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1.
The fair nun unmask'd [graphic]

Creator:
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
publish'd as the act directs, A.D. 1769.
Call Number:
769.00.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
In an oval frame, a half-length portrait of woman with a black veil over her head looks left. In her right hand she holds a mask; around her neck is cross. She wears pearl earrings, pearls in her hair, and a strand hangs from the jeweled rose at her breast
Alternative Title:
Fair nun unmasked
Description:
Title engraved below image., Printmaker identified in Chaloner Smith who based his description on the 1780 copy published by Sayer., Sheet trimmed to plate mark., Plate numbered '8' in lower left corner., Two lines of verse below title: On her white breast a sparkling cross she wore ... Pope., Reversed copy of this print was published in 1780., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: masquerade dress -- Allusion to 'The Fair Nun' -- Literature: quotation from The rape of the lock, canto ii.7, by Alexander Pope, 1688-1744., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Accessories (Clothing & dress), Dancers, Jewelry, Masks, and Masquerades
Found in:
Lewis Walpole Library > The fair nun unmask'd [graphic]

2.
Pantheon Masquerade [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 March 1809]
Call Number:
Quarto 646 808 M58 v.2
Collection Title:
V. 2 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Pantheon on Oxford Street, during a masquerade; the hall crowded with figures in costume dancing and making merry; a band plays on the stage; other figures on balconies to left and right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 60., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 215.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Pantheon (Oxford Street, London, England)
Subject (Topic):
Masquerades, Interiors, Costumes, and Dance
Found in:
Lewis Walpole Library > Pantheon Masquerade [graphic]

3.
Marriage a-la-mode. [graphic] / Plate V.

Creator:
Ravenet, Simon François, 1706-1774, printmaker
Published / Created:
according to act of Parliament April 1st 1745.
Call Number:
Kinnaird 17K Box 300
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V.

4.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

5.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

6.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 20. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

7.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

8.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Sotheby 20++ Box 300
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

9.
Marriage a-la-mode. [graphic] / Plate V

Creator:
Ravenet, Simon François, 1706-1774 printmaker
Published / Created:
[1 April 1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:
Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

10.
Masquerade ticket [graphic]

Creator:
Mills, Isaac, 1770-1857, printmaker
Published / Created:
published March 1798.
Call Number:
Folio 75 H67 800 v.1 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Reduced copy of Hogarth's satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled provactives, and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. Cf. British Museum online catalogue
Description:
Title etched below image., "Page 325". Upper right corner. From Ireland's Supplement to Hogarth illustrated., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 108., Ms. note in Steevens's hand at bottom of print: From J. Ireland's Hogarth illustrated., and On page 46 in volume 1.
Publisher:
J. Ireland
Subject (Name):
Heidegger, John James, 1659?-1748
Subject (Topic):
Allegories, Animals, Goddesses, Gods, Erotica, Masquerades, and Sacrifices
Found in:
Lewis Walpole Library > Masquerade ticket [graphic]

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