Subject Heading: Masks - Yale University Library Search Results

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1. Anxiety, frustration, repressed hostility [graphic]

Creator:: Artzybasheff, Boris, 1899-1965, printmaker
Published / Created:: [1947]
Call Number:: Print20063
Image Count:: 1
Resource Type:: still image
Description:: Title from item., Artist's name and date at upper right., Published in Life Magazine, February 3, 1947, to illustrate the article "Psychoanalysis " by Francis Sill Wickware., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:: Time Inc.
Subject (Topic):: Neuroses, Mental states, Anxiety, Anger, Fruit, Masks, and Demons
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Anxiety, frustration, repressed hostility [graphic]

2. [Boy with mask] [art original].

Creator:: Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:: [not after 1824]
Call Number:: Folio 33 30 Copy 4
Image Count:: 1
Resource Type:: still image
Abstract:: Wash drawing depicting a boy with in a scenic mask. This image, on an antique red stone set in gold, was kept by Horace Walpole in the Tribune at Strawberry Hill
Description:: Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 158 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):: Strawberry Hill (Twickenham, London, England)
Subject (Topic):: Art collections, Boys, Masks, and Jewelry
Found in:: Lewis Walpole Library > [Boy with mask] [art original].

3. The Holy Alliance unmasked [graphic]

Creator:: Purcell, E. (Edward), printmaker
Published / Created:: [February 1823]
Call Number:: 823.02.00.01+
Image Count:: 1
Resource Type:: still image
Abstract:: "Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:: Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:: Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):: Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):: Bulldogs, Monkeys, Bears, Masks, Flags, and Globes
Found in:: Lewis Walpole Library > The Holy Alliance unmasked [graphic]

4. "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]

Creator:: Cruikshank, Robert, 1789-1856, printmaker
Published / Created:: [April 1821]
Call Number:: 821.04.00.03+
Image Count:: 1
Resource Type:: still image
Abstract:: "A scene in the House of Commons, showing the Ministerial benches, with the Speaker's Chair and the Table partly cut off by the right margin. The Speaker (Manners Sutton) and one of the Clerks are just within the design. Castlereagh is speaking; he stands in profile to the right, hat in hand, with the Pope on his shoulders. The Pope holds crosier and keys, and wears an odd tiara. A demon crouches on his shoulders dressed as an acolyte, but displaying a cloven hoof; a mask with bland features (a device deriving from Gillray, cf. British Museum Satires No. 11384) is tied in front of his black horned head; he holds up a lighted candle, and clutches the Pope's hair. Castlereagh, with a blandly disingenuous smile: "I have the authority of the Head of the Catholic Church, for saying that there is no solidity in the objection taken on the other side: thus I am legislating with the Pope at my back!!!" The benches behind Castlereagh are crowded; the members listening intently; all wear hats, except Peel who sits immediately behind Castlereagh's empty seat, on the corner of which he has put a hat, inscribed 'Peel'. He looks up to say: "I hope that when the noble Lord observed that [he was legislating with the Pope at his back] he had no allusion to me, even if the noble Lord were willing to put the Popedom in Commission, I should not be willing to accept the office of one of the Commissioners." Men look down from the gallery. On the floor is a paper: 'St Steevens March 28 1821'."--British Museum online catalogue
Alternative Title:: Whatever is, is right. Pope! and Weighty argument in favour of the Catholic Emancipation
Description:: Title etched below image. and Watermark: J. Whatman 1820.
Publisher:: Pubd. April 1821 by G. Humphrey, 27 St. Jamess Street, London
Subject (Geographic):: Great Britain.
Subject (Name):: Castlereagh, Robert Stewart, Viscount, 1769-1822, Canterbury, Charles Manners-Sutton, Viscount, 1780-1845, Pius VII, Pope, 1742-1823, Peel, Robert, 1788-1850, and Great Britain. Parliament. House of Commons,
Subject (Topic):: Catholic emancipation, Legislative bodies, Politicians, Public speaking, Popes, Crosiers, Keys (Hardware), Demons, Masks, and Candles
Found in:: Lewis Walpole Library > "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]

5. A May Day garland for 1820 [graphic].

Published / Created:: [May 1820]
Call Number:: Folio 724 835G v.1 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "Ministers and others, holding hands, caper in a ring round a pole to which are symmetrically attached the decollated heads of the Cato Street conspirators executed on 1 May, see British Museum Satires No. 13707, &c. Between Sidmouth and the smiling Castlereagh is a man wearing a black mask, and with a blood-stained knife in his mouth, perhaps one of the two who turned King's evidence. On the right, taking Castlereagh's left hand, is the Attorney-General, Gifford, grinning diabolically. Holding Sidmouth's left hand is Vansittart (in his gown). Facing these two are Canning and Chief Justice Abbott in his robes. Four others are poorly characterized. They dance to a fiddle played by Edwards who sits on a grassy mound (right), with an empty gibbet behind his head. He says: "Dance away my Friends, I have been the cause of all this fun by your Help and Money. "Edwards the Instigator!!!"."--British Museum online catalogue
Description:: Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with two other prints) on leaf 9 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With figures of "Sidmouth", "Londonderry", and "Gifford" identified in pencil below, the first two on mounting leaf and the last one in lower margin of print. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:: Pubd. May 1820 by S.W. Fores, 41 Piccadilly, London
Subject (Geographic):: Great Britain.
Subject (Name):: Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Canning, George, 1770-1827, Abbott, Charles, Baron Tenterden, 1762-1832, and Edwards, George, 1788-1843
Subject (Topic):: Cato Street Conspiracy, 1820, Politicians, May poles, Dance, Decapitations, Heads (Anatomy), Criminals, Masks, Knives, and Violins
Found in:: Lewis Walpole Library > A May Day garland for 1820 [graphic].

6. The genius of history, or, Dressing for a masked ball at Naples [graphic]

Creator:: Lane, Theodore, 1800-1828, attributed name
Published / Created:: [October 1820]
Call Number:: Folio 724 835G v.1 (Oversize)
Collection Title:: Page 4. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:: Dressing for a masked ball at Naples
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., 1 print : etching with stipple ; plate mark 23.4 x 26.3 cm, on sheet 23.8 x 26.6 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 100 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline" and "Bergami" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:: Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):: Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
Found in:: Lewis Walpole Library > The genius of history, or, Dressing for a masked ball at Naples [graphic]

7. The genius of history, or, Dressing for a masked ball at Naples [graphic]

Creator:: Lane, Theodore, 1800-1828, attributed name
Published / Created:: [October 1820]
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 4. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:: Dressing for a masked ball at Naples
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., and Mounted on page 4 of: George Humphrey shop album.
Publisher:: Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):: Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
Found in:: Lewis Walpole Library > The genius of history, or, Dressing for a masked ball at Naples [graphic]

8. Two heads better than one, or, The governess outwitted [graphic].

Creator:: Williams, Charles, active 1797-1830, printmaker
Published / Created:: [January 1817]
Call Number:: 817.01.00.03+
Image Count:: 1
Resource Type:: still image
Abstract:: "A pretty and elegant young woman kneels on a bed supporting her elbows on the pillow. A woman stands beside her raising the girl's skirt in order to birch her, but finds her posterior covered by a life-sized mask which is a close portrait of herself. She says: "Oh ma foi! dot is mine own Head in t'oder place.""--British Museum online catalogue
Alternative Title:: Governess outwitted
Description:: Title etched below image., Attributed to Charles Williams in the British Museum catalogue., A close copy in reverse of print published by Holland in 1799: The governess delineated, or, A pretty face spoiled. Note from Andrew Edmunds April 2019., Sheet trimmed within plate mark., and Mounted on brown paper backing to 31 x 39 cm.
Publisher:: Pubd. Jany. 1817 by S.W. Fores, 50 Piccadilly
Subject (Topic):: Governesses, Child discipline, Beds, Masks, and Young adults
Found in:: Lewis Walpole Library > Two heads better than one, or, The governess outwitted [graphic].

9. The manager and his dog, or, A new way to keep one's head above water a farce performed with rapturous applause at Drury Lane Theatre / [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: [17 December 1803]
Call Number:: Folio 75 Sa85 810
Collection Title:: Leaf 83. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "A view of the left side of the stage, including part of a stage box on the extreme left. From this leans a figure of Folly wearing a fool's cap with ass's ears, clapping his hands. Within the shadow of the box is the head of a staring owl (cf. British Museum Satires No. 5363). A frieze of dancing dogs (cf. British Museum Satires No. 16715) decorates the lower part of the box; above is a grinning mask flanked by dogs' heads. The capital of the Corinthian pilaster that flanks the stage is formed of dogs' heads. At its foot is a figure of Thalia covering her face with her hands. At the base of her pedestal is an open book: 'The Caravan or the Driver and his Dog a Farce.' This lies on and obscures another: 'The Critic or Tragedy rehearsed'. The front of the stage is filled with a large pool; in this a dog swims, his collar inscribed 'Carlo'; he holds the head of Sheridan above the water by his hair, saying: "------methinks it were an easy Leap" To dive into the bottom of the Deep" And pluck up drowned honour by ye Locks." ['1 Henry IV', I. iii.] Water gushes into the pool from left and right; on the righ from a mound of stone slabs on which is poised a wheeled dog-kennel. By the roof of the kennel are the heads of two enormous and camel-like dogs, muzzled (or bridled), and peering at Carlo; one partly obscures a notice-board on a post in the pool: 'Humane Socie[ty for] recovering drowning persons] It is recommended That Dog Kennels [should be] stationed at all Ho[uses of] public Entertainment for the Benefit of drowning persons.' The scenery is a water-side castle."--British Museum online catalogue
Alternative Title:: New way to keep one's head above water
Description:: Title etched in lower right corner image., Signed with the monogram of James Sayers., Text below title: Motto for the farce, And Folly clappd. his hands and Wisdom star'd. Churchill., Temporary local subject terms: Carlo -- Thalia -- Dancing Dog -- Folly -- Drury Lane., 1 print : aquatint and etching on wove paper ; plate mark 25.1 x 31.4 cm, on sheet 26.6 x 32.6 cm., and Mounted on leaf 83 of James Sayers's Folio album of 144 caricatures.
Publisher:: Pubd. 17th Decr. 1803 by H. Humphrey, St. James's Str
Subject (Name):: Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):: Stages (Platforms), Dogs, Owls, Fools' caps, and Masks
Found in:: Lewis Walpole Library > The manager and his dog, or, A new way to keep one's head above water a farce performed with rapturous applause at Drury Lane Theatre / [graphic]