Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Libraria. Musical notation in early nota quadrata on four-line staves., Three rolls, consisting of pieces of parchment sewn together., and Liturgical chants for the Monday of the Minor Rogations (the Monday before Ascension day), according to the Ambrosian rite; liturgical chants for the Tuesday of the Minor Rogations; liturgical chants for the Wednesday of the Minor Rogations; and a fragment of a manuscript on parchment pasted onto the verso of roll 3, 13th or 14th century, written in Southern Gothica Textualis Libraria (Rotunda): Albertus Gandinus (1245?-1310?), Tractatus de maleficiis.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Ambrosian rite, Antiphonaries, Manuscripts, Medieval, Music, and Rogation days
Manuscript fragment on parchment of 2 leaves from an Advent Sunday antiphonal
Description:
In Latin., Script: praegothica handwriting with Southern features. Notation on four-line staves, marked with letter keys. Headings in bold Uncial. Headings, versals and plain initials in red., and Fragments from an antiphonary, including the first Sunday of Advent and the Feast of St. Lucia (December 13). A bifolium; between the two leaves an unknown number of folios is missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Advent music, Antiphonaries, Manuscripts, Medieval, and Music
Manuscript fragment on parchment of an antiphonary containing Feria V throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 6-line initial "M" at the beginning of the Psalm is in gold, on a square ground of blue decorated with white filigree; the inside of the initial depicts a good-quality image of David kneeling against a mauve background and looking up to the hand of god; 1-line initials at the beginning of Psalm verses and antiphons alternate in red and blue uncials; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; musical notation is in black on 4-line staves in red.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 7-line initial "D" at the beginning of the Psalm is in light tan and gold on a square ground in blue with white filigree; the inside of the initial contains a miniature that is badly rubbed, depicting Christ holding a book on a mauve ground; the first line of the Psalm is written in 1-line white capitals on a rectangular red ground; guide letters for the artist are in the margin in red; 1-line initials are black capitals highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text; musical notation is in black on 4-line staves in red.
Manuscript on paper of Apocryphal Gospel Books and Miracles of the Virgin, including 1) Evangelium infantiae; 2) Liber passionis et resurrectionis Iesu Christi; 3) miracle legends about the Virgin
Description:
In Italian., Script: Copied by two scribes. Hand 1, the notary Franciscus Salvator (Francesco Salvatore) from Ventimiglia, copied artt. 1-4 in Gothica Semihybrida Libraria (Mercantesca). Hand 2 copied artt. 5-6 in Gothica Hybrida Libraria/Currens (Mercantesca)., Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved., and Binding: 20th century, brown leather and wooden boards. Spine has three raised bands.
Manuscript on paper of Apollinaris Offredus Cremonensis (ca. 1450), Expositio in primum librum Analyticorum Posteriorum Aristotelis, Quaestiones super primum librum Posteriorum Analyticorum Aristotelis, Tractatus suppositionum, and Commentum super tractatu de instanti Petri Mantuani
Description:
In Latin., Script: Copied by two hands: A) copied ff. 1r-84r in Gothico-Humanistica; B) copied ff. 84v-92r (artt. 3-4) in Humanistica Cursiva, in pale brown ink. Large display script in Gothico-Humanistica (hand A) or in Capitalis (hand B)., Decoration: Stroking of majuscules and paragraph marks in red. 2- or 3-line red plain initials. Guide-letters for the rubricator in the part copied by hand A. Painted initials at the opening of artt. 1 and 2. On f. 1r, a 17-line historiated initial in red on a square blue background; in the letter, a scholar is shown studying a book on a desk. At the bottom a large coat of arms, apparently deleted, except for the letters P and A. On f. 21r, a half-inserted initial P in red, heightened with groups of white or blue dots, ending at the top in a green acanthus leaf and filled with flowery decoration which looks modern., and Binding: 17th century(?) parchment over cardboard, spine with four raised bands strengthened with parchment, and handwritten inscription.
Manuscript on parchment (goatskin) of Andrea Vendramin, Doge of Venice (1476-1478), Commission (dogale) to Girolamo Michiel as governor of Asolo, near Treviso
Description:
In Latin., Script: Art. 1 is copied by one hand in a narrow Humanistica Cursiva Libraria, art. 2 by a hand writing Humanistica Cursiva Currens., On f. 1r white vinestem initial (6 lines) with long extensions in the upper and left margins; in the lower margin partial border in white vinestem, containing three medallions: the two outer ones feature the initials “I” and “M” in gold on a blue background; the larger, central one contains the coat of arms of Girolamo Michiel on a purplish red background in a green wreath., and Unbound.
Subject (Geographic):
Connecticut, New Haven., Asolo (Italy), and Venice (Italy)
Subject (Name):
Vendramin, Andrea, 1392-1478.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of Ivanus Veronensis, Eloquium
Description:
In Italian., The manuscript also contains a collection of quotations, added at a much later date, tending to demonstrate that one should not immoderately grieve over the dead., Script: main text copied by a single scribe, who writes a careful Gothica Cursiva Libraria (Cancelleresca), only towards the end becoming somewhat more rapid., and Binding: early binding of leather over wooden boards; sewing on three white leather straps fixed with nails on the outer side of both covers. One clasp.
Manuscript on paper (thick) of methods and examples of addition, subtraction, multiplication, division and the rule of three
Description:
In Italian., Watermark: shield with kneeling man holding cross?. Similar to Briquet 7629?., Script: Copied by one hand in Humanistica Cursiva Libraria/Formata., A few geometrical figures., Pages slightly damaged by the acidity of the ink., and Binding: Original limp parchment, a large circle traced with a sharp pencil on the front cover, a group of small circles in the form of a cross on the rear cover. At the top left corner of the front cover a paper label with the 16th-17th century inscription in Humanistica Cursiva: "Mathematicorum. Anonymi arithmetica manu scripta linguae Italicae". On the spine is written in the same type of script "Aritmetica" and, at the top, the letter "A".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Arithmetic, Manuscripts, Medieval, and Mathematics, Medieval
