Photographs by C. C. Pierce, G. Wharton James, and Frank H. Nowell of Navajo, Hopi, Pima, Havasupai, Flathead and Seminole Indians. Included are views of cliff dwellings, villages, and kivas and photographs of weaving, pottery making and other activities in Shipolovi, Shongopovi, and Mishongnovi pueblos, and views of the Grand Canyon of Arizona. In New Mexico, views include an old church and the feast of St. Stephen at Acoma, and the village of Laguna and In Colorado, there is one photograph of the Cliff Palace in Marcus Canyon. In Montana, the photographs consist entirely of portraits of Flathead Indian families, chiefs, and warriors. There is one photograph of Alaskan basketry, and a single portrait of the Seminole chief Billy Bowlegs in Florida
Description:
Photographs are mounted on boards, and are accompanied by typescript captions. Six photographs are accompanied by maps of Navajo, Hopi, Havasupai, Flathead and Seminole Indian Reserves. A single print has extensive hand coloring.
Subject (Geographic):
Arizona, Grand Canyon (Ariz.), Acoma (N.M.), Laguna (N.M.), Walpi (Ariz.), and Oraibi (Ariz.)
Subject (Name):
Hotte, Arthur.
Subject (Topic):
Indians of North America, Navajo Indians, Salish Indians, Pima Indians, Seminole Indians, Hopi Indians, Pueblo Indians, Rites and ceremonies, Kivas, Pueblos, Snake dance, Indian baskets, and Cliff-dwellings
Print shows a Blackfoot (Siksika) Native American man on horseback, carrying a long gun, and looking back toward another rider. He is wearing moccasins, leggings, animal hide clothing, and has feathers in his hair
Alternative Title:
Indien Pieds Noir a cheval and Blackfoot Indian on horse-back
Description:
Title from caption below image. and Print published in Wied, Maximilian, Prinz von, 1782-1867. Travels in the interior of North America (London: Ackermann and co., 1843); volume 1, plate 19.
Publisher:
Ackerman & Co., J. Hölscher, Arthus Bertrand, and Imp. de Bougeard
Subject (Topic):
Siksika Indians, Indians of North America, and Horses
Reproduction of a painting by Seth Eastman that depicts in the foreground two Native Americans on horseback, one with a long gun, the other with bow and arrow, hunting buffalo. In the background, the scene is of the riverine plains. The upper three-quarters of the image are of sky
Description:
Title from caption below image. and Below image, centered: Pl. 9.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Print shows miners, Caucasians, Native American men, one African-American man, and one woman; panning and digging for gold along the Sacramento River in California. Some figures at left are seen holding gold nuggets in their hands; others at right are fighting; miners using various tools including baskets, gold pans, shovels, picks and cradles; mining camp and rolling hills in distance
Description:
BEIN WA Prints +204: On sheet 29 x 37 cm. and At foot of print: 370.
Publisher:
Kelloggs and Comstock and Ensign and Thayer
Subject (Geographic):
California and Sacramento River (Calif.)
Subject (Topic):
Gold miners, Gold panning, Indians of North America, African Americans, and Gold discoveries
Print shows miners, Caucasians, Native American men, one African-American man, and one woman; panning and digging for gold along the Sacramento River in California. Some figures at left are seen holding gold nuggets in their hands; others at right are fighting; miners using various tools including baskets, gold pans, shovels, picks and cradles; mining camp and rolling hills in distance
Description:
BEIN WA Prints +205: On sheet 29 x 37 cm. and At foot of print: 370.
Subject (Geographic):
California, Sacramento River (Calif.), and Sacramento River.
Subject (Topic):
Gold miners, Gold panning, African Americans, Indians of North America, and Gold discoveries
Cartes-de-visite photographs created by photographers in the United States and Canada of Indians of North America, ca. 1860-1875. Images consist chiefly of portraits depicting men in traditional clothing, with a few examples of women and children. Tribal groups represented include Dakota, Fox, Navajo, Paiute, Paloos, Sauk, Shoshoni, Ute, and Yankton. Identified individuals include Spotted Tail, a Dakota chief; and Wolf Necklace (Harlish Washshomake), a Paloos chief. Another identified image consists of a copy photograph of a painting of Keokuk based on a daguerreotype made by Thomas Easterly in 1847 and Photographers and galleries represented include: A. W. Barker, Ottawa, Kansas; W. P. Bliss, Photographic Car; Charles Williams Carter, Salt Lake City, Utah; John N. Choate, Carlisle, Pennsylvania; William R. Cross, Niobrara, Nebraska; Duffin & Caswell, Winnipeg, Manitoba; Howard, Fort Bridger, Wyoming; Jackson Brothers Photography, Omaha, Nebraska; S. Park, Brantford, Ontario; Charles Roscoe Savage, Salt Lake City, Utah; Smith, Peabody, Kansas; A. W. Witherell, Keokuk, Iowa
Description:
Title devised by cataloger.
Subject (Name):
Barker, Anthony, 1930-, Bliss, W. P., Carter, Charles Williams., Choate, John N., Cross, W. R. (William R.), Hamilton, C. L., Jackson, William Henry, 1843-1942., Keokuk, Sauk chief, 1780?-1848., Mautz, Carl., Savage, C. R. 1832-1909. (Charles Roscoe),, Spotted Tail, 1823-1881., Witherell, A. W., Duffin & Caswell., and Jackson Brothers Photography.
Subject (Topic):
Dakota Indians, Fox Indians, Indians of North America, Navajo Indians, Paiute Indians, Paloos Indians, Sauk Indians, Shoshoni Indians, Ute Indians, and Yankton Indians
Informal carte-de-visite photographs probably created by James L. Cotter documenting Inuit people and dwellings probably in the vicinity of the eastern coast of Hudson Bay or Belcher Islands, Canada, ca. 1867-1870. Images documenting the traditional costume of the Inuits include an informal portrait of a girl, in addition to group portraits of three women and two men and another group portrait of over sixty children, women, and men. Images documenting Inuit dwellings include a group of men and women in front of three igloos and sitting on top of a sled, two igloos without people, and a structure similar to a tipi with a wooden door
Description:
James L. Cotter worked in various capacities from clerk to chief factor for the Hudson's Bay Company, 1857-1888., Title devised by cataloger., Manuscript inscriptions and signatures on the rectos and verso of the photographic prints., and The mount on one photographic print bears a mark for R. Smith, Port Hope and Peterborough, Ontario.
Subject (Geographic):
Hudson Bay, Canada, and Hudson Bay.
Subject (Name):
Cotter, James L., 1839-1889. and Smith, R., photographer.
Subject (Topic):
Inuit, Clothing, Indian architecture, and Indians of North America
Title from accompanying envelope., "Drawings and linoleum blocks courtesy of the Batman Gallery, San Francisco. Proceeds from the sale of this group of drawings will go to the Native American Church to help legalize the use of peyote in California for the American Indian.", and One of the prints measures 28 x 43 cm. folded to 28 x 22 cm.
Reproduction of a work by Seth Eastman from a sketch by J. H. Eaton. Depicts Fort Defiance as built in 1851-1852. In the foreground, Native Americans approach the fort in a line on horseback; within the fort, U.S. Army soldiers drill. The fort is at the foot of an escarpment. One-third of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 29.
Promotional print for Buffalo Bill's New York stage play presents the Indigenous actor He Nu Kaw as a performer in the Buffalo Bill Combination; the central female figure is in stereotypical "Indian princess" dress with bow in left hand, quiver with arrows on her back; tiara-like band with star and feathers. Vignette of villiage life to her left
Alternative Title:
Handomest Indian madien in the world and Now with the Buffalo Bill Combination
Description:
Title from caption below image. Sub-title in red ink. and At head of image: Now with the Buffalo Bill Combination.
Print shows Native Americans on horseback hunting bison with bow and arrow; central figure on a white horse; following bison running to left; other riders and bison in background of rolling, grassy hills under a large, open sky with clouds on horizon
Description:
Title from caption below image. and At foot of sheet: Engraved expressly for Grahams Magazine.
Publisher:
G.R. Graham
Subject (Topic):
American bison hunting and Indians of North America
Photographs created by F. Jay Haynes that document an excursion by President Chester A. Arthur through northwestern Wyoming to Yellowstone National Park in August 1883. Published dispatches distributed by the Associated Press about the journey are interleaved between the photographic prints on separate mounts, The party included Chester A. Arthur, President of the United States; Robert T. Lincoln, Secretary of War; Philip H. Sheridan, Lieutenant General; George G. Vest, United States Senator; Daniel G. Rollins, Surrogate of New York County, New York; Anson Stager, Brigadier General, United States Volunteers; John Schuyler Crosby, Governor of Montana; Michael V. Sheridan, Lieutenant Colonel and Military Secretary; James F. Gregory, Lieutenant Colonel and Aide-de-Camp; William P. Clark, Captain, Second Cavalry, Acting Aide-de-Camp; William Henry Forwood, Surgeon, United States Army; George G. Vest, Jr., Saint Louis, Missouri; and escorts from Troop G of the Fifth Cavalry, consisting of Captain Edward M. Hayes and Lieutenant Henry De H. Waite, Views along the route include Fort Washakie, the Wind River Valley, the Snake River Valley, Gros Ventre River, the Grand Tetons, and the Gros Ventre range, Images of Yellowstone show geysers; waterfalls; Yellowstone Lake; Mammoth Hot Springs; and the Grand Canyon of the Yellowstone, and Images depict camp sites along the route, some portraits of Shoshoni and Arapaho Indians, and two group portraits of Arthur with members of his party
Description:
Photographic prints 16 x 22 cm. and 10 x 7.5 cm. mounted on card stock., Captions in negatives., and Inscription on flyleaf states that the album was "Limited to 12 copies for [President] Arthur and party. This copy is from Senator [George G.] Vest's library."
Subject (Geographic):
Yellowstone National Park., Fort Washakie (Wyo.), Grand Canyon of the Yellowstone (Wyo.), Gros Ventre Range (Wyo.), Gros Ventre River (Wyo.), Gros Ventre River Valley (Wyo.), Mammoth Hot Springs (Wyo.), Snake River Valley (Wyo.-Wash.), Wind River Valley (Wyo.), Yellowstone Lake (Wyo.), Yellowstone National Park, and Wyoming
Subject (Name):
Arthur, Chester Alan, 1829-1886, Clark, W. P. 1845?-1884. (William Philo),, Crosby, John Schuyler, 1839-1914., Forwood, William Henry, 1838-1915., Gregory, James F., Hayes, Edward M., Haynes, F. Jay 1853-1921. (Frank Jay),, Lincoln, Robert Todd, 1843-1926., Rollins, Daniel Gustavus, 1842-1897., Sheridan, Michael V. 1840-1918 (Michael Vincent),, Sheridan, Philip Henry, 1831-1888., Stager, Anson., Vest, George Graham, Jr., Vest, George Graham, 1830-1904., Waite, Henry De H., and Associated Press.
Subject (Topic):
Journeys, Indians of North America, Shoshoni Indians, and Description and travel
Lantern slides of photographs that chiefly document an expedition led by Samuel Prescott Fay in the northern Canadian Rockies from Jasper, Alberta, to Hudson's Hope, British Columbia, from June to November 1914. The expedition received financial support from the United States Bureau of Biological Survey to collect and record wildlife species in the region, as well as determine the northern range of Rocky Mountain bighorn sheep. The lantern slides were probably created to illustrate lectures delivered by Fay in 1915, The photographs include informal portraits of expedition members, including Fay, Frederick Archibald Brewster, Charles Robert Cross, Robert Boydell Jones, and John Barnes Symes. Images of the men include depictions of camp life and activities related to the expedition, including hiking, hunting, fishing, paddling canoes, and managing a herd of twenty horses that accompanied them. Other individuals depicted include Ewan Henri Moberly, a Métis homesteader at Grande Cache, Alberta, and the family of Cree Indian Joseph Calliou at Moberly Lake, British Columbia. A few images depict unidentified American Indians, and Photographs of landscapes depict the terrain encountered by the expedition, including mountains, alpine ridges, meadows, burned over forests, rivers, and bogs. Identified sites include Grande Cache, Jarvis Pass, Kinuseo Falls, Moberly Lake, Mount Alexander, Mount Herman, Mount Ida, Murray River, Sapphire Lake, Smoky River, and Thunder Mountain, later known as Mount Cross. Several lantern slides reproduce maps of the region traversed by the expedition
Description:
Samuel Prescott Fay (1884-1971) was born in Boston, Massachusetts, and graduated from Harvard in 1907. He was an early member of the American Alpine Club and first visited the northern Canadian Rockies in 1906. From 1912 to 1914, Fay made a series of expeditions in Alberta and British Columbia. During World War I, he volunteered with the American Ambulance Field Service, and later served as a first lieutenant and aerial observer in the United States Army. After the war, he worked as a stockbroker and an investment counselor, as well as a trustee for the American Field Service. Fay died at his home in Chestnut Hill, Massachusetts., Title devised by cataloger., and Stored in 3 boxes.
Subject (Geographic):
Alberta, Alexander, Mount (B.C.), British Columbia, Canadian Rockies (B.C. and Alta.), Cross, Mount (B.C.), Grande Cache (Alta.), Herman, Mount (B.C.), Hudson's Hope Region (B.C.), Ida, Mount (B.C.), Jarvis Pass (B.C.), Jasper (Alta.), Kinuseo Falls (B.C.), Moberly Lake (B.C.), Murray River (B.C.), Peace River (B.C. and Alta.), Sapphire Lake (B.C.), Smoky River (Alta.), Yellowhead Mountain (Alta. and B.C.), and Yellowhead Pass region (Alta. and B.C.)
Subject (Name):
Brewster, Frederick Archibald, 1884-1969., Calliou, Joseph, ca. 1890-1960., Cross, Charles Robert, 1881-1915., Fay, Samuel Prescott, 1884-1971., Jones, Robert Boydell, 1893-1954., Moberly, Ewan Henri, 1859-1918., Symes, John Barnes, 1891-1917., and United States. Bureau of Biological Survey.
Subject (Topic):
Cree Indians, Indians of North America, Métis, and Rocky Mountain bighorn sheep
Lantern slides of photographs that chiefly document an expedition led by Samuel Prescott Fay in the northern Canadian Rockies from Jasper, Alberta, to Hudson's Hope, British Columbia, from June to November 1914. The expedition received financial support from the United States Bureau of Biological Survey to collect and record wildlife species in the region, as well as determine the northern range of Rocky Mountain bighorn sheep. The lantern slides were probably created to illustrate lectures delivered by Fay in 1915, The photographs include informal portraits of expedition members, including Fay, Frederick Archibald Brewster, Charles Robert Cross, Robert Boydell Jones, and John Barnes Symes. Images of the men include depictions of camp life and activities related to the expedition, including hiking, hunting, fishing, paddling canoes, and managing a herd of twenty horses that accompanied them. Other individuals depicted include Ewan Henri Moberly, a Métis homesteader at Grande Cache, Alberta, and the family of Cree Indian Joseph Calliou at Moberly Lake, British Columbia. A few images depict unidentified American Indians, and Photographs of landscapes depict the terrain encountered by the expedition, including mountains, alpine ridges, meadows, burned over forests, rivers, and bogs. Identified sites include Grande Cache, Jarvis Pass, Kinuseo Falls, Moberly Lake, Mount Alexander, Mount Herman, Mount Ida, Murray River, Sapphire Lake, Smoky River, and Thunder Mountain, later known as Mount Cross. Several lantern slides reproduce maps of the region traversed by the expedition
Description:
Samuel Prescott Fay (1884-1971) was born in Boston, Massachusetts, and graduated from Harvard in 1907. He was an early member of the American Alpine Club and first visited the northern Canadian Rockies in 1906. From 1912 to 1914, Fay made a series of expeditions in Alberta and British Columbia. During World War I, he volunteered with the American Ambulance Field Service, and later served as a first lieutenant and aerial observer in the United States Army. After the war, he worked as a stockbroker and an investment counselor, as well as a trustee for the American Field Service. Fay died at his home in Chestnut Hill, Massachusetts., Title devised by cataloger., and Stored in 3 boxes.
Subject (Geographic):
Alberta, Alexander, Mount (B.C.), British Columbia, Canadian Rockies (B.C. and Alta.), Cross, Mount (B.C.), Grande Cache (Alta.), Herman, Mount (B.C.), Hudson's Hope Region (B.C.), Ida, Mount (B.C.), Jarvis Pass (B.C.), Jasper (Alta.), Kinuseo Falls (B.C.), Moberly Lake (B.C.), Murray River (B.C.), Peace River (B.C. and Alta.), Sapphire Lake (B.C.), Smoky River (Alta.), Yellowhead Mountain (Alta. and B.C.), and Yellowhead Pass region (Alta. and B.C.)
Subject (Name):
Brewster, Frederick Archibald, 1884-1969., Calliou, Joseph, ca. 1890-1960., Cross, Charles Robert, 1881-1915., Fay, Samuel Prescott, 1884-1971., Jones, Robert Boydell, 1893-1954., Moberly, Ewan Henri, 1859-1918., Symes, John Barnes, 1891-1917., and United States. Bureau of Biological Survey.
Subject (Topic):
Cree Indians, Indians of North America, Métis, and Rocky Mountain bighorn sheep
Lantern slides of photographs that chiefly document an expedition led by Samuel Prescott Fay in the northern Canadian Rockies from Jasper, Alberta, to Hudson's Hope, British Columbia, from June to November 1914. The expedition received financial support from the United States Bureau of Biological Survey to collect and record wildlife species in the region, as well as determine the northern range of Rocky Mountain bighorn sheep. The lantern slides were probably created to illustrate lectures delivered by Fay in 1915, The photographs include informal portraits of expedition members, including Fay, Frederick Archibald Brewster, Charles Robert Cross, Robert Boydell Jones, and John Barnes Symes. Images of the men include depictions of camp life and activities related to the expedition, including hiking, hunting, fishing, paddling canoes, and managing a herd of twenty horses that accompanied them. Other individuals depicted include Ewan Henri Moberly, a Métis homesteader at Grande Cache, Alberta, and the family of Cree Indian Joseph Calliou at Moberly Lake, British Columbia. A few images depict unidentified American Indians, and Photographs of landscapes depict the terrain encountered by the expedition, including mountains, alpine ridges, meadows, burned over forests, rivers, and bogs. Identified sites include Grande Cache, Jarvis Pass, Kinuseo Falls, Moberly Lake, Mount Alexander, Mount Herman, Mount Ida, Murray River, Sapphire Lake, Smoky River, and Thunder Mountain, later known as Mount Cross. Several lantern slides reproduce maps of the region traversed by the expedition
Description:
Samuel Prescott Fay (1884-1971) was born in Boston, Massachusetts, and graduated from Harvard in 1907. He was an early member of the American Alpine Club and first visited the northern Canadian Rockies in 1906. From 1912 to 1914, Fay made a series of expeditions in Alberta and British Columbia. During World War I, he volunteered with the American Ambulance Field Service, and later served as a first lieutenant and aerial observer in the United States Army. After the war, he worked as a stockbroker and an investment counselor, as well as a trustee for the American Field Service. Fay died at his home in Chestnut Hill, Massachusetts., Title devised by cataloger., and Stored in 3 boxes.
Subject (Geographic):
Alberta, Alexander, Mount (B.C.), British Columbia, Canadian Rockies (B.C. and Alta.), Cross, Mount (B.C.), Grande Cache (Alta.), Herman, Mount (B.C.), Hudson's Hope Region (B.C.), Ida, Mount (B.C.), Jarvis Pass (B.C.), Jasper (Alta.), Kinuseo Falls (B.C.), Moberly Lake (B.C.), Murray River (B.C.), Peace River (B.C. and Alta.), Sapphire Lake (B.C.), Smoky River (Alta.), Yellowhead Mountain (Alta. and B.C.), and Yellowhead Pass region (Alta. and B.C.)
Subject (Name):
Brewster, Frederick Archibald, 1884-1969., Calliou, Joseph, ca. 1890-1960., Cross, Charles Robert, 1881-1915., Fay, Samuel Prescott, 1884-1971., Jones, Robert Boydell, 1893-1954., Moberly, Ewan Henri, 1859-1918., Symes, John Barnes, 1891-1917., and United States. Bureau of Biological Survey.
Subject (Topic):
Cree Indians, Indians of North America, Métis, and Rocky Mountain bighorn sheep
Lantern slides of photographs that chiefly document an expedition led by Samuel Prescott Fay in the northern Canadian Rockies from Jasper, Alberta, to Hudson's Hope, British Columbia, from June to November 1914. The expedition received financial support from the United States Bureau of Biological Survey to collect and record wildlife species in the region, as well as determine the northern range of Rocky Mountain bighorn sheep. The lantern slides were probably created to illustrate lectures delivered by Fay in 1915, The photographs include informal portraits of expedition members, including Fay, Frederick Archibald Brewster, Charles Robert Cross, Robert Boydell Jones, and John Barnes Symes. Images of the men include depictions of camp life and activities related to the expedition, including hiking, hunting, fishing, paddling canoes, and managing a herd of twenty horses that accompanied them. Other individuals depicted include Ewan Henri Moberly, a Métis homesteader at Grande Cache, Alberta, and the family of Cree Indian Joseph Calliou at Moberly Lake, British Columbia. A few images depict unidentified American Indians, and Photographs of landscapes depict the terrain encountered by the expedition, including mountains, alpine ridges, meadows, burned over forests, rivers, and bogs. Identified sites include Grande Cache, Jarvis Pass, Kinuseo Falls, Moberly Lake, Mount Alexander, Mount Herman, Mount Ida, Murray River, Sapphire Lake, Smoky River, and Thunder Mountain, later known as Mount Cross. Several lantern slides reproduce maps of the region traversed by the expedition
Description:
Samuel Prescott Fay (1884-1971) was born in Boston, Massachusetts, and graduated from Harvard in 1907. He was an early member of the American Alpine Club and first visited the northern Canadian Rockies in 1906. From 1912 to 1914, Fay made a series of expeditions in Alberta and British Columbia. During World War I, he volunteered with the American Ambulance Field Service, and later served as a first lieutenant and aerial observer in the United States Army. After the war, he worked as a stockbroker and an investment counselor, as well as a trustee for the American Field Service. Fay died at his home in Chestnut Hill, Massachusetts., Title devised by cataloger., and Stored in 3 boxes.
Subject (Geographic):
Alberta, Alexander, Mount (B.C.), British Columbia, Canadian Rockies (B.C. and Alta.), Cross, Mount (B.C.), Grande Cache (Alta.), Herman, Mount (B.C.), Hudson's Hope Region (B.C.), Ida, Mount (B.C.), Jarvis Pass (B.C.), Jasper (Alta.), Kinuseo Falls (B.C.), Moberly Lake (B.C.), Murray River (B.C.), Peace River (B.C. and Alta.), Sapphire Lake (B.C.), Smoky River (Alta.), Yellowhead Mountain (Alta. and B.C.), and Yellowhead Pass region (Alta. and B.C.)
Subject (Name):
Brewster, Frederick Archibald, 1884-1969., Calliou, Joseph, ca. 1890-1960., Cross, Charles Robert, 1881-1915., Fay, Samuel Prescott, 1884-1971., Jones, Robert Boydell, 1893-1954., Moberly, Ewan Henri, 1859-1918., Symes, John Barnes, 1891-1917., and United States. Bureau of Biological Survey.
Subject (Topic):
Cree Indians, Indians of North America, Métis, and Rocky Mountain bighorn sheep
Lantern slides of photographs that chiefly document an expedition led by Samuel Prescott Fay in the northern Canadian Rockies from Jasper, Alberta, to Hudson's Hope, British Columbia, from June to November 1914. The expedition received financial support from the United States Bureau of Biological Survey to collect and record wildlife species in the region, as well as determine the northern range of Rocky Mountain bighorn sheep. The lantern slides were probably created to illustrate lectures delivered by Fay in 1915, The photographs include informal portraits of expedition members, including Fay, Frederick Archibald Brewster, Charles Robert Cross, Robert Boydell Jones, and John Barnes Symes. Images of the men include depictions of camp life and activities related to the expedition, including hiking, hunting, fishing, paddling canoes, and managing a herd of twenty horses that accompanied them. Other individuals depicted include Ewan Henri Moberly, a Métis homesteader at Grande Cache, Alberta, and the family of Cree Indian Joseph Calliou at Moberly Lake, British Columbia. A few images depict unidentified American Indians, and Photographs of landscapes depict the terrain encountered by the expedition, including mountains, alpine ridges, meadows, burned over forests, rivers, and bogs. Identified sites include Grande Cache, Jarvis Pass, Kinuseo Falls, Moberly Lake, Mount Alexander, Mount Herman, Mount Ida, Murray River, Sapphire Lake, Smoky River, and Thunder Mountain, later known as Mount Cross. Several lantern slides reproduce maps of the region traversed by the expedition
Description:
Samuel Prescott Fay (1884-1971) was born in Boston, Massachusetts, and graduated from Harvard in 1907. He was an early member of the American Alpine Club and first visited the northern Canadian Rockies in 1906. From 1912 to 1914, Fay made a series of expeditions in Alberta and British Columbia. During World War I, he volunteered with the American Ambulance Field Service, and later served as a first lieutenant and aerial observer in the United States Army. After the war, he worked as a stockbroker and an investment counselor, as well as a trustee for the American Field Service. Fay died at his home in Chestnut Hill, Massachusetts., Title devised by cataloger., and Stored in 3 boxes.
Subject (Geographic):
Alberta, Alexander, Mount (B.C.), British Columbia, Canadian Rockies (B.C. and Alta.), Cross, Mount (B.C.), Grande Cache (Alta.), Herman, Mount (B.C.), Hudson's Hope Region (B.C.), Ida, Mount (B.C.), Jarvis Pass (B.C.), Jasper (Alta.), Kinuseo Falls (B.C.), Moberly Lake (B.C.), Murray River (B.C.), Peace River (B.C. and Alta.), Sapphire Lake (B.C.), Smoky River (Alta.), Yellowhead Mountain (Alta. and B.C.), and Yellowhead Pass region (Alta. and B.C.)
Subject (Name):
Brewster, Frederick Archibald, 1884-1969., Calliou, Joseph, ca. 1890-1960., Cross, Charles Robert, 1881-1915., Fay, Samuel Prescott, 1884-1971., Jones, Robert Boydell, 1893-1954., Moberly, Ewan Henri, 1859-1918., Symes, John Barnes, 1891-1917., and United States. Bureau of Biological Survey.
Subject (Topic):
Cree Indians, Indians of North America, Métis, and Rocky Mountain bighorn sheep
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
BEIN BrSides Zc12 871dab: Autograph in lower left corner: F.O.C. Darley. Sheet has been mounted on larger sheet of card stock, measuring 56 x 70 cm., Title supplied by cataloger, based on other manifestations of this graphic that use this title., and "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington."
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title supplied by cataloger, based on other manifestations of this graphic that use this title. and "Entered according to Act of Congress in the year 1871 by John G. Wellstood, in the Office of the Librarian of Congress at Washington."
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
Photographs show groups of Cheyenne and Arapaho Indians posed in front of tipis, tents, and trees, most likely in what is now Oklahoma. A few wear western clothing, and a white man and boy appear in some images. Individuals pictured include Mrs. Scabby Bull, Ethel Black Wolf, Rabbit Run, Wolf Chase, Coal A Fire, Strik-em-First, Singing Man, Jay Gould, Big Timber, and Myrtle Bad Man, among others. Two views of the Arapaho camp and one of the Cheyenne camp are taken from a distance. The album also contains two photographs of Niagara Falls
Description:
Photographer unidentified., Title devised by cataloger., and Manuscript captions throughout.
Subject (Geographic):
Oklahoma, Cheyenne and Arapaho Reservation (Okla.), and Niagara Falls (N.Y.)
Subject (Name):
Cheyenne-Arapaho Tribes of Oklahoma
Subject (Topic):
Arapaho Indians, Cheyenne Indians, Indian reservations, Indians of North America, and Tipis
Photograph album by an unidentified photographer of Cheyenne, Arapaho and Kiowa Indians, probably taken in or around the Cheyenne-Arapaho Agency in Darlington, Canadian County, Oklahoma. The outdoor scenes include a large number of family groups, women, and children, many identified with Americanized names, There are also notable images of the baptism of a Kiowa man, the "crow dance," meat drying on racks, Arapaho school girls, and a single image of what appear to be not Indian women but white woman dressed in Indian clothing, identified as "Calumet Squaws" (Calument was a town close to the agency)., and Internal evidence suggests that the album dates before 1902 (the year White Antelope, who is portrayed, died).
Description:
Individual photographs measure 10 x 12.5 cm, and have manuscript captions and numbers. and Accompanied by 100 modern copy prints.
Subject (Geographic):
Oklahoma and Darlington (Okla.)
Subject (Topic):
Indians of North America, Cheyenne Indians, Arapaho Indians, Kiowa Indians, Cheyenne-Arapaho Indian Agency (Okla.), Baptism, Missionaries, and Indian reservations
Photograph album of unidentified views of Indian men dancing and running races, women with children, and Indian children at school, including "before and after" photographs and class portraits
Photograph album of John Wesley Powell's Second Colorado River Expedition, containing photographs by E. O. Beaman, James Fennemore, and John K. Hillers. The first 118 photographs are attributed to Beaman, and depict the start of the expedition at the Green River Station in Wyoming, and the journey through the Red Canyon, Brown's Park, the Lodore Canyon, the Canyon of Desolation, the Cataract Canyon, and Salt Lake City, Utah, The next set of photographs in the album was probably taken by James Fennemore, showing views of Powell's expedition after his departure from Salt Lake City. They illustrate the journey from the mouth of the Dirty Devil River down through Glen Valley, Nevada, and Finally, there are several views of the Marble Canyon, the Grand Canyon, the Green River, the Virgin River, the Sevier River, Pine Creek, Kanab Creek, and a series of portraits by Hillers of Paiute, Ute and Pueblo Indians. Portraits of Hopi and Zuni Indians were probably taken by Beaman
Description:
Individual prints consist of 452 stereo-sized photographs, measuring 7.6 x 11.0 cm. or smaller, 52 larger photographs, measuring 18.5 x 10.9 cm. or smaller, and 5 photographs measuring 24.2 x 18.2 cm. or smaller. The photographs are generally not captioned. Attribution is based on secondary sources. and Insect damage to some pages, not affecting photographs.
Subject (Geographic):
Colorado River (Colo.-Mexico), Grand Canyon (Ariz.), United States, and Cataract Canyon Wilderness (Utah)
Subject (Name):
Powell, John Wesley, 1834-1902.
Subject (Topic):
Indians of North America, Hopi Indians, Zuni Indians, Paiute Indians, Ute Indians, and Exploring expeditions
Photograph album of images created by Eugene Buechel of Oglala Lakota and Sicangu Lakota people and environs in southern South Dakota, ca. 1928-1931, Informal portraits include individuals, couples, and groups. Specific student groups including a group of young women from Holy Rosary Mission school, the St. Francis Mission marching band, the St. Francis Mission football team, a dance troupe of girls, and a student theatrical group at the St. Francis Mission in costume and wearing blackface makeup. Informal portraits also depict Lakota people wearing modern and traditional costumes, in addition to Anglo American people wearing traditional Lakota costumes. The only identified individual is Peter Scherer, who directed the St. Francis Mission marching band in 1930-1931, Events documented include horseback trips to the White River, a powwow with traditional Lakota costume and dancing, mourners at a cemetery, Lakota women on horseback, and games of football and basketball. Images documenting agricultural events include threshing wheat and castrating calves, and Other images include exterior views of the missions, homes, farms, and oil wells, while interiors views exist of a gymnasium and dining halls at the missions
Description:
A Jesuit priest, Eugene Buechel (1874-1954) served as a superior at the mission schools of Holy Rosary Mission (1908-1916), Pine Ridge Indian Reservation, and St. Francis Mission (1916-1923), Rosebud Indian Reservation, afterwards working to document Lakota language and culture in the region until his death., Title devised by cataloger., Photographs in album 8.7 x 14.8 cm. and smaller., and Manuscript captions in German on the verso of several photographs, which are available on photocopies provided with the album.
Subject (Geographic):
South Dakota., Pine Ridge Indian Reservation (S.D.), Rosebud Indian Reservation (S.D.), and South Dakota
Subject (Name):
Buechel, Eugene., Scherer, Peter, band director., Catholic Church, and Jesuits
Subject (Topic):
Missions, Brulé Indians, Cemeteries, Dakota Indians, Indians of North America, Rites and ceremonies, Mission schools, Oglala Indians, and Teton Indians
Photographs of Navajo medicine and sweat lodge ceremonies, including views of the construction of the lodges, preparations for the ceremonies, sandpaintings, and participants. There are also photographs of family groups, the ruins in Canyon de Chelly, sheep and goat herds, and of foot and horse racing
Description:
Individual photographs are 11.6 x 16.6 cm., with copyright statement incribed. Letterpress or manuscript captions accompany each photograph, 32 of which form a numbered series with descriptive captions. and George Schwemberger joined the Franciscan order as a lay brother, adopting the name Simeon and moving to the mission at St. Michael's, Arizona in 1901. In late 1907 he left St. Michael's to open a photo gallery in Gallup, New Mexico.
Publisher:
Simeon Schwemberger
Subject (Geographic):
Chelly, Canyon de (Ariz.)
Subject (Topic):
Indians of North America, Rites and ceremonies, Navajo Indians, and Sweatbaths
Photographs of the Hopi pueblo Oraibi, interiors of Hopi homes, ceremonial dances, and portraits of Hopi and possibly Navajo Indians at Oraibi
Description:
Simeon Schwemberger, 1867-1931, joined the Franciscan order as a lay brother, moving to the mission at St. Michael's, Arizona in 1901. At the mission he began photographing Navajo Indians. After leaving St. Michael's in late 1907 to open a photo gallery in Gallup, New Mexico, he began photographing other Native Americans, including Hopi and Pueblo Indians., Identification of photographer based on postcard image on first page with printed attribution on verso: Made by Simeon Schwemberger, St. Michael's Arizona, and by the fact that the style is similar to photographs identified as Schwemberger's., Individual photographs are 9 x 14 cm. and smaller., and Contemporary coarse woven cloth photo album.
Subject (Geographic):
Arizona and Oraibi (Ariz.)
Subject (Name):
Schwemberger, Simeon.
Subject (Topic):
Hopi Indians, Rites and ceremonies, Indians of North America, and Navajo Indians
Photograph album documenting the activities of Salmon Day festivities in Keller, Washington, ca. 1930. The celebration by the Colville Indians occurred near the mouth of the San Poil River. Images include views of streets and buildings in Keller, spectators and participants at a rodeo, and of a mountainside horse "suicide race" from a distance. Identified individuals include rodeo participants Len Perkins of Yuma, Arizona, and Oran Fore of Newhall, California, and Colville Indians, Chief Jim James and Mary Hughes
Description:
Individual photographs measure 12.5 x 18.0 cm. and smaller., There are some typescript captions., and Title devised by cataloger.
Subject (Geographic):
Washington, Keller., Keller (Wash.), and San Poil River (Wash.)
Subject (Name):
Fore, Oran., Hughes, Mary, Colville Indian., James, Jim, Colville Indian chief., and Perkins, Len.
Subject (Topic):
Colville Indians, Cowboys, Festivals, Indian cowboys, Indians of North America, and Rodeos
Album of photographs of a rodeo with primarily American Indian participants, probably in the American southwest, ca. 1930. The images of action include men riding horses, steers, and bulls, in addition to roping and bulldogging steers. Other images show a man thrown from a horse and another depicts an injured man being attended to on the ground. Remaining images include American Indian women, possibly in connection with a rodeo queen contest, a wagon pulled by mules, and groups of people encamped, probably around the rodeo arena
Description:
Title devised by cataloger., Individual photographs measure 11.2 x 16.5 cm., and There are no captions.
Subject (Geographic):
United States and Southwest, New
Subject (Topic):
Beauty contests, Cowboys, Indian cowboys, Indians of North America, and Rodeos
Photograph album depicting the landscape and participants of a pack trip to the Grand Canyon along the Mystic Springs and Hange trails, including views of boating on the Colorado River, Cataract Creek Canyon, the Havasupai Indian Agency, Havasupai Point and the Painted Desert, These images are followed by a series of photographs of the Hopi pueblos of Walpi and Oraibi, showing flute and basket dancers, domestic scenes such as tending corn plants and grinding corn, spinning, weaving, making pottery, and tending children. There are several scenes in the pueblos that show the campers from the earlier series of Grand Canyon views, and A series of ten portraits of Navajo Indians follows the Hopi scenes. These are followed by a picture of a women with a 216 lb. tuna hoisted beside her, and then by a series of poor quality snapshots of a big horn sheep hunting trip and several color postcards of British Columbia
Description:
Album lacks covers. Individual photographs are 15 x 20 cm. or smaller, and have repeating orotone letterpress captions. Numbers inscribed in negatives of some prints.
Publisher:
George L. Rose
Subject (Geographic):
Arizona, Oraibi (Ariz.), Walpi (Ariz.), Havasupai Reservation (Ariz.), British Columbia, and Grand Canyon (Ariz.)
Subject (Topic):
Indians of North America, Pictorial works, Hopi Indians, Navajo Indians, Rites and ceremonies, and Hunting
Photographs of the Hubbell Trading Post, Navajo Indian children and adults, Roman Hubbell and his wife, other people around the post, log hogans, a military camp, and the Grand Canyon. With inscribed calling card of the first Mrs. Roman Hubbell laid in.
Description:
The Hubbell Trading Post was operated by the Hubbell family at Ganado, Arizona. John Lorenzo Hubbell established the trading post in 1876; his son Roman Hubbell was active in operating the trading post from 1908 until his death in 1957., Photographer(s) unknown., 82 prints are 9 x 14.5 cm., 7 prints are 8.2 x 8.2 cm. and smaller and are laid in loose., and The photographs are generally not captioned.
Subject (Geographic):
Ganado (Ariz.) and Hubbell Trading Post National Historic Site (Ganado, Ariz.)
Photograph album relating to the Phoenix Indian School in Phoenix, Arizona. Included are views of both male and female students as they participate in several activities, among them a dress parade, a gardening project at the school, the girls' basketball practices, and military-type drills and in band uniforms with their instruments. Also included are views of the graduating classes of 1903 and 1904, as well as a photograph of the faculty
Description:
C. W. Goodman was superintendent of the Phoenix Indian School between 1902 and 1915. and Manuscript captions accompany most photographs.
Two photograph albums of images created by Alfred L. Broadbent of landscapes, wildlife, ships, and individuals primarily in Alaska and Siberia, circa 1885-1892, and probably printed by the photograph gallery of Isaiah West Taber, San Francisco, California, circa 1895, Images of Alaska include mainland locations, islands, and trading posts. Locations in mainland Alaska include Point Barrow, Glacier Bay, Port Chester, Port Clarence, Golovin, Grantley Harbor, Juneau, Cape Lisburne, Nome, Cape Prince of Wales, Silver Bay, Cape Thompson, Sitka, Wrangell, and Yakatuk Bay (also known as Disappointment Bay). Alaskan islands include Atka Island, Bogoslof Island, Chagulak Island, the Diomede Islands, Expedition Island, Fairway Rock, Saint Lawrence Island, Saint Michael Island, Saint Paul Island, Ukivok (also known as King Island), and Unalaska Island. Images of trading posts in Alaska include camps established at Cape Lisburne and Saint Michael Island, Images of Eskimos and Arctic peoples include informal portraits of groups, including a group of mixed-race children, and individuals aboard ship and on land, as well as their homes in several Alaskan locations, including Port Clarence, Saint Lawrence Island, Saint Michael Island, Point Spencer, and Ukivok, in addition to homes at East Cape, Siberia. Several images show native individuals in kayaks and bidarkas, and assemblages of bows, spears, and clothing, and an image shows a team of dogs and a sled. Other images show gravesites of Arctic peoples in various Alaskan locations, including Hoonah, Point Hope, and Saint Michael island, Images of ships include vessels in the United States Revenue-Cutter Service, consisting of USRC Bear, USRC Thomas Corwin, USRC Richard Rush, USRC Oliver Wolcott. Images of other ships consist of whaling ships, including Carver, J. H. Howland, Hunter, Lucretia, and Helen Mar, with several images showing the cutting of blubber from whales aboard a ship. An image shows the wrecks of two ships, the Mabel and George & Susan in the Arctic Ocean, Images of the coastline in Siberia include East Cape, Plover Bay, Severgin Strait, Saint Lawrence Bay, Cape Serdtse-Kamen (also known as Cape Serdge)., Images of wildlife include herds of caribou and reindeer in Alaska and Siberia, rookeries of seals, which include men clubbing seals; and a dead walrus aboard a ship, Incidental images of other locations consist of views of California showing Point Reyes and the vicinity of Point Arena; views of Port Townsend, Washington; views of Fort Simpson, Northwest Territory; and a view of the Strait of Juan de Fuca between Canada and the United States, and Group portraits identify civilians and members of the crew by their surnames. Fully-identified persons consist of Lucy McIntyre and Judge James Gilchrist Swan
Description:
Alfred L. Broadbent (b. 1844) was an engineer aboard the USRC Bear, a ship in the United States Revenue-Cutter Service active in the Arctic region, circa 1885-1892., In 2 boxes., Title devised by cataloger., One album has cover title: Arctic views., Numbers and initials A. L. B. inscribed in many negatives., Manuscript or printed captions on individual photographs., and There is some duplication between the two albums.
Subject (Geographic):
Alaska, Arctic regions, Arena, Point (Calif.), Atka Island (Alaska), Barrow, Point (Alaska), Bogoslof Island (Alaska), Chagulak Island (Alaska), Diomede Islands (Alaska and Russia), East Cape (Russia), Expedition Island (Alaska), Fairway Rock (Alaska), Fort Simpson (N.W.T.), Glacier Bay (Alaska), Golovin (Alaska), Grantley Harbor (Alaska), Hoonah (Alaska), Juan de Fuca, Strait of (B.C. and Wash.), Juneau (Alaska), Lisburne, Cape (Alaska), Nome (Alaska), Plover Bay (Russia), Point Reyes (Calif.), Point Spencer (Alaska), Port Chester (Alaska), Port Clarence (Alaska), Port Townsend (Wash.), Prince of Wales, Cape (Alaska), Saint Lawrence Bay (Russia), Saint Lawrence Island (Alaska), Saint Michael Island (Alaska), Saint Paul Island (Alaska), Serdtse-Kamen, Cape (Russia), Severgin Strait (Russia), Siberia, Eastern (Russia), Silver Bay (Alaska), Sitka (Alaska), Thompson, Cape (North Slope Borough, Alaska), Ukivok (Alaska), Unalaska (Alaska), Wrangell (Alaska), and Yakutuk Bay (Alaska)
Subject (Name):
Broadbent, Alfred L., McIntyre, Lucy., Swan, James G., 1818-1900., Taber, I. W. 1830-1912. (Isaiah West),, Bear (Ship), Corwin (Ship), Rush (Ship), Wolcott (Ship), and United States. Revenue-Cutter Service
Subject (Topic):
Aleuts, Boats, Arctic peoples, Bidarkas, Cemeteries, Dogsledding, Eskimos, Indians of North America, Kayaks, Sealing, Whaling, and Description and travel
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Photographs of Indian dwellings and studio portraits of Arikara, Gros Ventres (Hidatsa) and Mandan Indians apparently taken at Fort Berthold Indian agency in North Dakota. The portraits are identified as Crow Bear, Lean Wolf, Energy Searcher, Lean Man, He That Stinks, Bobtail Bull, Yellow Wolf, Sitting Bear, Son of Crows Breast, Sioux Dog, Cherry Mouth, Porcupine, Antelope, Son of Red Cow, Little Bull, Red Cow, Chief Bad Gun, Crazy Bull, and Prairie Chicken, all of the Gros Ventres (Hidatsa) tribe and There are also several views of landscapes and cactus, and one view of an annuities issue at Fort Berthold
Description:
Unmounted half stereographs, with manuscript captions on verso. and Date supplied from Paula Fleming et. al., North American Indians in Early Photographs (N.Y.: 1986).
Subject (Geographic):
Fort Berthold Indian Reservation (N.D.) and North Dakota
Subject (Topic):
Indians of North America, Arikara Indians, Mandan Indians, Hidatsa Indians, and Indian reservations
Studio portrait photographs of Brulé Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872 and Individuals in the images consist of Brulé Indian men and women. Images of men include Black Crow (Kan-Gah-Sa-Pah), Charge On The Hawk (Tske-Tan-Vua-Tak-Pah), Spotted Tail (Tshin-Tah-Ge-Las-Kah), Swift Bear (Ma-To-Lousah), Two Strike (Num-Ka-Chpah), White Eyes (Ish-Tah-Skah), and White Thunder (Vua-Ke-Ah-Skah). Images of women consist of the individual wives of Spotted Tail, Thigh (Tsheh-Sha-Lah), and Two Strike
Description:
Title devised by cataloger., Photographs are mounted on boards with typescript captions., and Many of the manuscript captions incorrectly identify the individual in the photographic print.
Subject (Name):
Black Crow, Charge On The Hawk, Gardner, Alexander, 1821-1882., Spotted Tail, 1823-1881, Swift Bear, Two Strike, 1832-1915, White Eyes, White Thunder, and Blackmore Museum (Salisbury, England)
Subject (Topic):
Brulé Indians, Delegates, and Indians of North America
Studio portrait photographs of Cheyenne, Arapaho, and Wichita Indian delegates to the United States created by the photographic studio of Jeremiah Gurney & Son in New York City, New York, June 1871, for the Blackmore Museum, Salisbury, England and Individuals in the images consist of Arapaho Indian delegates, Little Raven (Oh-Nas-Tie), the head chief, and Bird Chief, the second war chief; Cheyenne Indian delegate, Chief Little Robe (Tak-Kee-O-Mah); and Wichita Indian delegate, Chief Buffalo Goad. Images include front and profile views of the delegates posed sitting and standing
Description:
Title devised by cataloger. and Photographs are mounted on boards with typescript captions.
Subject (Name):
Bird Chief, Buffalo Goad, Gurney, Benjamin., Gurney, Jeremiah, 1812-1895., Little Raven, Little Robe, Blackmore Museum (Salisbury, England), and Jeremiah Gurney & Son.
Subject (Topic):
Arapaho Indians, Cheyenne Indians, Indians of North America, and Wichita Indians
Photographs of Hopi Indians taken at Oraibi and Walpi pueblos in Arizona. Included are views of pueblo structures and hogans, pottery and baskets, and of the daily activities of carrying water, herding sheep and tending other livestock, working in irrigation canals, hunting or preparing food, and caring for children. Family groups, scenes of Antelope and Snake dancers and spectators, and landscapes around the pueblos are also depicted and Most of the photographs are outdoors, but there are several formal interior portraits of individuals
Description:
"Curtis" and three-digit number on each print, many copyrighted 1900. and Accompanied by a box list.
Subject (Geographic):
Arizona., Arizona, Oraibi (Ariz.), and Walpi (Ariz.)
Subject (Topic):
Indians of North America, Hopi Indians, Tewa Indians, Pueblos, and Snake dance
An incomplete set of images from a portfolio of studio portrait photographs of Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872. Individual tribal nations represented in this collection include Arapaho Indians, Caddo Indians, Comanche Indians, Keeche Tribe, Kiowa Indians, Tawakoni Indians, and Wichita Indians. Most of the images include a front and profile view of the individual, Individuals include Arapaho Indians Black Crow and the wife of Pacer; a Caddo Indian, Antelope; Comanche Indians consisting of Chewing Elk (Quirts-Quip), Gap In The Salt (Ho-We-Oh), Gray Leggings (Asa-To-Yet), and Jim; a Keechi (also known as the Keeche Tribe) Indian, Knee-War-War; a Kiowa Indian, the wife of Lone Wolf (Guipago); a Towoccaro (also known as the Tawakoni) Indian, the son of Dave (Caw-Lac-Its-Ca); and a Wichita Indian, Esquitzchew, and Incidental photographic prints in the collection include portraits of Dakota Indian delegates consisting of Big Foot (Che-Tan-Keah) and Cayote (Tshan-Gma-Ne-Toh).
Description:
Photographs are mounted on boards with typescript captions and image numbers 82, 86, 94, 95, 97, 102, 106, 111, 114, 117, and 120. and Plain portfolio case accompanies the collection.
Subject (Name):
Alvord, Henry E. 1844-1904. (Henry Elijah),, Antelope, Big Foot, d. 1890, Black Crow, Cayote, Chewing Elk, Esquitzchew, Gap In The Salt, Gardner, Alexander, 1821-1882., Gray Leggings, Jim Comanche Indian, Knee-War-War, Blackmore Museum (Salisbury, England), and Keeche Tribe
Subject (Topic):
Arapaho Indians, Caddo Indians, Comanche Indians, Indians of North America, Government relations, Kiowa Indians, Tawakoni Indians, and Wichita Indians
Photographs of Dakota Indian camps and of St. Elizabeth Mission in South Dakota. Loose photographs depict camps and winter houses and families, their pets and livestock. There are several portraits of school children and students, perhaps at Hampton Institute. Some manuscript captions refer to ration distribution at Rock Creek sub-agency. One bears the caption "Tina [Lina?] Deloria St. Elizabeth's Mission." There are also views of the Grand River, the Winooskie River, and the Eagle's Nest Butte, The photograph album contains a series of images of the construction of a miniature tipi for a young child, snapshots of family groups, a tree burial, girls on horseback, and the "First Church of Flying-By.", Photographs attached to 10 leaves of lined paper are heavily annotated, and depict trips to Rosebud agency or the Rock Creek sub-agency for rations or meetings, with views of the camps made along the way, and There are two pamphlets concerning the Hampton Normal and Agricultural Institute, one of which is from the Massachusetts Hampton Association. There is a single issue of "Talks and Thoughts of the Hampton Indian Students," dated December 1903. Two manuscript fragments appear to be notes on Indian history
Description:
Manuscript captions accompany many of the photographs. One card photograph, published by Seymour of Sioux City, Iowa, and one unmounted print of two children in cradleboards, copyright 1898 by Lee Morehouse, are present among the otherwise anonymous photographs. and With three publications concerning the Hampton Institute, ca. 1900, and two undated manuscript fragments.
Subject (Geographic):
South Dakota, St. Elizabeth's Mission, Wakpala, and Rosebud Indian Reservation (S.D.)
Subject (Name):
Deloria, Tina. and Hampton Normal and Agricultural Institute (Va.)
Subject (Topic):
Indians of North America, Dakota Indians, and Indian reservations
Photographs principally of Kiowa and Comanche Indians, many taken near Ft. Sill and Anadarko, Indian Territory. There are individual portraits, including those of chiefs (Lone Wolf, Quanah Parker) and medicine men, as well as of family groupings and children, and views of meat butchering. There are also photographs of Apache, Caddo, Wichita, Arapaho, and Cheyenne Indians, including a portrait of Geronimo. Accompanied by a photograph of five military men in Augusta, Georgia, dated 1898
Description:
Some photographs carry imprint: Overstreet Studio, Chickasha, I.T., Manuscript captions on verso., Container list available., and Copy prints available.
Publisher:
Irwin
Subject (Geographic):
Anadarko (Okla.), Chickasha (Okla.), and Fort Sill (Okla.)
Subject (Name):
Geronimo, 1829-1909, Lone Wolf, Kiowa Indian, and Parker, Quanah, 1845?-1911.
Subject (Topic):
Indians of North America, Caddo Indians, Comanche Indians, and Kiowa Indians
Studio portrait photographs of three Native American women and two Native American men, Identified individuals include Anna Eustis, a Pawnee woman from Oklahoma, and a Brulé Sioux woman identified as the wife of Keeps the Mountain, probably Good Looking Woman. The unidentified woman wears a kerchief on her head and long beaded earrings, and Two of the photographs depict men with moustaches, possibly the same man. In one image he wears a paper pin on his lapel advertising "Banner Buggies", of the Banner Buggy Company, St. Louis, Missouri. In the other image he wears a round pin with star-shaped symbol printed upon it.
Description:
Title devised by cataloger. and Manuscript caption on the verso of a photographic print depicting a Native American woman wearing a kerchief on her head states the name and address of "Santukuno Hiramura, Piratori, Hokkaido, [Japan]".
Subject (Name):
Eustis, Anna., Good Looking Woman, 1859-, and Banner Buggy Co.
Subject (Topic):
Brulé Indians, Indians of North America, and Pawnee Indians
Photographs of Neah Bay, Washington, and Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, created during the summer of 2010 and March 2011, that document the culture of Makah Indians and Haida Indians. The collection also includes a group of images that document the centennial birthday celebration in 2010 of Claude Morrison, who is also known as Mii Ju, Mķijuu, and Kúng Skiís., A group of images documents Makah Indians and participants in the Inter-Tribal Ocean-Going Canoe Journey, Paddle to Makah, at Neah Bay, Washington, in July 2010, Images of Haida Gwaii include views of Masset and portraits of Haida artisans, including Gwaai Edenshaw, Jaalen Edenshaw, and Donnie Edenshaw. Discrete groups of images document the wedding between Donnie Edenshaw and Beverly Anne Samuels, and the coronation ceremony of hereditary chief Percy Williams in Skidegate, as well as an end-of-winter feast at the community hall in Masset on March 12, 2011, and Six oversize photographic prints in the collection include photographs of Haida artwork, as well as portraits of Haida artisans Gwaai Edenshaw and Evelyn Vanderhoop
Description:
Accompanied by descriptions of the images by the photographer (in box 1)., Title devised by cataloger., and Stored in 6 boxes.
Subject (Geographic):
Alaska, British Columbia, Haida Gwaii (B.C.), Hydaburg (Alaska), Masset (B.C.), Neah Bay (Wash.), and Washington (State)
Photographs created by Owen Luck of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2000-2003. Images consist primarily of informal portraits of individuals, in addition to formal and informal gatherings and views of the landscape, Images of a memorial site established for murder victims Wilson Black Elk and Ron Hard Heart at the site where their bodies were found west of the interstate highway between Pine Ridge Village, South Dakota, and Whiteclay, Nebraska, June 8, 1999, Images of Camp Justice, a group of tipis established by protesters on the border between the Pine Ridge Indian Reservation and Nebraska on July 4, 1999, and abandoned May 20, 2002, Images of a graduation powwow at the Oglala Lakota College in Kyle, South Dakota, 2000, include a view of Maxine Broken Nose and Wade Broken Nose setting up ceremonial tipis for the event, a grand procession led by flag bearers carrying an United States and Lokota flags, a give away ceremony where elders and guests receive gifts, attendees at a food line, a concession food trailer, and children and adults in bleachers, Views of the graduation powwow at the Oglala Lakota College, 2003, include images of the grand procession and Webster Poor Bear receiving an honorary degree, Images of a rodeo held in the memory of Floyd Wilcox, Sr., in Wanblee, South Dakota, 2003, include informal portraits of attendees and participants, including a group portrait that consists of Harold DeCory, Tim High Elk, Justin Thin Elk, Tray Wilcox, Marvin Ted Thin Elk, Jr., Edward Clifford, Sr., and Justin Thin Elk, III, Images at a powwow in Manderson, South Dakota, 2003, include a flag ceremony raising American flags and giving flags to families with members in the military, a naming ceremony, and jingle dancers. An additional informal group portrait shows nursing students from Yale University working at the Pine Ridge Hospital, consisting of Carolyn Bernadette Mahoney, Vanessa L. Reid, and Elizabeth S. Burke, Images of a powwow in Pine Ridge, South Dakota, 2003, include views of the voter registration booths for the Republican and Democratic political parties, in addition to a group portrait of young dancers, including Derek Tyon, Justin Williams, and Isaac Weasel Bear, Images of a memorial ceremony for Winyan Isnala Red Shirt attended by her family and friends include her daughter Delphine Red Shirt and religious leader Carl Bone Shirt, 2000, Images document demonstrators engaged in a March Against Racism in Martin, South Dakota, 2003, Images document the destruction of a hemp crop owned by Alexander White Plume by Drug Enforcement Agency and Federal Bureau of Investigation agents, August 24, 2000, View of a memorial monument established for Frank Fools Crow, a Lakota medicine man and spiritual leader, View of the site where two agents with the Federal Bureau of Investigation and a Native American man were killed in gun battles in June 26, 1975, Images at the Porcupine Clinic Health Board include a woman receiving medication from a physician and an elderly woman undergoing dialysis treatment, Several images of structures and activities on the land of Gerald Ice and Pamela Ice include a birthday celebration of a female relative and views of tipis and a sweat lodge. Another image shows the home of Vicki Eagle Elk between Sharps Corner and Kyle, South Dakota, General views of landscape include agricultural fields and herds of horses and buffalo. Views of structures consist of dilapidated housing, including view of public housing projects in Manderson and Porcupine, South Dakota; and commercial structures, including a derelict grain silo with graffiti in Batesland, South Dakota, Informal portraits of Oglala Lakota men, women, and children include Sylvester Bad Cobb, Edgar Bear Runner, Joseph Bear Runner, Loren Black Elk, Selo Black Crow, Anthony Black Feather, Maxine Broken Nose, Wade Broken Nose, Melissa Cahoon, Andrew Courtier, Jordan Courtier, Maynard Courtier, Marvin Ghost Bear, Gifford Noisy Hawk , Olivia Thunder Home, Miranda Thunder Home, Victoria Fire Thunder, Grace Hollow Horn, Glen Janis, Veronica Kills, Nicholas Kolb, Bob Lone Elk, Sid Lone Hill, Gerald Ice, Devona Lone Wolf, Shirley Marshall, Eliza Morrison, Travis Nelson, Thomas Poor Bear, Webster Poor Bear, Kevin Pourier, Valerie Pourier, Oliver Red Cloud, Juanita Red Cloud, Eldine Red Eyes, James Rock, Marylin Rodriguez, Calvin J. Spotted Elk, Richard D. Spotted Elk, Keith Sun Bear, W. Two Bulls, Michael Walking, Alexander White Plume, Tony White Thunder, and Denae Yellow Boy, and Informal group portraits include the Bear Runner family from Porcupine, South Dakota; Janis family of Kyle, South Dakota; and members of YouthWorks, a faith based initiative based in Minneapolis, painting houses in Martin, South Dakota, 2003
Description:
Title devised by cataloger.
Subject (Geographic):
South Dakota., Batesland (S.D.), Camp Justice (Pine Ridge Indian Reservation, S.D.), Kyle (S.D.), Manderson (S.D.), Pine Ridge Indian Reservation (S.D.), Porcupine (S.D.), and Wounded Knee (S.D.)
Subject (Name):
Bad Cobb, Sylvester., Bear Runner, Edgar., Bear Runner, Joseph., Black Crow, Selo., Black Elk, Loren., Black Elk, Wilson, Black Feather, Anthony., Bone Shirt, Carl., Broken Nose, Maxine., Broken Nose, Wade., Burke, Elizabeth S., Cahoon, Melissa., Clifford, Edward, Sr., Courtier, Andrew., Courtier, Jordan., Courtier, Maynard., DeCory, Harold., Eagle Elk, Vicki., Fire Thunder, Victoria., Fools Crow, 1890 or 1891-1989, Ghost Bear, Marvin., Hard Heart, Ron, High Elk, Tim., Hollow Horn, Grace., Ice, Gerald., Ice, Pamela., Janis, Glen., Kills, Veronica., Kolb, Nicholas., Lone Elk, Bob., Lone Hill, Sid., Lone Wolf, Devona., Luck, Owen Craig, 1947-, Mahoney, Carolyn Bernadette., Marshall, Shirley., Gillis, Eliza., Nelson, Travis., Noisy Hawk, Gifford., Poor Bear, Thomas., Poor Bear, Webster., Pourier, Kevin., Pourier, Valerie., Red Cloud, Juanita., Red Cloud, Oliver., Red Eyes, Eldine., Red Shirt, Delphine., Red Shirt, Winyan Isnala, Reid, Vanessa L., Rock, James., Rodriguez, Marylin., Spotted Elk, Calvin J., Spotted Elk, Richard D., Sun Bear, Keith., Thin Elk, Justin., Thin Elk, Justin, III., Thin Elk, Marvin Ted, Jr., Thunder Home, Miranda., Thunder Home, Olivia., Two Bulls, W., Tyon, Derek., Walking, Michael., Weasel Bear, Isaac., White Plume, Alexander., White Thunder, Tony., Wilcox, Floyd, Sr., Wilcox, Tray., Williams, Justin., Yellow Boy, Denae., Oglala Lakota College, Porcupine Clinic Health Board., United States. Drug Enforcement Administration., United States. Federal Bureau of Investigation., and Youthworks.
Subject (Topic):
Monuments, Civil rights demonstrations, Indians of North America, Rites and ceremonies, Oglala Indians, Powwows, and Sepulchral monuments
Photographs created by Owen Luck of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2000-2003. Images consist primarily of informal portraits of individuals, in addition to formal and informal gatherings and views of the landscape, Images of a memorial site established for murder victims Wilson Black Elk and Ron Hard Heart at the site where their bodies were found west of the interstate highway between Pine Ridge Village, South Dakota, and Whiteclay, Nebraska, June 8, 1999, Images of Camp Justice, a group of tipis established by protesters on the border between the Pine Ridge Indian Reservation and Nebraska on July 4, 1999, and abandoned May 20, 2002, Images of a graduation powwow at the Oglala Lakota College in Kyle, South Dakota, 2000, include a view of Maxine Broken Nose and Wade Broken Nose setting up ceremonial tipis for the event, a grand procession led by flag bearers carrying an United States and Lokota flags, a give away ceremony where elders and guests receive gifts, attendees at a food line, a concession food trailer, and children and adults in bleachers, Views of the graduation powwow at the Oglala Lakota College, 2003, include images of the grand procession and Webster Poor Bear receiving an honorary degree, Images of a rodeo held in the memory of Floyd Wilcox, Sr., in Wanblee, South Dakota, 2003, include informal portraits of attendees and participants, including a group portrait that consists of Harold DeCory, Tim High Elk, Justin Thin Elk, Tray Wilcox, Marvin Ted Thin Elk, Jr., Edward Clifford, Sr., and Justin Thin Elk, III, Images at a powwow in Manderson, South Dakota, 2003, include a flag ceremony raising American flags and giving flags to families with members in the military, a naming ceremony, and jingle dancers. An additional informal group portrait shows nursing students from Yale University working at the Pine Ridge Hospital, consisting of Carolyn Bernadette Mahoney, Vanessa L. Reid, and Elizabeth S. Burke, Images of a powwow in Pine Ridge, South Dakota, 2003, include views of the voter registration booths for the Republican and Democratic political parties, in addition to a group portrait of young dancers, including Derek Tyon, Justin Williams, and Isaac Weasel Bear, Images of a memorial ceremony for Winyan Isnala Red Shirt attended by her family and friends include her daughter Delphine Red Shirt and religious leader Carl Bone Shirt, 2000, Images document demonstrators engaged in a March Against Racism in Martin, South Dakota, 2003, Images document the destruction of a hemp crop owned by Alexander White Plume by Drug Enforcement Agency and Federal Bureau of Investigation agents, August 24, 2000, View of a memorial monument established for Frank Fools Crow, a Lakota medicine man and spiritual leader, View of the site where two agents with the Federal Bureau of Investigation and a Native American man were killed in gun battles in June 26, 1975, Images at the Porcupine Clinic Health Board include a woman receiving medication from a physician and an elderly woman undergoing dialysis treatment, Several images of structures and activities on the land of Gerald Ice and Pamela Ice include a birthday celebration of a female relative and views of tipis and a sweat lodge. Another image shows the home of Vicki Eagle Elk between Sharps Corner and Kyle, South Dakota, General views of landscape include agricultural fields and herds of horses and buffalo. Views of structures consist of dilapidated housing, including view of public housing projects in Manderson and Porcupine, South Dakota; and commercial structures, including a derelict grain silo with graffiti in Batesland, South Dakota, Informal portraits of Oglala Lakota men, women, and children include Sylvester Bad Cobb, Edgar Bear Runner, Joseph Bear Runner, Loren Black Elk, Selo Black Crow, Anthony Black Feather, Maxine Broken Nose, Wade Broken Nose, Melissa Cahoon, Andrew Courtier, Jordan Courtier, Maynard Courtier, Marvin Ghost Bear, Gifford Noisy Hawk , Olivia Thunder Home, Miranda Thunder Home, Victoria Fire Thunder, Grace Hollow Horn, Glen Janis, Veronica Kills, Nicholas Kolb, Bob Lone Elk, Sid Lone Hill, Gerald Ice, Devona Lone Wolf, Shirley Marshall, Eliza Morrison, Travis Nelson, Thomas Poor Bear, Webster Poor Bear, Kevin Pourier, Valerie Pourier, Oliver Red Cloud, Juanita Red Cloud, Eldine Red Eyes, James Rock, Marylin Rodriguez, Calvin J. Spotted Elk, Richard D. Spotted Elk, Keith Sun Bear, W. Two Bulls, Michael Walking, Alexander White Plume, Tony White Thunder, and Denae Yellow Boy, and Informal group portraits include the Bear Runner family from Porcupine, South Dakota; Janis family of Kyle, South Dakota; and members of YouthWorks, a faith based initiative based in Minneapolis, painting houses in Martin, South Dakota, 2003
Description:
Title devised by cataloger.
Subject (Geographic):
South Dakota., Batesland (S.D.), Camp Justice (Pine Ridge Indian Reservation, S.D.), Kyle (S.D.), Manderson (S.D.), Pine Ridge Indian Reservation (S.D.), Porcupine (S.D.), and Wounded Knee (S.D.)
Subject (Name):
Bad Cobb, Sylvester., Bear Runner, Edgar., Bear Runner, Joseph., Black Crow, Selo., Black Elk, Loren., Black Elk, Wilson, Black Feather, Anthony., Bone Shirt, Carl., Broken Nose, Maxine., Broken Nose, Wade., Burke, Elizabeth S., Cahoon, Melissa., Clifford, Edward, Sr., Courtier, Andrew., Courtier, Jordan., Courtier, Maynard., DeCory, Harold., Eagle Elk, Vicki., Fire Thunder, Victoria., Fools Crow, 1890 or 1891-1989, Ghost Bear, Marvin., Hard Heart, Ron, High Elk, Tim., Hollow Horn, Grace., Ice, Gerald., Ice, Pamela., Janis, Glen., Kills, Veronica., Kolb, Nicholas., Lone Elk, Bob., Lone Hill, Sid., Lone Wolf, Devona., Luck, Owen Craig, 1947-, Mahoney, Carolyn Bernadette., Marshall, Shirley., Gillis, Eliza., Nelson, Travis., Noisy Hawk, Gifford., Poor Bear, Thomas., Poor Bear, Webster., Pourier, Kevin., Pourier, Valerie., Red Cloud, Juanita., Red Cloud, Oliver., Red Eyes, Eldine., Red Shirt, Delphine., Red Shirt, Winyan Isnala, Reid, Vanessa L., Rock, James., Rodriguez, Marylin., Spotted Elk, Calvin J., Spotted Elk, Richard D., Sun Bear, Keith., Thin Elk, Justin., Thin Elk, Justin, III., Thin Elk, Marvin Ted, Jr., Thunder Home, Miranda., Thunder Home, Olivia., Two Bulls, W., Tyon, Derek., Walking, Michael., Weasel Bear, Isaac., White Plume, Alexander., White Thunder, Tony., Wilcox, Floyd, Sr., Wilcox, Tray., Williams, Justin., Yellow Boy, Denae., Oglala Lakota College, Porcupine Clinic Health Board., United States. Drug Enforcement Administration., United States. Federal Bureau of Investigation., and Youthworks.
Subject (Topic):
Monuments, Civil rights demonstrations, Indians of North America, Rites and ceremonies, Oglala Indians, Powwows, and Sepulchral monuments
Photographs created by John Willis of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2009, and related material, Many images document the Yellow Bull family and their home in Pine Ridge. Several images depict Andrea Reddest and Duane Reddest, as well as the Reddest family home and land at Lost Dog Creek. Other portraits include Ashley Bull Man, Gwen Bull Man, Sarah Ghostman, Karen Weasel Bear, John Swallow, and David Swallow, Jr. Portraits of unidentified individuals include residents of a housing development in Kyle, as well as a man inside a restaurant in Kadoka, Images of built landscapes include a housing development in Wanblee, a cemetery in Yellow Bear Canyon, and the Badlands National Park during the winter. Images of structures at Potato Creek, near Interior, South Dakota, include powwow grounds and the Potato Creek Episcopal Church. There is also a view of KILI Radio at Porcupine Butte. A group of photographs depicts interior views of the Stroppel Inn and Main Street in Midland, Many photographs depict roads and highways in the vicinity of the Pine Ridge Indian Reservation. Panoramas in the collection include views of Wanblee, Badlands National Park, and Yellow Bear Canyon. Several of the panoramas are collages with historic images, The collection includes a draft dummy volume for Views from the Rez (University of Chicago Press, 2010) which consists of photographs by Willis of the Pine Ridge Indian Reservation and the region, which he compiled March 2009. The volume also contains an essay by Kent Nerburn, as well as poetry and observations by Oglala Indians, and Two audio compact disks, Heartbeat of the Rez, consist of recordings in Lakota and English of spoken word, traditional songs, and contemporary music
Description:
John Willis is a documentary photographer and an instructor of photography at Marlboro College in Marlboro, Vermont., Title devised by cataloger., In 7 boxes., and Photographs signed by the photographer on verso with accompanying manuscript captions.
Subject (Geographic):
United States, Badlands National Park (S.D.), Kyle (S.D.), Lost Dog Creek (S.D.), Midland (S.D.), Pine Ridge Indian Reservation (S.D.), Yellow Bear Canyon (S.D.), South Dakota, and Wanblee (S.D.)
Subject (Name):
Willis, John, 1957-, Yellow Bull, Delores, and Stroppel Inn
Subject (Topic):
Indians of North America, Oglala Indians, and Public housing
Unidentified snapshot photographs of Plains Indian men, women and children, including views of the erection and interior of a tipi, men on horseback in procession holding American flags, and women and children in clothing decorated with elk teeth, some on horseback with umbrellas, others in front of tipis. Two photographs have captions identifying the subjects as "Mrs. High Medicine Rock of Big Horn" and "Lucy Turns Back's little girl."
Description:
Manuscript captions on verso of two prints. Envelope from the United States Department of the Interior Indian Field Service accompanies the photographs.
Studio portrait photographs of Dakota Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872. The imprints for the leaves, which include the title for the collection and a contents page, are on mounts printed by Gibson Brothers, Printers, Washington, D.C., Images of men include Big Foot (Che-Tan-Keah), Blue Horse (Shon-Keh-Tah), Cayote (Tshan-Gma-Ne-Toh), Dirt Face (Ma-Ka-The-Kon), Good Buffalo (Ta-Tan-Kah-Nua-Sh-Tah), Hard Heart (Tshan-The Shout-Ah), High Wolf (Tchan-Gm-Ani-Tah-an Ka-Ti-Ah), Lone Wolf (Tchan-Gm-Ani-To-I-Sh-Na-Lah), One Afraid of the Eagle (Vua-Lluh-Ko-Ke-Pah), Poor Elk (E-Ka-Ta Ta-Ma), Red Cloud (Ma-Kpe-Ah-Lou-Tah), Red Dog (Shon-Kan Lou-Tah), Slow Bull (Ta-Tan-Kah Hun-Ki-Sh-Neh), Stabber (Vua-Sha-Peh), Two Elks (I-Hh-A-Tah-Num-Pah). An image of two men depicts a seated Red Cloud shaking hands with William Blackmore, and Images of women consist of Ear of Corn (Va-How-A-Pah), the wife of Lone Wolf, and White Hawk (Ta-Chon-ka-Ska), the wife of Big Foot
Description:
Title from accompanying title and contents leaves., Presentation case imprinted "Photographs of Red Cloud & His Braves.", and Photographs are mounted on boards with typescript captions.
Publisher:
Gibson Brothers, printers
Subject (Name):
Big Foot, d. 1890, Blackmore, William, 1827-1878, Blue Horse, Cayote, Dirt Face, Ear of Corn, Gardner, Alexander, 1821-1882., Hard Heart, Lone Wolf, Dakota Indian, One Afraid of the Eagle, Poor Elk, Red Cloud, 1822-1909, Red Dog, Dakota Indian, Slow Bull, Two Elks, White Hawk, and Blackmore Museum (Salisbury, England)
Subject (Topic):
Dakota Indians, Indians of North America, and Government relations
Albums of photographic prints compiled by ethnobotanist Victor King Chesnut of Yuki Indians, Wailaki Indians, and botanical specimens on the Round Valley Indian Reservation, ca. 1898. Photographers of several of the images include William J. Nolan of Covelo, California, and L. E. Hunt, Images of the Round Valley Indian Reservation include views of the Round Valley, the Round Valley Indian School, a church, a sweathouse located near Burgess Creek, vernacular structures of the Yuki Indians, and houses built by the government. Images of locations near Ukiah, California, include a Yuki Indian village and a Pomo Indian sweathouse, Images depicting daily activities of Yuki Indians include men and women grinding acorn meal, women gathering wild grass seeds for pinole meal, and men and women smoking venison over a campfire. An image shows the manufacturing sequence from raw plant to a finished fishing net. Several images show baskets made by Yuki Indians, including those used in preparing acorns, Informal portraits of identified persons include Yuki Indian Nettie Smith and her children, who had an African American father; Happy Jack, a white man, his Yuki Indian wife, and their child; the Yuki Indian family of U. or V. Webster; and a group portrait that includes Yuki Indian Mary Anderson, Victor King Chesnut, William J. Nolan and his wife, Mr. Truebody, and Mr. Patrick. Portraits of unidentified persons include an image depicting three generations of Yuki Indian women, a white woman identified as a field matron, and an elderly woman identified as a Redwood Indian (Whilkut Indian). Several group portraits show Yuki and Wailaki Indian boys and girls dressed in school uniforms on commencement day for the Round Valley Indian School, Numerous images depict shrubs and trees endemic to the Round Valley, including several species of oak trees and pine trees, and The first album includes a typed transcription of a poem by J. Torrey Connor, “On a Indian Basket”
Description:
Victor King Chesnut worked for the Bureau of Plant Industry, United States Department of Agriculture, 1894-1904. In 1902, Chesnut published "Plants Used by the Indians of Mendocino County, California" based on ethnobotanical information procured at the Round Valley Indian Reservation. He later worked as a professor of chemistry and geology at Montana Agricultural College, 1904-1907, and returned to work with the United States Department of Agriculture until his retirement in 1933., Title devised by cataloger., Albums numbered sequentially; several images in the first two albums have duplicate photographic prints in the third album., Individual photographic prints are 9.5 x 15 cm. and smaller., Manuscript captions on leaves below prints and in indices., and Ink stamps and inscriptions of "V. K. Chesnut" on the verso of several prints.
Subject (Geographic):
California, Round Valley Indian Reservation, California., Round Valley (Calif.), Round Valley Indian Reservation (Calif.), and Ukiah (Calif.)
Subject (Name):
Chesnut, V. K. 1867-1938. (Victor King),, Connor, J. Torrey, 1869-1937., Hunt, L. E., Nolan, William J., Smith, Nettie., and Round Valley Indian School
Subject (Topic):
Acorns as food, Ethnobotany, Indians of North America, Photography of trees, Pomo Indians, Shrubs, Sweatbaths, Trees, Wailaki Indians, Whilkut Indians, and Yuki Indians
Photographs of Utah, including views in Salt Lake City of the City Hall, the interior of the Tabernacle, and Brigham Young's residence, and a portrait of Brigham Young. Outside of Salt Lake city there are photographs of a wagon train at Coalville, the Millersville Bridge, Weber Canyon, Soda Springs,and three composite photographs of Utah landscapes and Indians
Description:
Advertisement on verso of some mounts for C. W. Carter's Photograph Gallery and View Emporium. Manuscript captions on verso of some mounts. Letterpress captions on some mounts. One print of Brigham Young has become detached from its mount. and Accompanied by a box list.
Photographs of the Apache Indian Reservation in San Carlos, Arizona, including views of the new guardhouse, a scouts camp, and Indian children at school
Description:
Manuscript captions on verso of some mounts.
Subject (Geographic):
Arizona, Arizona., and San Carlos Indian Reservation (Ariz.)
Subject (Topic):
Indian reservations, Indians of North America, and Apache Indians
Studio portrait photographs of Teton Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872. The primarily male delegates represent the discrete bands of the Chawana, Cut Head, Oncapapa, and Tachana. The delegates visited Washington, D.C., under the charge of Major Andrew J. Simmons, Images of members of the Chawana consist of Good Hawk (Ha-V-Ka-Washta), Red Thunder (Wan-Ken-Low-Tah), Walking Crane (Pa-Ha-Sa-Mana), and Yellow Eagle (Wama-A-Ke)., Images of members of the Cut Head band consist of Afraid of the Bear (Ma-To-Ko-Kepa), Bears Nose (Ma-To-Pa-Ge), Man Packs the Eagle (Whoe-A-Ke) and his wife, Medicine Bear (Ma-To-Ican), Red Lodge, and Skin of the Heart (Shanta-Ya)., Images of members of the Oncapapa band consist of Black Horn (Hey-Sa-Pah), Bloody Mouth (E-Wa-Hu), Bull Rushes (P'sa), and Lost Medicine (Wancan-Ya-Kea)., and Images of members of the Tachana band consist of Black Eye (Ish-Tah-Sa-Pah), Long Fox (To-Can-Has-Ka), and Many Horns (Hatona).
Description:
Title from accompanying title and contents leaves., Presentation case imprinted "Teton Sioux.", and Photographs are mounted on boards with typescript captions and possess image numbers 62-79.
Publisher:
Gibson Brothers, Printers
Subject (Name):
Afraid of the Bear, Bears Nose, Black Eye, Black Horn, Bloody Mouth, Bull Rushes, Gardner, Alexander, 1821-1882., Good Hawk, Long Fox, Lost Medicine, Many Horns, Medicine Bear, Red Lodge, Red Thunder, Skin of the Heart, Walking Crane, Whoe-A-Ke, Yellow Eagle, Simmons, A. J., and Blackmore Museum (Salisbury, England)
Subject (Topic):
Indians of North America, Government relations, and Teton Indians
Photographs of Texas, including views of homes and the business district of El Paso, the Alamo in San Antonio, artillery drills of Troop H of the 3rd cavalry at Fort McIntosh, the mission at San Jose, a wagon train, and an Apache Camp. In Harrold, Texas, performers pose on the balcony of the Hotel del Teatro and Great Western Theatre
Description:
Manuscript captions accompany many of the photographs, which are mounted on both sides of cardboard mounts.
Subject (Geographic):
Texas, San Antonio (Tex.), El Paso (Tex.), and Ft. McIntosh (Laredo, Tex.)
Subject (Name):
United States. Army. Cavalry, 3rd
Subject (Topic):
Indians of North America, Apache Indians, Missions, Wagons, and Theaters
Photograph album and loose photographs of a voyage to Alaska on the U.S.S. Bear, including views of St. George and Kings Island, seals on St. Paul's Island, the mission school, a native boat race, walrus hunting and related activities on Cape Prince of Wales, the Bering Straits and natives and landscapes of the Siberian coast, the Indian River, and views of floating ice in the Arctic Ocean, In Sitka, there are views of the Greek Church, the governor's house and other public buildings, and of native women curio sellers who turn their backs to avoid having their pictures taken, At St. Michael's Island, there are views of the trading station, the Greek church and Russian block house, the buildings of the Alaska Commercial Company, and natives in camp, Also included are portraits of school children at the mission school at Unalaska, and of native Aleutes [sic] and Esquimo [sic] aboard ship and in villages and of their dwellings, boats and totems, and Some views are commercially produced, though most appear to be personal photographs. There are individual and group portraits of the crews, passengers and officers of several ships, both on board and on shore, and a listing of the crew of the Bear appears on the fly leaf of the album. The photographs also record whalers and other ships encountered along the way
Description:
In 2 boxes., Photographs are accompanied by manuscript captions. Album photographs measure 11.2 x 19.5 cm. and are all inscribed with the initials "A.L.B." Of the loose photographs, most are inscribed with the initials "A.L.B" with the exception of single images credited to Curtis of Seattle, T. Saiki, and McMurry of Port Townsend, Washington Territory., Alfred L. Broadbent (A.L.B.?) was an engineer on the U.S.S. Bear, a revenue cutter active in the Arctic during the 1890s., and Accompanied by a box list.
Subject (Geographic):
Alaska., Alaska, Pribilof Islands (Alaska), and Sitka (Alaska)
Subject (Name):
Broadbent, Alfred L. and Bear (Ship)
Subject (Topic):
Indians of North America, Totem poles, and Sealing
Photograph album and loose photographs of a voyage to Alaska on the U.S.S. Bear, including views of St. George and Kings Island, seals on St. Paul's Island, the mission school, a native boat race, walrus hunting and related activities on Cape Prince of Wales, the Bering Straits and natives and landscapes of the Siberian coast, the Indian River, and views of floating ice in the Arctic Ocean, In Sitka, there are views of the Greek Church, the governor's house and other public buildings, and of native women curio sellers who turn their backs to avoid having their pictures taken, At St. Michael's Island, there are views of the trading station, the Greek church and Russian block house, the buildings of the Alaska Commercial Company, and natives in camp, Also included are portraits of school children at the mission school at Unalaska, and of native Aleutes [sic] and Esquimo [sic] aboard ship and in villages and of their dwellings, boats and totems, and Some views are commercially produced, though most appear to be personal photographs. There are individual and group portraits of the crews, passengers and officers of several ships, both on board and on shore, and a listing of the crew of the Bear appears on the fly leaf of the album. The photographs also record whalers and other ships encountered along the way
Description:
In 2 boxes., Photographs are accompanied by manuscript captions. Album photographs measure 11.2 x 19.5 cm. and are all inscribed with the initials "A.L.B." Of the loose photographs, most are inscribed with the initials "A.L.B" with the exception of single images credited to Curtis of Seattle, T. Saiki, and McMurry of Port Townsend, Washington Territory., Alfred L. Broadbent (A.L.B.?) was an engineer on the U.S.S. Bear, a revenue cutter active in the Arctic during the 1890s., and Accompanied by a box list.
Subject (Geographic):
Alaska., Alaska, Pribilof Islands (Alaska), and Sitka (Alaska)
Subject (Name):
Broadbent, Alfred L. and Bear (Ship)
Subject (Topic):
Indians of North America, Totem poles, and Sealing
Studio portrait photographs and incidental images primarily in Siskiyou County, California, created by Louis Herman Heller, 1864-1900, in addition to images related to the Modoc Indian War, the only major Indian war fought by the federal government in California, November 1872 - June 1873, Heller operated a photography studio in Yreka, California, 1864-1869, and in Fort Jones, California, 1869-1900. Images from both studios consist primarily of studio portraits of children, women, and men. Identified portraits from the studio in Yreka, include Henry M. Reid, and probably sisters Catherine E. Moore and Emily B. Moore. Identified portraits from the studio in Fort Jones, include Edward J. Baxter, Daniel Davis, Cora Kist, Naomi Swan, and Henry E. Witherspoon, A large component of portrait photographs originally comprised an album, ca. 1870-1885, probably compiled by John Henry Walker and Mary Cory Walker of Etna, California, including several portraits of their daughter, Cora A. Walker, Stereograph cards include images related to the Modoc Indian War, including exterior group portraits of the United States military and allied Indians pursuing the Modoc force, views of the lava bed landscape, and the military headquarters of Tule Lake. Some stereograph cards also bear the imprint of the Watkins' Yosemite Art Gallery, San Francisco, California, which also distributed them. Incidental images on other stereograph cards include a view of a mine and lumber mill from a distance, an exterior portrait of a man on a horse, and a view of a residence, and Other photographs related to the Modoc Indian War include single and group portraits created by Heller and distributed by Watkins' Yosemite Art Gallery documenting Modoc prisoners taken into custody and their captors. Portraits include Black Jim, Buckskin Doctor, Curley Headed Jack, John A. Fairchild, Hooka Jim, Donald McKay, One-Eyed Dixie, One-Eyed Mose, Scarface Charlie, Shacknasty Jim, Schonchin, Steamboat Frank, Wheum, in addition to Captain Jack and a portrait of his family
Description:
Title devised by cataloger.
Subject (Geographic):
Etna (Calif.), Fort Jones (Calif.), Siskiyou County (Calif.), Tulelake (Calif.), and Yreka (Calif.)
Subject (Name):
Baxter, Edward J., Andersson, Dan, 1888-1920., Buckskin Doctor., Curley Headed Jack., Davis, Daniel., Fairchild, John A., Heller, Louis Herman, 1839-1928., Hooka Jim., Jack, Captain, Modoc Chief, d. 1873., Kist, Cora., McKay, Donald., Moore, Catherine E., Moore, Emily B., One-Eyed Dixie., One-Eyed Mose., Reid, Henry M., Scarface Charlie., Schonchin., Shacknasty Jim., Steamboat Frank., Swan, Naomi., Walker, Cora A., b. 1872., Walker, John Henry, 1841-1907., Walker, Mary Cory, 1851-1910., Watkins, Carleton E., 1829-1916., Wheum., Witherspoon, Henry E., and Watkins' Yosemite Art Gallery.
Subject (Topic):
Indians of North America, Modoc Indians, Wars, 1873, Prisoners, and Soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Four snapshots taken in 1937 at a Blackfeet Indian sun dance on the Blackfeet Indian Reservation in Montana. Accompanied by a document stating the name and place of the photographer, signed by James A. Brubaker, enrolled member of the Blackfeet Tribe, dated Sept. 2, 2000. Also present are three other photographs by an unidentified photographer, a Hopi house and Hopi Indians at Grand Canyon in 1935, and Blackfeet Indians at the Glacier Park Hotel in 1941
Description:
Harold Hanneman owned a variety store in Browning, Montana (on the Blackfeet Indian Reservation in Montana) from 1930 to 1965. and The three accompanying photographs carry manuscript captions on versos.
Subject (Geographic):
Blackfeet Indian Reservation (Mont.) and Arizona
Subject (Name):
Brubaker, James A.
Subject (Topic):
Siksika dance, Sun dance, Siksika Indians, Hopi Indians, and Indians of North America
Photographs of the Menominee Warrior Society armed occupation of the Alexian Brothers Novitiate, Gresham, Wisconsin, January-February 1975. Images include interiors and exteriors of the monastery, portraits of Menominee Warrior Society wearing ski masks, portraits of Wisconsin National Guard Colonel Hugh Simonson, a children's sweat lodge, and members of the Menominee Warrior Society hand-cuffed to members of the Shawano County Sheriff Department. Group portraits include members of the Menominee Warrior Society, Wisconsin National Guard soldiers, and supporters Dennis Banks of the American Indian Movement and actor Marlon Brando. Incidental images include a portrait of Stanley Holder and a Tlingit woman scraping a deer hide with an ulu knife
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Wisconsin, Shawano County., and Gresham (Wis.)
Subject (Name):
Banks, Dennis., Brando, Marlon., Luck, Owen Craig, 1947-, Simonson, Hugh., Alexian Brothers Novitiate (Gresham, Wis.), American Indian Movement., Menominee Warrior Society., and Wisconsin. National Guard.
Subject (Topic):
Indian children, Indians of North America, Menominee Indians, Government relations, Prisoners, Sheriffs, and Tlingit Indians
Photographs of the Menominee Warrior Society armed occupation of the Alexian Brothers Novitiate, Gresham, Wisconsin, January-February 1975. Images include interiors and exteriors of the monastery, portraits of Menominee Warrior Society wearing ski masks, portraits of Wisconsin National Guard Colonel Hugh Simonson, a children's sweat lodge, and members of the Menominee Warrior Society hand-cuffed to members of the Shawano County Sheriff Department. Group portraits include members of the Menominee Warrior Society, Wisconsin National Guard soldiers, and supporters Dennis Banks of the American Indian Movement and actor Marlon Brando. Incidental images include a portrait of Stanley Holder and a Tlingit woman scraping a deer hide with an ulu knife
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Wisconsin, Shawano County., and Gresham (Wis.)
Subject (Name):
Banks, Dennis., Brando, Marlon., Luck, Owen Craig, 1947-, Simonson, Hugh., Alexian Brothers Novitiate (Gresham, Wis.), American Indian Movement., Menominee Warrior Society., and Wisconsin. National Guard.
Subject (Topic):
Indian children, Indians of North America, Menominee Indians, Government relations, Prisoners, Sheriffs, and Tlingit Indians
Photographs of depicting Native American students and the United States Indian School in Carlisle, Pennsylvania, in addition to images of the vicinity, ca. 1890-1910, Images of the United States Indian School include views of buildings and group portraits of students, including students in an art class, male students eating watermelon, a brass band, and the graduating class of 1906, and Other images may relate to the activities of a teacher at the school, including outdoor recreation, view of landscape presumably in the vicinity of Carlisle, the interior of a home, and the silhouette of a woman's face
Description:
Title devised by cataloger., Total number of images in collection is 32. The photographic prints are reference surrogates created from the negatives after acquisition by the library., and Copied from original images reportedly held by the Bosler Memorial Library, Carlisle, Pennsylvania.
Photographs of Alaska, including Tlingit Indian children, Tlingit Indians gambling, loggers, and scenes of miners outfitting and in a mine tunnel. There are also views of the towns of Juneau, Sitka, and Skaguay
Description:
Advertisements on mounts. and Manuscript or letterpress captions on mounts.
Publisher:
Winter & Pond, Photo
Subject (Geographic):
Alaska., Alaska, Klondike River Valley (Yukon), Sitka (Alaska), Juneau (Alaska), and Skagway (Alaska)
Subject (Topic):
Indians of North America, Tlingit Indians, Gambling, Miners, Gold mines and mining, Lumber trade, and Gold discoveries
Photographs created by Owen Luck of individuals and events surrounding the armed occupation by Oglala Dakota Indians, American Indian Movement, and their allies of Wounded Knee on the Pine Ridge reservation, South Dakota, 1973. Images document ceremonies and gatherings, men holding rifles and manning roadblocks, the arrival of negotiators from the National Council of the Churches of Christ in the United States of America and the federal government, and government military forces. Other images shows a group in the doorway of the courthouse during the arraignment of prisoners and Tom Bad Cobb in the street outside the jail, both in Rapid City, South Dakota and Identified individuals include Ralph Abernathy, Tom Bad Cobb, Dennis Banks, Edgar Bear Runner, Clyde Bellecourt, Vernon Bellecourt, Pedro Bisonette, Wallace Black Elk, Leonard Crow Dog, Frank Fools Crow, Robert Free, Russell Means, Sid Mills, and Nellie Red Owl
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Pine Ridge Indian Reservation (S.D.) and Wounded Knee (S.D.)
Subject (Name):
Abernathy, Ralph, 1926-1990., Bad Cobb, Tom., Banks, Dennis., Bear Runner, Edgar., Bellecourt, Clyde H. 1936- (Clyde Howard),, Bellecourt, Vernon., Bisonette, Pedro., Black Elk, Wallace H., Crow Dog, Leonard, 1942-, Free, Robert., Luck, Owen Craig, 1947-, Means, Russell, 1939-2012., Mills, Sid., Red Owl, Nellie., American Indian Movement., and National Council of the Churches of Christ in the United States of America.
Subject (Topic):
Indians of North America, Oglala Indians, Government relations, and History
Photographs created by Owen Luck of individuals and events surrounding the armed occupation by Oglala Dakota Indians, American Indian Movement, and their allies of Wounded Knee on the Pine Ridge reservation, South Dakota, 1973. Images document ceremonies and gatherings, men holding rifles and manning roadblocks, the arrival of negotiators from the National Council of the Churches of Christ in the United States of America and the federal government, and government military forces. Other images shows a group in the doorway of the courthouse during the arraignment of prisoners and Tom Bad Cobb in the street outside the jail, both in Rapid City, South Dakota and Identified individuals include Ralph Abernathy, Tom Bad Cobb, Dennis Banks, Edgar Bear Runner, Clyde Bellecourt, Vernon Bellecourt, Pedro Bisonette, Wallace Black Elk, Leonard Crow Dog, Frank Fools Crow, Robert Free, Russell Means, Sid Mills, and Nellie Red Owl
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Pine Ridge Indian Reservation (S.D.) and Wounded Knee (S.D.)
Subject (Name):
Abernathy, Ralph, 1926-1990., Bad Cobb, Tom., Banks, Dennis., Bear Runner, Edgar., Bellecourt, Clyde H. 1936- (Clyde Howard),, Bellecourt, Vernon., Bisonette, Pedro., Black Elk, Wallace H., Crow Dog, Leonard, 1942-, Free, Robert., Luck, Owen Craig, 1947-, Means, Russell, 1939-2012., Mills, Sid., Red Owl, Nellie., American Indian Movement., and National Council of the Churches of Christ in the United States of America.
Subject (Topic):
Indians of North America, Oglala Indians, Government relations, and History
Photographs of Dakota Indians, Chippewa Tribes in the Great Lakes area, Winnebago, Omaha, Santee Sioux, and Ponca Indians in Nebraska, Indian agents, and various other scenes documenting Charlotte Walkup's visits to the Cheyenne River, Lower Brule, Pine Ridge, and Rosebud Reservations in South Dakota, the Winnebago Reservation and Agency in Nebraska, and the Pipestone Indian Reservation in Minnesota. Accompanied by a publication by the Institute of the American West entitled Indian Self-Rule, Fifty Years Under the Indian Reorganization Act, reproducing some of Walkup's photographs
Description:
Charlotte Tuttle Westwood Lloyd Walkup was an attorney in the Solicitor's Office of the U.S. Interior Department assisting the Office of Indian Affairs in the administration of the Indian Reorganization Act of 1934. Her assignment on the reservations was to work with the tribal councils in drafting tribal constitutions and subsequent charters for economic development as authorized by the Act, and on establishing voting procedures., Stored in 1 box and 1 portfolio., and Manuscript captions on versos of many photographs.
Subject (Geographic):
Cheyenne River Indian Reservation (S.D.), Lower Brule Indian Reservation (S.D.), Pine Ridge Indian Reservation (S.D.), Pipestone Indian Reservation (Minn.), Rosebud Indian Reservation (S.D.), and Winnebago Reservation (Neb.)
Subject (Name):
Walkup, Charlotte Tuttle Westwood Lloyd. and United States. Office of Indian Affairs. Winnebago Agency
Subject (Topic):
Indians of North America, Legal status, laws, etc, Government relations, Dakota Indians, Ojibwa Indians, and Omaha Indians
Postcards with halftone reproductions by Edward Sheriff Curtis of photographs he created of Native Americans, 1904. Images include portraits of a Mohave Indian girl and an Apache Indian girl, a group of Hopi Indian children, and four Apache Indians crossing a waterway on horseback
Description:
Title devised by cataloger. and Each postcard has been cut on the right side of the recto.
Subject (Name):
Curtis, Edward S., 1868-1952.
Subject (Topic):
Apache Indians, Hopi Indians, Indians of North America, and Mohave Indians
Davies, Arthur B. (Arthur Bowen), 1862-1928, artist
Published / Created:
[between 1880 and 188h9?]
Call Number:
BrSide4o Zc16 P9 880da
Image Count:
1
Resource Type:
still image and text
Abstract:
Print shows the Pueblo Bonito ruin in Chaco Canyon viewed from the south
Description:
BEIN BrSide4o Zc16 P9 880da: On sheet 20.8 x 24.8 cm. Manuscript notes on verso. On verso, red ink stamp: Art Department The Century Co. Union Square New York City. and Title devised by cataloger.
Publisher:
publisher not identified
Subject (Geographic):
Pueblo Bonito Site (N.M.), Chaco Canyon (N.M.), New Mexico, and Chaco Canyon
Subject (Topic):
Chaco architecture, Ancestral Pueblo culture, Pueblo Indians, Architecture, and Indians of North America
Two American Indian males in a canoe laden with a killed doe return to their village, where they are greeted by women and children against a background of tipis
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Reproduction of a drawing by Seth Eastman that depicts in the foreground two Native Americans, on foot with saddled horses nearby, skinning a buffalo. In the background, the scene is of the riverine plains and distant hill tops. The upper half of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 13.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Photographs that primarily document the activities of Makah Indians in the vicinity of Neah Bay, Washington, August 2005, A series of images documents Makah Indian canoes participating in the Inter-Tribal Ocean-Going Canoe Journey, Paddle to Elwha, in August 2005. The journey included Peril Point in Clallam Bay, Washington, and Sooke and Beecher Bay in British Columbia, as well as arriving for an inter-tribal rendezvous at Port Angeles, Washington, Images in the state of Washington include the Makah Days celebration in Neah Bay, fishing with gillnets on the Sooes River, a series of portraits created in a longhouse of the Makah Indians, and a prison sweat lodge ceremony at the Clallam Bay Correctional Facility in Clallam Bay, and A series of images documents the dedication of a totem pole in Comox, British Columbia
Description:
Photographs signed by the photographer on verso. and Collection includes brief descriptions of the photographs by the photographer.
Subject (Geographic):
Washington (State), Beecher Bay, Clallam Bay (Wash.), Comox (B.C.), Makah Indian Reservation (Wash.), Neah Bay (Wash.), Port Angeles (Wash.), Sooes River (Wash.), and Sooke (B.C.)
Subject (Name):
Luck, Owen Craig, 1947-, Clallam Bay Corrections Center, and Makah Days (2005 : Neah Bay, Wash.)
Subject (Topic):
Gillnetting, Indians of North America, Fishing, Makah Indians, and Totem poles
Depicts a skirmish between a small group of mounted American Indians
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Print depicts an unhorsed trapper beside his fallen horse; he is shooting a dismounted indigenous man who has a tomahawk raised in his right hand as he approaches the trapper. In the background, two horses, one riderless, grassland and sky; a little less than half the print shows the partly cloudy sky
Description:
Title from printed caption below image. and Below image: Entered according to Act of Congress in the year 1858 by Currier & Ives, in the clerk's office of the District Court of the Southern Dist. of N.Y.
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather tied into its tail; two of the Crow men are dismounted, kneeling on the hill-side signalling with smoke
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
Image of a hunter in buckskin clothing sitting atop his horse, who stands in a shallow pond. The hunter holds his rifle and turns to look behind him. At far left in the distance, a Native American is seen on his horse riding through the tall grasses
Description:
BEIN BrSides Zc10 850ra: Imperfect: Faded and heavily foxed. Print is mounted on verso of an advertising placard for "Life likeness of Charley McCarthy to be given away free," cataloged separately. and Title from caption below image.
Publisher:
publisher not identified
Subject (Topic):
Trappers, Hunters, Horses, and Indians of North America
Tintypes and carte-de-visite photographs primarily depicting Missisauga Indian individuals of the Ojibway Nation in the vicinity of Alderville, Ontario, ca. 1850-1890, A studio portrait created ca. 1853, by an unidentified photographer, and copy photographed by Anny W. James of Belleville, Ontario, ca. 1860-1865, of William Case, a Methodist minister who established an industrial school in Alderville. The Missisauga Indians may represent individuals Case converted to Methodism. A studio portrait depicts the wife of Case, Eliza Barnes Case, posed sitting and knitting, created by Charles Lawe, Cobourg, Ontario, ca. 1870, Matted tintypes consist of two exterior portraits, probably taken in the same location by the same photographer, one image depicting a group of three Missisauga women, one of them identified as Mrs. Beaver, and the other image depicting a Missisauga woman and two children, Unmatted tintypes consist of studio portraits of two Missisauga men, one posed standing and identified as Joe Beaver, and the other posed sitting and identified as Peter Annego. Five other tintypes depict different Missisauga children, Carte-de-visite photographs of identified men include a portrait of Richard Black created by John L. Richmond, Campbellford, Ontario, ca. 1890, and a portrait of Indian Agent John Thaisaugouy, created by T. Worden, Newcastle on Tyne, Great Britain, ca. 1880. Other carte-de-visite photographs of Missisauga men include a full portrait of a man in a graduation gown in addition to several bust portraits of unidentified men created by different photographers, including Frank Cooper, London, Ontario; James Little, Peterborough, Ontario; and Walter S. Gramsby, Lindsay, Ontario, A carte-de-visite photograph of a woman shows Evelyn Chubb, wife of Joseph Chubb, created by Charles Lawe. A carte-de-visite photograph of a woman and girl is identified as Hiawatha Lukes, wife of Joseph Lukes, and her younger sister, Mary Bell Naugham, created by Thompson & Son Photographers, Peterborough, Ontario, and A carte-de-visite photograph created by an unidentified photographer depicts a young man posed sitting and a young girl
Description:
Title devised by cataloger.
Subject (Geographic):
Alderville (Ont.)
Subject (Name):
Annego, Peter., Beaver, Joe., Black, Richard, Missisauga Indian., Case, Eliza Barnes., Case, William, 1780-1855., Chubb, Evelyn., Cooper, Frank, photographer., Gramsby, Walter S., James, Anny W., Lawe, Charles., Little, James, photographer., Lukes, Hiawatha., Naugham, Mary Bell., Richmond, John L., Thaisaugouy, John., and Thompson & Son Photographers.
Subject (Topic):
Indians of North America, Missisauga Indians, and Ojibwa Indians
Two tintype studio portraits of Mohawk men and women from the Tyendinaga Indian Reserve, Ontario, ca. 1880. The individuals in both images wear western clothing from the period. One tintype depicts a man with a moustache posed sitting on the left side of the image and a woman posed standing on the right of the image. The other tintype depicts a man posed sitting in the center of the image and flanked by a man and woman posed standing on either side and behind him; they also all wear hats
Print shows a Native American man smoking a pipe and sitting in the grass with a white man who is holding out a bottle; another white man stands nearby with two horses, one of which has a dead deer or elk on its back; within a single line border; caption letters and imprint below image
Alternative Title:
Indian in doubt and Seductive offer
Description:
Title from caption below image. and Another state, black and white with mirrored reversal of left and right, issued in Frank Leslie's Illustrated Newspaper (New York), volume 33, issue 834, Sept. 23, 1871, has title: Trading on the plains--a seductive offer--the Indian in doubt.
Wearing a traditional Franciscan habit, the friar Antonio Margil (who was venerated in 1836) holds a crucifix in his left hand, to which he points with his right, as he preaches to a group of exotically dressed Native Americans in an outdoor setting
Alternative Title:
Vera effigies venerabilis servi dei patris Antonii Margil
Description:
Title from caption below image. and Cataloger unable to make precise identification of artist; possibly Francesco Cecchi?
Publisher:
publisher not identified
Subject (Name):
Margil de Jesús, Antonio, 1657-1726
Subject (Topic):
Missionaries, Indians of North America, and Missions
Russell, Charles M. (Charles Marion), 1864-1926, artist
Published / Created:
[not before 1901]
Call Number:
BrSides Zc12 901ru
Image Count:
1
Resource Type:
still image and text
Abstract:
Reproduction of the 1901 painting by Charles M. Russell; depicts a group of Native Americans moving camp; women with children on horseback pulling travois from left to right
Description:
BEIN Broadsides Zc12 901ru: On sheet 22.1 x 29.6 cm. and Title from caption printed below image.
Publisher:
publisher not identified
Subject (Geographic):
West (U.S.)
Subject (Topic):
Travois, Indian women, and Indians of North America
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
