"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 43.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 32.8 x 23.2 cm, on sheet 34.9 x 24.5 cm., and Mounted on leaf 27 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 47 x 33 cm.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
Title etched below image., Plate mark indiscernible on top and bottom., Publication date from an unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Women -- Military reviews., and Mounted to 31 x 47 cm.
Title from caption below image., Date of publication based on printseller's street address. See British Museum online catalogue., "Publish'd according to act of Parliament"--Below image., and Plate numbered "114" in upper right corner.
Publisher:
Printed for Robt. Sayer, Map & Printseller at the Golden Buck near Serjeants Inn, Fleet Street
Lord Leinster, personified as a rough Irish farmer, leads Queen Caroline by a rope around her neck. Leinster expounds: 'Dam me! no one but the D... shall stop her.' Another figure in the background, probably Bartolomeo Pergami, replies: 'Stop Nosey, let me feel that Heifer.'
Alternative Title:
Show heifer going to Leinster Stable Yard
Description:
Title etched below image., Date of publication from dealer's description., Text below title: Dedicated to the Farming Society of Ireland., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by McCleary, 21 Nassau Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Leinster, Augustus Frederick Fitzgerald, Duke of, 1791-1874, and Bergami, Bartolomeo Bergami, Baron
Manuscript, on paper, in cursive scripts by six scribes, produced in England in 1597. A contemporary scribal copy of the work, not included among the fifteen recorded in the Variorum Edition of Spenser's Prose Works
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Mounted on page 46 with one other print.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., 1 print : etching and aquatint on wove paper ; sheet 25 x 19.2 cm., Sheet trimmed within plate mark on three sides., and Mounted on verso of leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Watermark: partial, fleur-de-lis on shield with initials L V G below.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"A clumsy and ramshackle two-wheeled chaise numbered '63', with a folding hood (raised) and a broken wheel, is driven (left to right) along the sea-shore. The driver sits on the hind-quarters of the horse, flourishing his whip; the reins are of rope. A stout woman fills the interior. In the distance (right) a similar chaise is driven right to left, the driver seated on the front of the vehicle. In the distance (left) is a jetty with a lighthouse; beside it is a ship, probably the English packet. Behind are low mountains."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
"The letter is headed by etchings of Lord North and the Devil as in BMSat 5542, to which this is the answer, but reversed. The Devil holds a letter. "(Grate), Po(tent) and Respec(table) (Monarch), (Ewer) H(eye)nesis's [sic] E(pistol) came Safe (toe) (hand), (eye) Have S(hew)n it (toe) (awl) wz(eye) Friends on (ear)th, ro(hoe) (R) glad (toe) (hare) t(hat) T(hare) Is so good an Under(stand)ing (bee)tween us, & t(hat) (eye) am (lick)ely (toe) (bee) (ass) (grate) a (favour)ite (bee)low (ass) (eye) am (hare), you (C), (grate) Mon(ark), (Eye) am so (well) v(ears)d [versed] in the (R)ts of In(C)n(yew)a(tie)on [insinuation] and (diss?)im(yew)la(tie)on. t(hat) (eye) (can) De(sieve) any (man), (eye) (hope) (eye) may (bee) a(bell) (toe) p(rock)(ewer) [procure] (posts) and (plaices) in (ewer) (inn)fern(awl) (cow)rt for my faithfull F(rein)ds w(hoe) have So (M)(eye)nently Distinquish t(hare)selves b(eye) t(hare) attach(men)t (toe) t(hare) (King), witness My d(eye)abo(lick)(awl) F(rein)d, Sr H(yew) [Palliser], w(hoe) has act(yew) (awl)ly (sole)(lick)cited [solicited] me (awl) Ready for t(hat) purpose, and (eye) (can) (ass)(ewer) [assure] (yew) t(hat) he h(ass) (talons) [talents] (toe) XEQte any Of (ewer) H(eye)ness Most Hellish (Comma)nds, He h(ass) guild the Malcon(tents) by a pre(ten)ded Try(awl), (Eye) am proud (yew) aprove of my T(axe)s, (Witch) (eye) (hope) will shortly re(deuce) the (people) in 2 (toe)t(awl) [total] Subjec(tie)on, & we Sh(awl) (C) the Day w(hen) the Freeborn Englishmen) sh(awl) (knot) dare (toe) rep(eye)ne, butt Groan in Secret (bee)neath the G(awl)ing halter (Eye) have the Honour (toe) (bee), (ewer) most Devoted Serv(ant) London July 9 1779.""--British Museum online catalogue
Alternative Title:
Hieroglyphic epistle from Lord North
Description:
Title from item., Sheet trimmed within plate mark., A letter in the form of rebus., and The following words within title are represented by a rebus: Lord North by his portrait, Beelzebub by an image of a devil.
"The letter is headed by etchings of the devil (l.), one of whose legs is a three-pronged fork, addressing an oval bust portrait of Lord North, headed "Lord N.... TH". The words enclosed in brackets are those which are represented by objects. "My D(ear) Ld (Ewer) Pol------cal Con(duck)t h(ass) (knot) only made a (grate) Noise upon (ear)th (butt) has set (awl) Hell in an upr(oar). T(hare)s hardly a S(tête)(man) in the (plaice), and we have a good (man)y of them, but (looks) upon it (ass) uni(form). The o(pen)ing of (ewer) (last) Budget w(ass) in m(eye) o(pinion) a (masterstroke indeed (witch) (yew) may easily (mask) over with the Old Phrase Pro Bono Publico. No (body) (can) stig(mat)ize (ewer) L------d(ship) as a griping (minister) nor (can) any (1.) say (yew)ve in this Point laid a t(axe) on the Bowels of the Poor. T(hare) are sever(awl) Articles m(eye) L--d in the Way of Eating (witch) might illustrate (ewer) Good Will (toe) the public, the quant(eye)ty of Meat (witch) is Consumed by the Common (people) Is the Occasion of t(hat) scorbutic or Scurvy Di(sword)er (witch) affects the English Constitution. T(hare)(4) an Xcise laid upon flesh of (awl) sorts would (bee) the best (ant)iscorbutic in the Whole Materia Medica and (ass) (ewer) L--d(ship) is (knot) very (car)nally Inclined (Eye) (don)t doubt (butt) (yew) will shortly b(ring) such a (bill) in(toe) Parlia(men)t. (Fish) and .F(owl) (2) my L--d are of a very viscid Nat(ewer) and are apt to enrich the Blood of such (ass) ought (toe) (bee) kept low, a T(axe) on these Sorts of Food Would in (Time) p(rope)rly dilute & thin the Corpore(awl) (deuce)s [juices] and the Common (people) would (knot) t(hen) (bee) (awl) (toe) (gate) (hare) [altogether] so (saw)cy (ass) (toe) oppose the Measures of t(hare) (ministers) and per(suns) in power (awl)so a Smart dut(eye) on Bread (mill)k Sm(awl) Beer, (Water) &c. For wh(eye) should the Vulgar have any Thing (toe) Eat (butt) Grass Without paying Tri(boot). (Ewer) Constant Friend & Ally BELZEBUB. Pandemonim [sic] June 23th 1779.""--British Museum online catalogue
Alternative Title:
Hieroglyphic epistle from Beelzebub to Lord North
Description:
Title from item., Sheet trimmed within plate mark., An engraved letter in form of rebus., and The word Beelzebub within title is represented by an image of a devil. Lord North's name is supplied in a caption above his portrait at the end of title.
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap on which is inscribed the words "War for ever".
Description:
Title from item., Place of publication suggested by engraver's name, possibly identifiable with Graham Stewart the wood-engraver who died in 1786 (cf. Strickland, A Dictionary of Irish artists)., Date based on that suggested for no. 5796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Title in the British Museum catalogue: Beating up for recruits, originally designed by Robert Dighton.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, and Drums
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., 1 print : etching on wove paper ; plate mark 15 x 23.7 cm, on sheet 17.5 x 26 cm., and Mounted with one other print on leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., and Mounted on page 42.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
Two head-and-shoulder portraits in separate ornamental oval frames of actress Clara Hayward and Philip Medows
Alternative Title:
Clara Hayward and Philip Medows Esqr
Description:
Title from item., T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian magazine, 1776. Cf. No. 5347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. Originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Two head-and-shoulder portraits in separate ornamental oval frames of Count De B. (Belgioioso) and the singer identified as Charlotte Brent
Alternative Title:
Vauxhall syren and Count de Belgioioso
Description:
Titles from text below images., T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian Magazine, 1776, a reversed variant of no. 5353 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; originally published in Town and country magazine.
Publisher:
Publish'd as the act directs by T. Walker, No. 79 Dame-Street
Subject (Name):
Barbiano di Belgiojoso, Lodovico Carlo Maria, 1728-1801, and Brent, Charlotte,
Folding plate (also issued separately) to 'Anti-Jacobin Review', i. 285, illustrating extracts from a pamphlet published by Wright: Considerable allowance to those who purchase Thousands and Tens of Thousands for distribution. A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), ... 'I confess, that I became an United Irishman in 1796 & a Member of the National Executive, from 1796, to 1798. I knew the offer of French assistance was accepted at a meeting of the Executive in Summer 1796: I accompanied the Agent of the Executive (the late Lord Edward Fitzgerald) ...had an interview with General Hoche (who afterwards had the command of the expedition against Ireland) on which occasion every thing was settled between the parties with a view to the descent. ... "--British Museum online catalogue
Description:
Title etched below image., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opposite page 17., and Mounted to 30 x 37 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
Ireland
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Emblems, Judges, Justice, Nooses, Scales, Traitors, Trials, litigation, etc, Witnesses, History, and Politics and government
The convicted traitor Robert Watt sits on an open sled being pulled by a horse through a city square. A man in a hat, perhaps the executioner, sits across from him holding an axe. Soldiers escort the sled through the crowd. In the distance on the right, a man stands on a platform outside the upper floor of a building and readies a noose
Description:
Title etched below image., Publication information from that of the periodical for which this plate was engraved., Plate from: Exshaw's Gentleman's and London magazine. Dublin : J. Exshaw, October 1794., and Sheet mutilated along bottom edge with slight loss of text.
Publisher:
J. Exshaw
Subject (Geographic):
Edinburgh (Scotland)
Subject (Name):
Watt, Robert, -1794.
Subject (Topic):
Criminals, Executions, Plazas, and Sleds & sleighs
A young drunk dandy, his clothes torn and spattered, is being ushered into a box-chair on the left by three members of the Watch, who grin consipiratorily towards the viewer. The scene is apparently set in the arcade of Covent Garden; on the ground is a playbill lettered 'At the Theatre Royal / Crow Street / the Road to Ruin'.
Description:
Title etched below image., Place of publication inferred from text on playbeill within image, which mentions Dublin's Theatre Royal in Crow Street., Date of publication from unverified data in local card catalog record., Probably a copy, with different text on depicted playbill, of a print after Dighton that was published in London by Haines & Son on 18 June 1795. Cf. British Museum online catalogue, registration no.: 2010,7081.435., Sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: London: Covent Garden -- Footmen -- Playbills -- Literature: Allusion to The Road to Ruin, by Thomas Holcroft (1745-1809) -- Theatre Royal, Crow Street.
Publisher:
publisher not identified
Subject (Topic):
City & town life, Intoxication, Pickpockets, and Sedan chairs
Title from item., Dated suggested by respository based on costume., and Temporary local subject terms: Curtains -- Carpets -- Urn -- Mirrors -- Tailor -- Scissors.
In a fashionable parlor, two well-dressed couples entertain each other. On the right a gentleman plays the violin as his companion sings; she holds sheet music in her hand as she faces the fireplace, her back to the viewer. The violinist stands on a sheet of paper on which is written "The downfall of Paris." Above the fireplace, over a mantel with piles of books, including a volume with Code Napoleon written on its spine, is a portrait of "Napoleon le-Grand" and on either side, landscape views of Elba and St. Helena. On the left an effeminate soldier with a medal that reads "Jena" (a reference to the 1806 victory?) offers a young lady plates of fruit and cookies. The side table beside them is laiddened with fruit, flowers, liquor, and cookies. A fluffy, white dog barks at her feet. Pairs of Cupids with arrows and with laurel wreaths decorate the wallpaper
Alternative Title:
French fireside
Description:
Title engraved below image., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript "8" in upper center of plate.
Publisher:
Publish'd by J. Le Petit, 20 Capel St., Dublin
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Couples, Dogs, Fireplaces, Floor coverings, Mantels, Parlors, Singing, and Violins
Title from item., Printmaker and publication date from British Museum catalogue., Two lines of text below title: This portrait of Lady Hibernia Bull ..., Temporary local subject terms: Comic maps -- Witch as a map -- Capes -- Harbors -- Emblems: Irish harp., and Text below title erased from this impression.
Publisher:
Printed for Bowles & Carver, No. 69 St Paul's Church Yard
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:
Alternative form of title
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.