Photographs that document the Phoenix Indian School in Phoenix, Arizona, circa 1902. The collection includes an illustrated invitation printed by the H. H. McNeil Company to the commencement exercises for the school that occurred May 20-22, 1902, which includes a schedule of events and names of graduates. Images in the invitation and photographs include views of the school grounds as well as exteriors and interiors of buildings as well as group portraits of students wearing uniforms, the school band, and school staff. Photographs of activities include students pulling wagons loaded with wood planks, students and staff eating a meal, and occupational training classes including sewing and laundry
Description:
Hartwell & Hamaker was a photographic studio in Phoenix, Arizona, circa 1890-1906, that included partners Francis A. Hartwell (born 1852) and Harry Lee Hamaker (1863-1939)., The Phoenix Indian School, later known as the Phoenix Indian High School, was a Bureau of Indian Affairs-operated school in Encanto Village in Phoenix, Arizona. It opened in 1891 and served all grades until 1935, when it functioned solely as a high school until closing in 1990., Invitation and blind stamps in English., Title devised by cataloger., and Blind stamps on mounts: Hartwell & Hamaker, Phoenix, Ariz.
Subject (Geographic):
Arizona and Phoenix (Ariz.)
Subject (Name):
Hamaker, Harry Lee, 1863-1939., Hartwell, Francis A., 1852-, H. H. McNeil Company., Hartwell & Hamaker., and Phoenix Indian School
Subject (Topic):
Indians of North America, Cultural assimilation, Education, and Schools
Photograph album probably compiled by Samuel Tepakeyah or his wife, Angeline Petty Tepakeyah, circa 1890-1915, which contains 59 photographs, including 29 cabinet photographs, 15 tintypes, and 8 photographic postcards. The photographs include studio portraits of American Indians, predominantly Ottawa as well as students at the United States Indian School, and others made by photographers in northern Michigan and Carlisle, Pennsylvania, Ottawa men photographed in Petoskey, Michigan, include James Green, William Mitchell, and an infant, Joseph Jackson. The album also includes a studio portrait of Richard Henry Pratt, founder and superintendent of the United States Indian School, circa 1895, Photographers in northern Michigan include T. F. Nix in Boyne City; Edward E. Bowman and G. W. Priest in Charlevoix; H. Krueger in Grand Rapids; E. H. Koing in Mancelona; L. S. Morey in Mount Pleasant; Hoyt Steven Spencer in Northport; and The Park Gallery, P.A. Fisher, and H. M. Wilcox in Petoskey, Identified photographers in Carlisle, Pennsylvania, include J. N. Choate and Edgar Kurtz Gaugler, and The album includes a handbill for the Hines-Kimball Troupe of acrobats with a group portrait of its members for shows in 1904-1906
Description:
Samuel E. Tepakeyah (also known as Enore Ta-pe-ke-yah) (1875-1938) was an Ottawa, probably a member of the Little Traverse Bay Bands of Odawa Indians. He may have attended the United States Indian School at Carlisle, Pennsylvania. Tepakeyah lived in Hayes, Charlevoix County, Michigan, and worked as a laborer in a limekiln and chopping wood. In September 1912, he married Angeline Petty (1879-1943) and they had five children., Inscriptions in English and album cover in Polish., Title devised by cataloger., Cover of the photograph album includes the coat of arms for Poland, January Uprising (1863), with the motto, Boże Zbaw Polskę, as well as a depiction of Saint Mary, Blessed Virgin., Photograph album measures 28.5 x 23.5 cm., and Ownership inscriptions by Tepakeyah on the versos of many prints.
Subject (Geographic):
Poland
Subject (Name):
Bowman, Edward E., 1868-, Choate, J. N. 1848-1902. (John N.),, Fisher, P. A. 1858-1932. (Perry A.),, Gaugler, Edgar Kurtz, 1861-1947., Krueger, H. 1856-1918. (Herman Carl August),, Lackey, Sanford Fillmore, 1858-1904., Mary, Blessed Virgin, Saint, Morey, L. S. 1858-1945. (Loren Searle),, Nix, T. F. 1848-1920. (Theodore F.),, Pratt, Richard Henry, 1840-1924, Priest, G. W. 1863- (George W.),, Spencer, Hoyt Steven, 1819-1914., Tepakeyah, Angeline Petty, 1878-1943., Tepakeyah, Samuel E., 1875-1938., Wilcox, H. M. 1846-1926. (Horace M.),, Hines-Kimball Troupe, Park Gallery (Petoskey, Mich.), and United States Indian School (Carlisle, Pa.)
Subject (Topic):
Indians of North America, Ottawa Indians, and History
Drawing in red chalk on hand-ruled paper by an unidentified artist, of the decorative cartouche for John Mitchell's Map of the British and French dominions in North America. Represented in the drawing are two Native American figures in the lower right corner, a colonial port scene in the lower left corner, and cherubs holding a British crest and flag at the top. Corn and palm trees form the side borders
Description:
John Mitchell (1711-1768), was a British botanist, physician, and cartographer. He created A Map of the British and French dominions in North America (London: Andrew Millar, 1755), also known as the Mitchell Map, later used in negotiating the 1783 Treaty of Paris., No linguistic content., Title devised by cataloger., and Place and date of creation supplied by cataloger.
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Watercolor, oil and sepia paintings of Indians and western scenery, including one of William Drummond Stewart and Antoine Clement
Description:
WA MSS 341 container 1: empty album; container 2: paintings. WA MSS 342 container 1: unframed paintings; containers 2-3: framed paintings (numbers 14 and 15 on detailed list). and Alfred Jacob Miller (1810-1874), born in Baltimore, accompanied William Drummond Stewart on an 1837 expedition to the Green River Valley, Wind River Mountains, and the eastern section of Oregon Territory. He was commissioned by Stewart to sketch the Indians and scenery and later enlarge them into oil paintings.
Subject (Geographic):
Fort Laramie (Wyo.) and Wind River Range (Wyo.)
Subject (Name):
Clement, Antoine., Miller, Alfred Jacob, 1810-1874., and Stewart, William Drummond, Sir, 1795 or 6-1871.
Subject (Topic):
Buffaloes, Chinook Indians, Dakota Indians, Indians of North America, Nez Percé Indians, Pawnee Indians, Shoshonean Indians, Shoshoni Indians, and Siksika Indians
Russell, Charles M. (Charles Marion), 1864-1926, artist
Published / Created:
[not before 1901]
Call Number:
BrSides Zc12 901ru
Image Count:
1
Resource Type:
still image and text
Abstract:
Reproduction of the 1901 painting by Charles M. Russell; depicts a group of Native Americans moving camp; women with children on horseback pulling travois from left to right
Description:
BEIN Broadsides Zc12 901ru: On sheet 22.1 x 29.6 cm. and Title from caption printed below image.
Publisher:
publisher not identified
Subject (Geographic):
West (U.S.)
Subject (Topic):
Travois, Indian women, and Indians of North America
Wearing a traditional Franciscan habit, the friar Antonio Margil (who was venerated in 1836) holds a crucifix in his left hand, to which he points with his right, as he preaches to a group of exotically dressed Native Americans in an outdoor setting
Alternative Title:
Vera effigies venerabilis servi dei patris Antonii Margil
Description:
Title from caption below image. and Cataloger unable to make precise identification of artist; possibly Francesco Cecchi?
Publisher:
publisher not identified
Subject (Name):
Margil de Jesús, Antonio, 1657-1726
Subject (Topic):
Missionaries, Indians of North America, and Missions
Print shows a Native American man smoking a pipe and sitting in the grass with a white man who is holding out a bottle; another white man stands nearby with two horses, one of which has a dead deer or elk on its back; within a single line border; caption letters and imprint below image
Alternative Title:
Indian in doubt and Seductive offer
Description:
Title from caption below image. and Another state, black and white with mirrored reversal of left and right, issued in Frank Leslie's Illustrated Newspaper (New York), volume 33, issue 834, Sept. 23, 1871, has title: Trading on the plains--a seductive offer--the Indian in doubt.
Two tintype studio portraits of Mohawk men and women from the Tyendinaga Indian Reserve, Ontario, ca. 1880. The individuals in both images wear western clothing from the period. One tintype depicts a man with a moustache posed sitting on the left side of the image and a woman posed standing on the right of the image. The other tintype depicts a man posed sitting in the center of the image and flanked by a man and woman posed standing on either side and behind him; they also all wear hats
Tintypes and carte-de-visite photographs primarily depicting Missisauga Indian individuals of the Ojibway Nation in the vicinity of Alderville, Ontario, ca. 1850-1890, A studio portrait created ca. 1853, by an unidentified photographer, and copy photographed by Anny W. James of Belleville, Ontario, ca. 1860-1865, of William Case, a Methodist minister who established an industrial school in Alderville. The Missisauga Indians may represent individuals Case converted to Methodism. A studio portrait depicts the wife of Case, Eliza Barnes Case, posed sitting and knitting, created by Charles Lawe, Cobourg, Ontario, ca. 1870, Matted tintypes consist of two exterior portraits, probably taken in the same location by the same photographer, one image depicting a group of three Missisauga women, one of them identified as Mrs. Beaver, and the other image depicting a Missisauga woman and two children, Unmatted tintypes consist of studio portraits of two Missisauga men, one posed standing and identified as Joe Beaver, and the other posed sitting and identified as Peter Annego. Five other tintypes depict different Missisauga children, Carte-de-visite photographs of identified men include a portrait of Richard Black created by John L. Richmond, Campbellford, Ontario, ca. 1890, and a portrait of Indian Agent John Thaisaugouy, created by T. Worden, Newcastle on Tyne, Great Britain, ca. 1880. Other carte-de-visite photographs of Missisauga men include a full portrait of a man in a graduation gown in addition to several bust portraits of unidentified men created by different photographers, including Frank Cooper, London, Ontario; James Little, Peterborough, Ontario; and Walter S. Gramsby, Lindsay, Ontario, A carte-de-visite photograph of a woman shows Evelyn Chubb, wife of Joseph Chubb, created by Charles Lawe. A carte-de-visite photograph of a woman and girl is identified as Hiawatha Lukes, wife of Joseph Lukes, and her younger sister, Mary Bell Naugham, created by Thompson & Son Photographers, Peterborough, Ontario, and A carte-de-visite photograph created by an unidentified photographer depicts a young man posed sitting and a young girl
Description:
Title devised by cataloger.
Subject (Geographic):
Alderville (Ont.)
Subject (Name):
Annego, Peter., Beaver, Joe., Black, Richard, Missisauga Indian., Case, Eliza Barnes., Case, William, 1780-1855., Chubb, Evelyn., Cooper, Frank, photographer., Gramsby, Walter S., James, Anny W., Lawe, Charles., Little, James, photographer., Lukes, Hiawatha., Naugham, Mary Bell., Richmond, John L., Thaisaugouy, John., and Thompson & Son Photographers.
Subject (Topic):
Indians of North America, Missisauga Indians, and Ojibwa Indians
Image of a hunter in buckskin clothing sitting atop his horse, who stands in a shallow pond. The hunter holds his rifle and turns to look behind him. At far left in the distance, a Native American is seen on his horse riding through the tall grasses
Description:
BEIN BrSides Zc10 850ra: Imperfect: Faded and heavily foxed. Print is mounted on verso of an advertising placard for "Life likeness of Charley McCarthy to be given away free," cataloged separately. and Title from caption below image.
Publisher:
publisher not identified
Subject (Topic):
Trappers, Hunters, Horses, and Indians of North America
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather tied into its tail; two of the Crow men are dismounted, kneeling on the hill-side signalling with smoke
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
Print depicts an unhorsed trapper beside his fallen horse; he is shooting a dismounted indigenous man who has a tomahawk raised in his right hand as he approaches the trapper. In the background, two horses, one riderless, grassland and sky; a little less than half the print shows the partly cloudy sky
Description:
Title from printed caption below image. and Below image: Entered according to Act of Congress in the year 1858 by Currier & Ives, in the clerk's office of the District Court of the Southern Dist. of N.Y.
Depicts a skirmish between a small group of mounted American Indians
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Photographs that primarily document the activities of Makah Indians in the vicinity of Neah Bay, Washington, August 2005, A series of images documents Makah Indian canoes participating in the Inter-Tribal Ocean-Going Canoe Journey, Paddle to Elwha, in August 2005. The journey included Peril Point in Clallam Bay, Washington, and Sooke and Beecher Bay in British Columbia, as well as arriving for an inter-tribal rendezvous at Port Angeles, Washington, Images in the state of Washington include the Makah Days celebration in Neah Bay, fishing with gillnets on the Sooes River, a series of portraits created in a longhouse of the Makah Indians, and a prison sweat lodge ceremony at the Clallam Bay Correctional Facility in Clallam Bay, and A series of images documents the dedication of a totem pole in Comox, British Columbia
Description:
Photographs signed by the photographer on verso. and Collection includes brief descriptions of the photographs by the photographer.
Subject (Geographic):
Washington (State), Beecher Bay, Clallam Bay (Wash.), Comox (B.C.), Makah Indian Reservation (Wash.), Neah Bay (Wash.), Port Angeles (Wash.), Sooes River (Wash.), and Sooke (B.C.)
Subject (Name):
Luck, Owen Craig, 1947-, Clallam Bay Corrections Center, and Makah Days (2005 : Neah Bay, Wash.)
Subject (Topic):
Gillnetting, Indians of North America, Fishing, Makah Indians, and Totem poles
Reproduction of a drawing by Seth Eastman that depicts in the foreground two Native Americans, on foot with saddled horses nearby, skinning a buffalo. In the background, the scene is of the riverine plains and distant hill tops. The upper half of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 13.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Two American Indian males in a canoe laden with a killed doe return to their village, where they are greeted by women and children against a background of tipis
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Davies, Arthur B. (Arthur Bowen), 1862-1928, artist
Published / Created:
[between 1880 and 188h9?]
Call Number:
BrSide4o Zc16 P9 880da
Image Count:
1
Resource Type:
still image and text
Abstract:
Print shows the Pueblo Bonito ruin in Chaco Canyon viewed from the south
Description:
BEIN BrSide4o Zc16 P9 880da: On sheet 20.8 x 24.8 cm. Manuscript notes on verso. On verso, red ink stamp: Art Department The Century Co. Union Square New York City. and Title devised by cataloger.
Publisher:
publisher not identified
Subject (Geographic):
Pueblo Bonito Site (N.M.), Chaco Canyon (N.M.), New Mexico, and Chaco Canyon
Subject (Topic):
Chaco architecture, Ancestral Pueblo culture, Pueblo Indians, Architecture, and Indians of North America
Postcards with halftone reproductions by Edward Sheriff Curtis of photographs he created of Native Americans, 1904. Images include portraits of a Mohave Indian girl and an Apache Indian girl, a group of Hopi Indian children, and four Apache Indians crossing a waterway on horseback
Description:
Title devised by cataloger. and Each postcard has been cut on the right side of the recto.
Subject (Name):
Curtis, Edward S., 1868-1952.
Subject (Topic):
Apache Indians, Hopi Indians, Indians of North America, and Mohave Indians
Geographical Surveys West of the 100th Meridian (U.S.)
Published / Created:
1871-1874.
Call Number:
WA Photos Folio 55
Image Count:
68
Abstract:
Album of mounted photographic prints created by Timothy H. O'Sullivan and William Bell, and later compiled by the United States War Department. Photographs document the Geographical Surveys West of the 100th Meridian led by George Montague Wheeler, 1871-1873, The photographic prints were arranged into three consecutive series by the United States War Department, "Explorations in Nevada and Arizona - Expedition of 1871," with photographs by O'Sullivan; "Explorations & Surveys West of the 100th Meridian - Expedition of 1872," with photographs by Bell; and "Geographical & Geological Explorations West of the 100th Meridian - Expedition of 1873," with photographs by O'Sullivan, Images of the expedition of 1871 by O'Sullivan include locations along the Colorado River in the Black Canyon, Iceberg Canyon, and Grand Canyon between Arizona and Nevada. Other images include a view of men and women in the mining town of Logan, Nevada; a view of Saguaro cacti, probably in the upper Sonoran desert in southern Arizona; a detailed view of a rock marked with striations from wind erosion near Grand Wash, Utah (misidentified by a typescript caption as below Fortification Rock, Arizona); and a view of an alpine lake, in the Sierra Nevada mountains in California, Images of the expedition of 1872 by Bell include views of steep rock walls and narrow valleys in vicinity of Kanab Canyon, Arizona, as well as views of the Colorado River and Marble Canyon (identified as Grand Cañon) near the confluence with the Paria River in Arizona. Other images include a view of geologic rock formations in Salt Creek Canyon, Utah, and Perched Rock near Rocker Creek, Arizona, Images of the expedition of 1873 by O'Sullivan in Arizona include views in the vicinity of the White Mountains with several views of Apache Lake, including an image that shows Western Apache Indian military scouts, as well as a view of the ranch owned by Corydon Eliphalet Cooley. Several images in the vicinity of Canyon de Chelly include views of the White House and Anasazi ruins, as well as images of rock towers and canyon walls. Other images include a view at the confluence of the Colorado River and Paria River; a view of the North Fork Canyon and the White River (identified as Sierra Blanca Creek); and an overview of Fort Apache, Images of the expedition of 1873 by O'Sullivan in New Mexico include images related to Inscription Rock, with a view of the steep rock spires and detail photographs of Spanish inscriptions carved in sandstone. Images of the community of Zuni, include a view of the Nuestra Señora de Guadalupe mission church, as well as views of multi-story stone and adobe pueblos. An image shows a view of an entrance or narthex of the Mission of San Miguel in Santa Fe. An informal portrait near Fort Defiance shows Navajo men and women sitting and standing beside a loom, and An incidental image from the expedition of 1873 by O'Sullivan in Utah shows a view of mesa tops and canyon walls near the confluence of the San Juan River and the Colorado River
Description:
Copy of album in WA MSS S-744 described in finding aid for collection., Each photograph accompanied by guard sheet with descriptive letter-press. Letterpress captions on mounts: War Department Corps of engineers. U.S. army . . . Lieut. Geo. M. Wheeler, Com'd'g., and Photographs by Timothy O'Sullivan for the 1871 expedition to Nevada and Arizona, numbered 1 through 16; photographs by William Bell for the 1872 expedition along the Colorado River and the Grand Canyon, numbered 1 through 15; and photographs by O'Sullivan for the 1873 expedition to Arizona and New Mexico, numbered 1 through 19.
Subject (Geographic):
Apache Lake (Ariz.), Arizona, Black Canyon (Ariz. and Nev.), Bull Run Mountains (Nev.), Canyon de Chelly National Monument (Ariz.), Colorado River (Colo.-Mexico), El Morro National Monument (N.M.), Fort Apache (Ariz.), Fort Defiance (N.M.), Grand Canyon (Ariz.), Iceberg Canyon (Ariz. and Nev.), Inscription Rock (N.M.), Kanab Canyon (Ariz.), Logan (Nev.), Marble Canyon (Coconino County, Ariz. : Canyon), Nevada, New Mexico, North Fork Canyon (Ariz.), Paria River (Utah and Ariz.), Salt Creek Canyon (Utah), San Juan River (Colo.-Utah), Sierra Nevada (Calif. and Nev.), Southwest, New, United States, Utah, West (U.S.), White Mountains (Ariz.), White River (Nev.), and Zuni (N.M.)
Subject (Name):
Bell, William, 1830-1910., Cooley, Corydon Eliphalet, O'Sullivan, Timothy H., 1840-1882, Mission San Miguel (Santa Fe, N.M.), Nuestra Señora de Guadalupe (Mission : Zuni, N.M.), Geographical Surveys West of the 100th Meridian (U.S.), and United States. War Department.
Subject (Topic):
Homes & haunts, Indians of North America, Navajo Indians, Paiute Indians, Pueblo Indians, Pueblos, Saguaro, Western Apache Indians, Exploring expeditions, and Surveys
Photographs of Dakota Indians, Chippewa Tribes in the Great Lakes area, Winnebago, Omaha, Santee Sioux, and Ponca Indians in Nebraska, Indian agents, and various other scenes documenting Charlotte Walkup's visits to the Cheyenne River, Lower Brule, Pine Ridge, and Rosebud Reservations in South Dakota, the Winnebago Reservation and Agency in Nebraska, and the Pipestone Indian Reservation in Minnesota. Accompanied by a publication by the Institute of the American West entitled Indian Self-Rule, Fifty Years Under the Indian Reorganization Act, reproducing some of Walkup's photographs
Description:
Charlotte Tuttle Westwood Lloyd Walkup was an attorney in the Solicitor's Office of the U.S. Interior Department assisting the Office of Indian Affairs in the administration of the Indian Reorganization Act of 1934. Her assignment on the reservations was to work with the tribal councils in drafting tribal constitutions and subsequent charters for economic development as authorized by the Act, and on establishing voting procedures., Stored in 1 box and 1 portfolio., and Manuscript captions on versos of many photographs.
Subject (Geographic):
Cheyenne River Indian Reservation (S.D.), Lower Brule Indian Reservation (S.D.), Pine Ridge Indian Reservation (S.D.), Pipestone Indian Reservation (Minn.), Rosebud Indian Reservation (S.D.), and Winnebago Reservation (Neb.)
Subject (Name):
Walkup, Charlotte Tuttle Westwood Lloyd. and United States. Office of Indian Affairs. Winnebago Agency
Subject (Topic):
Indians of North America, Legal status, laws, etc, Government relations, Dakota Indians, Ojibwa Indians, and Omaha Indians
Photographs created by Owen Luck of individuals and events surrounding the armed occupation by Oglala Dakota Indians, American Indian Movement, and their allies of Wounded Knee on the Pine Ridge reservation, South Dakota, 1973. Images document ceremonies and gatherings, men holding rifles and manning roadblocks, the arrival of negotiators from the National Council of the Churches of Christ in the United States of America and the federal government, and government military forces. Other images shows a group in the doorway of the courthouse during the arraignment of prisoners and Tom Bad Cobb in the street outside the jail, both in Rapid City, South Dakota and Identified individuals include Ralph Abernathy, Tom Bad Cobb, Dennis Banks, Edgar Bear Runner, Clyde Bellecourt, Vernon Bellecourt, Pedro Bisonette, Wallace Black Elk, Leonard Crow Dog, Frank Fools Crow, Robert Free, Russell Means, Sid Mills, and Nellie Red Owl
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Pine Ridge Indian Reservation (S.D.) and Wounded Knee (S.D.)
Subject (Name):
Abernathy, Ralph, 1926-1990., Bad Cobb, Tom., Banks, Dennis., Bear Runner, Edgar., Bellecourt, Clyde H. 1936- (Clyde Howard),, Bellecourt, Vernon., Bisonette, Pedro., Black Elk, Wallace H., Crow Dog, Leonard, 1942-, Free, Robert., Luck, Owen Craig, 1947-, Means, Russell, 1939-2012., Mills, Sid., Red Owl, Nellie., American Indian Movement., and National Council of the Churches of Christ in the United States of America.
Subject (Topic):
Indians of North America, Oglala Indians, Government relations, and History
Photographs created by Owen Luck of individuals and events surrounding the armed occupation by Oglala Dakota Indians, American Indian Movement, and their allies of Wounded Knee on the Pine Ridge reservation, South Dakota, 1973. Images document ceremonies and gatherings, men holding rifles and manning roadblocks, the arrival of negotiators from the National Council of the Churches of Christ in the United States of America and the federal government, and government military forces. Other images shows a group in the doorway of the courthouse during the arraignment of prisoners and Tom Bad Cobb in the street outside the jail, both in Rapid City, South Dakota and Identified individuals include Ralph Abernathy, Tom Bad Cobb, Dennis Banks, Edgar Bear Runner, Clyde Bellecourt, Vernon Bellecourt, Pedro Bisonette, Wallace Black Elk, Leonard Crow Dog, Frank Fools Crow, Robert Free, Russell Means, Sid Mills, and Nellie Red Owl
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Pine Ridge Indian Reservation (S.D.) and Wounded Knee (S.D.)
Subject (Name):
Abernathy, Ralph, 1926-1990., Bad Cobb, Tom., Banks, Dennis., Bear Runner, Edgar., Bellecourt, Clyde H. 1936- (Clyde Howard),, Bellecourt, Vernon., Bisonette, Pedro., Black Elk, Wallace H., Crow Dog, Leonard, 1942-, Free, Robert., Luck, Owen Craig, 1947-, Means, Russell, 1939-2012., Mills, Sid., Red Owl, Nellie., American Indian Movement., and National Council of the Churches of Christ in the United States of America.
Subject (Topic):
Indians of North America, Oglala Indians, Government relations, and History
Photographs of Alaska, including Tlingit Indian children, Tlingit Indians gambling, loggers, and scenes of miners outfitting and in a mine tunnel. There are also views of the towns of Juneau, Sitka, and Skaguay
Description:
Advertisements on mounts. and Manuscript or letterpress captions on mounts.
Publisher:
Winter & Pond, Photo
Subject (Geographic):
Alaska., Alaska, Klondike River Valley (Yukon), Sitka (Alaska), Juneau (Alaska), and Skagway (Alaska)
Subject (Topic):
Indians of North America, Tlingit Indians, Gambling, Miners, Gold mines and mining, Lumber trade, and Gold discoveries
Photographs of depicting Native American students and the United States Indian School in Carlisle, Pennsylvania, in addition to images of the vicinity, ca. 1890-1910, Images of the United States Indian School include views of buildings and group portraits of students, including students in an art class, male students eating watermelon, a brass band, and the graduating class of 1906, and Other images may relate to the activities of a teacher at the school, including outdoor recreation, view of landscape presumably in the vicinity of Carlisle, the interior of a home, and the silhouette of a woman's face
Description:
Title devised by cataloger., Total number of images in collection is 32. The photographic prints are reference surrogates created from the negatives after acquisition by the library., and Copied from original images reportedly held by the Bosler Memorial Library, Carlisle, Pennsylvania.
Photographs of the Menominee Warrior Society armed occupation of the Alexian Brothers Novitiate, Gresham, Wisconsin, January-February 1975. Images include interiors and exteriors of the monastery, portraits of Menominee Warrior Society wearing ski masks, portraits of Wisconsin National Guard Colonel Hugh Simonson, a children's sweat lodge, and members of the Menominee Warrior Society hand-cuffed to members of the Shawano County Sheriff Department. Group portraits include members of the Menominee Warrior Society, Wisconsin National Guard soldiers, and supporters Dennis Banks of the American Indian Movement and actor Marlon Brando. Incidental images include a portrait of Stanley Holder and a Tlingit woman scraping a deer hide with an ulu knife
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Wisconsin, Shawano County., and Gresham (Wis.)
Subject (Name):
Banks, Dennis., Brando, Marlon., Luck, Owen Craig, 1947-, Simonson, Hugh., Alexian Brothers Novitiate (Gresham, Wis.), American Indian Movement., Menominee Warrior Society., and Wisconsin. National Guard.
Subject (Topic):
Indian children, Indians of North America, Menominee Indians, Government relations, Prisoners, Sheriffs, and Tlingit Indians
Photographs of the Menominee Warrior Society armed occupation of the Alexian Brothers Novitiate, Gresham, Wisconsin, January-February 1975. Images include interiors and exteriors of the monastery, portraits of Menominee Warrior Society wearing ski masks, portraits of Wisconsin National Guard Colonel Hugh Simonson, a children's sweat lodge, and members of the Menominee Warrior Society hand-cuffed to members of the Shawano County Sheriff Department. Group portraits include members of the Menominee Warrior Society, Wisconsin National Guard soldiers, and supporters Dennis Banks of the American Indian Movement and actor Marlon Brando. Incidental images include a portrait of Stanley Holder and a Tlingit woman scraping a deer hide with an ulu knife
Description:
Title devised by cataloger., Prints created by the photographer ca. 2000., and Photographs signed by the photographer on verso, often with accompanying manuscript captions.
Subject (Geographic):
Wisconsin, Shawano County., and Gresham (Wis.)
Subject (Name):
Banks, Dennis., Brando, Marlon., Luck, Owen Craig, 1947-, Simonson, Hugh., Alexian Brothers Novitiate (Gresham, Wis.), American Indian Movement., Menominee Warrior Society., and Wisconsin. National Guard.
Subject (Topic):
Indian children, Indians of North America, Menominee Indians, Government relations, Prisoners, Sheriffs, and Tlingit Indians
Four snapshots taken in 1937 at a Blackfeet Indian sun dance on the Blackfeet Indian Reservation in Montana. Accompanied by a document stating the name and place of the photographer, signed by James A. Brubaker, enrolled member of the Blackfeet Tribe, dated Sept. 2, 2000. Also present are three other photographs by an unidentified photographer, a Hopi house and Hopi Indians at Grand Canyon in 1935, and Blackfeet Indians at the Glacier Park Hotel in 1941
Description:
Harold Hanneman owned a variety store in Browning, Montana (on the Blackfeet Indian Reservation in Montana) from 1930 to 1965. and The three accompanying photographs carry manuscript captions on versos.
Subject (Geographic):
Blackfeet Indian Reservation (Mont.) and Arizona
Subject (Name):
Brubaker, James A.
Subject (Topic):
Siksika dance, Sun dance, Siksika Indians, Hopi Indians, and Indians of North America
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Studio portrait photographs and incidental images primarily in Siskiyou County, California, created by Louis Herman Heller, 1864-1900, in addition to images related to the Modoc Indian War, the only major Indian war fought by the federal government in California, November 1872 - June 1873, Heller operated a photography studio in Yreka, California, 1864-1869, and in Fort Jones, California, 1869-1900. Images from both studios consist primarily of studio portraits of children, women, and men. Identified portraits from the studio in Yreka, include Henry M. Reid, and probably sisters Catherine E. Moore and Emily B. Moore. Identified portraits from the studio in Fort Jones, include Edward J. Baxter, Daniel Davis, Cora Kist, Naomi Swan, and Henry E. Witherspoon, A large component of portrait photographs originally comprised an album, ca. 1870-1885, probably compiled by John Henry Walker and Mary Cory Walker of Etna, California, including several portraits of their daughter, Cora A. Walker, Stereograph cards include images related to the Modoc Indian War, including exterior group portraits of the United States military and allied Indians pursuing the Modoc force, views of the lava bed landscape, and the military headquarters of Tule Lake. Some stereograph cards also bear the imprint of the Watkins' Yosemite Art Gallery, San Francisco, California, which also distributed them. Incidental images on other stereograph cards include a view of a mine and lumber mill from a distance, an exterior portrait of a man on a horse, and a view of a residence, and Other photographs related to the Modoc Indian War include single and group portraits created by Heller and distributed by Watkins' Yosemite Art Gallery documenting Modoc prisoners taken into custody and their captors. Portraits include Black Jim, Buckskin Doctor, Curley Headed Jack, John A. Fairchild, Hooka Jim, Donald McKay, One-Eyed Dixie, One-Eyed Mose, Scarface Charlie, Shacknasty Jim, Schonchin, Steamboat Frank, Wheum, in addition to Captain Jack and a portrait of his family
Description:
Title devised by cataloger.
Subject (Geographic):
Etna (Calif.), Fort Jones (Calif.), Siskiyou County (Calif.), Tulelake (Calif.), and Yreka (Calif.)
Subject (Name):
Baxter, Edward J., Andersson, Dan, 1888-1920., Buckskin Doctor., Curley Headed Jack., Davis, Daniel., Fairchild, John A., Heller, Louis Herman, 1839-1928., Hooka Jim., Jack, Captain, Modoc Chief, d. 1873., Kist, Cora., McKay, Donald., Moore, Catherine E., Moore, Emily B., One-Eyed Dixie., One-Eyed Mose., Reid, Henry M., Scarface Charlie., Schonchin., Shacknasty Jim., Steamboat Frank., Swan, Naomi., Walker, Cora A., b. 1872., Walker, John Henry, 1841-1907., Walker, Mary Cory, 1851-1910., Watkins, Carleton E., 1829-1916., Wheum., Witherspoon, Henry E., and Watkins' Yosemite Art Gallery.
Subject (Topic):
Indians of North America, Modoc Indians, Modoc War, 1872-1873, Prisoners, and Soldiers
Photograph album and loose photographs of a voyage to Alaska on the U.S.S. Bear, including views of St. George and Kings Island, seals on St. Paul's Island, the mission school, a native boat race, walrus hunting and related activities on Cape Prince of Wales, the Bering Straits and natives and landscapes of the Siberian coast, the Indian River, and views of floating ice in the Arctic Ocean, In Sitka, there are views of the Greek Church, the governor's house and other public buildings, and of native women curio sellers who turn their backs to avoid having their pictures taken, At St. Michael's Island, there are views of the trading station, the Greek church and Russian block house, the buildings of the Alaska Commercial Company, and natives in camp, Also included are portraits of school children at the mission school at Unalaska, and of native Aleutes [sic] and Esquimo [sic] aboard ship and in villages and of their dwellings, boats and totems, and Some views are commercially produced, though most appear to be personal photographs. There are individual and group portraits of the crews, passengers and officers of several ships, both on board and on shore, and a listing of the crew of the Bear appears on the fly leaf of the album. The photographs also record whalers and other ships encountered along the way
Description:
In 2 boxes., Photographs are accompanied by manuscript captions. Album photographs measure 11.2 x 19.5 cm. and are all inscribed with the initials "A.L.B." Of the loose photographs, most are inscribed with the initials "A.L.B" with the exception of single images credited to Curtis of Seattle, T. Saiki, and McMurry of Port Townsend, Washington Territory., Alfred L. Broadbent (A.L.B.?) was an engineer on the U.S.S. Bear, a revenue cutter active in the Arctic during the 1890s., and Accompanied by a box list.
Subject (Geographic):
Alaska., Alaska, Pribilof Islands (Alaska), and Sitka (Alaska)
Subject (Name):
Broadbent, Alfred L. and Bear (Ship)
Subject (Topic):
Indians of North America, Totem poles, and Sealing
Photograph album and loose photographs of a voyage to Alaska on the U.S.S. Bear, including views of St. George and Kings Island, seals on St. Paul's Island, the mission school, a native boat race, walrus hunting and related activities on Cape Prince of Wales, the Bering Straits and natives and landscapes of the Siberian coast, the Indian River, and views of floating ice in the Arctic Ocean, In Sitka, there are views of the Greek Church, the governor's house and other public buildings, and of native women curio sellers who turn their backs to avoid having their pictures taken, At St. Michael's Island, there are views of the trading station, the Greek church and Russian block house, the buildings of the Alaska Commercial Company, and natives in camp, Also included are portraits of school children at the mission school at Unalaska, and of native Aleutes [sic] and Esquimo [sic] aboard ship and in villages and of their dwellings, boats and totems, and Some views are commercially produced, though most appear to be personal photographs. There are individual and group portraits of the crews, passengers and officers of several ships, both on board and on shore, and a listing of the crew of the Bear appears on the fly leaf of the album. The photographs also record whalers and other ships encountered along the way
Description:
In 2 boxes., Photographs are accompanied by manuscript captions. Album photographs measure 11.2 x 19.5 cm. and are all inscribed with the initials "A.L.B." Of the loose photographs, most are inscribed with the initials "A.L.B" with the exception of single images credited to Curtis of Seattle, T. Saiki, and McMurry of Port Townsend, Washington Territory., Alfred L. Broadbent (A.L.B.?) was an engineer on the U.S.S. Bear, a revenue cutter active in the Arctic during the 1890s., and Accompanied by a box list.
Subject (Geographic):
Alaska., Alaska, Pribilof Islands (Alaska), and Sitka (Alaska)
Subject (Name):
Broadbent, Alfred L. and Bear (Ship)
Subject (Topic):
Indians of North America, Totem poles, and Sealing
Photographs of Texas, including views of homes and the business district of El Paso, the Alamo in San Antonio, artillery drills of Troop H of the 3rd cavalry at Fort McIntosh, the mission at San Jose, a wagon train, and an Apache Camp. In Harrold, Texas, performers pose on the balcony of the Hotel del Teatro and Great Western Theatre
Description:
Manuscript captions accompany many of the photographs, which are mounted on both sides of cardboard mounts.
Subject (Geographic):
Texas, San Antonio (Tex.), El Paso (Tex.), and Ft. McIntosh (Laredo, Tex.)
Subject (Name):
United States. Army. Cavalry, 3rd
Subject (Topic):
Indians of North America, Apache Indians, Missions, Wagons, and Theaters
Studio portrait photographs of Teton Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872. The primarily male delegates represent the discrete bands of the Chawana, Cut Head, Oncapapa, and Tachana. The delegates visited Washington, D.C., under the charge of Major Andrew J. Simmons, Images of members of the Chawana consist of Good Hawk (Ha-V-Ka-Washta), Red Thunder (Wan-Ken-Low-Tah), Walking Crane (Pa-Ha-Sa-Mana), and Yellow Eagle (Wama-A-Ke)., Images of members of the Cut Head band consist of Afraid of the Bear (Ma-To-Ko-Kepa), Bears Nose (Ma-To-Pa-Ge), Man Packs the Eagle (Whoe-A-Ke) and his wife, Medicine Bear (Ma-To-Ican), Red Lodge, and Skin of the Heart (Shanta-Ya)., Images of members of the Oncapapa band consist of Black Horn (Hey-Sa-Pah), Bloody Mouth (E-Wa-Hu), Bull Rushes (P'sa), and Lost Medicine (Wancan-Ya-Kea)., and Images of members of the Tachana band consist of Black Eye (Ish-Tah-Sa-Pah), Long Fox (To-Can-Has-Ka), and Many Horns (Hatona).
Description:
Title from accompanying title and contents leaves., Presentation case imprinted "Teton Sioux.", and Photographs are mounted on boards with typescript captions and possess image numbers 62-79.
Publisher:
Gibson Brothers, Printers
Subject (Name):
Afraid of the Bear, Bears Nose, Black Eye, Black Horn, Bloody Mouth, Bull Rushes, Gardner, Alexander, 1821-1882., Good Hawk, Long Fox, Lost Medicine, Many Horns, Medicine Bear, Red Lodge, Red Thunder, Skin of the Heart, Walking Crane, Whoe-A-Ke, Yellow Eagle, Simmons, A. J., and Blackmore Museum (Salisbury, England)
Subject (Topic):
Indians of North America, Government relations, and Teton Indians
Photographs of the Apache Indian Reservation in San Carlos, Arizona, including views of the new guardhouse, a scouts camp, and Indian children at school
Description:
Manuscript captions on verso of some mounts.
Subject (Geographic):
Arizona, Arizona., and San Carlos Indian Reservation (Ariz.)
Subject (Topic):
Indian reservations, Indians of North America, and Apache Indians
Photographs of Utah, including views in Salt Lake City of the City Hall, the interior of the Tabernacle, and Brigham Young's residence, and a portrait of Brigham Young. Outside of Salt Lake city there are photographs of a wagon train at Coalville, the Millersville Bridge, Weber Canyon, Soda Springs,and three composite photographs of Utah landscapes and Indians
Description:
Advertisement on verso of some mounts for C. W. Carter's Photograph Gallery and View Emporium. Manuscript captions on verso of some mounts. Letterpress captions on some mounts. One print of Brigham Young has become detached from its mount. and Accompanied by a box list.
Albums of photographic prints compiled by ethnobotanist Victor King Chesnut of Yuki Indians, Wailaki Indians, and botanical specimens on the Round Valley Indian Reservation, ca. 1898. Photographers of several of the images include William J. Nolan of Covelo, California, and L. E. Hunt, Images of the Round Valley Indian Reservation include views of the Round Valley, the Round Valley Indian School, a church, a sweathouse located near Burgess Creek, vernacular structures of the Yuki Indians, and houses built by the government. Images of locations near Ukiah, California, include a Yuki Indian village and a Pomo Indian sweathouse, Images depicting daily activities of Yuki Indians include men and women grinding acorn meal, women gathering wild grass seeds for pinole meal, and men and women smoking venison over a campfire. An image shows the manufacturing sequence from raw plant to a finished fishing net. Several images show baskets made by Yuki Indians, including those used in preparing acorns, Informal portraits of identified persons include Yuki Indian Nettie Smith and her children, who had an African American father; Happy Jack, a white man, his Yuki Indian wife, and their child; the Yuki Indian family of U. or V. Webster; and a group portrait that includes Yuki Indian Mary Anderson, Victor King Chesnut, William J. Nolan and his wife, Mr. Truebody, and Mr. Patrick. Portraits of unidentified persons include an image depicting three generations of Yuki Indian women, a white woman identified as a field matron, and an elderly woman identified as a Redwood Indian (Whilkut Indian). Several group portraits show Yuki and Wailaki Indian boys and girls dressed in school uniforms on commencement day for the Round Valley Indian School, Numerous images depict shrubs and trees endemic to the Round Valley, including several species of oak trees and pine trees, and The first album includes a typed transcription of a poem by J. Torrey Connor, “On a Indian Basket”
Description:
Victor King Chesnut worked for the Bureau of Plant Industry, United States Department of Agriculture, 1894-1904. In 1902, Chesnut published "Plants Used by the Indians of Mendocino County, California" based on ethnobotanical information procured at the Round Valley Indian Reservation. He later worked as a professor of chemistry and geology at Montana Agricultural College, 1904-1907, and returned to work with the United States Department of Agriculture until his retirement in 1933., Title devised by cataloger., Albums numbered sequentially; several images in the first two albums have duplicate photographic prints in the third album., Individual photographic prints are 9.5 x 15 cm. and smaller., Manuscript captions on leaves below prints and in indices., and Ink stamps and inscriptions of "V. K. Chesnut" on the verso of several prints.
Subject (Geographic):
California, Round Valley Indian Reservation, California., Round Valley (Calif.), Round Valley Indian Reservation (Calif.), and Ukiah (Calif.)
Subject (Name):
Chesnut, V. K. 1867-1938. (Victor King),, Connor, J. Torrey, 1869-1937., Hunt, L. E., Nolan, William J., Smith, Nettie., and Round Valley Indian School
Subject (Topic):
Acorns as food, Ethnobotany, Indians of North America, Photography of trees, Pomo Indians, Shrubs, Sweatbaths, Trees, Wailaki Indians, Whilkut Indians, and Yuki Indians
Studio portrait photographs of Dakota Indian delegates to the United States created by the photographic studio of Alexander Gardner in Washington, D.C., for the Blackmore Museum, Salisbury, England, 1872. The imprints for the leaves, which include the title for the collection and a contents page, are on mounts printed by Gibson Brothers, Printers, Washington, D.C., Images of men include Big Foot (Che-Tan-Keah), Blue Horse (Shon-Keh-Tah), Cayote (Tshan-Gma-Ne-Toh), Dirt Face (Ma-Ka-The-Kon), Good Buffalo (Ta-Tan-Kah-Nua-Sh-Tah), Hard Heart (Tshan-The Shout-Ah), High Wolf (Tchan-Gm-Ani-Tah-an Ka-Ti-Ah), Lone Wolf (Tchan-Gm-Ani-To-I-Sh-Na-Lah), One Afraid of the Eagle (Vua-Lluh-Ko-Ke-Pah), Poor Elk (E-Ka-Ta Ta-Ma), Red Cloud (Ma-Kpe-Ah-Lou-Tah), Red Dog (Shon-Kan Lou-Tah), Slow Bull (Ta-Tan-Kah Hun-Ki-Sh-Neh), Stabber (Vua-Sha-Peh), Two Elks (I-Hh-A-Tah-Num-Pah). An image of two men depicts a seated Red Cloud shaking hands with William Blackmore, and Images of women consist of Ear of Corn (Va-How-A-Pah), the wife of Lone Wolf, and White Hawk (Ta-Chon-ka-Ska), the wife of Big Foot
Description:
Title from accompanying title and contents leaves., Presentation case imprinted "Photographs of Red Cloud & His Braves.", and Photographs are mounted on boards with typescript captions.
Publisher:
Gibson Brothers, printers
Subject (Name):
Big Foot, d. 1890, Blackmore, William, 1827-1878, Blue Horse, Cayote, Dirt Face, Ear of Corn, Gardner, Alexander, 1821-1882., Hard Heart, Lone Wolf, Dakota Indian, One Afraid of the Eagle, Poor Elk, Red Cloud, 1822-1909, Red Dog, Dakota Indian, Slow Bull, Two Elks, White Hawk, and Blackmore Museum (Salisbury, England)
Subject (Topic):
Dakota Indians, Indians of North America, and Government relations
Unidentified snapshot photographs of Plains Indian men, women and children, including views of the erection and interior of a tipi, men on horseback in procession holding American flags, and women and children in clothing decorated with elk teeth, some on horseback with umbrellas, others in front of tipis. Two photographs have captions identifying the subjects as "Mrs. High Medicine Rock of Big Horn" and "Lucy Turns Back's little girl."
Description:
Manuscript captions on verso of two prints. Envelope from the United States Department of the Interior Indian Field Service accompanies the photographs.
Photographs created by Owen Luck of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2000-2003. Images consist primarily of informal portraits of individuals, in addition to formal and informal gatherings and views of the landscape, Images of a memorial site established for murder victims Wilson Black Elk and Ron Hard Heart at the site where their bodies were found west of the interstate highway between Pine Ridge Village, South Dakota, and Whiteclay, Nebraska, June 8, 1999, Images of Camp Justice, a group of tipis established by protesters on the border between the Pine Ridge Indian Reservation and Nebraska on July 4, 1999, and abandoned May 20, 2002, Images of a graduation powwow at the Oglala Lakota College in Kyle, South Dakota, 2000, include a view of Maxine Broken Nose and Wade Broken Nose setting up ceremonial tipis for the event, a grand procession led by flag bearers carrying an United States and Lokota flags, a give away ceremony where elders and guests receive gifts, attendees at a food line, a concession food trailer, and children and adults in bleachers, Views of the graduation powwow at the Oglala Lakota College, 2003, include images of the grand procession and Webster Poor Bear receiving an honorary degree, Images of a rodeo held in the memory of Floyd Wilcox, Sr., in Wanblee, South Dakota, 2003, include informal portraits of attendees and participants, including a group portrait that consists of Harold DeCory, Tim High Elk, Justin Thin Elk, Tray Wilcox, Marvin Ted Thin Elk, Jr., Edward Clifford, Sr., and Justin Thin Elk, III, Images at a powwow in Manderson, South Dakota, 2003, include a flag ceremony raising American flags and giving flags to families with members in the military, a naming ceremony, and jingle dancers. An additional informal group portrait shows nursing students from Yale University working at the Pine Ridge Hospital, consisting of Carolyn Bernadette Mahoney, Vanessa L. Reid, and Elizabeth S. Burke, Images of a powwow in Pine Ridge, South Dakota, 2003, include views of the voter registration booths for the Republican and Democratic political parties, in addition to a group portrait of young dancers, including Derek Tyon, Justin Williams, and Isaac Weasel Bear, Images of a memorial ceremony for Winyan Isnala Red Shirt attended by her family and friends include her daughter Delphine Red Shirt and religious leader Carl Bone Shirt, 2000, Images document demonstrators engaged in a March Against Racism in Martin, South Dakota, 2003, Images document the destruction of a hemp crop owned by Alexander White Plume by Drug Enforcement Agency and Federal Bureau of Investigation agents, August 24, 2000, View of a memorial monument established for Frank Fools Crow, a Lakota medicine man and spiritual leader, View of the site where two agents with the Federal Bureau of Investigation and a Native American man were killed in gun battles in June 26, 1975, Images at the Porcupine Clinic Health Board include a woman receiving medication from a physician and an elderly woman undergoing dialysis treatment, Several images of structures and activities on the land of Gerald Ice and Pamela Ice include a birthday celebration of a female relative and views of tipis and a sweat lodge. Another image shows the home of Vicki Eagle Elk between Sharps Corner and Kyle, South Dakota, General views of landscape include agricultural fields and herds of horses and buffalo. Views of structures consist of dilapidated housing, including view of public housing projects in Manderson and Porcupine, South Dakota; and commercial structures, including a derelict grain silo with graffiti in Batesland, South Dakota, Informal portraits of Oglala Lakota men, women, and children include Sylvester Bad Cobb, Edgar Bear Runner, Joseph Bear Runner, Loren Black Elk, Selo Black Crow, Anthony Black Feather, Maxine Broken Nose, Wade Broken Nose, Melissa Cahoon, Andrew Courtier, Jordan Courtier, Maynard Courtier, Marvin Ghost Bear, Gifford Noisy Hawk , Olivia Thunder Home, Miranda Thunder Home, Victoria Fire Thunder, Grace Hollow Horn, Glen Janis, Veronica Kills, Nicholas Kolb, Bob Lone Elk, Sid Lone Hill, Gerald Ice, Devona Lone Wolf, Shirley Marshall, Eliza Morrison, Travis Nelson, Thomas Poor Bear, Webster Poor Bear, Kevin Pourier, Valerie Pourier, Oliver Red Cloud, Juanita Red Cloud, Eldine Red Eyes, James Rock, Marylin Rodriguez, Calvin J. Spotted Elk, Richard D. Spotted Elk, Keith Sun Bear, W. Two Bulls, Michael Walking, Alexander White Plume, Tony White Thunder, and Denae Yellow Boy, and Informal group portraits include the Bear Runner family from Porcupine, South Dakota; Janis family of Kyle, South Dakota; and members of YouthWorks, a faith based initiative based in Minneapolis, painting houses in Martin, South Dakota, 2003
Description:
Title devised by cataloger.
Subject (Geographic):
South Dakota., Batesland (S.D.), Camp Justice (Pine Ridge Indian Reservation, S.D.), Kyle (S.D.), Manderson (S.D.), Pine Ridge Indian Reservation (S.D.), Porcupine (S.D.), and Wounded Knee (S.D.)
Subject (Name):
Bad Cobb, Sylvester., Bear Runner, Edgar., Bear Runner, Joseph., Black Crow, Selo., Black Elk, Loren., Black Elk, Wilson, Black Feather, Anthony., Bone Shirt, Carl., Broken Nose, Maxine., Broken Nose, Wade., Burke, Elizabeth S., Cahoon, Melissa., Clifford, Edward, Sr., Courtier, Andrew., Courtier, Jordan., Courtier, Maynard., DeCory, Harold., Eagle Elk, Vicki., Fire Thunder, Victoria., Fools Crow, 1890 or 1891-1989, Ghost Bear, Marvin., Hard Heart, Ron, High Elk, Tim., Hollow Horn, Grace., Ice, Gerald., Ice, Pamela., Janis, Glen., Kills, Veronica., Kolb, Nicholas., Lone Elk, Bob., Lone Hill, Sid., Lone Wolf, Devona., Luck, Owen Craig, 1947-, Mahoney, Carolyn Bernadette., Marshall, Shirley., Gillis, Eliza., Nelson, Travis., Noisy Hawk, Gifford., Poor Bear, Thomas., Poor Bear, Webster., Pourier, Kevin., Pourier, Valerie., Red Cloud, Juanita., Red Cloud, Oliver., Red Eyes, Eldine., Red Shirt, Delphine., Red Shirt, Winyan Isnala, Reid, Vanessa L., Rock, James., Rodriguez, Marylin., Spotted Elk, Calvin J., Spotted Elk, Richard D., Sun Bear, Keith., Thin Elk, Justin., Thin Elk, Justin, III., Thin Elk, Marvin Ted, Jr., Thunder Home, Miranda., Thunder Home, Olivia., Two Bulls, W., Tyon, Derek., Walking, Michael., Weasel Bear, Isaac., White Plume, Alexander., White Thunder, Tony., Wilcox, Floyd, Sr., Wilcox, Tray., Williams, Justin., Yellow Boy, Denae., Oglala Lakota College, Porcupine Clinic Health Board., United States. Drug Enforcement Administration., United States. Federal Bureau of Investigation., and Youthworks.
Subject (Topic):
Monuments, Civil rights demonstrations, Indians of North America, Rites and ceremonies, Oglala Indians, Powwows, and Sepulchral monuments
Photographs created by Owen Luck of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2000-2003. Images consist primarily of informal portraits of individuals, in addition to formal and informal gatherings and views of the landscape, Images of a memorial site established for murder victims Wilson Black Elk and Ron Hard Heart at the site where their bodies were found west of the interstate highway between Pine Ridge Village, South Dakota, and Whiteclay, Nebraska, June 8, 1999, Images of Camp Justice, a group of tipis established by protesters on the border between the Pine Ridge Indian Reservation and Nebraska on July 4, 1999, and abandoned May 20, 2002, Images of a graduation powwow at the Oglala Lakota College in Kyle, South Dakota, 2000, include a view of Maxine Broken Nose and Wade Broken Nose setting up ceremonial tipis for the event, a grand procession led by flag bearers carrying an United States and Lokota flags, a give away ceremony where elders and guests receive gifts, attendees at a food line, a concession food trailer, and children and adults in bleachers, Views of the graduation powwow at the Oglala Lakota College, 2003, include images of the grand procession and Webster Poor Bear receiving an honorary degree, Images of a rodeo held in the memory of Floyd Wilcox, Sr., in Wanblee, South Dakota, 2003, include informal portraits of attendees and participants, including a group portrait that consists of Harold DeCory, Tim High Elk, Justin Thin Elk, Tray Wilcox, Marvin Ted Thin Elk, Jr., Edward Clifford, Sr., and Justin Thin Elk, III, Images at a powwow in Manderson, South Dakota, 2003, include a flag ceremony raising American flags and giving flags to families with members in the military, a naming ceremony, and jingle dancers. An additional informal group portrait shows nursing students from Yale University working at the Pine Ridge Hospital, consisting of Carolyn Bernadette Mahoney, Vanessa L. Reid, and Elizabeth S. Burke, Images of a powwow in Pine Ridge, South Dakota, 2003, include views of the voter registration booths for the Republican and Democratic political parties, in addition to a group portrait of young dancers, including Derek Tyon, Justin Williams, and Isaac Weasel Bear, Images of a memorial ceremony for Winyan Isnala Red Shirt attended by her family and friends include her daughter Delphine Red Shirt and religious leader Carl Bone Shirt, 2000, Images document demonstrators engaged in a March Against Racism in Martin, South Dakota, 2003, Images document the destruction of a hemp crop owned by Alexander White Plume by Drug Enforcement Agency and Federal Bureau of Investigation agents, August 24, 2000, View of a memorial monument established for Frank Fools Crow, a Lakota medicine man and spiritual leader, View of the site where two agents with the Federal Bureau of Investigation and a Native American man were killed in gun battles in June 26, 1975, Images at the Porcupine Clinic Health Board include a woman receiving medication from a physician and an elderly woman undergoing dialysis treatment, Several images of structures and activities on the land of Gerald Ice and Pamela Ice include a birthday celebration of a female relative and views of tipis and a sweat lodge. Another image shows the home of Vicki Eagle Elk between Sharps Corner and Kyle, South Dakota, General views of landscape include agricultural fields and herds of horses and buffalo. Views of structures consist of dilapidated housing, including view of public housing projects in Manderson and Porcupine, South Dakota; and commercial structures, including a derelict grain silo with graffiti in Batesland, South Dakota, Informal portraits of Oglala Lakota men, women, and children include Sylvester Bad Cobb, Edgar Bear Runner, Joseph Bear Runner, Loren Black Elk, Selo Black Crow, Anthony Black Feather, Maxine Broken Nose, Wade Broken Nose, Melissa Cahoon, Andrew Courtier, Jordan Courtier, Maynard Courtier, Marvin Ghost Bear, Gifford Noisy Hawk , Olivia Thunder Home, Miranda Thunder Home, Victoria Fire Thunder, Grace Hollow Horn, Glen Janis, Veronica Kills, Nicholas Kolb, Bob Lone Elk, Sid Lone Hill, Gerald Ice, Devona Lone Wolf, Shirley Marshall, Eliza Morrison, Travis Nelson, Thomas Poor Bear, Webster Poor Bear, Kevin Pourier, Valerie Pourier, Oliver Red Cloud, Juanita Red Cloud, Eldine Red Eyes, James Rock, Marylin Rodriguez, Calvin J. Spotted Elk, Richard D. Spotted Elk, Keith Sun Bear, W. Two Bulls, Michael Walking, Alexander White Plume, Tony White Thunder, and Denae Yellow Boy, and Informal group portraits include the Bear Runner family from Porcupine, South Dakota; Janis family of Kyle, South Dakota; and members of YouthWorks, a faith based initiative based in Minneapolis, painting houses in Martin, South Dakota, 2003
Description:
Title devised by cataloger.
Subject (Geographic):
South Dakota., Batesland (S.D.), Camp Justice (Pine Ridge Indian Reservation, S.D.), Kyle (S.D.), Manderson (S.D.), Pine Ridge Indian Reservation (S.D.), Porcupine (S.D.), and Wounded Knee (S.D.)
Subject (Name):
Bad Cobb, Sylvester., Bear Runner, Edgar., Bear Runner, Joseph., Black Crow, Selo., Black Elk, Loren., Black Elk, Wilson, Black Feather, Anthony., Bone Shirt, Carl., Broken Nose, Maxine., Broken Nose, Wade., Burke, Elizabeth S., Cahoon, Melissa., Clifford, Edward, Sr., Courtier, Andrew., Courtier, Jordan., Courtier, Maynard., DeCory, Harold., Eagle Elk, Vicki., Fire Thunder, Victoria., Fools Crow, 1890 or 1891-1989, Ghost Bear, Marvin., Hard Heart, Ron, High Elk, Tim., Hollow Horn, Grace., Ice, Gerald., Ice, Pamela., Janis, Glen., Kills, Veronica., Kolb, Nicholas., Lone Elk, Bob., Lone Hill, Sid., Lone Wolf, Devona., Luck, Owen Craig, 1947-, Mahoney, Carolyn Bernadette., Marshall, Shirley., Gillis, Eliza., Nelson, Travis., Noisy Hawk, Gifford., Poor Bear, Thomas., Poor Bear, Webster., Pourier, Kevin., Pourier, Valerie., Red Cloud, Juanita., Red Cloud, Oliver., Red Eyes, Eldine., Red Shirt, Delphine., Red Shirt, Winyan Isnala, Reid, Vanessa L., Rock, James., Rodriguez, Marylin., Spotted Elk, Calvin J., Spotted Elk, Richard D., Sun Bear, Keith., Thin Elk, Justin., Thin Elk, Justin, III., Thin Elk, Marvin Ted, Jr., Thunder Home, Miranda., Thunder Home, Olivia., Two Bulls, W., Tyon, Derek., Walking, Michael., Weasel Bear, Isaac., White Plume, Alexander., White Thunder, Tony., Wilcox, Floyd, Sr., Wilcox, Tray., Williams, Justin., Yellow Boy, Denae., Oglala Lakota College, Porcupine Clinic Health Board., United States. Drug Enforcement Administration., United States. Federal Bureau of Investigation., and Youthworks.
Subject (Topic):
Monuments, Civil rights demonstrations, Indians of North America, Rites and ceremonies, Oglala Indians, Powwows, and Sepulchral monuments
Photographs created by John Willis of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2009, and related material, Many images document the Yellow Bull family and their home in Pine Ridge. Several images depict Andrea Reddest and Duane Reddest, as well as the Reddest family home and land at Lost Dog Creek. Other portraits include Ashley Bull Man, Gwen Bull Man, Sarah Ghostman, Karen Weasel Bear, John Swallow, and David Swallow, Jr. Portraits of unidentified individuals include residents of a housing development in Kyle, as well as a man inside a restaurant in Kadoka, Images of built landscapes include a housing development in Wanblee, a cemetery in Yellow Bear Canyon, and the Badlands National Park during the winter. Images of structures at Potato Creek, near Interior, South Dakota, include powwow grounds and the Potato Creek Episcopal Church. There is also a view of KILI Radio at Porcupine Butte. A group of photographs depicts interior views of the Stroppel Inn and Main Street in Midland, Many photographs depict roads and highways in the vicinity of the Pine Ridge Indian Reservation. Panoramas in the collection include views of Wanblee, Badlands National Park, and Yellow Bear Canyon. Several of the panoramas are collages with historic images, The collection includes a draft dummy volume for Views from the Rez (University of Chicago Press, 2010) which consists of photographs by Willis of the Pine Ridge Indian Reservation and the region, which he compiled March 2009. The volume also contains an essay by Kent Nerburn, as well as poetry and observations by Oglala Indians, and Two audio compact disks, Heartbeat of the Rez, consist of recordings in Lakota and English of spoken word, traditional songs, and contemporary music
Description:
John Willis is a documentary photographer and an instructor of photography at Marlboro College in Marlboro, Vermont., Title devised by cataloger., In 7 boxes., and Photographs signed by the photographer on verso with accompanying manuscript captions.
Subject (Geographic):
United States, Badlands National Park (S.D.), Kyle (S.D.), Lost Dog Creek (S.D.), Midland (S.D.), Pine Ridge Indian Reservation (S.D.), Yellow Bear Canyon (S.D.), South Dakota, and Wanblee (S.D.)
Subject (Name):
Willis, John, 1957-, Yellow Bull, Delores, and Stroppel Inn
Subject (Topic):
Indians of North America, Oglala Indians, and Public housing
Photographs created by John Willis of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 1993-2006, Images of events related to a memorial service and unveiling of the headstone for the gravesite of Albert O. Chips and Eva M. Chips, 2005, include documentation of a buffalo kill from the Oglala tribal herd for a memorial dinner, preparing an inipi (sweat lodge) ceremony, a wopila (giveaway) ceremony, and placement of a headstone in a cemetery, Images of memorial services during January 14-16, 2006, for Corporal Brett Lee Lundstrom, a United States Marine and the first Lakota-Teton Indian killed by small arms fire in Fallujah during the Iraq War, include the delivery of his body by a horse-drawn wagon through the Pine Ridge Indian Reservation to the gymnasium at the Little Wound School in Kyle, South Dakota, where his body laid in state under a ceremonial tipi, Informal portraits of identified individuals include Vern Sitting Bear, Victoria Chips, Tommy Crow, Gary Good Voice Elk, Wilbur Morrison, Orville Reddest, Leroy Reddest, Ashley Yellow Bull, Wendell Yellow Bull, and Delores Yellow Bull, in addition to portraits of unidentified or partially-identified children, women, and men, Several images document housing projects on the Pine Ridge Indian Reservation, as well as views that include businesses, residences, vernacular signs, roads, and landscapes, and Incidental images include a view of trailers at the graduation day powwow of Oglala Lakota College, a powwow at a school in Manderson, horse races in Batesland that include spectators and boys riding horses, and views of Badlands National Park
Description:
John Willis is a documentary photographer and an instructor of photography at Marlboro College in Marlboro, Vermont., Title devised by cataloger., Photographs signed by the photographer on verso with accompanying manuscript captions., and Several of the images occur as different sizes of photographic prints.
Subject (Geographic):
United States, Badlands National Park (S.D.), Batesland (S.D.), Kyle (S.D.), Manderson (S.D.), and Pine Ridge Indian Reservation (S.D.)
Subject (Name):
Chips, Albert O., 1901-1966, Chips, Eva M., 1908-1958, Chips, Victoria, Crow, Tommy, Good Voice Elk, Gary, Lundstrom, Brett Lee, Morrison, Wilbur, Reddest, Leroy, Reddest, Orville, Sitting Bear, Vern, Willis, John, 1957-, Yellow Bull, Ashley, Yellow Bull, Delores, Yellow Bull, Wendell, and Oglala Lakota College
Subject (Topic):
Death and burial, Funeral rites and ceremonies, Indians of North America, Iraq War, 2003-2011, Casualties, Oglala Indians, Powwows, Public housing, Sweatbaths, and Teton Indians
Photographs of Neah Bay, Washington, and Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, created during the summer of 2010 and March 2011, that document the culture of Makah Indians and Haida Indians. The collection also includes a group of images that document the centennial birthday celebration in 2010 of Claude Morrison, who is also known as Mii Ju, Mķijuu, and Kúng Skiís., A group of images documents Makah Indians and participants in the Inter-Tribal Ocean-Going Canoe Journey, Paddle to Makah, at Neah Bay, Washington, in July 2010, Images of Haida Gwaii include views of Masset and portraits of Haida artisans, including Gwaai Edenshaw, Jaalen Edenshaw, and Donnie Edenshaw. Discrete groups of images document the wedding between Donnie Edenshaw and Beverly Anne Samuels, and the coronation ceremony of hereditary chief Percy Williams in Skidegate, as well as an end-of-winter feast at the community hall in Masset on March 12, 2011, and Six oversize photographic prints in the collection include photographs of Haida artwork, as well as portraits of Haida artisans Gwaai Edenshaw and Evelyn Vanderhoop
Description:
Accompanied by descriptions of the images by the photographer (in box 1)., Title devised by cataloger., and Stored in 6 boxes.
Subject (Geographic):
Alaska, British Columbia, Haida Gwaii (B.C.), Hydaburg (Alaska), Masset (B.C.), Neah Bay (Wash.), and Washington (State)
Studio portrait photographs of three Native American women and two Native American men, Identified individuals include Anna Eustis, a Pawnee woman from Oklahoma, and a Brulé Sioux woman identified as the wife of Keeps the Mountain, probably Good Looking Woman. The unidentified woman wears a kerchief on her head and long beaded earrings, and Two of the photographs depict men with moustaches, possibly the same man. In one image he wears a paper pin on his lapel advertising "Banner Buggies", of the Banner Buggy Company, St. Louis, Missouri. In the other image he wears a round pin with star-shaped symbol printed upon it.
Description:
Title devised by cataloger. and Manuscript caption on the verso of a photographic print depicting a Native American woman wearing a kerchief on her head states the name and address of "Santukuno Hiramura, Piratori, Hokkaido, [Japan]".
Subject (Name):
Eustis, Anna., Good Looking Woman, 1859-, and Banner Buggy Co.
Subject (Topic):
Brulé Indians, Indians of North America, and Pawnee Indians
