A satirical representation of the fraternity shown at the Fête de la Fédération in the Champ de Mars on 14 July 1790. The central figure of Louis XVI embraces a group of five men, four of whom form two couples who are kissing and embracing. Weeping, the King says, "This is what I have long desired: my wish is at length accomplished. The nation & the King from hence foward will be but one." One of the men in his embrace responds, "Point de deux Chambres." One of another couple, in the act of picking the pocket of his friend, says, "Point de République." The other couple weeps, "I'll furnish tears to drown the King" while his friend adds "And I the Dauphin and the Queen." On the right a man wearing spectacles hugs a pillar, saying, "Vive le Roi. Vive la Nation Vive liberté."
Alternative Title:
More cursing & swearig for the Assembly, More cursing & swearing for the Assembly, and More cursing and swearing for the Assembly
Description:
Title from item., Earlier state, with incorrect spelling in title. Cf. No. 7661 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6., and Watermark: I Taylor.
Publisher:
Pub. July 16, 1790, by S.W. Fores, N. 3 Piccadilly
Title from item., State with corrected spelling in title., 'London' written out and publication date transcribed in British Museum catalogue as 1790., Temporary local subject terms: French Revolution -- Fête de la Fédération, 14 July 1790 -- French monarchy: establishement of the constitutional monarchy, 1790 -- French nobility: abolition of hereditary nobility, June 1790 -- Emotions: crying., and Watermark: Strasburg lily with initials G R below.
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., and Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
"An officer of the Gardes du Corps, wearing the cross of St. Louis, stands with a drawn sword before a door leading to a long room or gallery. Within stands Louis XVI holding the Dauphin by the hand, while Marie Antoinette takes his right arm. Above their heads is etched 'Save us from treatcherous Friends'. The officer says, "I find there's treachery - but I'll defend my King & Family to the last Drop of my blood". In his hat is a favour inscribed 'Vive le Rot'. Hiding behind an arched doorway (right) are two people dressed as women, wearing cloaks and hats; each clutches a dagger, and below the petticoat of the foremost, Orléans, protrudes a spurred boot. He says "Where shall we hide our selves - my Plot is marr'd." His companion, Mirabeau, who is on the extreme right, says, "Damnable fool thus to serve Your purpose & risk - a la Lanterne". They are identified in a contemporary hand as 'O-----ns' and 'M ... b .. u'. Orleans is a recognizable portrait. On the wall between the officer and the conspirators is a crucifix above a receptacle for holy-water."--British Museum catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: Where may be seen the completest collection of caricatures &c. also the head & hand of Count Struenzee, admittance 1 shill., Temporary local subject terms: French Revolution -- French military uniforms -- Garde du Corps., Watermark: countermark T W., Upper right corner torn resulting in loss of text., and Orléans and Mirabeau identified in contemporary hand below image.
Publisher:
Pubd. August 19, 1790, by W.S.[sic] Fores, No. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Louis XVII, of France, 1785-1795, Orléans, Louis Philippe Joseph, duc d', 1747-1793, and Mirabeau, Honoré-Gabriel de Riqueti, comte de, 1749-1791
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"Louis XVI and Marie Antoinette seated on chairs at Varennes while an armed and ferocious mob invades the room through an open door (left); the approach of an angry crowd is suggested by a sea of heads, above which weapons are raised. The King sits full face, the Queen beside him in profile to the left and on the extreme right. One ruffian presents a blunderbuss at the Queen, another, yelling, threatens the King with a pistol and sabre. A soldier (left) advances with his musket cocked towards the little Dauphin, who has fallen on his back at the King's feet, having apparently been pushed over by the soldier's bayonet. A man wearing only a bonnet rouge and a shirt advances with a dagger in each hand; behind him is a man with a raised hammer in one hand, a broom in the other."--British Museum online catalogue
Alternative Title:
French democrats surprising the royal runaways
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Invasion of Varennes -- Allusion to French Revolution -- French democrats -- Fugitives -- Weapons: sabres -- Guns: blunderbass -- Muskets with bayonettes -- Daggers -- Emblems: bonnet rouge -- French revolutionary cockade -- Brooms -- Hammers.
Publisher:
Pubd. June 27th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
A political satire with Burke depicted as Mercury carrying on his shoulders Marie Antoinette who in turn carries Louis XVI
Alternative Title:
Grand monarque and the rights of kings supported in a sublime and beautiful manner
Description:
Title from caption below image., Place of publication from known location of William Dent: London, 116 Strand., Hand-colored by Dent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Hand-coloring extends well beyond the plate line in this impression. For further information, consult library staff.
Publisher:
Pub. by Wm. Dent
Subject (Name):
Burke, Edmund, 1729-1797, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, and Louis XVI, King of France, 1754-1793
Title from item., Temporary local subject terms: Financial crisis before French Revolution -- Empty treasure chests., and Watermark: J Whatman.
Publisher:
Pub. by S.W. Fores No. 3 Piccadilly Nov. 12, 1788
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacues, 1732-1804, Calonne, Charles Alexandre de, 1734-1802, and Loménie de Brienne, Etienne Charles de, 1727-1794
"Louis XVI sits fatly at a table, carving large pieces from a roast bird, a rolled paper in his pocket inscribed 'Route de Melz'; he turns back to an obsequiously grinning officer wearing a wig and ruffled collar and sleeves, who approaches from an open door to right, bowing and presenting an 'Ordre of la municipalite poor l'Arret de Monsieur Louis de Bourbon', the king saying 'Je me f- de tout cela Laisse moi manger tranqillement'; in the doorway are seen a short man with the fleur-de-lis on his arm and a whip who comments, 'Voila but for his dam guts we had been safe out of their reach', and five heavy-looking soldiers, all with skull-and-crossbone motifs on their bearskin hats. To left, Marie Antoinette stands looking in a mirror, adjusting her neckerchief and saying 'Come my dear Louis havn't you finish'd your two Turkeys & drank your six bottles, you know we shall dine at Mont medy', a fine hat on the chair in front of her. Behind to left, the Dauphin sits grimacing on a water-closet, clutching at himself; his nurse approaches him with a beaker and spoon, saying 'aha! mon Petit Bourbon de shi-ten luck be de good Luck'. On the wall, three frames, the first, titled 'Louis 14', shows a preening figure, nude to the waist with a fistful of thunderbolts, standing on the back of a prostrate figure with several others abject at his feet, a temple to right; the second lacks a picture, but has an upside-down notice stuck in it, reading 'Par le roy'; the third, 'Juillet 14 1789', is the storming of the Bastille."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: ... where may be seen the largest collection of caracatures [sic] in the world, admita[nc]e 1 shilling., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 41 x 56 cm., Watermark., German translation of title in contemporary hand at bottom of sheet., and Numbered in ms. in lower left corner of sheet: 369.
Publisher:
Pub. July 24, 1791, by S.W. Fores, N. 3 Piccadilly ...
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
Title from item., Printmaker and publication year from British Museum catalogue., Temporary local subject terms: Crowns - Scepters -- French Constitution -- Reference to John Bull -- Reference to George IV, 1762-1830., Watermark: J Whatman., and Matted to 47 x 63 cm.; subjects identified in a later hand below image.
Publisher:
Pubd. Augt. 3d by S. Fores, N. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Orléans, Louis Philippe Joseph, duc d', 1747-1793, and Mirabeau, vicomte de, 1754-1795
