Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
"Political satire; under a sinking sun in which is drawn a crown, with the words "Obscured, not lost", a masked figure with a crow-bar labelled "Begum Sophistry" and the Prince Regent with a broken axe labelled "Presumptive Rights" try to break down the door of the Treasury, while another picks the lock, labelled "G R" with keys labelled "Tropes"; behind them stands a man in black with a lantern labelled "Loyalty", a belt labelled "Truth" and a clapper labelled "Vox Populi"; from the window of the Treasury, Pitt attacks the house-breakers with a blunderbuss labelled "Constitution"."--British Museum online catalogue
Alternative Title:
Housebreaking before sunset
Description:
Title etched below image., "Pr. 1s."--Below image, lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pick axes -- Padlocks -- Swords -- Masks -- Guns -- Setting sun -- Watchman's lanterns -- Emblems: King's monogram on the padlock., Watermark: Fleur de lis on crowned shield, with initials G R below., and Mounted to 44 x 29 cm.
Publisher:
Published Jany. 6t 1789 by R. Butters, 79 Fleet Stt
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Thurlow, Edward Thurlow, Baron, 1731-1806, and George III, King of Great Britain, 1738-1820.
Framed in an oval, the writer George Saville Carey is shown looking to his left while holding a mirror up in his extended right arm and holding a theater mask in his left arm, bent at the elbow
Description:
Title devised by cataloger. and For further information, consult library staff.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
publish'd as the act directs, A.D. 1769.
Call Number:
769.00.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
In an oval frame, a half-length portrait of woman with a black veil over her head looks left. In her right hand she holds a mask; around her neck is cross. She wears pearl earrings, pearls in her hair, and a strand hangs from the jeweled rose at her breast
Alternative Title:
Fair nun unmasked
Description:
Title engraved below image., Printmaker identified in Chaloner Smith who based his description on the 1780 copy published by Sayer., Sheet trimmed to plate mark., Plate numbered '8' in lower left corner., Two lines of verse below title: On her white breast a sparkling cross she wore ... Pope., Reversed copy of this print was published in 1780., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: masquerade dress -- Allusion to 'The Fair Nun' -- Literature: quotation from The rape of the lock, canto ii.7, by Alexander Pope, 1688-1744., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Accessories (Clothing & dress), Dancers, Jewelry, Masks, and Masquerades
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Full face mask combined from faces of Charles Fox on the left and Lord North on the right. Fox's dark hair, squinted eye and self-assured smile are countered by North's powdered wig, puzzled frown and straight mouth. Inscribed above, "Fronti nulla fides."
Alternative Title:
Fronti nulla fides
Description:
Title engraved below image., Signed with the monogram of James Sayers., "Although lettered 'H Bretherton', no such person is known, and it must be an error for James or possibly Charles."--British Museum online catalogue., 1 print : stipple engraving on laid paper ; plate mark 26.7 x 18.9 cm, on sheet 29 x 20.8 cm., and Mounted on leaf 15 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 21st May 1783 by H. [sic] Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Full face mask combined from faces of Charles Fox on the left and Lord North on the right. Fox's dark hair, squinted eye and self-assured smile are countered by North's powdered wig, puzzled frown and straight mouth. Inscribed above, "Fronti nulla fides."
Alternative Title:
Fronti nulla fides
Description:
Title engraved below image., Signed with the monogram of James Sayers., and "Although lettered 'H Bretherton', no such person is known, and it must be an error for James or possibly Charles."--British Museum online catalogue.
Publisher:
Published 21st May 1783 by H. [sic] Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
