Drawing in red chalk on hand-ruled paper by an unidentified artist, of the decorative cartouche for John Mitchell's Map of the British and French dominions in North America. Represented in the drawing are two Native American figures in the lower right corner, a colonial port scene in the lower left corner, and cherubs holding a British crest and flag at the top. Corn and palm trees form the side borders
Description:
John Mitchell (1711-1768), was a British botanist, physician, and cartographer. He created A Map of the British and French dominions in North America (London: Andrew Millar, 1755), also known as the Mitchell Map, later used in negotiating the 1783 Treaty of Paris., No linguistic content., Title devised by cataloger., and Place and date of creation supplied by cataloger.
Russell, Charles M. (Charles Marion), 1864-1926, artist
Published / Created:
[not before 1901]
Image Count:
1
Resource Type:
still image and text
Abstract:
Reproduction of the 1901 painting by Charles M. Russell; depicts a group of Native Americans moving camp; women with children on horseback pulling travois from left to right
Description:
BEIN Broadsides Zc12 901ru: On sheet 22.1 x 29.6 cm. and Title from caption printed below image.
Publisher:
publisher not identified
Subject (Geographic):
West (U.S.)
Subject (Topic):
Travois, Indian women, and Indians of North America
Wearing a traditional Franciscan habit, the friar Antonio Margil (who was venerated in 1836) holds a crucifix in his left hand, to which he points with his right, as he preaches to a group of exotically dressed Native Americans in an outdoor setting
Alternative Title:
Vera effigies venerabilis servi dei patris Antonii Margil
Description:
Title from caption below image. and Cataloger unable to make precise identification of artist; possibly Francesco Cecchi?
Publisher:
publisher not identified
Subject (Name):
Margil de Jesús, Antonio, 1657-1726
Subject (Topic):
Missionaries, Indians of North America, and Missions
Print shows a Native American man smoking a pipe and sitting in the grass with a white man who is holding out a bottle; another white man stands nearby with two horses, one of which has a dead deer or elk on its back; within a single line border; caption letters and imprint below image
Alternative Title:
Indian in doubt and Seductive offer
Description:
Title from caption below image. and Another state, black and white with mirrored reversal of left and right, issued in Frank Leslie's Illustrated Newspaper (New York), volume 33, issue 834, Sept. 23, 1871, has title: Trading on the plains--a seductive offer--the Indian in doubt.
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather tied into its tail; two of the Crow men are dismounted, kneeling on the hill-side signalling with smoke
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
Print depicts an unhorsed trapper beside his fallen horse; he is shooting a dismounted indigenous man who has a tomahawk raised in his right hand as he approaches the trapper. In the background, two horses, one riderless, grassland and sky; a little less than half the print shows the partly cloudy sky
Description:
Title from printed caption below image. and Below image: Entered according to Act of Congress in the year 1858 by Currier & Ives, in the clerk's office of the District Court of the Southern Dist. of N.Y.
Depicts a skirmish between a small group of mounted American Indians
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Reproduction of a drawing by Seth Eastman that depicts in the foreground two Native Americans, on foot with saddled horses nearby, skinning a buffalo. In the background, the scene is of the riverine plains and distant hill tops. The upper half of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 13.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Two American Indian males in a canoe laden with a killed doe return to their village, where they are greeted by women and children against a background of tipis
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Davies, Arthur B. (Arthur Bowen), 1862-1928, artist
Published / Created:
[between 1880 and 188h9?]
Call Number:
BrSide4o Zc16 P9 880da
Image Count:
1
Resource Type:
still image and text
Abstract:
Print shows the Pueblo Bonito ruin in Chaco Canyon viewed from the south
Description:
BEIN BrSide4o Zc16 P9 880da: On sheet 20.8 x 24.8 cm. Manuscript notes on verso. On verso, red ink stamp: Art Department The Century Co. Union Square New York City. and Title devised by cataloger.
Publisher:
publisher not identified
Subject (Geographic):
Pueblo Bonito Site (N.M.), Chaco Canyon (N.M.), New Mexico, and Chaco Canyon
Subject (Topic):
Chaco architecture, Ancestral Pueblo culture, Pueblo Indians, Architecture, and Indians of North America
Photographs created by John Willis of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2009, and related material, Many images document the Yellow Bull family and their home in Pine Ridge. Several images depict Andrea Reddest and Duane Reddest, as well as the Reddest family home and land at Lost Dog Creek. Other portraits include Ashley Bull Man, Gwen Bull Man, Sarah Ghostman, Karen Weasel Bear, John Swallow, and David Swallow, Jr. Portraits of unidentified individuals include residents of a housing development in Kyle, as well as a man inside a restaurant in Kadoka, Images of built landscapes include a housing development in Wanblee, a cemetery in Yellow Bear Canyon, and the Badlands National Park during the winter. Images of structures at Potato Creek, near Interior, South Dakota, include powwow grounds and the Potato Creek Episcopal Church. There is also a view of KILI Radio at Porcupine Butte. A group of photographs depicts interior views of the Stroppel Inn and Main Street in Midland, Many photographs depict roads and highways in the vicinity of the Pine Ridge Indian Reservation. Panoramas in the collection include views of Wanblee, Badlands National Park, and Yellow Bear Canyon. Several of the panoramas are collages with historic images, The collection includes a draft dummy volume for Views from the Rez (University of Chicago Press, 2010) which consists of photographs by Willis of the Pine Ridge Indian Reservation and the region, which he compiled March 2009. The volume also contains an essay by Kent Nerburn, as well as poetry and observations by Oglala Indians, and Two audio compact disks, Heartbeat of the Rez, consist of recordings in Lakota and English of spoken word, traditional songs, and contemporary music
Description:
John Willis is a documentary photographer and an instructor of photography at Marlboro College in Marlboro, Vermont., Title devised by cataloger., In 7 boxes., and Photographs signed by the photographer on verso with accompanying manuscript captions.
Subject (Geographic):
United States, Badlands National Park (S.D.), Kyle (S.D.), Lost Dog Creek (S.D.), Midland (S.D.), Pine Ridge Indian Reservation (S.D.), Yellow Bear Canyon (S.D.), South Dakota, and Wanblee (S.D.)
Subject (Name):
Willis, John, 1957-, Yellow Bull, Delores, and Stroppel Inn
Subject (Topic):
Indians of North America, Oglala Indians, and Public housing
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
BEIN BrSides Zc12 871dab: Autograph in lower left corner: F.O.C. Darley. Sheet has been mounted on larger sheet of card stock, measuring 56 x 70 cm., Title supplied by cataloger, based on other manifestations of this graphic that use this title., and "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington."
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title supplied by cataloger, based on other manifestations of this graphic that use this title. and "Entered according to Act of Congress in the year 1871 by John G. Wellstood, in the Office of the Librarian of Congress at Washington."
Print shows Native Americans on horseback hunting bison with bow and arrow; central figure on a white horse; following bison running to left; other riders and bison in background of rolling, grassy hills under a large, open sky with clouds on horizon
Description:
Title from caption below image. and At foot of sheet: Engraved expressly for Grahams Magazine.
Publisher:
G.R. Graham
Subject (Topic):
American bison hunting and Indians of North America
Promotional print for Buffalo Bill's New York stage play presents the Indigenous actor He Nu Kaw as a performer in the Buffalo Bill Combination; the central female figure is in stereotypical "Indian princess" dress with bow in left hand, quiver with arrows on her back; tiara-like band with star and feathers. Vignette of villiage life to her left
Alternative Title:
Handomest Indian madien in the world and Now with the Buffalo Bill Combination
Description:
Title from caption below image. Sub-title in red ink. and At head of image: Now with the Buffalo Bill Combination.
Reproduction of a work by Seth Eastman from a sketch by J. H. Eaton. Depicts Fort Defiance as built in 1851-1852. In the foreground, Native Americans approach the fort in a line on horseback; within the fort, U.S. Army soldiers drill. The fort is at the foot of an escarpment. One-third of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 29.
Title from accompanying envelope., "Drawings and linoleum blocks courtesy of the Batman Gallery, San Francisco. Proceeds from the sale of this group of drawings will go to the Native American Church to help legalize the use of peyote in California for the American Indian.", and One of the prints measures 28 x 43 cm. folded to 28 x 22 cm.
Cartes-de-visite photographs created by photographers in the United States and Canada of Indians of North America, ca. 1860-1875. Images consist chiefly of portraits depicting men in traditional clothing, with a few examples of women and children. Tribal groups represented include Dakota, Fox, Navajo, Paiute, Paloos, Sauk, Shoshoni, Ute, and Yankton. Identified individuals include Spotted Tail, a Dakota chief; and Wolf Necklace (Harlish Washshomake), a Paloos chief. Another identified image consists of a copy photograph of a painting of Keokuk based on a daguerreotype made by Thomas Easterly in 1847 and Photographers and galleries represented include: A. W. Barker, Ottawa, Kansas; W. P. Bliss, Photographic Car; Charles Williams Carter, Salt Lake City, Utah; John N. Choate, Carlisle, Pennsylvania; William R. Cross, Niobrara, Nebraska; Duffin & Caswell, Winnipeg, Manitoba; Howard, Fort Bridger, Wyoming; Jackson Brothers Photography, Omaha, Nebraska; S. Park, Brantford, Ontario; Charles Roscoe Savage, Salt Lake City, Utah; Smith, Peabody, Kansas; A. W. Witherell, Keokuk, Iowa
Description:
Title devised by cataloger.
Subject (Name):
Barker, Anthony, 1930-, Bliss, W. P., Carter, Charles Williams., Choate, John N., Cross, W. R. (William R.), Hamilton, C. L., Jackson, William Henry, 1843-1942., Keokuk, Sauk chief, 1780?-1848., Mautz, Carl., Savage, C. R. 1832-1909. (Charles Roscoe),, Spotted Tail, 1823-1881., Witherell, A. W., Duffin & Caswell., and Jackson Brothers Photography.
Subject (Topic):
Dakota Indians, Fox Indians, Indians of North America, Navajo Indians, Paiute Indians, Paloos Indians, Sauk Indians, Shoshoni Indians, Ute Indians, and Yankton Indians
Print shows miners, Caucasians, Native American men, one African-American man, and one woman; panning and digging for gold along the Sacramento River in California. Some figures at left are seen holding gold nuggets in their hands; others at right are fighting; miners using various tools including baskets, gold pans, shovels, picks and cradles; mining camp and rolling hills in distance
Description:
BEIN WA Prints +205: On sheet 29 x 37 cm. and At foot of print: 370.
Subject (Geographic):
California, Sacramento River (Calif.), and Sacramento River.
Subject (Topic):
Gold miners, Gold panning, African Americans, Indians of North America, and Gold discoveries
Print shows miners, Caucasians, Native American men, one African-American man, and one woman; panning and digging for gold along the Sacramento River in California. Some figures at left are seen holding gold nuggets in their hands; others at right are fighting; miners using various tools including baskets, gold pans, shovels, picks and cradles; mining camp and rolling hills in distance
Description:
BEIN WA Prints +204: On sheet 29 x 37 cm. and At foot of print: 370.
Publisher:
Kelloggs and Comstock and Ensign and Thayer
Subject (Geographic):
California and Sacramento River (Calif.)
Subject (Topic):
Gold miners, Gold panning, Indians of North America, African Americans, and Gold discoveries
Reproduction of a painting by Seth Eastman that depicts in the foreground two Native Americans on horseback, one with a long gun, the other with bow and arrow, hunting buffalo. In the background, the scene is of the riverine plains. The upper three-quarters of the image are of sky
Description:
Title from caption below image. and Below image, centered: Pl. 9.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Print shows a Blackfoot (Siksika) Native American man on horseback, carrying a long gun, and looking back toward another rider. He is wearing moccasins, leggings, animal hide clothing, and has feathers in his hair
Alternative Title:
Indien Pieds Noir a cheval and Blackfoot Indian on horse-back
Description:
Title from caption below image. and Print published in Wied, Maximilian, Prinz von, 1782-1867. Travels in the interior of North America (London: Ackermann and co., 1843); volume 1, plate 19.
Publisher:
Ackerman & Co., J. Hölscher, Arthus Bertrand, and Imp. de Bougeard
Subject (Topic):
Siksika Indians, Indians of North America, and Horses