"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Pretty well I tank you Mr. Cesar only I aspire too much!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: 1830., Watermark: J Whatman., and Plate numbered in ms. near top of sheet: 237.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Fans (Accessories), Staffs (Sticks), and Umbrellas
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., Watermark: 1794 J Whatman., and Subject identified in contemporary hand below title.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Yes sir but she bery petickly engaged in washing de dishes ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Male costume: 1830., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Eyeglasses, Monocles, Servants, and Staffs (Sticks)
"Two ladies (left) walk arm-in-arm to the left; a good-looking man, extravagantly dressed, stands (right) legs apart, head turned to inspect them as if they were strange specimens. One, short and fat, wears a round straw cap over a shock of hair which covers her eyes, she holds up a small jointed parasol to shield her face. The other, taller, wears a shovel-shaped scoop of straw tied to her head and projecting far beyond her face. Both have bare arms with long gloves, and transparent draperies which define the figure. The man wears an exaggerated Jean de Bry coat with high inflated sleeves, cut above the waist in front, with tails which show between his legs. A high swathed neck-cloth covers his chin and sets off bushy whiskers. His boots have high tasselled fronts above the knee and elongated toes. There is a background of trees with three other figures similarly dressed, one wears striped trousers of nautical cut instead of boots and pantaloons."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Explanation of title in lower left corner: *for the origin of the word consult the Johnnesonian dictionary, edition of 1799., Sheet trimmed within plate mark., and Temporary local subject terms: Female dress: high-waisted transparent dresses, 1799 -- Female dress: bonnets -- Parasols -- Male dress: tasselled boots -- Male dress: neck-cloth -- Male dress: Jean de Bry coat -- Kensington Gardens -- Reference to Thomas Johnes (1748-1816) -- Books: Allusion to Samuel Johnson's Dictionary -- Eyeglasses: quizzing glass.
Publisher:
Pubd. June 25th, 1799, by H. Humphrey, No. 27 St. James's Street
Title from item., Attribution to Stevenart. Tentatively attributed by British Museum catalogue to Henry William Bunbury., Temporary local subject terms: Trades: hairdresser -- Male dress: hand-muff., Watermark: J Whatman., and Note on verso: 'Ld B' Album.
Publisher:
Publish'd according to act, March 1, 1771, by W. Darling, engraver in Great Newport Street
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.7 cm, on sheet 25.6 x 41.8., Watermark: 1817., and Leaf 6 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
An image with six panels. Each panel features a figure and heading that plays on the 'cake' theme present in the title. Panel headings [begining in upper left corner and moving clockwise]: A Crummy Cake, A Crusty Cake, A Flow'ry Cake, A Plumb Cake, A Heart Cake, and A Seedy Cake
Description:
Title from item., Sheet trimmed within plate mark., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Publisher:
Pubd. June 16th, 1807 by Thos. Tegg, Appolo Library, No. 111 Cheapside
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female Costume: Fur wrap -- Male Costume, 1802., and Watermark: J Whatman 1794.
Publisher:
Pub. Janry. 20, 1802 by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Clothing & dress, Fur garments, Muffs, and Staffs (Sticks)
"A provincial Assembly Room, with dancers in violent action in the background, in country dance or cotillion. In the foreground is an ugly foppish and conceited fellow standing with raised coat-tails and his back to the fire. He holds cocked hat and cane, and grimaces and bows towards a pretty young woman, one foot on a fragment of her dress. She walks away from him to the left., taking her chair with her. Another pretty girl sits against the wall (r.) holding a closed fan. The dancers are bucolic and ugly. The walls are decorated with candle-sconces; a clock on the chimney-piece points to 1.25."--British Museum online catalogue
Description:
Title etched below image., Printmaker from Wright., Print signed using Brownlow North's device: A compass pointing north., and Watermark: J. Whatman 1829.
Publisher:
Publish'd November 20th, 1804, by H. Humphrey, No. 27 St. James's Street
Subject (Topic):
Ballrooms, Clocks & watches, Dancers, Fireplaces, and Sconces
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., Watermark: J Whatman., and Plate number burnished from plate.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., 1 print on laid paper : etching, stipple, & roulette ; sheet 29 x 37.5 cm, Watermark: J Whatman., and Sheet trimmed within plate mark.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image. and Watermark: J Whatman 1805. check
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"The room of an impecunious family. The father, probably an actor, writer, or artist, sits on a three-legged stool, with a little girl on each knee, one flourishes a whip and tugs at his shirt frill, the other pulls his pigtail. A younger child rides astride his leg, and a little boy tugs at his coat-tail; both flourish whips. An infant in a wicker cradle screams. The man turns up his eyes in melancholy resignation. His stockings are ungartered, and his dress suffers from the too-active children. Behind is an open fire, with a kettle beside it. The mother, neatly dressed, cooks, holding a frying-pan on a grid attached to the grate. A small round table (right) is laid for a scanty meal. From a line across the room hangs neatly folded washing. The chimneypiece is covered with medicine-bottles, &c, among which is a bust of a man. Above is an unframed picture of Diogenes in his tub. On the wall are also a small (broken) mirror, and a print of a man bent under a towering pile of sacks. On the boarded floor is an open book: a picture of a sow with many sucking-pigs faces: All the pretty little ones and their Dam Oh! Oh! Oh."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplify subject., and Watermark: J Whatman 1821.
A group of dogs of various breeds sit around a table playing cards or rouletttes. A cat playing with a box in the lower left is frightened by one dog who leaps at it from its chair. Another dog on a cushion (right) looks at the hand of one dog at the table
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1827.
Publisher:
Printed and published by J. Didsbury, 22 Southampton Street, Strand
Subject (Topic):
Animals in human situations, Card games, Cats, and Dogs
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bird shooting -- Hunters -- Guns: muskets -- Male dress: hunter's dress -- Dogs: spaniels., and Watermark: J Whatman.
Publisher:
Pub. July 4th 1795, by S.W. Fores, corner Sackville Street, Piccadilly
"Broadside on the execution of Louis XVI; with a hand-coloured aquatint pasted to a list printed in four black-bordered columns, the (printed) title as above. Fortune, blindfolded, with winged feet, pushes her wheel on the summit of the globe, which emerges from clouds and is decorated by three large fleur-de-lis. She runs in profile to the right, her draperies floating behind her. On the lower left circumference of the wheel, about to move upwards, are a crown and a cross; on its summit are two papers inscribed 'Tallien' and 'Merlin'. On the right, and beginning to descend, is a bonnet-rouge. On the lower right circumference, about to be crushed, are papers inscribed 'Collot d'Herbois' and (almost at the lowest point) 'Barrere'. Each column is again divided into four, headed: 'Names', 'Departments', 'When arrested', 'Fate'. Beneath this long list are two shorter ones: 'A List of those, who, without having Voted for the King's Murder, have made themselves eminent in the French Revolution, and have been recompensed', i.e. have been guillotined or have committed suicide. This is followed by a list of 'French Republican Generals, who have received a reward for their services, during the French Revolution'. Most have been guillotined, others have died by suicide or otherwise, some have merely been arrested. 'Dumourier' appears as 'Deserter'."--British Museum online catalogue
Description:
Price below imprint: Price Three Shillings., With an engraved and coloured symbolic illustration pasted at the head., Watermark: J. Whatman 1794., and For further information, consult library staff.
Publisher:
Printed for the author, by H. Reynell, No. 21, Piccadilly, and sold by S.W. Fores, No. 3, Piccadilly, near the Hay-Market
