A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coin...
Description:
Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend."
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
"Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Covent Garden (London, England),, England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Fighting, Intoxication, Rake's progress, Watchmen, and Women
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably ...
Description:
Title engraved below image.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Churchill (right) in the form of a huge bear, wearing clerical neck-bands, as in Hogarth's "The Bruiser", turns a snarling fiercely at a small dog (Hogarth) like his Trump. The bear has one raised paw and the other rests on a piece of paper entitled ...
Alternative Title:
Poet and the painter
Description:
Title and date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
Churchill, Charles, 1731-1764 and Hogarth, William, 1697-1764
Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding ...
Alternative Title:
Gate of Calais
Description:
Title engraved below image.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
"A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I ca...
Alternative Title:
Mercifull example of Quaerism at Brighton Merciful example of Quakerism at Brighton
Description:
Title etched below image.
Publisher:
Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
Envelope illustrated on the left with scenes of drunkenness taken from the William Hogarth print "Gin Lane" (1751) and on the right, a scene of sobriety, a couple at home surrounded by two small children, one of whom is in cradle at their feet with a ...
Alternative Title:
Intoxicating drinks are the bane and curse of society
Description:
Title from item.
Publisher:
Agents Paton & Ritchie, Ednir.; William Tweedle, 337 Strand, London; William Bremner, 11 Market Street, Manchester
