"Satire on the ineffective conduct of the Seven Years' War. The British lion has lost a foot labelled 'Minorca' and the French cock is tearing up the Union flag; two Frenchman discuss their aim to acquire British colonies in North America as well. The Lord Mayor of London and aldermen deliver a petition for an inquiry into the loss of Minorca and are met with evasive responses from courtiers or ministers; Hanoverian mercenaries are confronted by three countrymen who complain at the absence of a local militia which they blame on landowners' fear for their game ('hares & partridges'). On the left, Admiral Byng, in fetters, addresses his court martial."--British Museum online catalogue
Alternative Title:
Voice of the public for an enquiry into the loss of Minorca ... and English Lion dismembered
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Following imprint: Sold by the printsellers of London & Westminster., Temporary local subject terms: Reference to the Batlle of Minorca, 20 May 1756 -- Reference to Oswego and Nova Scotia -- British Lion -- Military uniforms: Hanoverians -- Naval uniforms: officers' uniforms -- Sllingsby Bethell, Lord Mayor of London., and Mounted to 34 x 47 cm.
Publisher:
publisher not identified
Subject (Name):
Byng, John, 1704-1757
Subject (Topic):
Flags, British, Lions, Military uniforms, and Roosters
"Satire on the ineffective conduct of the Seven Years' War. The British lion has lost a foot labelled 'Minorca' and the French cock is tearing up the Union flag; two Frenchman discuss their aim to acquire British colonies in North America as well. The Lord Mayor of London and aldermen deliver a petition for an inquiry into the loss of Minorca and are met with evasive responses from courtiers or ministers; Hanoverian mercenaries are confronted by three countrymen who complain at the absence of a local militia which they blame on landowners' fear for their game ('hares & partridges'). On the left, Admiral Byng, in fetters, addresses his court martial."--British Museum online catalogue
Alternative Title:
Voice of the public for an enquiry into the loss of Minorca and English Lion dismembered
Description:
Title engraved below image., Date from British Museum catalogue., Following imprint: Sold by the printsellers of London & Westminster., and Temporary local subject terms: Reference to the Battle of Minorca, 20 May 1756 -- Reference to Oswego and Nova Scotia -- British Lion -- Military uniforms: Hanoverians -- Naval uniforms: officers' uniforms -- Sllingsby Bethell, Lord Mayor of London.
Publisher:
publisher not identified
Subject (Name):
Byng, John, 1704-1757
Subject (Topic):
Flags, British, Lions, Military uniforms, and Roosters
publish'd according to act of Parliament, [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 34. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the ineffective conduct of the Seven Years' War. The British lion has lost a foot labelled 'Minorca' and the French cock is tearing up the Union flag; two Frenchman discuss their aim to acquire British colonies in North America as well. The Lord Mayor of London and aldermen deliver a petition for an inquiry into the loss of Minorca and are met with evasive responses from courtiers or ministers; Hanoverian mercenaries are confronted by three countrymen who complain at the absence of a local militia which they blame on landowners' fear for their game ('hares & partridges'). On the left, Admiral Byng, in fetters, addresses his court martial."--British Museum online catalogue
Alternative Title:
English Lion dismembered and Voice of the public for an enquiry into the loss of Minorca
Description:
Title engraved below image., Restrike. For original issue of the plate, see no. 3547 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published in 1756; see British Museum catalogue., "Sold by the printsellers of London & Westminster"--Following imprint., and On leaf 34 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Byng, John, 1704-1757
Subject (Topic):
Flags, British, Lions, Roosters, Petitions, and Shackles
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs and defecates at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", and Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Humor, Horses, Lions, Coats of arms, Chairs, Defecation, and Crowds
Leaf 16. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike, with scatology removed from image. For original issue of the plate, see no. 6476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 123-4., and On leaf 16 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain. Parliament
Subject (Topic):
Dissolution, Politics and government, Horses, Lions, Coats of arms, Chairs, and Crowds
"Illustration to a satirical account of the 'patriotic conduct' of John Russell, 4th Duke of Bedford, showing, by contrast, the exemplary actions of the Duke of Somerset (Protector during the reign of the young Edward VI) and Sir Edward Seymour (presumably the Speaker, 1673-79); these two men lead Liberty to Britannia; in the background is the Tower of London."--British Museum online catalogue
Alternative Title:
Protector Duke of Somerset and the great Sr Edward Seymour
Description:
Title etched above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 4 (1770), page 9., Design within decorative frame., and Temporary local subject terms: British Lion -- Personifications: Liberty -- Emblems: cap of liberty -- Staff of liberty -- Buildings.
Publisher:
publisher not identified
Subject (Name):
Somerset, Edward Seymour, Duke of, 1506?-1552., Seymour, Edward, Sir, 1633-1708,, Bedford, John Russell, Duke of, 1710-1771., and Tower of London (London, England),
Subject (Topic):
Britannia (Symbolic character), Lions, Anchors, Liberty, and Liberty cap
A harnessed lion on the left struggles to pull away from "The Pit of ruin" into which he is being pulled backwards by four other animals whose harnesses are attached to a large hook at the end of his. They represent Spain (spaniel), France (cockerel), United States (rattle snake) and Holland (pug). The lion is hindered by four disoriented donkeys representing the new ministry who yank back on his rope bridle. A two-headed eagle (possibly Russia) hovers above the pit protesting its neutrality
Alternative Title:
Ass-headed and cow-hearted ministry making the British Lion
Description:
Title from caption etched below image., Sheet trimmed within plate mark., A rebus with the words in the title -- ass, cow, and lion -- represented by images., and Mounted to 26 x 43 cm.
Publisher:
Pubd. by J. Barrow, May 8, 1783 White Lion Bull Stairs Surry Side Block Friars Bridge
Subject (Geographic):
Great Britain and England
Subject (Topic):
Politics and government, Foreign relations, Harnesses, Donkeys, Dogs, Roosters, Snakes, Lions, Eagles, Cows, and Clothing & dress
Title etched below image., Page number in upper left corner burnished from plate., Sheet trimmed within plate mark., Reissue of an illustration to v.2, p. 50 of Baron Munchausen, with page number removed and alterations within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Vehicles: wicker carriage.
Publisher:
Published for H.D. Symonds, Pater-noster Row, London
Subject (Topic):
Carriages & coaches, Donkeys, Houses, Lions, and Balloons (Aircraft)
