In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Reduced copy of Hogarth's satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled provactives, and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. Cf. British Museum online catalogue
Description:
Title etched below image., "Page 325". Upper right corner. From Ireland's Supplement to Hogarth illustrated., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 108., Ms. note in Steevens's hand at bottom of print: From J. Ireland's Hogarth illustrated., and On page 46 in volume 1.
Publisher:
J. Ireland
Subject (Name):
Heidegger, John James, 1659?-1748
Subject (Topic):
Allegories, Animals, Goddesses, Gods, Erotica, Masquerades, and Sacrifices
Satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled provactives, and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. Cf. British Museum online catalogue
Description:
Title etched below image., State, date, and printmaker from Paulson., State with "Prouocatiues" changed to "Provocatives"., Caption below title: A. a sacrifice to Priapus. B. a pair of Lecherometers shewing [the] companys inclinations as they approach em. Invented for the use of ladys & gentlemen by [the] ingenious Mr. H[eidegge]r., "Price one shiling."--Lower left corner., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: See Nichols's book, 3d edit. p. 150 / Great masquerade., and On page 46 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748,
Subject (Topic):
Allegories, Animals, Goddesses, Gods, Erotica, Masquerades, and Sacrifices
