth, William, 1697-1764. and Hogarth, Jane, 1711?-1789.
- Subject (Topic):
- Print dealers
- Found in:
- Lewis Walpole Library > Invoice listing prints and bound volumes delivered to Mrs. Hogarth : [London], 1782 November 28-1784 November 15.
11. The combat [graphic].
- Creator:
- Burgess, Thomas, approximately 1730-1791, printmaker
- Published / Created:
- [1754?]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
- Description:
- Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and On page 295 in volume 3. Formerly dated "1762" in local card catalog.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
- Subject (Topic):
- Artists, Journalists, Supernatural beings, and Peacocks
- Found in:
- Lewis Walpole Library > The combat [graphic].
12. The combat [graphic].
- Creator:
- Burgess, Thomas, approximately 1730-1791, printmaker
- Published / Created:
- [1754?]
- Call Number:
- 754.00.00.03
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
- Description:
- Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and Contemporary inscription in lower margin identifies Hogarth as the subject: Hogarth is here introduced with many [illegible].
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
- Subject (Topic):
- Artists, Journalists, Supernatural beings, and Peacocks
- Found in:
- Lewis Walpole Library > The combat [graphic].
13. Queen Charlotte's collection of Hogarth works [graphic].
- Creator:
- Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, collector
- Published / Created:
- [1732-1764]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Image Count:
- 76
- Abstract:
- A collection compiled by Queen Charlotte of 84 Hogarth engravings including: Hogarth painting the Comic Muse; A Harlot's Progress; The Rake's Progress; Marriage a-la-mode; Morning, Noon, Evening, Night, Before, After; A Midnight Modern Conversation; The Distrest Poet; The Enraged Musician; Southwark Fair; Garrick in the Character of Richard III; The Gate of Calais; Sullivan's Paul before Felix; Paul before Felix; Moses brought to Pharaoh's Daughter; The March to Finchley; Strolling Actresses Dressing in a Barn; An Election Entertainment; Canvassing for Votes; The Polling; Chairing the Members; Bishop Hoadly; Industry and Idleness, plates 1- 12; Simon Lord Lovat; John Wilkes; The Stage-Coach, or The Country Inn Yard; Paul before Felix Burlesqued; A Chorus of Singers; The Company of Undertakers; The Laughing Audience; Scholars at a Lecture; The Five Orders of Periwigs; The Bench; Characters and Caricatures; Frontispiece to the Catalogue; Tailpiece to the Catalogue; Columbus Breaking the Egg; Time Smoking a Picture; The Times, Plates I and II; The Bruiser; Beer Street; Gin Lane; First Stage of Cruelty; Second Stage of Cruelty; Cruelty in Perfection; The Reward of Cruelty; The Invasion, Plate I France and Plate II England; The Cockpit; Credulity, Superstition, and Fanaticism; Tailpiece, or The Bathos
- Alternative Title:
- Hogarth's works
- Description:
- Title assigned by cataloger., Bound according to Her Majesty's direction in three-quarter calf with marble boards, with black leather spine label and gold lettering: Hogarth's works., and For further information consult library staff.
- Subject (Name):
- Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818. and Hogarth, William, 1697-1764.
- Found in:
- Lewis Walpole Library > Queen Charlotte's collection of Hogarth works [graphic].
14. [The Buff Club, at the Pig & Whistle, Avon Street, Bath] [graphic].
- Creator:
- Cruikshank, Robert, 1789-1856, printmaker
- Published / Created:
- [1826]
- Call Number:
- Folio 75 C9 824 no. 24
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Scene in a crowded room lit by a few guttering candles, 'far exceeding in profligacy and dissipation' anything depicted by R obert Cruikshank in St. Giles. Men and women fight, drink, and smoke. An old soldier fiddles, a woman beats a drum for dancers who are almost hidden but apparently naked. Cruikshank stands on a table, pouring gin from a large tankard inscribed 'R.C' into raised glasses. One prostitute squirts liquid from her mouth at another, a third pulls on her stockings, incidents taken from Hogarth's 'Rake's Progress' (plate iii). 'Blackmantle' watches the fight, smoking a long pipe. On the walls are placards: 'No trust' and 'Pig and Whistle: Rules of the Club." British Museum catalogue
- Alternative Title:
- Buff Club, at the Pig and Whistle, Avon Street, Bath
- Description:
- Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15232 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 386.
- Publisher:
- Sherwood & Co.
- Subject (Name):
- Cruikshank, Robert, 1789-1856, and Hogarth, William, 1697-1764.
- Subject (Topic):
- Clubhouses, Crowds, Dance, Eating & drinking, Fighting, Intoxication, Musicians, Pipes (Smoking), Prostitutes, Smoking, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > [The Buff Club, at the Pig & Whistle, Avon Street, Bath] [graphic].
15. Pug the painter following the example of Messrs. Scumble, Asphaltum, &c. Varnish ; O imitatores servum pecus. [graphic]
- Creator:
- Dawe, Philip, printmaker
- Published / Created:
- [1754]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
- Description:
- Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., See Paulson, R. Hogarth's graphic works (3rd ed.), page 155., and On page 292 in volume 3. Sheet trimmed to: 28.6 x 21.2 cm.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764
- Subject (Topic):
- Painting, Monkeys, and Owls
- Found in:
- Lewis Walpole Library > Pug the painter following the example of Messrs. Scumble, Asphaltum, &c. Varnish ; O imitatores servum pecus. [graphic]
16. Pug the painter following the example of Messrs. Scumble, Asphaltum, &c. Varnish ; O imitatores servum pecus. [graphic]
- Creator:
- Dawe, Philip, printmaker
- Published / Created:
- [1754]
- Call Number:
- Hogarth 754.00.00.03 Box 110
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
- Description:
- Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., and See Paulson, R. Hogarth's graphic works (3rd ed.), page 155.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764
- Subject (Topic):
- Painting, Monkeys, and Owls
- Found in:
- Lewis Walpole Library > Pug the painter following the example of Messrs. Scumble, Asphaltum, &c. Varnish ; O imitatores servum pecus. [graphic]
17. William Hogarth [graphic]
- Creator:
- Dent, William, active 1783-1793, printmaker
- Published / Created:
- [not after 1793]
- Call Number:
- Hogarth 790.00.00.03 Box 115
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy of Hogarth's self-portrait; he is painting Thalia, the Comic Muse who holds a satyr's mask in her left hand and a book in her right hand. After the state without "Comedy 1764" on the pillar. Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife; the pot of oil on the floor in front of the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a volume with a print protruding from its pages and no title (in the original it is identified as "Analysis of Beauty").
- Description:
- Title engraved below image. and Date from other prints by Dent in the British Museum online catalogue.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764,
- Subject (Topic):
- Painting, Muses (Greek deities) in art, Artists, and British
- Found in:
- Lewis Walpole Library > William Hogarth [graphic]
18. Marriage à la mode. engraved from the original plate / [graphic] : Plate II
- Creator:
- Earlom, Richard, 1743-1822, printmaker
- Published / Created:
- [1796?]
- Call Number:
- Hogarth 796.06.04.01.2++ Box 310
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à la mode. Pl. II
- Description:
- Title and plate number etched below image., Later state with imprint and dimensions burnished out., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6; this plate referred to as "The breakfast scene"., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
- Publisher:
- J. and J. Boydell?
- Subject (Geographic):
- England
- Subject (Name):
- Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
- Subject (Topic):
- Interiors, Marriage, and Spouses
- Found in:
- Lewis Walpole Library > Marriage à la mode. engraved from the original plate / [graphic] : Plate II
19. Marriage à la mode. engraved from the original plate / [graphic] : Plate II
- Creator:
- Earlom, Richard, 1743-1822, printmaker
- Published / Created:
- [4 June 1796]
- Call Number:
- Hogarth 796.06.04.01++ Impression 1 Box 310
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à la mode. Pl. II
- Description:
- Title and plate number etched below image., Sheet trimmed to plate mark., In lower left corner: Size of picture 3 ft. x 2 ft. 4 in., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6 images; this one known as "The breakfast scene.", and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
- Publisher:
- Pubd. Jun 4, 1796 by J. & J. Boydell, No. 90 Cheapside & at the Shakespeare Gallery, Pall Mall, London
- Subject (Geographic):
- England
- Subject (Name):
- Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
- Subject (Topic):
- Interiors, Marriage, and Spouses
- Found in:
- Lewis Walpole Library > Marriage à la mode. engraved from the original plate / [graphic] : Plate II
20. A catalogue of the library of the right honble earl of Chesterfield, at Ethrope, Bucks., 1778 Jun
- Creator:
- Edwards, A.
- Call Number:
- LWL Mss Vol. 80
- Image Count:
- 65
- Resource Type:
- unspecified
- Abstract:
- Holograph catalogue of Philip Stanhope, Earl of Chesterfield's library at Ethrope. The manuscript begins with an explanation of the shelving system at the library, followed by an index to the volume which divides the work by book size and language. The entries for each book include information about their shelving position and date published, and include historical, scientific, artistic, and literary works, as well as works on law and architecture. Holdings include biblical commentaries; John Dryden's plays; poems by Stephen Duck; numerous collections of prints and drawings, including William Hogarth's Collection of Prints and Darly's Collection of Caricatures; dictionaries in English, Italian, and French; Thomas Betterton's History of the English stage; and Horace Walpole's History of the royal and noble authors. The manuscript also includes several collections of musical works, including Cervetto's 6 Solos for the violincello and bass
- Description:
- In English., A note in the preface declares that "this Catalogue was taken in June 1778 by A. Edwards, no. 79 New Bond St. London.", Title from title page., Marbled endpapers., Binding: full red morocco. In gilt on spine: Catalogue Of The Library At Ethrope., and For further information, consult library staff.
- Subject (Geographic):
- Great Britain and England
- Subject (Name):
- Betterton, Thomas, 1635?-1710., Cervetto, Giacobbe, 1682-1783., Chesterfield, Philip Stanhope, Earl of, 1755-1815., Darly, Matthias., Dryden, John, 1631-1700., Duck, Stephen, 1705-1756., Edwards, A., Hogarth, William, 1697-1764., and Walpole, Horace, 1717-1797.
- Subject (Topic):
- Collectors and collecting, Nobility, Books and reading, Private libraries, and Intellectual life
- Found in:
- Lewis Walpole Library > A catalogue of the library of the right honble earl of Chesterfield, at Ethrope, Bucks., 1778 Jun