Jones, J. (John), approximately 1745-1797, printmaker
Published / Created:
[1 November 1791]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of William Murray, 1st Earl of Mansfield, three-quarter length seated directed to right, looking towards the viewer, right hand on the arm of his chair, left hand holding a letter, resting on a table beside an inkpot, wearing a jacket with two buttons fastened over the chest and a chin-length wig, shirt ruffles at the cuffs."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Crest bearing the motto "Uni Aequus Virtuti" etched below image, beneath which is a quotation from Horace: Virtutis verae Custos, Quo multae magnaeque secantur Judice lites. Hor., Window mounted to 51 x 36 cm., and Mounted before page 261 (leaf numbered '76' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs Novr. 1, 1791, by T. Payne, Mews Gate
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., Numbered '129' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.9 x 39 cm, on sheet 46 x 59 cm., and Plate 4 in the album: Queen Charlotte's collection of Hogarth works.
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., and State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1790]
Call Number:
Drawings W87 no. 11 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
A pregnant woman holds a bible in one hand and rests her other hand on her protruding stomach while 'swearing a child' before a shocked looking magistrate. The alleged father(?) is kneeling beside the woman with clasped hands and his hat removed and resting on the floor. Completing the scene a clerk apperas to be loudly advising the magistrate and a solemn looking constable stands off to the side
Description:
Title and date supplied by cataloger. and For further information, consult library staff.
Subject (Topic):
Paternity, Pregnancy, Pregnant women, Judges, Law & legal affairs, and Bibles
Title from description in the British Museum catalogue for the original version of the print., Date of publication based on publisher's street address. John Bowles began operating out of No. 13 Cornhill in 1768; see British Museum online catalogue., Copy in reverse of a print originally published ca. 1730. Cf. No. 1860 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: While thus the revelling debauchee, Dandles his mistrees on his knee, Th'old bawd is reckoning up the score, Of all that has been spent and more ..., Plate numbered '1' in lower left corner., and Temporary local subject terms: Tavern -- Trades: Tavern-keepers -- Tallies: Tavern-keeper's score board -- Magistrates -- Furniture: Bed with curtains -- Pets -- Containers: Jug -- Glass: Wine bottles.
Publisher:
Printed for Iohn Bowles at No. 13 in Cornhill
Subject (Topic):
Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[not after 1760]
Call Number:
760.00.00.111+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on prostitution set in a brothel in which all the men have been given the heads of apes and the women those of cats. In the centre of the room a prostitute sits on the knee of an old man who fondles her, her legs splayed; she holds a glass in one hand and a flask in the other. A magistrate wearing a lace edged hat and holding a large candle stands over them. Constables with staves stand in the open door, behind which the prostitute's pimp (referred to as her bully in the verse beneath) is hiding; he is dressed as a grenadier. On the right, the brothel-keeper holds up a tally-board pointing out one of the symbols to three men who are startled at the entry of the constables; one is seated at a table holding a glass, another holds a large candle. On the table is a large flask, another rests on the floor beside a big jug, and another lies broken in pieces. In the background on the right a couple peer from being the curtains of a large bed. Hanging from the ceiling is a large birdcage on which a bird is perched."--British Museum online catalogue, description of an earlier state
Description:
Title supplied from description of an earlier state in the British Museum catalogue., Reissue by Sayer of a print published anonymously around 1730. See no. 1860 in the Catalogue of prints and drawings in the British Museum, v. 2., Terminal date of publication based on publisher's street address; according to the British Museum online catalogue, Sayer moved from his "opposite Fetter Lane, Fleet Street" premises in 1760. A later date is also possible, as the series that included this print was advertised in Robert Sayer's catalogue for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum, v. 2., Sheet trimmed within plate mark., and Eight lines of verse in two columns below image: Alas! poor whore, thourt fairly trap'd, Tho' by thy spark so sweetly lap'd; And for thy midnight vice and folly, Your fate is now to mill your dolly ...
Publisher:
Printed for Robt. Sayer, opposite Fetter Lane, Fleet Street
Subject (Topic):
Animals in human situations, Interiors, Prostitutes, Military uniforms, Judges, Watchmen, Canopy beds, Birdcages, Doves, Wine, and Bottles
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., "Plate 3"--Lower left corner., 1 print : etching with engraving on laid paper ; plate mark 32 x 38.8 cm, on sheet 45 x 56 cm., and Leaf 4 in: Album of William Hogarth prints.
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., "Plate 3"--Lower left corner., and On page 60 in volume 1. Plate trimmed to: 31.6 x 38.5 cm.
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., and "Plate 3"--Lower left corner.
"Portrait after Reynolds (Mannings 1786); half-length seated facing front wearing long wig and chain over robe with fur collar; curtain and pillars behind."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 260 (leaf numbered '75' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published June 27, 1812, by T. Cadell & W. Davies, Strand, London
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 52 Box D305
Image Count:
1
Resource Type:
still image
Abstract:
A prisoner (the foreman) bound in chains and 'Thimble' stand before two justices, writing furiously in open volumes, and respond to the exclamation "You're upon oath Sir!"
Description:
Title from pencil inscription in the artist's hand below image. and Date supplied by cataloger.
Subject (Topic):
Judges, Courtrooms, Judicial proceedings, and Prisoners
Title from item., The blindfolded judge may represent Sir John Fielding., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Judges -- Justice blindfolded -- Male dress: legal dress.
Publisher:
Publish'd December 15, 1772, by W. Darling in Great Newport Street
"Judges, lawyers, and others rush headlong from Westminster Hall. Three women are among the crowd, one of whom has fallen on her back. In the background is a Gothic doorway, on each side of which are two windows; through the upper left window appears a maidservant with a mop. Beneath the title is printed: 'Or, Courts of Law without a Covering, and Lawyers' Fears without Foundation; 'Causes without an Issue, and an Issue without a Cause'. This is followed by two quotations from Virgil, below which are verses printed in five columns"--British Museum catalogue
Description:
Caption title from letterpress printed below image., Title followed by two quotations from Virgil., Plate mark cannot be determined., Plate is early state, before alterations., Five columns of verse below the title: God prosper long our noble King ... However strange, 'tis strictly true, That thus a simple Wench, Did - (what no other Power could do) - Drive Mansfield from the Bench!'., Publication statement etched in plate below image: Published as the act directs, 28th Aprl. 1785, by Woodman & Mutlow, No. 30 Russel Court, Covent Garden., and Temporary local subject terms: Westminster Hall: exterior court of the King's Bench -- Courts -- Panic -- Maidservants -- Literature: quotations from Virgil, 70-19 BC. -- Incidents: panic at the King's Bench, April 22, 1785 -- Legal costume -- Allusion to Charles Hughes, fl. 1785 -- Allusion to Philip Astley, 1742-1814.
Publisher:
Printed for Woodman & Mutlow, engravers and print-sellers, Russel Court, Covent-Garden, and A. Wells, Warwick-Place, Bedford Row
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
A judge sits in a chair (left) looking at sailor who stands hat in hand before him. He says, "Are you certain, in respect to your being sober at the time the circumstance happened." The sailor with caricatured features and warts on his face, replies: "Sober. Come I like that, may I never again weigh anchor if I would not call him a lubber be he who he would, that would say I was drunk, please your grave and reverend worship. I had only shipp'd in eight grogs and a gill not enough to make a lawyer merry, in short your honor, I'll be d-nd if I was not as sober as a judge."
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.673., Not in the Catalogue of prints and drawings in the British Museum., and Watermarked "Ivy Mill 1820".
Publisher:
Pubd. by Roberts, Middle-Row, Holborn
Subject (Geographic):
Great Britain.
Subject (Topic):
Drunkenness (Crime), Law and legislation, Judges, Sailors, and British
Title from item., Plate from: The Freeholder's magazine. London: Printed for Isaac Fell, v. 1(1769)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Crimes: murder -- Signboards: sheath of wheat.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue
Alternative Title:
Magistrates mistake
Description:
Title etched below image., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Plate numbered "150" in upper left corner., "Price one shilling coloud.", and 1 print : etching, hand-colored ; plate mark 249 x 341 mm.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Hearing aids, Deafness, Criminals, Ethnic stereotypes, Judges, and Spouses
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue
Alternative Title:
Magistrates mistake
Description:
Title etched below image., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Plate numbered "150" in upper left corner., "Price one shilling coloud.", Watermark: 1817., and Leaf 5 in volume 3.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Hearing aids, Deafness, Criminals, Ethnic stereotypes, Judges, and Spouses
A copy of the caricature of the British Statesman and High Lord Chancellor Henry Peter Brougham, 1st Baron Brougham and Vaux (1778-1868), that appeared in the center of an print that was published on 1 October 1834 in Every body's album & caricature magazine, no. 19. He is depicted as a very thin traveller wearing a Scottish tam over his wig and using a broom as a walking stick; his shoe is worn through. He carries a wooden post labelled "Scratching post", a box stamped "Containing the freedoms of all the Scotch towns" and a bag with the words "Broken victuals the leavings of the Edinburgh blow out". Around his waist is another bag, "Oat meal". Above the image framed in lines in gold ink: “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North! Sold all my numbers of the Penny Magazine, and well puff'd it through every town I went. Made little less than one hundred speeches about, I forget now, Received some score of Burgesses, Freedoms, and Invitations to as many dinners, where I blew my own trumpet & obtained plenty of orders from our Usefull Knowledge Society! Now, woe to the unstamn'd when I get home! I must have a good scrub at my skin presently; I reckon I have got a taste of the fiddle through my itch for travelling!
Description:
Title written in ink below image., Drawn after a print by C.J. Grant, published ca. 1833 by G. Drake as No. 56 in The political drama series; see British Museum online catalogue, registration no.: 1868,0808.11156. A nearly identical image also appears among several designs in Every body's album & caricature magazine, No. 19 (1 October 1834); see Lewis Walpole Library call no.: 834.10.01.01+., and Additional text written within speech box above image: I flatter myself I've made a tolerable good job ...
Subject (Geographic):
Great Britain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Ethnic stereotypes, Government officials, and Judges
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour., 1 print : etching with engraving on laid paper ; plate mark 26.9 x 39.7 cm, on sheet 27.3 x 40.5 cm., and Mounted on leaf 45 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliamet [sic] Sep. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 55. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour.", 1 print : etching with engraving on laid paper ; plate mark 27 x 40.3 cm, on sheet 28.7 x 42.8 cm., Mounted on leaf 59 x 46 cm., and Plate 55 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Rake's progress, and Parades & processions
publish'd according to act of Parliamet [sic] Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 55. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour.", and On page 142 in volume 2. Sheet trimmed within plate mark to: 27.1 x 40.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Rake's progress, and Parades & processions
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour., Sheet trimmed within plate mark to: 27 x 40.2 cm., and Formerly on page 142 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 50K(b) Box 215
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour., 1 print : engraving ; sheet 40.2 x 27.0 cm., and On laid paper. Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliamet [sic] Sep. 30 1747.
Call Number:
Sotheby 55 Box 100
Collection Title:
Plate 55. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 12"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Rake's progress, and Parades & processions
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Hogarth 747.09.30.12.2++ Box 305
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The former industrious appretice Francis Goodchild is now Lord Mayor. The scene is Cheapside where we see the Lord-Mayor's carriage surrounded by a mob and with spectators in stands and at every window. The spectators in the stands include the Prince and Princess of Wales. Both sides of the frame are decorated with cornucopias
Alternative Title:
Industrious apprentice Lord-Mayor of London
Description:
Title engraved above image., Series title "Industry and idleness", state, and publisher from Paulson., "Plate 12"--Below frame, centered., and Caption in decoration in lower edge of frame: Proverbs Chap III. Ver: 16. Length of days is in her right hand and in her left hand riches and hounour.
Publisher:
Wm. Hogarth
Subject (Topic):
Crowds, Judges, Mayors, Parades & processions, and Rake's progress
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions in decoration in lower edge of frame. On the left: Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.3 cm, on sheet 26.8 x 40.6 cm., and Mounted on leaf 44 in: Album of William Hogarth prints.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.6 cm, on sheet 29.2 x 43.3 cm., Mounted on leaf 59 x 46 cm., and Plate 53 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.6 cm, on sheet 29.2 x 43.3 cm., Mounted on leaf 59 x 46 cm., and Plate 53 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", Sheet trimmed within plate mark to: 26.3 x 34.6 cm., and Formerly on page 140 in volume 2. Removed in 2012 by LWL conservator.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions in decoration in lower edge of frame. On the left: Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment., Sheet trimmed within plate mark to: 26.2 x 34 cm., and Formerly on page 140 in volume 2. Removed in 2012 by LWL conservator.
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., "Plate 10."--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions below image. On the left: Psalm IX. Ver: 16. The wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in judgment., and Reduced copy of no. 2980 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
Printed for & sold by Robt. Sayer at [the] Golden Buck near Serjeants Inn, Fleet Street
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Kinnaird 49K(b) Box 100
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him and impeach'd by his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: Industry and idleness., Two captions in decoration in lower edge of frame. On the left: Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment., and Sheet trimmed within plate mark: sheet 26.2 x 34.6 cm.
publish'd according to act of Parliament, Sepbr. 30 1747.
Call Number:
Sotheby 53 Box 100
Collection Title:
Plate 53. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is at the bar in a court of Justice, his hands bound, knees bent in supplication to Goodchild, now an alderman (signaled by the furred robe and gold chain of the office) serving as magistrate. Goodchild's hand shields his eyes as he turns away from Tom. Beside him a clerk is writing a letter "To the Turnkey of Newgate". On the left Tom's one-eyed accomplish is swearing evidence with his left hand instead of right hand as his female accomplice bribes the clerk behind his back. To Tom's left a fat beadle comforts Tom's weeping mother. A row of fire buckets hang from the rafters. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice Alderman of London, the idle one brought before him & impeach'd by his accomplic
Description:
Title engraved above image., State and publisher from Paulson., "Plate 10"--Below frame., Tenth plate in the series of twelve: "Industry and idleness.", Two captions in decoration in lower edge of frame. On the left: "Psalm IX. Ver: 16. The Wicked is snar'd in the work of his own hands". On the right: "Leviticus Ch: XIX. Ve:15. Thous shall do no unrighteousness in Judgment.", and On laid paper.
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., 1 print : etching with engraving on laid paper ; plate mark 27 x 39.9 cm, on sheet 27.5 x 40.8 cm., and Mounted on leaf 45 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", 1 print : etching with engraving on laid paper ; plate mark 27.1 x 40.4 cm, on sheet 29.2 x 43.5 cm., Mounted on leaf 59 x 46 cm., and Plate 54 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", and On page 141 in volume 2. Sheet trimmed within plate mark to: 27.6 x 40.1 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., and On page 141 in volume 2. Sheet trimmed within plate mark to: 27 x 40.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 50K(a) Box 215
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., and Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Sotheby 54 Box 100
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., 1 print : etching with engraving on laid paper ; plate mark 26.2 x 34.4 cm, on sheet 26.9 x 40.4 cm., and Mounted on leaf 44 in: Album of William Hogarth prints.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and On page 139 in volume 2. Sheet trimmed within plate mark to: 26.5 34.6 cm.
publish'd according to act of Parliam[en]t Sep 30 1747.
Call Number:
Kinnaird 49K(a) Box 100
Collection Title:
Leaf 44. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice and Industry and idleness, plate 9
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life., and On laid paper. Sheet trimmed within plate mark to 263 x 349 mm.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", 1 print : etching with engraving on laid paper ; plate mark 26.2 x 34.7 cm, on sheet 29.5 x 43.5 cm., Mounted on leaf 59 x 46 cm., and Plate 52 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", and On page 139 in volume 2. Sheet trimmed within plate mark to: 26.3 x 34.4 cm.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Sotheby 52 Box 100
Collection Title:
Plate 52. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In an underground drinking den Tom Idle, with a pistol at his foot and another in his pocket, shows his stolen goods to his one-eyed accomplice unaware that behind him his companion (the prostitute) from the garret bedroom (Plate 7) is betraying him to the magistrate and constables. A serving woman with a patch where her nose should be approaches the two thieves with a large tankard in her hands. To their right, the body of a man is being pushed through a trapdoor. In the far right a soldier with his back to the viewer embraces a woman. In the background there is a brawl while two other men sit by the fireside, one of whom is smoking a pipe before a roaring fire, the other asleep under a rope (noose?). The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice betrayed by his whore and taken in a night cellar with his accomplice
Description:
Title engraved above image., State and publisher from Paulson., "Plate 9"--Below frame., Ninth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:VI. Ve: 26. The Adulteress will hunt for the precious life.", and On laid paper.
"Heading to a printed broadside. An enormous leech with the head and wig of Sir John Leach (see British Museum Satires No. 13740) advances menacingly upon three little men (right) who flee. Three others (left) register disgust, holding their noses. They say: "Tom T--dman's cart is nothing to compare to it; It stinks worse than a Pole-cat; D--n it what a Stench." A woman staggers backwards, saying: "Bring me a Smelling Bottle or I shall Die." One man lies on the ground fainting or dead. The leech is backed by clouds of smoke. Below the title: "The common damn'd shun its society, and think themselves fiends less foul." The text describes 'the Great Black Leech lately discovered at Milan . . .' procured 'at a great expense, at the special instance of the State "Doctor" [Sidmouth], . . . for 'the performance of an operation to relieve the Great Man's complaint' (a troubled mind). It was abortive and he is 'worse than ever'. Attempts to check its 'vicious propensities' were vain 'until Dr. Hone skilfully applied some "printer's ink" to it'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., 1 print : etching with roulette ; plate mark 10.2 x 18 cm, on sheet 12.1 x 19 cm., Printed on wove paper; hand-colored., Imperfect; sheet has been cut in half, with bottom portion (12.6 x 18.5 cm) containing most of the letterpress text mounted separately beside upper portion containing the engraved plate. Imprint statement has also been trimmed away., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Printed and published by W. Benbow, 269 Strand
Subject (Name):
Leach, John, 1760-1834, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
"A sequence of six designs in two rows. [1] 'Begging before the Door of his Benefactor.' Young Leach, as a crossing-sweeper, holds out his hat to a gentleman who amiably puts in a coin. The latter walks away from a street-door with a plate inscribed 'Sir Robt Taylor'. [2] 'In the Service of his Benefactor.' Leach, as a young footman in livery, walks behind Taylor and his wife, who are returning from a country church. He carries cane and prayer-book. [3] 'As Clerk to his Benefactor.' Leach writes at a desk in a bare room, with a shelf of books high on the wall. [4] 'Now a Lawyer!!!' He sits in a well-furnished room, smilingly giving advice to a dismayed client (cf. British Museum Satires No. 11931, &c.). [5] 'Becomes a Counsellor!!! Thanks to his Benefactor.' Scene in court, with a crowded gallery. As one of a row of barristers Leach makes an impassioned appeal to the judge. [6] 'And now a Judge!!! Thanks to the Nation.' From the bench he looks down at a row of barristers. After the title: 'Every Merit should be Awarded to a Man for having raised himself from Beggary to so prominent a Station. The utmost Hatred, does that Man deserve who would create Despotism in our Land.'"--British Museum online catalogue
Alternative Title:
Gradations of a Vice Chancellor and "'Tis better to be born lucky than rich"
Description:
Title from text below image., Publisher's statement written in ink on separate piece of paper (11 x 38 mm) pasted below lower left corner of image., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed with partial loss of statement of responsibility from lower right. Missing text supplied from the British Museum catalogue., and Mounted on page 22 of: George Humphrey shop album.
Publisher:
Pubd. by Garmeson, No. 2 St. Swithins Lane, Lombard Stt.
Subject (Name):
Leach, John, 1760-1834 and Taylor, Robert, Sir, 1714-1788
Title from item., Sheet trimmed within plate mark resulting in loss of plate number and placing instructions., "Plate no. 18.", Plate from: Woodward, G.M. Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales, 1796., and Temporary local subject terms: Old Bailey -- Symbols: figure of Justice.
Publisher:
Pubd. by Allen & West, 15 Paternoster Row
Subject (Topic):
Judges, Juries, Lawyers, Spectators, and Witnesses
Postcard depicting four dogs sitting in a row and Legally themed postcard depicting 4 dogs sitting in a row, as judges
Description:
The Court of Appeal: Printed title on postcard front., Rotary Photographic Plate Sunk Gem Series: Printed text on left margin of postcard back, In lower right corner of image, reverse type: Landor., In lower left corner of image, reverse type: P 528., Rotary Photographic Co. Ltd. was active in London between 1897 and 1916., Manuscript notes on verso: "Many thanks, wish I knew what it all meant. Have you named the new cow yet?" signed J. I., Addressed to Mr. Craig, [P--?] Palace, Donegal Rd., Belfast., Also available in original print http://morris.law.yale.edu/record=b1281865, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM Z Postcards v.1 no.3 tall., and Online resource; description based on print version record.
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., First of two plates on leaf 49., and 1 print : etching on laid paper ; plate mark 17.5 x 23.7 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., and Watermark (partially cut off): Strasburg bend with initials G R below.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
"The interior of a well-furnished room with an open door (right) through which a dove-cote and trees are visible. By the fire (left) in an arm-chair is a gouty magistrate, tipsily somnolent, with twisted features. In his left hand is a glass spilling its contents, in his right a smoking tobacco-pipe; his right foot is supported on a cushioned stool. Beside him (right) is a table with books and writing-materials behind which sits his clerk, pen in mouth, spectacles on forehead, scrutinizing a group of three: a constable with a long staff between a fashionably dressed and drunken reveller and a young woman, whose dress hangs from just below her bare breasts. The constable, looking at the clerk, points to the woman. In the doorway a dog looks out and a sow looks in. On the wall over the clerk's head is a picture of an ass kicking over a statue of Justice (a 'Justass', cf. British Museum satire no. 8187); in the background St. Paul's and the Monument with other buildings indicate London. On the table by the justice a punch-bowl stands on 'Burn's Justice'. The chimney-piece is supported by two carved satyrs. Above it is a framed (?) almanack. A cat sleeps by the fire. A patterned carpet completes the design."--British Museum online catalogue
Description:
Title from caption below image., Three lines of text below title: Custos. Nemo. Comes. Testis. Sus. Bosque. Canisque. rules for the Gender of Nouns. Custos. the Constable. Nemo. [cf. BMSat 5570] alluding to the Lady having no Waist [cf. BMSat 8569]. Comes, her Companion. Sus. a Sow Worried by a Dog. Testis, described by the Constable as Witness against the two Delinquents. Bosque, the Magistrate half Drunk or Bosky. Canisque, the Dog, referring to the Guardian of the Night in the Act of making a Seizure., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman 1805.
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., 1 print : etching and engraving on laid paper ; plate marks 18.9 x 20.9 cm and 11.7 x 21.2 cm, on sheet 40 x 27 cm., Mounted on leaf 46 x 59 cm., and Plate 65 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., On page 1 of volume 3. Sheet trimmed within plate mark: 305 x 209 mm. Only visible plate mark is the one between image and text., and With ms. note in pencil in Steevens's hand below print lower right: Later.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., and On page 1 of volume 3: Steevens III.201.1.1. With annotation in pencil in Steevens's hand below print lower right: See Mr. Nichol's Book, 3d edit, page 403. Another note below lower right corner: 3d state.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., On page 1 of volume 3., and With ms. note in pencil in Steevens's hand below print lower right: 2nd state.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below image plate
Description:
Title etched below image., State from Paulson., Print made from two plates; image and text on separate plates., and The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
An E.O. or roulette table lies broken in the street as four men attack it with mallets and other tools. Two attackers, the Bow Street magistrates Addington and Wright, are depicted with donkey's heads. Three constables are also shown, one attempting to stop the violence, the other two joining in the attack. A commentary on the enforcement of anti-gaming laws
Alternative Title:
Westminster just-asses a braying and Downfall of the E.O. table
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: NB. The jack-asses are to be indemnified for all the mischief they do, by the bulls & bears of the city.
Publisher:
Pubd. Augt. 26th, 1782, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Bond, John, active 1782
Subject (Topic):
Vandalism, Donkeys, Judges, Gambling, and Clothing & dress
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., 1 print : aquatint and etching on wove paper ; plate mark 37.8 x 30.4 cm, on sheet 39.5 x 31.5 cm., and Mounted on leaf 82 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., and Mounted on page 102.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
"Erskine, dressed as an officer of the Inns of Court Volunteers, kneels on one knee to receive spurs from Sir James Mansfield, in legal wig and gown, who stands over him, his sword held vertically. Erskine's knee rests on a bulky brief: 'The King v. Hardy Brief for Def[ence]'; he says: "Henceforth I will be faithful and bear true Allegiance [? and abjure] traiterous . . . (the words obscured by his plumed helmet)". In the foreground two couples of privates or N.C.O.s (left and right) walk off scowling suspiciously over their shoulders at the investiture. The design is framed by two arches of the cloister of the Temple Church. Through one (left) is seen the body of the church: three (sculptured) recumbent Knights Templars raise themselves from their tombs to gaze in horror at the scene. All five volunteers wear plumed helmets and epaulets. The two on the left carry, one a pike, the other a bayoneted musket, both directed towards the new knight. Under the foot of one is a torn paper: 'Mr Sheridan Speech & Vote of thanks to the Volunteer[s]'."--British Museum online catalogue
Description:
Title from text in top part of image., Signed with the monogram of James Sayers., Approximate date of publication from the British Museum catalogue., Two columns of verse below image: Templars of old were valiant knights, defenders of their country's rights ..., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Mansfield, James, Sir, 1733-1821, Hardy, Thomas, 1752-1832., Sheridan, Richard Brinsley, 1751-1816., and Temple Church (London, England),
A watercolor drawing of a scene in Westminster Hall with three judges presiding over a crowded courtroom
Alternative Title:
Lawyers all alive in Westminster Hall and Peep into the Court of Kings Bench
Description:
Title "A peep into the Court of Kings Bench" written in lower margin but scored through; a new title "Term time or The lawyers all alive in Westminster Hall" is written below in the same hand., Signed by the artist in lower right corner of image., Date from: Padbury, D. View of Dightons., and Numbered "557" beneath lower left corner of image.
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Courtrooms, Judicial proceedings, Lawyers, Judges, and Juries
"A young woman stands upon a high stool, her skirts raised to show her posteriors to three men (half length) behind her. She bends forward, pointing to Charles Fox who stands with his hands handcuffed in a booth or box behind a bar. Fox has an enormous head and an expression of terrified dismay at the denunciation. Behind him is a man in profile holding a constable's staff. The three men are evidently Bow Street Justices (Sir Sampson Wright, Addington, and Bond); the principal magistrate (Wright) wears a hat and spectacles and is much caricatured (cf. British Museum Satires Nos. 6119-21). Above their heads are the evenly balanced scales of Justice. In front of the woman stands a clerk (half length) meditatively biting his pen."--British Museum online catalogue
Alternative Title:
Scene in Bow Street
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local Medical Library subject terms: Bond -- Crime., and 1 print : etching, hand-colored ; plate mark 247 x 351 mm.
Publisher:
Pubd. May 20th, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Williams, Renwick.
"A gouty old magistrate sits at a table in a parlour in an armchair with its back to the fire (right); his clerk writes. A parish beadle with his staff stands just inside the door, behind a ragged dustman or labourer, who scratches his head while a pregnant woman (who is swearing a child to the latter) holds her apron to her eye."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Henry Heath in the British Museum catalogue.
Publisher:
Published Jany. 4, 1825, by S.W. Fores, Piccadilly, London
Subject (Topic):
Gout, Judges, Pregnant women, Fireplaces, Cats, and Dogs
Portrait of British magistrate Sir John Fielding, the blind brother of Henry Fielding; a bust in oval frame, with Fielding facing left and below the frame, a child holding emblems of justice -- a book, scales, and a sword
Description:
Title etched in image., Probably a book illustration, but not the engraving in Leslie-Melville's Life and work or the portrait in The malefactor's register (1779)., and Sheet trimmed to plate mark.
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 April 1772]
Call Number:
Folio 72 771 D37 v.2 plate 24
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole length, of a stout man facing three-quarter to right., looking to left over his right. shoulder. His left hand is thrust under his buttoned coat; his right (gloved) rests on a cane. He wears a looped hat, a tightly curled wig and is plainly dressed."--British Museum online catalogue
Alternative Title:
Bully Bramble Esqr. Justice of Peace in Wasp Town and Roast beef and port
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram. M. Darly for Mary Darly or Matthew (or Matthias) Darly the printmaker? See British Museum catalogue., and Plate numbered "24" in upper right corner.
Publisher:
Pub. by MDarly accor. to act, April 1st, 1772, Strand
Dog (Springer Spaniel) delivering a verdict in the courtroom
Alternative Title:
Postcard depicting dog posed as judge and Legally themed postcard depicting dog posed as judge
Description:
"Rotograph series" B1626., The Rotograph Co., a major printer and publisher of postcards, was active in New York City, 1904-1911., Also available in original print http://morris.law.yale.edu/record=b1281871, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019. LM Z Postcards v.1 no.4 tall, and Online resource; description based on print version record.
Publisher:
Rotograph Co.
Subject (Geographic):
United States
Subject (Topic):
Law, Judges, Conduct of court proceedings, and English springer spaniels
Title etched below image., Text following title: The scale of the drawing is that of plates the 1st, 2nd & 3rd., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand in image, lower edge, centered: Sketches of Lord Lovat's trial, by Hogarth., and Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., and Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial., and On page 230 in volume 3.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
Title etched below image., Sheet trimmed to plate mark., Local note no catalog card from R. Paulson: Not Hogarth. Possibly Highmore., Ms. note in ink in Steevens's hand above group of four prints: Sketches taken by Hogarth at Lord Lovat's trial., and On page 230 in volume 3.
Publisher:
Published Augt. 1, 1791, by W. Birch, Hampstead Heath
"The interior of the House of Commons; the Speaker's chair and the table are in the foreground on the extreme left; only the Opposition benches are visible and are crowded with English sansculottes wearing bonnets-rouges who eagerly watch the denunciation of Pitt. Fox sits in the Speaker's chair, as the presiding judge, a bonnet-rouge pulled over the crown of his hat. Opposite (right), on a low platform surrounded by a rail, stands Pitt; a rope round his neck is held by Lauderdale who stands behind him on the extreme right with a headsman's axe in his left hand. In front of Pitt, leaning eagerly forward over the rail is Stanhope, gesticulating violently and holding out a large scroll: 'Charges. - Ist For opposing the Right of Subjects to dethrone their King. - 2d For opposing the Right of Sans-Culottes to Equalize Property, & to annihilate Nobility. 3d For opposing the Right of Free Men to extirpate the farce of Religion, & to divide the Estates of the Church.' Pitt, anxious and bewildered, his hands manacled, wearing only his shirt which has been torn from his shoulder, stands in profile to the left. Fox sits inscrutable, his clenched fists on the desk before him, a bell at his right hand, looking sideways at Pitt. Below him at the table are Erskine and Sheridan. Erskine, in wig and gown, as the accusing counsel, stands with outstretched hand pointing to Pitt and addressing the rabble on the benches. In his left hand is a paper headed 'Guillotine' and from his pocket protrudes a brief: 'Defence of Hardy' [see BMSat 8502]. Sheridan writes busily: 'Value of the Garde Meuble'. The books on the table are: 'Rights of Man' [see BMSat 7867, &c], 'Dr Price' [see BMSat 7629, &c], 'Dr Priestley' [see BMSat 7632, &c], 'Voltaire', 'Rosseau' [sic]. A large scroll hangs from the table: 'Decrees of the British Convention (ci devant Parliament) Man is, & shall be Free, therefore Man is, & shall be Equal. Man therefore has nor shall have Superior in Heaven or upon Earth.' On the ground the head of the mace projects from under the tablecloth. Beside the table (left) are five large money-bags inscribed: 'Treasury Cash to be issued in Assignats' and 'D° Cash for D°'. On the Speaker's chair, in place of the royal arms, is a tricolour shield with the motto 'Vive la République'. In the foreground, immediately in front of Pitt and Lauderdale, is an iron stove with an open door showing Magna Charta and Holy Bible burning. Holding their hands to the flames are Grafton (left) and Norfolk (right) facing each other; each sits on an inverted ducal coronet. Beside and behind Grafton sits Lord Derby. Slightly to the left and behind this group Lansdowne kneels, weighing in a pair of scales a weight, resembling a cap of liberty and inscribed 'Libertas', against a royal crown. The crown rests on the ground, Lansdowne tries to pull down the other scale. Beside the crown two large sacks stand on the floor inscribed 'For Duke's Place' and 'For D°' (the Jews of Duke's place were supposed to dispose of stolen plate, cf. BMSat 5468). From one protrudes the Prince of Wales's coronet and feathers, an earl's coronet and a Garter ribbon; from the other, a mitre and chalice. In the foreground lie a bundle of papers inscribed 'Forfeited Estates of Loyalists. Chatham, Mansfield, Grenville.' On the crowded benches a fat butcher is conspicuous, sitting arms akimbo. Near him are a hairdresser and a tailor in delighted conversation. A chimney-sweeper holds up brush and shovel, grinning delightedly. The faces register ferocity, anger, surprise, amusement, brutishness. In the back row, under the gallery, stand dissenting ministers wearing clerical bands."--British Museum online catalogue
Alternative Title:
Parliament reformed
Description:
Title etched below image., Text following title: Vide Carmagnol Expectations., Sheet partially trimmed within plate mark., and Temporary local subject terms: Conventions: decrees of the British Convention -- Interiors: House of Commons -- English sansculottes -- Bonnets rouges -- Shields: tricolor shield -- Bags of money -- Magna Charta -- Holy Bible -- Opposition -- Coronets -- Ministers -- Maces -- Iron stoves.
Publisher:
Pubd. March 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, and Lauderdale, James Maitland, Earl of, 1759-1839
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
March 26th, 1831.
Call Number:
831.03.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled "Reform 1813". The load on the left side labeled "People', though containing fewer documents -- Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government -- is heavier than the other plate "Oligarchy" which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says "Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace." Just beyond them in the middle distance the King stands firmly and says "The triumph of this great & vital cause will fix my crown more firm upon my head." On the right a group of over six men including a clergyman who wipes his brow and cries "The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-". Another gentleman behind him cries "They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic]." In the distance a crowd cheers, and some hold signs for "Reform" and "Support the King & his ministers", etc
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Cabinet officers, Clergy, Crowds, Demonstrations, Judges, Justice, and Scales
"The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: 'Commons Green Bag'. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed 'Queens Attorney General' towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed 'Resolution ..... [Ma]jesty'. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, "I should make a brave Queen to be frightened at a Mouse." The barrister, Denman, the Queen's Solicitor-General, answers: "A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger." On the extreme right, Wood, in an alderman's gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): "Why Bags! what's all this!" Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: "The Cat's out of the Bag Sire thats all." Canning exclaims: "Pro-di-gi-ous! as my Friend Domine Sampson [in Scott's 'Guy Mannering', 1815] says!" Castlereagh, very scared, says to Sidmouth: "Doctor could you not prevented [sic] this untimely Birth!" Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor's gold-headed cane, is a constable's staff. He exclaims: "A Delivery without Nurse or Doctor by Heaven." From his pocket hangs a paper: 'Foreign Circular' [cf. British Museum Satires No. 13282]. After the title: 'When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse--The Moral. Much ado about Nothing.-- Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L'Estrange's Esop.--'."--British Museum online catalogue
Alternative Title:
Mountain in labour
Description:
Title etched below image. and Sheet trimmed within plate mark at top edge.
Publisher:
Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Eldon, John Scott, Earl of, 1751-1838, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Bags, Draperies, Wigs, Judges, Robes, Medical equipment & supplies, and Staffs (Sticks)
Description based on print version record., "Celebration of the 100th anniversary of his birth.", Also available in original print http://morris.law.yale.edu/record=b373041, and Digital reproduction. New Haven, Connecticut : Yale Law Library, 2018. YL 05 L61 no.15 Faculty Collection B547 1958 Faculty Collection B473 1958 KF8745.B67 M4
Publisher:
Published for the Yale Law Library by the Yale Law School
"Portrait after Reynolds (Mannings 1475); whole-length, standing turned to right, eyes to front, wearing robes, with his right arm leaning on back of the chair to left, and his left hand upon a book resting on table to right with tapestry cover and inkstand; column, drapery and clouds behind; state without publisher's address."--British Museum online catalogue
Description:
Title from caption below image., Publisher's name and date of publication from the British Museum online catalogue, registration no.: 1902,1011.2444., Sheet trimmed to plate mark., and Note in ms. at lower right corner: 63. Mounted on sheet: 44.3 x 31.7 cm.
Copy in reverse of William Hogarth's "Woman swearing a child to a grave citizen. A pregnant young woman standing to left, swearing on a book before a magistrate who sits at a bench to right, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to right, a little girl sits teaching a dog to walk on its hind legs
Description:
Title engraved below image., Sheet trimmed with loss of companion prints: Le baptême domestique and Convoi funèbre des Anglois., A reverse copy after J.V. Schley's print made for: Picart, B. Ceremonies et coutumes religieuses de tous les peuples du monde. Amsterdam : Chez J. F. Bernard, 1723, between pages 90 and 91?, After William Hogarth., Sheet trimmed to plate mark., See reference to Schely print in: Paulson, R. Hogarth's graphic works (1st ed.), p. 309., and On page 11 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Paternity, Courtrooms, Couples, Judges, Law & legal affairs, Pregnancy, and Pregnant women
Six caricatures of a lawyer arguing a case in various manners: 1) Influencing the judge, 2) A knock me down argument, 3) A funny case, 4) A forcible argument, 5) A maiden case, and 6) An honest pleader. In the last four vignettes the lawyer holds a scroll with text alluding to: Crim con., a "scondrel of a Jew", and "Black Harry alias Diving Dan ..."
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pub. Sep. 20, 1791, by S.W. Fores, N. 3 Piccadilly
Title etched at bottom of image., Sheet trimmed within plate mark., Numbered 'Plate 16' in upper left corner., Placement instructions 'Page 37' in upper right corner., Plate from: Woodwad, G.M. Eccentric excursions, 1796., and Temporary local subject terms: Sergeants at law -- Legal wigs.
Publisher:
Pubd. Septr. 10, 1796, by Allen & West, 15 Paternoster Row
Portrait after a painted sketch by Hogarth; head and shoulders to right, glancing towards the viewer, wearing a gown with a plain cravat and full-bodied jaw-length wig
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publish'd May 1st 1788 by Molton & Co. 132, Pall Mall
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Patent sticks for family correction, warranted lawfull!
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 27 November 1782. Cf. No. 6123 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "133" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 94 in volume 2.