Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered i...
Alternative Title:
William Hogarth, engraver Hogarth's shop card
Description:
Title etched within image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Perrins, Charles William Dyson, 1864-1958
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
A group made up mostly of woman gather round the coffin of the harlot in the center of the room. The young boy, the harlot's son, sits beside it on the floor. Many of the women are weeping, but others are engaged in flurtations with the undertaker and...
Alternative Title:
Harlot's progress. Plate 6
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Funeral rites & ceremonies, and Prostitutes
Having been released from Bridewell Prison, the harlot is shown in a squalid bed-chamber, wrapped in a long sheet and seated in a chair by the fire, her head resting against a pillow in a swoon. Her dismayed attendant turns for help from the two docto...
Alternative Title:
In a high salivation and at the point of death
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Bedrooms, Physicians, Prostitutes, Servants, and Sick persons
A scene in Bridewell Prison with the harlot and other prisoners shown beating hemp, the warder standing over her, prodding her. They stand under a sign that reads "Better to work than stand thus."
Alternative Title:
In the Bridewell beating hemp, with many others in the like circumstances
Description:
Printer's statement from Plate I of the series.
Publisher:
Printed for John Bowles at Mercer's Hall in Cheapside
The harlot is shown in her bedroom after she has lost the protection of the Jew. She is seated on the side of the bed, only partially dressed, waiting to be served breakfast by her slatternly attendant. A kitten plays at her feet as she swings a man's...
Alternative Title:
Harlot's progress. Plate 3
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Mary Hackabout, now become a harlot and mistress of a wealthy London Jew, kicks over a tea table to divert his attention from the presence of her younger lover when he arrives unexpectedly. A monkey and young black servant boy look on the scene with f...
Alternative Title:
Harlot's progress. Plate 2
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
An attractive young woman in country attire is shown arriving in the yard of the Bell Inn, London. An old woman approaches as a man watches from the doorway of the inn, his servant peaking out from behind him. A wagon with other country girls under t...
Alternative Title:
Harlot's progress. Plate 1
Description:
Title from caption above image.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and y...
Description:
Title, state and date from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, collector
Published / Created:
[1732-1764]
Call Number:
Folio 75 H67 764 (Oversize)
Image Count:
76
Abstract:
A collection compiled by Queen Charlotte of 84 Hogarth engravings including: Hogarth painting the Comic Muse; A Harlot's Progress; The Rake's Progress; Marriage a-la-mode; Morning, Noon, Evening, Night, Before, After; A Midnight Modern Conversation; T...
Alternative Title:
Hogarth's works
Description:
Title assigned by cataloger.
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818. and Hogarth, William, 1697-1764.
Bound portfolio of 67 prints by William Hogarth. According to Ronald Paulson it was assembled in 1753, possibly by Hogarth himself for his friend Bishop Hoadly. Formerly held in a library in Winchester, Hoadly's diocese. The first sheet is the portrai...
Description:
Title assigned by cataloger.
Subject (Name):
Hoadly, Benjamin, 1676-1761, and Hogarth, William, 1697-1764.
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen...
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen...
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen...
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautifu...
Alternative Title:
New to [ye] school of hard mishap, driven from [the] ease of Fortune's lap ... New to ye school of hard mishap, driven from ye ease of Fortune's lap
A loose plagiary (reversed) after Hogarth's eighth plate in the Rake's Progress series: A scene in Bedlam with Tom half-naked and in a state of distress restrained by attendants; two women revive a fainting Sarah Young (right). Tom's old wife looks at...
Alternative Title:
Soon hurried thro' a course of vice ...
Description:
Title from original as cited by Paulson. Added titel from first line of verse etched below image. Verses (in four columns six lines each) continue: " ... with sots & panders, whores & dice, his mind by jarring passions tost ... with superstitions fear...
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, Parables, and Rake's progress
A loose plagiary (reversed) after Hogarth's plate 7 in the Rake's Progress series; a room in the Fleet Prison; Tom sits at a table to left, on which is a rejection letter from John Rich to whom he has submitted a play; his old wife brandishing her fis...
A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coin...
Description:
Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend."
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen...
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
"Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Covent Garden (London, England),, England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Fighting, Intoxication, Rake's progress, Watchmen, and Women
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
A subscription ticket for "A Rakes's Progress"and "Southwark Fair". "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl an...
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum" added by Hogarth in ink. He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the c...
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat...
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the c...
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat...
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat...
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn.
Portrait after a self-portrait; half-length in an oval frame, directed to right, looking towards the viewer, arms at his sides, wearing a plain coat buttoned at the waist, a white cravat and tricorn over a shoulder-length wig
Description:
Title etched below image.
Publisher:
Published according to act of Parliament, June 1781, and sold by C. Townley, Arlington Street, Piccadilly
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas Characters and caricaturas
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas Characters and caricaturas
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas Characters and caricaturas
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas Characters and caricaturas
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael U...
Alternative Title:
3 characters. 4 caricaturas Three characters. Four caricaturas
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bon...
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Ha...
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
William Hogarth shown above text in a chinoiserie frame. Two examples of prints in the foreground: one of Cupid with "C. Vanloo Pinx't" and "B. Clowes sc" below the image, the other with title "Petite vue d'Hollande."
Alternative Title:
Portrait of Hogarth
Description:
Title from item.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Cupid (Roman deity)
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
A portrait of Hogarth in profile, looking left, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text above image.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard
