Manuscript on paper, in a single secretary hand, of a tour guide of Italy, including descriptions of notable sights as well as directions from "London to Rome as also from one Citie to another in all Ittaly." The text is organized by city, and "translated out of the high Germane into the English tongue by Captayne Henry Bell." Includes some verses in Latin and English
Description:
Phillipps MS 16427. and Binding: cloth covered boards.
Subject (Geographic):
Italy
Subject (Name):
Bell, Henry, Captain.
Subject (Topic):
English poetry, Latin poetry, Travel, Description and travel, and Religious life and customs
20 ALS and 2 autograph manuscripts by Chandos Leigh, first Baron Leigh of Stoneleigh. Almost all of the letters were written during his travels on the Continent. Ten were written to his parents and sister in 1818-19 while he was on the grand tour. Letters from Switzerland and the Alps describe the scenery, particularly near Vevey and Lake Como, and refer to the writings of Rousseau, Byron, and Thomas Moore. Letters from Florence and Rome detail his responses to art and architecture, particularly the Venus de Medici, the sculpture of Canova and Thorvaldsen, and "the pride, pomp and circumstance" of Roman Catholic churches and ceremonies, which "must disgust the severe taste of the English traveller." Leigh also mentions Lord Byron, Lady Drury and Lord Beauchamp, the "set of regular English Dandies" and English ladies in Rome, the unattractiveness of Roman women, and his own purchase of a Salvator Rosa painting and Three letters to Sir Egerton Brydges, written during the Leigh family's stay in Switzerland in 1837, concern Leigh's poetry, his health, and a possible visit. His letters to his nephew Frederick Colvile contain news of his health and family; travel descriptions; and advice on Colvile's education. A March 1836 letter announces that the trustees of Rugby School have "unanimously decided in favour of Dr. Arnold;" a December 1837 letter comments that "Dr. Newman's book" (Lectures on Justification?) "contains much that is...to an ordinary man unintelligible." Other topics include the 1850 death of Sir Robert Peel and Leigh's own Liberal Party politics. The collection also contains autograph manuscripts of two poems by Leigh: "The First Days of Spring" and "Hymn for the Consecration of the Church on Westwood Heath."
Description:
Chandos Leigh (1791-1850) was educated at Harrow School, where he met Lord Byron, and Christ Church, Oxford, following which he made the grand tour with Philip Shuttleworth. A distant cousin of Jane Austen's, and a generous literary patron to Leigh Hunt and others, Leigh privately published over two dozen collections of his own poems and essays. He was created Baron Leigh of Stoneleigh in May, 1839. Leigh traveled several times to the Continent for his heath, but died of apoplexy in Bonn in September of 1850; he was succeeded by his eldest son, William Henry Leigh. and Accompanied by a container list.
Subject (Geographic):
Europe., Alps, Florence (Italy), Italy, Rome (Italy), and Switzerland
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824., Brydges, Egerton, Sir, 1762-1837., Canova, Antonio, 1757-1822., Colvile, Frederick Leigh, 1819-1886., Leigh, Chandos, 1791-1850., Leigh, Chandos, 1791-1850, Leigh, James Henry, 1765-1823., Leigh, Julia, d. 1871., Leigh, Julia Twisleton, d. 1843., Newman, John Henry, Saint, 1801-1890., Peel, Robert, 1788-1850, Rousseau, Jean-Jacques, 1712-1778, Thorvaldsen, Bertel, 1770-1844., Catholic Church, and Rugby School.
Subject (Topic):
Books and reading, Death and burial, Influence, Customs and practices, Authors, English, Dandies, English literature, Grand tours (Education), Tourism, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Holograph diary of a grand tour through France, the Alps, and Italy taken in 1818-1819. In addition to description of sights seen and social events attended, the volume also contains a variety of pasted-in souvenir ephemera such as theater tickets and invitations
Subject (Geographic):
Alps, France, and Italy
Subject (Topic):
Grand tours (Education) and Description and travel
Manuscript on parchment of Biondo Flavio, Italia Illustrata with the dedicatory preface to Pope Nicolas V (d. 1455).
Description:
In Latin., Script: Written in fine humanistic bookhand, below top line, by a single scribe who also wrote the running titles (epigraphic majuscules) and marginalia, in red., Elaborately illuminated title page with historiated initial, 10-line, mauve with silver filigree against gold ground, edged in black, with a portrait of the author, seated and holding a book, against a hilly landscape and blue sky. Partial border of white vine-stem ornament against a predominantly gold ground with blue, green, and red patches with white and pale yellow dots in inner and upper margins, terminating in dense penwork scrolls with gold dots. In outer and lower margin, border of stylized flowers and foliage in red, purple, green, and blue, surrounded by dense penwork scrolls punctuated by gold dots. In center of lower margin, wreathed medallion with unidentified arms, supported by two purple winged putti outlined in blue and wearing red necklaces. 14 illuminated initials, 9- to 6-line, gold, on blue, green, and red ground with white vine-stem ornament, sometimes extending into the margins. Headings, running titles, and marginalia in red., and Binding: Eighteenth century, England. Red goatskin gold-tooled, with the crest of Charles Chauncy on the sides. Gilt edges. Rebacked. The fine quality of the endleaves and leather, and the tool used on the edges of the boards and the turn-ins are similar to those in Marston MS 102 and Beinecke MS 497, both probably bound by Richard Wier, active in London and France in the 1770s; d. 1792).
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Name):
Biondo Flavio, 1392-1463.
Subject (Topic):
Geography, Medieval, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Description and travel
Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
Holograph of a diary kept by 14-year-old Dorothy Walpole, who records primarily routine social activities, both her own and those of family members, especially her mother, father, sister Rachel, and brother Horace, such as visits to and from friends; trips every Monday and Friday to the dancing academy; visits by the music master; and breakfasts, teas, and dinners with acquaintances; attendance at balls. She visits with Jane, Charlotte, and Fanny Pepys in London; on another occasion, she accompanies her mother to the Pantheon where she buys worsteds and patterns. She records the gifts she receives for Christmas; and, at the end of the volume, her travels through Italy, where she describes the quality of her lodgings in various towns; views paintings and churches; and declares Parma "the most horrible place I ever was in." Elsewhere, she records several verses, including an epitaph and a poem on mortality called The common lot; as well as a prose narrative of the life of St. Dorothy
Description:
Lady Dorothy Fanny Nevill (née Walpole) (1826-1913), hostess, horticulturist, and writer, was the youngest daughter of Horatio Walpole, third earl of Orford, and his wife, Mary, daughter of William Augustus Fawkener. In 1847, she married her cousin Reginald Henry Nevill (1807-1878); their 23-acre garden at Dangstein, in west Sussex, soon became well-known in horticultural circles, particularly for its collection of exotic plants and silkworms. She was the author of five books: Mannington and the Walpoles, Earls of Orford (1894), a book on silkworms, and three autobiographical volumes: The Reminiscences of Lady Dorothy Nevill (1906), Leaves from the Notebooks of Lady Dorothy Nevill (1907), and Under Five Reigns (1910)., In English., On title page: Journal begun May 1st 1840 Friday., On verso of title page: My Journal book. Dorothy Fanny Walpole. May 1st 1840 Friday., Pasted inside front cover: advertisement for W. Creswick, Paper Maker, 5 John Street, Oxford Street., and Binding: green half calf over marbled boards.
Autograph narrative, extensively illustrated by Mrs. Kenah, of two journeys in Europe taken by the Kenah couple with friends in 1821-24 and in 1827-29. On the first tour, accompanied by Walter Burrell, MP for Sussex, and "Mrs. Crutchley of Sunning Hill Park....and a Blenheim spaniel," the Kenahs traveled through France, Switzerland, Italy, and Bavaria; they were present in Naples for the 1822 eruption of Mount Vesuvius, and spent time in Rome and Lucca as well. In the later tour, they visited the Low Countries, Germany, and Trieste. The text is clearly drawn from diaries kept by Mrs. Kenah during the tours, and contains her often humorous responses, as an "Inexperienced Traveller," to tourist sights, local customs and manners, "foreign" food, and travel difficulties, Mrs. Kenah describes herself as "a woman in quest of the Picturesque," and over 80 of her watercolors and pen and ink sketches are mounted in her travel album. Subjects include "Eruption of Vesuvius, October 22, 1822 as it appeared at midday;" several portraits of Lucchese, Swiss and German figures in local costume; a portrait of Tommaso Sgricci, the famous improvvisatore; a memorial Mass in Caudenberg; the "table d'hote" at the Baths of Ems; the Salon at the Palazzo Ricasoli in 1824; and a variety of "picturesque" landscapes, including a view of the Bay of Naples, of a canal in Venice, and of several castles and mountain scenes in Germany. Also included are several printed views of German scenes which have been hand-colored, and In addition, there are watercolors of English subjects at the end of the volume: cottage scenes, rural landscapes, "view of Box Hill," "Grimsthorpe, 1826," and "Dunkeld from Dr. Fisher's garden. Sept. 9 1826."
Description:
Spine title reads: "Journal. Vol. I.", Annotated on front endpaper: "Mary Leigh Best, 1878.", and Binding: Contemporary calf, red gilt morocco spine label, gilt decoration.
Subject (Geographic):
Italy, Switzerland, Belgium, France, Lucca (Italy), Naples (Italy), and Vesuvius (Italy)
Ethnic costume, Grand tours (Education), Landscape drawing, Travelers' writings, English, Views, Women authors, Women travelers, Description and travel, Social life and customs, and Eruption, 1822
Manuscript on paper (various sizes and qualities) of a collection of notes and documents mostly related to Italian cities, dioceses and abbeys; Eastern churches and monasticism; and Central Europe; but containing also saints' lives, poetry, letters, archaeological treatises, etc
Description:
In Latin, Italian, French and Greek., Script: many different hands writing Humanistica Cursiva or Gothica Cursiva, sometimes in careful, but mostly in rapid execution., A few pen and ink drawings., Composed of numerous detached pieces (numbered and occasionally annotated by an English hand (1890-1900)), in various hands, some original, but mostly copies of documents and manuscript books, and often almost illegible due to the use of acid ink or the cursivity of the script. Many blank pages; many (blank?) leaves got lost after the codex was foliated., and Binding: 18th century (?). Quarter parchment over pasteboard, the covers in marbled paper. Flat spine gold-tooled, with red leather label carrying gold-tooled inscription "MANUSCRIT. / 16. SIÈCLE".
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Eastern churches, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Description and travel
Manuscript on parchment roll, consisting of five skins pasted together, of an untitled list of 267 courses mentioning distances between two places and the bearing according to a 32-point compass, in Venetian dialect
Description:
In Italian (Venetian dialect)., Script: Written by one scribe in black ink except for five lines in red; of these lines 145 and 171 are no entries, but rubrics introducing the sections dealing with the Sea of Azov and the islands of the Aegean Sea respectively. The handwriting is a small Southern Gothica Textualis Libraria under Cancelleresca influence; the latter is most apparent in the shape of the letter g and in the horizontal approach strokes at the top of the ascenders., The majuscules are heightened in red., and Damp stains have damaged and even obliterated some parts of the text, especially in its first section.
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Manuscripts, Medieval, Description and travel, and Manuscript maps
