A copy in reverse of William Hogarth's Plate 2 of A harlot's progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2, In high keeping by a Jew, and Juif l'entretien somptueusement
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2047., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 122.
Publisher:
publisher not identified
Subject (Topic):
Black people, Jews, Boudoirs, Biblical events, Masks, Monkeys, Clegy, Horses, Lust, Rake's progress, Prostitutes, Relations between the sexes, Servants, and Young adults
Title devised by curator., Publication date from an unverified card catalog record. Possibly later than 1760, based on use of wove paper., Sheet trimmed within plate mark including rounding corners that results in partial loss of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 31 cm.
Publisher:
publisher not identified
Subject (Topic):
Lyres, Masks, Musical instruments, and Picture puzzles
"Satire based on a novel of the same title on the cruel and hypocritical behaviour of a female former convict with four scenes enclosed within rococo scrolls. The scene on the left shows Polly Haycock, visibly pregnant, standing on a quay chained with a group of other convicts, guarded by a turnkey as they await transportration; above a mask holds a ribbon in its mouth lettered "With Child by the under turnkey, put on board a Lighter, from thence into a Transport Ship bound for Virginia". In the centre are two scenes, the lower one showing a coach travelling through a town being approached by two robbers, one of whom stands at the coach door raising his hands towards the woman sitting inside who wears a watch. Beneath this scene is written "Rob Theif. Or the Lady of ye Gold Watch Polly Haycock". In the scene above this a nearly naked woman is kneeling on a stone, her hands tied behind her back, being whipped by a black man; in the background on the left a man can be seen through a window sitting eating while on the right a man on horseback raises his hands. Written above is "Whipp'd during dinner her master boasting that no Monarch upon earth had so fine Musick as he fancied her Cries. In the Intreim [sic] the Justice Releasing and takes her home". In the fourth scene on the right she stands in a fashionable dress in a grand room holding a stick, a girl lies at her feet in evident distress, her skirt pulled up; a fashionably black page-boy stands on the left and three female servants stand in the background on the right. Above the scene a mask holds a ribbon in its mouth lettered "Her usage to her Free-born English Servants is as they do Negroes and Felons in the Plantations tho' she felt the Mesery herself". Beneath is written Remember Mrs. Branch & her daughter (a reference to the notorious case of Elizabeth Branch who murdered her servant in 1740)."--British Museum online catalogue
Description:
Title from item., Print made by: George Bickham the Younger. See British Museum online catalogue., Four designs enclosed by scrolls, each with its own inscription., Temporary local subject terms: Boats: lighter -- Plates -- Dishes: tankard -- Food: cooked fowl -- Furniture: table -- Chair -- Mantel -- Female servant -- Female dress: gold watch -- Sticks -- Transports -- Architectural details: Virginia planter's house., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Branch, Elizabeth and Haycock, Mary, active 1741
Subject (Topic):
Black people, Carriages & coaches, Criminals, Dogs, Horses, Masks, Prison laborers, Servants, Enslaved people, and Whips
Title from item., Sheet trimmed within plate mark., "Price. 6d.", Dickinson Imprint from earlier state in lower left corner, blacked out on plate but partially legible., Three columns of verse below image: Here, may the wand'ring eye with pleasure see both knaves and fools in borrow'd shapes agree ..., Copy, with English verse only, of No. 1635 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Temporary local subject terms: Court manners: bowing -- Spring Gardens., and Mounted to 29 x 45 cm.
Publisher:
Printed for & sold by Geo. Foster at the White Horse opposite the north gate in St. Paul's Church Yard, London
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea