"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 43.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 32.8 x 23.2 cm, on sheet 34.9 x 24.5 cm., and Mounted on leaf 27 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
"A scene in the House of Commons. Burke stands on the shoulders of two seated members: his right foot is on the left shoulder of Powys, his left on the right shoulder of Sawbridge. His arms are crossed on his breast, his right arm clutching his left shoulder; from his mouth float three scrolls inscribed, 'Invective against ye Minister', 'Short Observations on India Affairs' [a long scroll], and 'Tropes on the Irish Trade Bill'. Powys looks up at him with an angry expression; he holds in his hand a thick bundle of papers inscribed 'Memda of Important Observations Obvious Objections Perpetual Motions Doubts Facts Surmises Queries &ca &ca'. Sawbridge looks gloomily away from Burke, his left leg stretched along the seat; he holds a paper inscribed 'Mock Motion for Reform in the Representation &c.' Three members seated behind Burke hide their heads or turn aside from his spate of words. Beneath the title is etched: 'Sublimi feriam Sidera Vertice Hor.'"--British Museum online catalogue
Alternative Title:
Burke on the sublime and beautiful and ***** on the sublime and beautiful
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 47 x 33 cm.
Publisher:
Published 6th April 1785 by Thos. Cornell, Bruton S[tre]et
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797, Powys, Thomas, 1737-1809, and Sawbridge, John, 1732?-1795
Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
Title etched below image., Plate mark indiscernible on top and bottom., Publication date from an unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Women -- Military reviews., and Mounted to 31 x 47 cm.
Title from caption below image., Date of publication based on printseller's street address. See British Museum online catalogue., "Publish'd according to act of Parliament"--Below image., and Plate numbered "114" in upper right corner.
Publisher:
Printed for Robt. Sayer, Map & Printseller at the Golden Buck near Serjeants Inn, Fleet Street
Lord Leinster, personified as a rough Irish farmer, leads Queen Caroline by a rope around her neck. Leinster expounds: 'Dam me! no one but the D... shall stop her.' Another figure in the background, probably Bartolomeo Pergami, replies: 'Stop Nosey, let me feel that Heifer.'
Alternative Title:
Show heifer going to Leinster Stable Yard
Description:
Title etched below image., Date of publication from dealer's description., Text below title: Dedicated to the Farming Society of Ireland., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by McCleary, 21 Nassau Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Leinster, Augustus Frederick Fitzgerald, Duke of, 1791-1874, and Bergami, Bartolomeo Bergami, Baron
Manuscript, on paper, in cursive scripts by six scribes, produced in England in 1597. A contemporary scribal copy of the work, not included among the fifteen recorded in the Variorum Edition of Spenser's Prose Works
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Mounted on page 46 with one other print.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., 1 print : etching and aquatint on wove paper ; sheet 25 x 19.2 cm., Sheet trimmed within plate mark on three sides., and Mounted on verso of leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Watermark: partial, fleur-de-lis on shield with initials L V G below.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"A clumsy and ramshackle two-wheeled chaise numbered '63', with a folding hood (raised) and a broken wheel, is driven (left to right) along the sea-shore. The driver sits on the hind-quarters of the horse, flourishing his whip; the reins are of rope. A stout woman fills the interior. In the distance (right) a similar chaise is driven right to left, the driver seated on the front of the vehicle. In the distance (left) is a jetty with a lighthouse; beside it is a ship, probably the English packet. Behind are low mountains."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
"The letter is headed by etchings of Lord North and the Devil as in BMSat 5542, to which this is the answer, but reversed. The Devil holds a letter. "(Grate), Po(tent) and Respec(table) (Monarch), (Ewer) H(eye)nesis's [sic] E(pistol) came Safe (toe) (hand), (eye) Have S(hew)n it (toe) (awl) wz(eye) Friends on (ear)th, ro(hoe) (R) glad (toe) (hare) t(hat) T(hare) Is so good an Under(stand)ing (bee)tween us, & t(hat) (eye) am (lick)ely (toe) (bee) (ass) (grate) a (favour)ite (bee)low (ass) (eye) am (hare), you (C), (grate) Mon(ark), (Eye) am so (well) v(ears)d [versed] in the (R)ts of In(C)n(yew)a(tie)on [insinuation] and (diss?)im(yew)la(tie)on. t(hat) (eye) (can) De(sieve) any (man), (eye) (hope) (eye) may (bee) a(bell) (toe) p(rock)(ewer) [procure] (posts) and (plaices) in (ewer) (inn)fern(awl) (cow)rt for my faithfull F(rein)ds w(hoe) have So (M)(eye)nently Distinquish t(hare)selves b(eye) t(hare) attach(men)t (toe) t(hare) (King), witness My d(eye)abo(lick)(awl) F(rein)d, Sr H(yew) [Palliser], w(hoe) has act(yew) (awl)ly (sole)(lick)cited [solicited] me (awl) Ready for t(hat) purpose, and (eye) (can) (ass)(ewer) [assure] (yew) t(hat) he h(ass) (talons) [talents] (toe) XEQte any Of (ewer) H(eye)ness Most Hellish (Comma)nds, He h(ass) guild the Malcon(tents) by a pre(ten)ded Try(awl), (Eye) am proud (yew) aprove of my T(axe)s, (Witch) (eye) (hope) will shortly re(deuce) the (people) in 2 (toe)t(awl) [total] Subjec(tie)on, & we Sh(awl) (C) the Day w(hen) the Freeborn Englishmen) sh(awl) (knot) dare (toe) rep(eye)ne, butt Groan in Secret (bee)neath the G(awl)ing halter (Eye) have the Honour (toe) (bee), (ewer) most Devoted Serv(ant) London July 9 1779.""--British Museum online catalogue
Alternative Title:
Hieroglyphic epistle from Lord North
Description:
Title from item., Sheet trimmed within plate mark., A letter in the form of rebus., and The following words within title are represented by a rebus: Lord North by his portrait, Beelzebub by an image of a devil.
"The letter is headed by etchings of the devil (l.), one of whose legs is a three-pronged fork, addressing an oval bust portrait of Lord North, headed "Lord N.... TH". The words enclosed in brackets are those which are represented by objects. "My D(ear) Ld (Ewer) Pol------cal Con(duck)t h(ass) (knot) only made a (grate) Noise upon (ear)th (butt) has set (awl) Hell in an upr(oar). T(hare)s hardly a S(tête)(man) in the (plaice), and we have a good (man)y of them, but (looks) upon it (ass) uni(form). The o(pen)ing of (ewer) (last) Budget w(ass) in m(eye) o(pinion) a (masterstroke indeed (witch) (yew) may easily (mask) over with the Old Phrase Pro Bono Publico. No (body) (can) stig(mat)ize (ewer) L------d(ship) as a griping (minister) nor (can) any (1.) say (yew)ve in this Point laid a t(axe) on the Bowels of the Poor. T(hare) are sever(awl) Articles m(eye) L--d in the Way of Eating (witch) might illustrate (ewer) Good Will (toe) the public, the quant(eye)ty of Meat (witch) is Consumed by the Common (people) Is the Occasion of t(hat) scorbutic or Scurvy Di(sword)er (witch) affects the English Constitution. T(hare)(4) an Xcise laid upon flesh of (awl) sorts would (bee) the best (ant)iscorbutic in the Whole Materia Medica and (ass) (ewer) L--d(ship) is (knot) very (car)nally Inclined (Eye) (don)t doubt (butt) (yew) will shortly b(ring) such a (bill) in(toe) Parlia(men)t. (Fish) and .F(owl) (2) my L--d are of a very viscid Nat(ewer) and are apt to enrich the Blood of such (ass) ought (toe) (bee) kept low, a T(axe) on these Sorts of Food Would in (Time) p(rope)rly dilute & thin the Corpore(awl) (deuce)s [juices] and the Common (people) would (knot) t(hen) (bee) (awl) (toe) (gate) (hare) [altogether] so (saw)cy (ass) (toe) oppose the Measures of t(hare) (ministers) and per(suns) in power (awl)so a Smart dut(eye) on Bread (mill)k Sm(awl) Beer, (Water) &c. For wh(eye) should the Vulgar have any Thing (toe) Eat (butt) Grass Without paying Tri(boot). (Ewer) Constant Friend & Ally BELZEBUB. Pandemonim [sic] June 23th 1779.""--British Museum online catalogue
Alternative Title:
Hieroglyphic epistle from Beelzebub to Lord North
Description:
Title from item., Sheet trimmed within plate mark., An engraved letter in form of rebus., and The word Beelzebub within title is represented by an image of a devil. Lord North's name is supplied in a caption above his portrait at the end of title.
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap on which is inscribed the words "War for ever".
Description:
Title from item., Place of publication suggested by engraver's name, possibly identifiable with Graham Stewart the wood-engraver who died in 1786 (cf. Strickland, A Dictionary of Irish artists)., Date based on that suggested for no. 5796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Title in the British Museum catalogue: Beating up for recruits, originally designed by Robert Dighton.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, and Drums
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., 1 print : etching on wove paper ; plate mark 15 x 23.7 cm, on sheet 17.5 x 26 cm., and Mounted with one other print on leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers., and Mounted on page 42.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
"The trunk of a tree projects horizontally from a trestle on which it rests. Within its circumference is the head of Lord Sydney, in profile to the right, facing the point of an auger with which a judge (Loughborough), whose head is in back-view, is boring into the transverse section of the log. The point of the auger is the smiling head of Lord Stormont, in profile facing downwards, the top of his wig being the point of contact. Two small stumps of branches are inscribed 'Ist Proposition' and '2d Proposition'."--British Museum online catalogue, description of a probable earlier state
Alternative Title:
Boring a secret of state
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Publisher's name is absent from imprint, and beginning of date has been burnished from plate., Probably a later state, with day of publication burnished from plate and month of publication altered from "June" to "July", of no. 6796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Ireland & Irish -- Irish Propositions, 1785 -- Tree trunks -- Benches -- Tools: Augers.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, and Sydney, Thomas Townshend, Viscount, 1733-1800
Subject (Topic):
Politics and government, Logs, and Drilling & boring machinery
Two head-and-shoulder portraits in separate ornamental oval frames of actress Clara Hayward and Philip Medows
Alternative Title:
Clara Hayward and Philip Medows Esqr
Description:
Title from item., T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian magazine, 1776. Cf. No. 5347 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. Originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Two head-and-shoulder portraits in separate ornamental oval frames of Count De B. (Belgioioso) and the singer identified as Charlotte Brent
Alternative Title:
Vauxhall syren and Count de Belgioioso
Description:
Titles from text below images., T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian Magazine, 1776, a reversed variant of no. 5353 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; originally published in Town and country magazine.
Publisher:
Publish'd as the act directs by T. Walker, No. 79 Dame-Street
Subject (Name):
Barbiano di Belgiojoso, Lodovico Carlo Maria, 1728-1801, and Brent, Charlotte,
Folding plate (also issued separately) to 'Anti-Jacobin Review', i. 285, illustrating extracts from a pamphlet published by Wright: Considerable allowance to those who purchase Thousands and Tens of Thousands for distribution. A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), ... 'I confess, that I became an United Irishman in 1796 & a Member of the National Executive, from 1796, to 1798. I knew the offer of French assistance was accepted at a meeting of the Executive in Summer 1796: I accompanied the Agent of the Executive (the late Lord Edward Fitzgerald) ...had an interview with General Hoche (who afterwards had the command of the expedition against Ireland) on which occasion every thing was settled between the parties with a view to the descent. ... "--British Museum online catalogue
Description:
Title etched below image., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opposite page 17., and Mounted to 30 x 37 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
Ireland
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Emblems, Judges, Justice, Nooses, Scales, Traitors, Trials, litigation, etc, Witnesses, History, and Politics and government
The convicted traitor Robert Watt sits on an open sled being pulled by a horse through a city square. A man in a hat, perhaps the executioner, sits across from him holding an axe. Soldiers escort the sled through the crowd. In the distance on the right, a man stands on a platform outside the upper floor of a building and readies a noose
Description:
Title etched below image., Publication information from that of the periodical for which this plate was engraved., Plate from: Exshaw's Gentleman's and London magazine. Dublin : J. Exshaw, October 1794., and Sheet mutilated along bottom edge with slight loss of text.
Publisher:
J. Exshaw
Subject (Geographic):
Edinburgh (Scotland)
Subject (Name):
Watt, Robert, -1794.
Subject (Topic):
Criminals, Executions, Plazas, and Sleds & sleighs
A young drunk dandy, his clothes torn and spattered, is being ushered into a box-chair on the left by three members of the Watch, who grin consipiratorily towards the viewer. The scene is apparently set in the arcade of Covent Garden; on the ground is a playbill lettered 'At the Theatre Royal / Crow Street / the Road to Ruin'.
Description:
Title etched below image., Place of publication inferred from text on playbeill within image, which mentions Dublin's Theatre Royal in Crow Street., Date of publication from unverified data in local card catalog record., Probably a copy, with different text on depicted playbill, of a print after Dighton that was published in London by Haines & Son on 18 June 1795. Cf. British Museum online catalogue, registration no.: 2010,7081.435., Sheet trimmed within plate mark with possible loss of imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: London: Covent Garden -- Footmen -- Playbills -- Literature: Allusion to The Road to Ruin, by Thomas Holcroft (1745-1809) -- Theatre Royal, Crow Street.
Publisher:
publisher not identified
Subject (Topic):
City & town life, Intoxication, Pickpockets, and Sedan chairs
Title from item., Dated suggested by respository based on costume., and Temporary local subject terms: Curtains -- Carpets -- Urn -- Mirrors -- Tailor -- Scissors.
In a fashionable parlor, two well-dressed couples entertain each other. On the right a gentleman plays the violin as his companion sings; she holds sheet music in her hand as she faces the fireplace, her back to the viewer. The violinist stands on a sheet of paper on which is written "The downfall of Paris." Above the fireplace, over a mantel with piles of books, including a volume with Code Napoleon written on its spine, is a portrait of "Napoleon le-Grand" and on either side, landscape views of Elba and St. Helena. On the left an effeminate soldier with a medal that reads "Jena" (a reference to the 1806 victory?) offers a young lady plates of fruit and cookies. The side table beside them is laiddened with fruit, flowers, liquor, and cookies. A fluffy, white dog barks at her feet. Pairs of Cupids with arrows and with laurel wreaths decorate the wallpaper
Alternative Title:
French fireside
Description:
Title engraved below image., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript "8" in upper center of plate.
Publisher:
Publish'd by J. Le Petit, 20 Capel St., Dublin
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Couples, Dogs, Fireplaces, Floor coverings, Mantels, Parlors, Singing, and Violins
Title from item., Printmaker and publication date from British Museum catalogue., Two lines of text below title: This portrait of Lady Hibernia Bull ..., Temporary local subject terms: Comic maps -- Witch as a map -- Capes -- Harbors -- Emblems: Irish harp., and Text below title erased from this impression.
Publisher:
Printed for Bowles & Carver, No. 69 St Paul's Church Yard
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:
Alternative form of title
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.
"Portrait of Richard Colley Wellesley, Marquess Wellesley, whole length, standing to right, looking to front, his right hand on his hip, holding plumed hat in the left, over a chair; wearing Garter robes and chain with George; sword and mace on cloth embroidered with coat of arms at left, fluted column and curtain behind."--British Museum online catalogue
Description:
Title etched below image., "Proof"--Lower left corner of plate., Dedication etched beneath title: To His Most Gracious Majesty George the Fourth, King of Great Britain, &c. &c. &c. this engraving is humbly dedicated by His Majesty's faithful and devoted subject, Andrew Robertson., and Bound in opposite page 634 (leaf numbered '78' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1827, by Messrs. Colnaghi Son & Co., Pall Mall East, London; R. Milliken & J. Allen, Dublin
Subject (Geographic):
Great Britian.
Subject (Name):
Wellesley, Richard Wellesley, Marquess, 1760-1842, and George IV, King of Great Britain, 1762-1830,
Subject (Topic):
Governors, British, Politicians, Robes, and Ceremonial maces
Appears in the author's L'isole piu famose del mondo, descritte da Thomaso Porcacchi da Castiglione Arretino e intagliate da Girolamo Porro Padovano..., p. 70., The map appears in various editions of the atlas from 1572 to 1620. In later editions of the atlas the printing plate appears to have deteriorated., Oriented with north towards right., Relief shown pictorially., Text in Italian on verso., and BEIN *327 1576: dgvmp2008.
Three-quarter length portrait of John Bellingham, assassin of the Prime Minister Spencer Perceval, standing in profile to the left, holding an open letter in his right hand and his left hand on the rail
Description:
Title etched below image., Probably an Irish copy in reverse of: John Bellingham taken at the Sessions House, Old Bailey ... / drawn & etc'd by Dennes [sic] Dighton. [London] : Pubd. as the act directs by Dighton, Spring Gardens, May 16, 1812. Cf. No. 11882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 164.
Publisher:
Pub. by McCleary, 32 Nassau St.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Bellingham, John, 1770-1812
Subject (Topic):
Trials (Murder), Assassinations, Criminals, and Judicial proceedings
Two head-and-shoulder portraits in separate ornamental oval frames of Lady Henrietta Grosvenor and her lover, an unidentified man of fortune
Description:
Titles engraved below images., Place of publication from Plomer's Dictionaries of printers and booksellers, p. 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian Magazine, 1778; a variant of no. 5507 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Collection, in a single hand, of 61 letters from Henry Seymour-Conway to his brother, Lord Francis Seymour-Conway, in which he discusses military, political, and social news between 1744 and 1784. The collection contains discussion of his military service in the Netherlands in the 1740s, including a detailed description of battle against the French in a letter dated June 30, 1743; he also mentions his campaign in Germany during the Seven Years' War, including his altercation with Col. Beckwith, his irritation with a commission he has been given, and news of a peace treaty between Austria and Prussia. In 1744 he discusses the practicality of buying a regiment, asks his brother for help raising the money, and offers to sell his own South Sea stock. He writes several letters from Dublin Castle reporting on Irish politics, including some movements in the House of Lords regarding "papists." In England, he complains about prime minister George Grenville's uncivil and unjust treatment of him and defends his decision in the affair of the Britannic Legion and in the John Wilkes affair which led to his dismissal from court and military office in 1764. Conway also occasionally mentions American affairs, including one letter in 1766 which reports the repeal of the Stamp Act, and another in 1774 in which he expresses pleasure on hearing that violent measures in America had been rejected for the present. Numerous letters make reference to friends and family, including his wife Lady Ailesbury and Conway's close friend Horace Walpole, who offers financial assistance after Conway's dismissal; becomes ill in 1765; and visits Conway after Conway's retirement in 1784
Description:
Henry Seymour Conway (1719-1795) was an army general and politician. He fought in the War of the Austrian Succession; served in Ireland during the Jacobite Rebellion, and in Germany during the Seven Years' War. He was successively promoted to major general in 1756 and to lieutenant general in 1759. Sitting in the House of Commons from 1741 to 1774 and from 1775 to 1784, Conway became a leading member of the opposition, opposing the King's action against John Wilkes regarding general warrants in 1763. In 1765, he became secretary of state for the southern department in Lord Rockingham's ministry, where he promoted a policy of reconciliation towards the American colonies. He supported the repeal of the Stamp Act in 1766, and opposed the taxation policies of Chancellor of the Exchequer Charles Townshend. He criticized British prosecution of the war with the American colonies and played an important part in the House of Commons' resolution against continuing the war. In 1747, he married Caroline Bruce, countess of Ailesbury (1721-1803), and had one child, Anne Seymour Damer (1749-1828). His aunt Catherine was the wife of Sir Robert Walpole, and Conway maintained a lifelong friendship and correspondence with his cousin Horace Walpole., Francis Seymour-Conway, first marquess of Hertford (1718-1794) and older brother of Henry Seymour Conway, was a courtier and politician. He became a lord of the bedchamber in 1757 and was sworn to the privy council in 1763. He served as ambassador to France 1763-5, lord lieutenant of Ireland 1765-6, lord chamberlain 1766-1782 and again in 1783. He was also lord lieutenant of Warwickshire from 1757 until his death. From 1766-1782, he was a friend and confidant to George III. Hertford supported Lord North's administration and the war in America, in which three of his sons served, and voted against Shelburne's peace preliminaries in February 1783. He was also influential in Irish politics, owning extensive estates in County Antrim, and serving a term as lord lieutenant in 1765-6., In English., The manuscript is accompanied by typed transcription., Pasted into letter of Aug 22, 1744: printed and handwritten note about Cadivor ap Gwaethvord, Lord of Cardigan Iscoed., Laid in with letter of August 11, 1748: list of contents of manuscript., Laid in with letter of May 11, 1764: newspaper clipping from Gazetteer, dated May 9, 1764, concerning Conway's dismissal., Vol. 2 with original binding, now housed separately. Binding: half red morocco over marbled boards. Written on cover: The Conway Correspondence. Pasted inside front cover: bookplate with Order of the Garter. Laid in with the covers are a pencilled floor plan and a page from a journal listing the numbers of foot soldiers and naval ships and guns in Europe, North America, Africa, East and West Indies, and the Mediterranean., and Binding for volume 2 shelved separately. For further information, consult library staff.
Subject (Geographic):
Great Britain., Great Britain, United States., Ireland, and United States
Subject (Name):
Conway, Henry Seymour, 1721-1795., Grenville, George, 1712-1770., Hertford, Francis Seymour-Conway, Marquess of, 1718-1794., Walpole, Horace, 1717-1797., Wilkes, John, 1725-1797., Great Britain. Parliament., and Ireland. Parliament.
Subject (Topic):
Military administration, Seven Years' War, 1756-1763, Stamp act, 1765, Court and courtiers, Foreign relations, Militia, Politics and government, and Social life and customs
Love, honour and justice presenting to the Right Worshipful Grand Master of Ireland ...
Description:
Title engraved below image., Frontispiece from: The sentimental and Masonic magazine., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Freemasonry -- Freemasons: Grand Master -- Emblems of freemasonry -- Justice (Symbolic character) -- Cupid.
Publisher:
publisher not identified
Subject (Name):
Donoughmore, Richard Hely-Hutchinson, Earl of, 1756-1825,
Title from item., Imperfect; only cartouche with title is present, the rest of the plate having been trimmed away., and On leaf 4 of an album of trade cards and invitations.
A strip design showing eight couples who contemplate marriage as the captions engraved above each couple explain
Description:
Title from caption below image., Printmaker and date of publication from British Museum catalogue., Plate originally published by T. Walker in Hibernian magazine, ii, p. 193., Removed from extra-illustrated copy of History of the Fleet marriages., and Mounted on secondary support.
Publisher:
T. Walker
Subject (Topic):
Couples, Courtship, Marriage, Obesity, and Pregnant women
"Officers promenade, swaggering selfconsciously; three couples are arm-in-arm. One pair, one of whom is a lancer with a moustache, arrogantly stare at a taller and more dignified Life Guards officer wearing a huge curling plume on the crest of his helmet. All have small high waists with belts or sashes, bulging breasts, high collars, and stocks, narrow and sometimes tiny coat-tails, tight sleeves, high padded shoulders; usually a bush of hair projects from a fantastic shako or helmet. The two Life Guards officers have boots, wide at the top, reaching to the thigh. Two officers wear fantastically large plumed shakos. An officer in back view, (?) the Duke of York, wears the plumed hat of a field-marshal, and is arm-in-arm with a very tall thin officer"--British Museum online catalogue, description of S.W. Fores copy
Alternative Title:
Heroes of 1819
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Possible reissue of print published by S.W. Fores., Publication date from unverified data from local card catalog record., Sheet trimmed within plate mark., and Cf. No. 13059 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
Publisher:
Publish'd by J. Le Petit 20 Capel St.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Daggers & swords, Dandies, British, and Military uniforms
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers, page 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., Probably from the Hibernian magazine, 1778. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, no. 5505, originally published in Town and country magazine., and Mounted.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
Two head-and-shoulder portraits in separate ornamental oval frames of Miss Colman, the daughter of an officer, and her lover, possibly Lord Villiers. (cf. Burford for the woman's identity).
Alternative Title:
Artful lover
Description:
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers, p. 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., Probably from the Hibernian magazine, 1778., and A variant of no. 5500, originally published in Town and country magazine. Cf. No 5550 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Subject (Name):
Jersey, George Bussey Villiers, Earl of, 1735-1805,
Two head-and-shoulder portraits in separate ornamental oval frames of a Miss D., the daughter of a Surrey farmer (on the left), and her alleged lover on the right, George James, Earl of Cholmondeley
Alternative Title:
Whimsical lover
Description:
Title from item., Place of publication from Plomer; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian Magazine, 1778, a variant of no. 5597 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; originally published in Town and country magazine.
Publisher:
Published as the act directs by T: Walker, No. 79 Dame Street
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827,
Two head-and-shoulder portraits in separate ornamental oval frames of Miss L-n, the orphan daughter of a doctor, and her lover, Viscount Petersham, later Earl Stanhope
Alternative Title:
Martial lover
Description:
Titles from text below images., Place of publication from Plomer's Dictionaries of printers and booksellers, page 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian magazine, 1778. Cf. No. 5502 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Two head-and-shoulder portraits in separate ornamental oval frames of Miss or Mrs. Scott and her lover, Sir Michael Le Fleming, M.P. from Westmorland
Alternative Title:
Miss Scott and Brilliant baronet
Description:
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian magazine, 1778. Cf. British Museum Catalogue, no. 5506, originally published in Town and country magazine.
Publisher:
Published as the Act directs by T. Walker, No. 79 Dame Street
Two head-and-shoulder portraits in separate ornamental oval frames of Miss Charlotte Spencer and her lover, Lord North
Alternative Title:
Miss Spencer and Pliant premier
Description:
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers, page 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian magazine, 1778. Cf. No. 5501 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Subject (Name):
North, Frederick, Lord, 1732-1792, and Spencer, Charlotte, -1789,
Two head-and-shoulder portraits in separate ornamental oval frames of Miss Sparks and her alleged lover, an admiral who served in the war of the Austrian Succession and the Seven Years' War, possibly Lord Hawke
Alternative Title:
Miss Sparks
Description:
Title from item., Place of publication from Plomer's Dictionaries of printers and booksellers, page 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from the Hibernian Magazine, 1778. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, no. 5504, originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Two head-and-shoulder portraits in separate ornamental oval frames of Miss Charlotte Vaughan and General Sir William Howe. Miss Vaughan was alleged to be the General's mistress
Alternative Title:
Miss Vaughan and American hero
Description:
Title from item., Place of publication from Plomer's Dictionary of printers and booksellers, p. 404; T. (Thomas) Walker, publisher of the Hibernian Magazine, was located at Dame Street, Dublin from 1770-1786., and Probably from the Hibernian magazine (1775), p. 515. A copy of no. 5308 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5; originally published in Town and country magazine.
Publisher:
Published ... by T. Walker, Dame Street
Subject (Name):
Howe, William Howe, Viscount, 1729-1814, and Vaughan, Charlotte,
"A scene from a play: a soldier admired by a lady at her dressing table stands before a table of heads and ghosts, with an elderly couple to the right."--British Museum online catalogue
Alternative Title:
Monsieur Alexandre in The rogueries of Nicholas
Description:
Title etched below image., Sheet trimmed within plate mark., "Price 3s."--Below image in lower right., and Matted to 39 x 48 cm.
Publisher:
Pubd. 22nd Jany. 1825 by Wm. Heath at the new Panorama, 15 Grafton St., Dublin, and Henry Heath, London
Subject (Name):
Alexandre, Nicholas Marie,
Subject (Topic):
Soldiers, Dressing tables, Ghosts, Nuns, and Theatrical productions
A young gentleman and lady dance in the center of a large hall in a grand country home surrounded by other young would-be dancers. The older guests sit in chairs and look on. They dance to music provided by a harpist
Description:
Title etched below image., Added in manuscript in lower right corner below design: B.C. 1790 delt., Sheet trimmed within plate mark., One line of quoted verse below title: "There did the harp the melting music of Erin shed its mellifluent notes.", Mounted on verso of: Plan of the citadel and forts of Antwerp and Dutch works. 1832. Lithographed by J. Netherclift, 54 Leic[este]r Sq. 3rd ed. With the French batteries., and Mounted to 25 x 33 cm.
Two head-and-shoulder portraits in separate ornamental oval frames of actress Jane Lessingham with flowers in her hair, and Justice William Addington
Alternative Title:
Mrs. Lessingham and Amorous justice
Description:
Titles engraved below images., Place of publication from Plomer; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., and Probably from: The Hibernian Magazine, 1777. A variant of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, no. 5415, originally published in Town and country magazine.
Publisher:
Published as the act directs by T. Walker, No. 79 Dame Street
Subject (Name):
Addington, William, Sir, 1728-1811, and Lessingham, Jane, 1739?-1783,
