Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image. and Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject.
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
"An ugly elderly man, emaciated but paunchy, stands in profile to the left, head thrown back, in the effort to swallow. His right fingers are crisped as he throws over his left shoulder the contents of a tumbler. He wears night-cap, dressing-gown, and slippers, with unbuttoned garments and stockings festooning his legs. He faces a smouldering fire. The small chimney-piece is covered with medicine-bottles; above it hangs a cracked mirror. A torn hearth-rug, minute tripod washstand with broken jug, and a truckle-bed in disorder heighten the picture of sordid discomfort, but the impression is conveyed that this is due to feckless neglect rather than poverty. Under the bed a mouse scampers off. Beside it is a candle covered with extinguisher."--British Museum online catalogue
Description:
Title etched below image., Text below title: Gup gup gup!, Sheet trimmed within plate mark on upper and lower edges., Temporary local Medical Library subject terms: Taking medicine., and Watermark: J. Whatman Turkey Mill 1826.
A woman stands before a mirror in her petticoat with her maid behind her holding her dress. Caption below image: Well I declare Betty I'm getting rather too much en bon points, don't you think so? Why yes miss I think you are getting too much bone points!
Description:
Title from text above image. and Publication date from unverified data in local card catalog record.
Publisher:
W. Spooner, 377 Strand
Subject (Topic):
Clothing & dress, Mirrors, Women, and Women domestics
"Lady Archer sits in profile to the right before her dressing-table, applying rouge to her cheek with a brush. Her notoriously painted cheek is blotched with drink. She is dressed for driving, wearing a coat of masculine cut, and a skirt which is short enough to show stockings above laced half-boots. A high-crowned hat trimmed with feathers is poised on her hair; on her vulture-like nose glasses are perched, her profile being reflected in the draped mirror. Through an open window (left) appears her high phaeton."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 27.4 x 17.6 cm, on sheet 30.8 x 20.4 cm., and Mounted on leaf 12 of volume 8 of 12.
Publisher:
Pubd. Sepr. 29th, 1791, by H. Humphrey, No. 18 Old Bond Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.2 x 24.9 cm, on sheet 36.5 x 26.2 cm., and Mounted on leaf 26 of volume 13 of 14 volumes.
"A stout elderly man (left) seated in a chair shaves himself, while a pretty young woman (right) stands before him holding up a hand-mirror. A little girl is seated in a child's chair beside her father, she watches a cat and kitten at her feet."--British Museum online catalogue
Description:
Title engraved below image., 1 print : stipple engraving on wove paper, hand-colored ; sheet 26.7 x 20 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 36 of volume 3 of 14 volumes.
Publisher:
Publish'd August 21st, 1786, by J.R. Smith, No. 83 Oxford Street
"A domestic scene; a grotesque elderly woman sits at her toilette, pointing to a mirror on which a mobcap hangs, and looking upwards as a wig decorated with ribbons and a feather is about to be placed on her head by a young maid standing at right, who is momentarily distracted by the embraces of a footman; at left, an elderly man standing and looking inside a cupboard full of shelves of pottery; a cat and dog in front of a fire at left, a dog on a chair opposite the old woman."--British Museum online catalogue
Alternative Title:
My aunt and my uncle and Couple of antiques
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 70 of volume 8 of 14 volumes.
Publisher:
Pubd. Novr. 20, 1807, by R. Ackermann, No. 101 Strand
Subject (Topic):
Cats, Dogs, Mirrors, Older people, Servants, Spouses, and Wigs
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker
Published / Created:
[October 1807]
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Resource Type:
still image
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 65 of volume 8 of 14 volumes.
Publisher:
Published October 1807, by R. Ackermann, Respository of Arts, 101 Strand
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
A macabre caricature divided into two compartments, The Dandy and The Dangle. On the left, a strutting dandy ties his neckcloth in front of a mirror saying: 'I declare these large Neckcloths are monstrously handy, They [serve] for a shirt too and make one a Dandy.' The right hand image is of a dandy, head covered in a cloth, dangling from a wooden beam with a tie around his neck. Behind him is a town square and in the foreground, a crowd looks on. The image is accompanied by the text: 'When a man comes to this there's little to hope, His neat Dandy Neckcloth is changed for a Rope'.
Alternative Title:
Modern neckcloths
Description:
Title etched below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary manuscript correction in ink of the leftmost speech bubble, with the omitted word "serve" inserted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Fashion, Great Britain, Clothing & dress, Crowds, Dandies, Mirrors, Neckties, and Hangings (Executions)
Watercolor drawing depicting a speculum of kennel-coal, in a leather case, that was supposedly used by Dr. Dee the conjurer to deceive the mob in the reign of Queen Elizabeth
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., Depicted object was formerly owned by Horace Walpole and kept in the Great North Bedchamber at Strawberry Hill. For a description of the object, see British Museum online catalogue, registration no.: 1966,1001.1., and Mounted on page 189 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Dee, John, 1527-1608. and Strawberry Hill (Twickenham, London, England)
A hairdresser stands on stilts to dress the hair of a lady who sits before her mirrored vanity, her fee outstretched and resting on a foot stool. He pulls her long hair high above her head to its full length is taut as he twists to style it. She holds the sides of her head in pain. His coat is tossed on the chair to the left. On her vanity are a pin cushion, bottles, and ribbons. The mirror is supported but two female figures in classical dress and adorned with two cherubs at the top who hold a laurel wreath
Description:
Title etched below image., After Louis Gameray and published by Pierre La Mésangère. See British Museum online catalogue registration number: 1861,1012.197., Series title and number etched above image, Dated in the British Museum catalogue: 1814., and Pierre La Mésangère, located on rue Montmatre in Paris.
Publisher:
La Mésangère
Subject (Geographic):
France and Paris
Subject (Topic):
Clothing & dress, Dressing tables, Hairdressing, Mirrors, Pride, and Stilts
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The fifth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fifth drawing, Edward sits in a parlor holding the hand of a young lady as she looks down demurely. Behind the couple, an older woman sits on a sofa sewing, her basket at the table before her. In addition to the fashionable sofa and chairs, the room is decorated with an ornate mirror with swags on the wall behind. On the wall to the left is a marble mantel with a Buddha and other decorative china
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '5' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Blacks, Allegorical drawings, Buddhas, Courtship, Mirrors, Parables, Parlors, and Sewing
Leaf 72. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A man standing in profile and shown full-length walking to the right as he looks at himself in a hand-mirror. He wears a very tall wig, the queue tied in back with a very large bow, and a ruffled shirt. In his left hand he holds a tasselled cane
Description:
Title etched below image., Signed by unidentified printmaker "J.H.", Initial letters of publisher's name in imprint form a monogram., "Who calls me a macaroni"--Text above image., Plate numbered "v. 3" in upper left corner and "1" in upper right corner., For a brief mention of this print, see description for no. 5005 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Toupee wigs -- Tasselled canes -- Lockets., and First of three plates on leaf 72.
Publisher:
Pubd. by MDarly, April 2nd, 1772, accor. to act, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Mirrors, and Staffs (Sticks)
Leaf 71. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 71 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Barbers, Barbershops, Mirrors, Shaving, Shaving equipment, and Dogs
Leaf 52. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, see Lewis Walpole Library call no.: 827.00.00.38., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: E cod! one might as well shave with a saw!, and On leaf 52 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket [i.e. Field & Tuer] and Field & Tuer
Subject (Topic):
Shaving, Shaving equipment, Razor blades, and Mirrors
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
Title and place of publication from item., Date derived from poster style., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. P. Leménil, Asniéres
Subject (Topic):
Advertising, Soap, Hygiene, Beauty, Personal, Women, Mirrors, and Soaps
"An ugly elderly man, emaciated but paunchy, stands in profile to the left, head thrown back, in the effort to swallow. His right fingers are crisped as he throws over his left shoulder the contents of a tumbler. He wears night-cap, dressing-gown, and slippers, with unbuttoned garments and stockings festooning his legs. He faces a smouldering fire. The small chimney-piece is covered with medicine-bottles; above it hangs a cracked mirror. A torn hearth-rug, minute tripod washstand with broken jug, and a truckle-bed in disorder heighten the picture of sordid discomfort, but the impression is conveyed that this is due to feckless neglect rather than poverty. Under the bed a mouse scampers off. Beside it is a candle covered with extinguisher."--British Museum online catalogue
Description:
Title etched below image., Text below title: Gup gup gup!, Sheet trimmed within plate mark on upper and lower edges., Temporary local Medical Library subject terms: Taking medicine., 1 print : aquatint and etching, hand-colored ; 320 x 228 mm., and Sheet trimmed within plate mark on bottom edge.
Title below image, in ink., Date supplied by curator., Place of publication derived from publisher's known location., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Martinet
Subject (Topic):
Diseases, Symptoms, Sick persons, Wigs, Spouses, and Mirrors
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Caricaturna 72., Originally published in Le Charivari, 14 January 1838., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert gal. véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Robert Macaire (Fictitious character)., Deals, Colic, Negotiation in business, Actors, Pain, Costumes, Theatrical producers & directors, and Mirrors
Title from item., Date supplied by curator., Place of publication derived from street address., Possibly after Antoine Chazal., From: Album Comique de Pathologie Pittoresque, Paris, A. Tardieu, 1823., Above image: Album Comique., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Ambroise Tardieu éditeur rue du battoir No.12 and Lith de Langlumé
Subject (Topic):
Smallpox, Communicable diseases, Vaccination, Families, Physicians, Sick persons, and Mirrors
Muller, Harmen Jansz. (Harmen Janszoon), approximately 1538-1617, printmaker
Published / Created:
[not after 1617]
Call Number:
Print00933
Image Count:
1
Resource Type:
still image
Alternative Title:
[Thou shalt not commit adultery: Bathsheba receiving the message from David].
Description:
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's place of residence., After title: Exod. XX., Within image: ij. Samuel xi.Cap. ; 6., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
H. Cock excude
Subject (Name):
Bathsheba (Biblical figure). and David, King of Israel.
Subject (Topic):
Baths, Ten commandments, Adultery, Hygiene, Public baths, Dressing & grooming equipment, Servants, Bathing, Grooming, Biblical events, and Mirrors
"An elderly invalid sits in an armchair, his gouty legs swathed, a shawl over his head, a pair of bands shows that he is a parson. He turns to his visitor, an elderly lady seated next him in a similar armchair, wearing a hooded cloak over her cap, and holding a muff. Both talk emphatically, their faces and gestures rendering the subject very expressively. An elderly footman (left) hands two glasses of wine on a salver. Beside the host is a circular table with a bowl; behind the armchairs is a folding screen. Two windows, an oval mirror, a chair and low circular table (left) complete the design. In the manner of a pen drawing."--British Museum online catalogue
Alternative Title:
Comfort & relief often found in relating one's complaints and Comfort and relief often found in relating one's complaints
Description:
Title etched below image., Text in bottom part of image: Comfort & relief often found in relating one's complaints., "Possibly etched by Rowlandson"--Curator's comments, British Museum online catalogue, registration no.: 1932,0226.13., Sheet trimmed within plate mark., and For a probable earlier state, before the title "How d'ye do?" was etched in lower margin, see no. 7088 in the Catalogue of prints and drawings in the British Museum, v. 6.
Publisher:
Publish'd 20 Octr. 1786 by E. Jackson, Mary-le bone Street, Golden Square
Subject (Topic):
Gout, Visiting the sick, Muffs, Older people, Clergy, Sick persons, Visiting, Complaining, Servants, Interiors, Screens, and Mirrors
Title etched below image., Date from item., Place of publication derived from street address., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Heath, Henry, active 1824-1850, printmaker, artist
Published / Created:
[July 1827]
Call Number:
Print01056
Image Count:
1
Resource Type:
still image
Abstract:
A doctor pumps the stomach of his obese seated patient while another couple wait, one who has already undergone reduction examines his deflated countenance in a mirror. A scrawny and an obese dog play next to the doctor's stool and bucket. On the wall are a picture of an obese man and a skeletal man and a picture entitled "Specimen of the reduction of a dog, performed by the stomach-pump - in 3 operations"
Description:
Title etched below image., One of a series of "Arithmetic" plates by Henry Heath. For other plates in the series, see British Museum online catalogue, registration nos.: 1985,0119.89; 1985,0119.312-313; 1985,0119.316-317; and 1985,0119.324., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 1827 by William Cole, Newgate Street
Subject (Topic):
Physicians, Patients, Obesity, Therapeutics, Stomach-pump, Costume, History, Medical equipment & supplies, Medical procedures & techniques, Pails, Dogs, Mirrors, and Stools
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "316" in upper right corner., and Temporary local Medical Library subject terms: Proprietary medicines -- Macassar Oil -- Rowland's Oil.
Publisher:
Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image., Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject., 1 print : etching with stipple on laid paper ; sheet 23.7 x 28 cm., Sheet trimmed to plate mark; mounted to 26 x 32 cm., and Mounted on page 133 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
"The Regent, with one gouty foot, postures before a pier-glass which reflects his tight waist and spherical posteriors. His wig and whiskers are much exaggerated. All round him nine grotesque German tailors are at work or register admiration of the Prince; most of them are lean and moustached. Some sit cross-legged on the floor; one cuts from a roll of cloth assisted by a man with a yard-stick who says: "D--n de English Taylor, he not know how to handle de yard like de foreigner!" One irons a braided hussar jacket. On the floor: 'A List of Foreign Tailors recommended by Prince Esther Crazy to work for the R--t!' Nearer the Regent is 'A Goose!' with the adjacent inscription: '"To waste your time before a Glass / Exposes oft a monstrous Ass!' The Regent recites: "I begin to think that I'm a marvellous proper Man! "I'll have my Chambers hung with looking Glass And entertain a score or two of Tailors To study fashions to adorn my Body--""--British Museum online catalogue
Alternative Title:
Foreign habits for a native prince!
Description:
Title etched below image., Printmaker identified as Robert Cruikshank in the British Museum catalogue., and Approximate month of publication from the British Museum catalogue.
Publisher:
Pubd. by Sidebethem [sic], 287 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
Gout, Mirrors, Buttocks, Tailoring, and Irons (Pressing)
Drawing depicting a speculum of kennel-coal, in a leather case, that was supposedly used by Dr. Dee the conjurer to deceive the mob in the reign of Queen Elizabeth
Description:
Title written in ink below image on mounting page., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Depicted object was formerly owned by Horace Walpole and kept in the Great North Bedchamber at Strawberry Hill. For a description of the object, see British Museum online catalogue, registration no.: 1966,1001.1., Mounted on page 215 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Dee, John, 1527-1608. and Strawberry Hill (Twickenham, London, England)
"The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:
Dressing for a masked ball at Naples
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., and Mounted on page 4 of: George Humphrey shop album.
Publisher:
Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
"The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:
Dressing for a masked ball at Naples
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., 1 print : etching with stipple ; plate mark 23.4 x 26.3 cm, on sheet 23.8 x 26.6 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 100 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline" and "Bergami" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
"Leach (right), the Vice-Chancellor, dressed as a woman, with a trimmed bonnet over his wig, sits on a corded chest inscribed Commissio[n] ; against this leans a book: Justifia et honor. He grasps a moneybag inscribed 10,000, and holds the ear of a fox which crouches against his knee. He faces John Bull who is stripped to the waist, with a gigantic leech on his back. John, a countryman in patched breeches, registers angry terror and pain; he looks over his shoulder, exclaiming: "D--me what a monstrous Leech! it not only sucks blood but honor also!" Leach says: "I am not plain, Leech, Sir, but by vulgar denomination--I am called Miss Leech if you please--." Beside J. B., and pointing menacingly towards him, are the muzzle of a cannon, a sheaf of bayonets in a chest inscribed 'G R' and 'Steel Lozenges' [see British Museum Satires No. 13513]. Against this lie shackles inscribed 'Bandages', and cannon-balls inscribed 'Bolus' and 'Iron Pills'. On a hill behind a large cap of 'Liberty' dangles from a gibbet against which leans a ladder. Leach's fox turns its head towards John, saying: "In Law. what plea so tained [sic] and corrupt, But, being season'd with a gracious voice, Observes the evil? There is no Vice so simple, but assumes Some mark of virtue on his outward parts Shak Mer of Ven--Act 3 Scene 2." Behind Leach, and on the extreme right, is a second chest inscribed 'French and Italian Monkey[s]'. A monkey wearing a fool's cap crouches on it, grinning at his reflection in a hand-mirror."--British Museum online catalogue
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 39 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "John Bull" and "Sir John Leach" identified in pencil at bottom of sheet; date "July 1820" written in ink in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. July 1820 by Smolky, 18 Rupert Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Cross dressing, Bonnets, Chests, Foxes, Worms, Parasites, Cannons, Cannon balls, Bayonets, Shackles, Ladders, Gallows, Liberty cap, Monkeys, Mirrors, and Fools' caps
Print shows a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh? & I am a Director, what do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham holding a piece of music and extending an arm to disgruntled performers who are hurrying from the room, saying: "Fly not yet." Three of those departing say respectively: "We are off"; "You had better open a Cook Shop next and sell Calves heads and Cow heels"; "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'Detached Peices' [sic]. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse 2d do worse still." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard of being blown up by the Gas." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text above image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see British Museum catalogue., Later state, with title moved from below image to above and all text in lower margin (including imprint) re-etched; text also added to several of the speech bubbles, and changes made to the figures and their speech bubbles on the extreme right side of the image. For an earlier state, see Lewis Walpole Library call no.: 724 835G., Date of publication "March 1820" in imprint follows place of publication "London" and precedes publisher's statement., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution --A new song to the tune of a Cobler there was. --The English are a nation of shop-keepers French opinion., Verses begin: No more let V-t-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., Mounted on leaf 5 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Central figure of "George IV" identified in pencil beneath image. Typed extract of sixteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.3 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.9 x 24.1 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 11 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Leach," "Eldon," "Sidmouth," and "Liverpool" identified in ink below image; date "6 Nov. 1820" written in lower right corner. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 27.6 x 22.5 cm, on sheet 27.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet; date "20 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Interior of a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham, who is holding a piece of music entitled "Fly not yet" and looking to the left. Behind him, three of those departing say "off off" or "off off off"; another says "You had better open a Cook Shop next and sell Calves heads and Cow heels"; and another "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'detached pieces'. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices [sic]'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text below image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see description of a later state in the British Museum catalogue., Early state, before title moved above image and before other changes made to the plate (including re-etching verses and imprint in lower margin; adding text to various speech bubbles; and altering the figures and speech bubbles in the far right portion of the image). For a later state that includes these changes, see no. 13692 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Cohn, A.M. George Cruikshank: a catalogue raisonné, 1894., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution. A new song to the tune of a Cobler there was. The English are a nation of shop keepers. French opinion., Verses begin: No more let V-i-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., and Mounted on leaf 7 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
A man wearing laced coat and sword and holding a snuff box leans on an elaborately carved console table of the pump room at Bath, admiring himself in a mirror. An illustration for the "History of Captain S_: or, the Bath Adonis."
Description:
Title from item., Sheet trimmed within plate mark., Date and publication information from British Museum catalogue., and Extended to 26 x 18 cm.
Publisher:
The Matrimonial Magazine?
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Dandies, British, Clothing & dress, Furniture, Mirrors, Wallpaper, and Tables
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
"A stout elderly man (left) seated in a chair shaves himself, while a pretty young woman (right) stands before him holding up a hand-mirror. A little girl is seated in a child's chair beside her father, she watches a cat and kitten at her feet."--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Publish'd August 21st, 1786, by J.R. Smith, No. 83 Oxford Street
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons --Violins -- Costume: female child's costume -- Furnishings: busts -- Pictures -- Trades: dancing masters -- Expressions of speech: tol lol de rol., Watermark (partial) : initials G R under part of armorial shield., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed, possibly from '90.'
Publisher:
Publish'd 1 April, 1791, by W. Fores, No. 3 Piccadilly
Subject (Topic):
Ballrooms, Interiors, Mirrors, and Musical instruments
Title from item., Sheet trimmed within plate mark., Verse below title: 'Twas doing nothing was his curse, Is there a vice can plague us worse? Florio, page 6., and Temporary local subject terms: Quotation from Hannah More -- Wallpaper -- Bracket shlef -- Pictures that amplify subject.
Publisher:
Publish'd as the act directs, March 12th, 1786 by H. Humphrey No. 51 New Bond Street
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Mounted on verso of leaf 91., and 1 print : aquatint and etching on laid paper ; plate mark 36 x 25.6 cm, on sheet 39.3 x 25.9 cm, mounted to 44.4 x 27.5 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"Two fashionably dressed shopmen supply ladies with pads to extend their dresses at the back. Two other ladies have already been fitted; a fifth, who is buxom, sits on a stool clasping an inflated specimen at which she smiles with satisfaction. Various types of these pads or 'derrières' hang on the wall, and a pile lies on the ground (right). A dog, shaved in the French manner showing very thin hindquarters, is begging. Beneath the title is engraved: 'Derriere begs leave to submit to the attention of that most indulgent part of the Public the Ladies in general, and more especially those to whom Nature in a slovenly moment has been niggardly in her distribution of certain lovely Endowments, his much improved (aridæ nates) or Dried Bums so justly admired for their happy resemblance to nature. Derriere flatters himself that he stands unrivalled in this fashionable article of female Invention, he having spared neither pains nor expence in procuring every possible information on the subject, to render himself competent to the artfully supplying this necessary appendage of female excellence.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark in center of sheet: fleur-de-lis with CV [monogram] below.
Publisher:
Published July 11th 1785 by S.W. Fores, No. 3 Piccadilly
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Watermark in center of sheet: J Whatman., and Mounted to 37 x 31 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"Fox acts as barber to the Duchess of Devonshire; he applies a razor to her cheek, holding her chin. She is seated on a settee (left) covered with striped material. Sam House stands (right) holding a barber's bowl, a towel under his arm."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 10, 1784, by J. Moore, No. 19 Hallon [i.e. Hatton?] Street
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and House, Samuel, -1785
Subject (Topic):
Barbers, Chairs, Mirrors, Shaving, Shaving equipment, and Sofas
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted to 41 x 34 cm.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., 1 print : etching on wove paper ; plate mark 27.5 x 22.7 cm, on sheet 29.7 x 24.5 cm., and Mounted on leaf 23 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted on page 35.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
A homely woman stands facing right, in an outdoor setting with trees in the distance. She is dressed in a ruffled dress, her hair topped by an elaborate bonnet with ribbons and bows. In her left hand she carries a mirror which she regards with a smile
Description:
Title from item., Publisher's initials "MD" form a monogram., and Numbered in plate at top: V. 2, 71.
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Families-- Furniture: chairs -- Oval mirrors -- Lighting: candlesticks -- Furnishings: patterned carpet -- Toys: horse on wheels.
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Publication date from British Museum catalogue and Grego., and Publication line altered, with the original date of publication removed: Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand.
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15., 1 print : etching on laid paper, hand-colored ; plate mark 21.6 x 19.4 cm, on sheet 23.9 x 21.6 cm., and Mounted on leaf 6 of volume 7 of 14 volumes.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
"A show-room in which ladies are being fitted with various types of underclothing, specimens of which hang from the walls. An elderly man of quasi-clerical appearance fits a very fat lady with knickerbockers and braces; he looks over his shoulder at the spectator; from his pocket issues a roll of 'Complieations'. She is the central figure and regards herself with admiration in an ornate wall-mirror which reflects her face. Her stockings are held up by cords issuing from a disk on each hip. A lady and little girl (left) walk eagerly into the room. A shopman offers two false breasts to a wizened knock-kneed hag wearing knickerbockers. On the right a complacent lady in knickerbockers is having her suspenders fastened by a kneeling shopman. Another, seated on a chair, pulls on knickerbockers; other bulky garments to tie at the knee hang on the wall (left). On a shelf are wigs on stands (see BMSat 9313, &c), and from it hang garments having some resemblance to the modern brassiere (or soutien-gorge) to which braces are attached. There are also suspenders. Beneath the design: 'Dr Trussup takes the liberty to acquaint the Ladies, that he has by dint of intense Study, Astronomical . . . [&c. &c] Calculations, Discovered an immense variety, of Convenient, Comfortable, and Captivating Articles for the Ladies, first, his warm & well contrived Drawers, which will in all weathers, keep warm . ... in spite of the rage for thin covering, they are made of flannell, Cotton, fleecy hose & various other commodities . . . Dr Trussupp has from much observation and reflection, prepared commodious Spring Garters [ ? suspenders] . . . . without that banefull ligatue above the Knee, which makes the Ancle so inelligantly thick & Clumsy, also his wonder-full Wigs . . . but above all, his favourite & accommodating Circassian Vests, alias Bosom Friends, which permits free respiration, prevents all pressure on the chest, raises the languid Breast to the appearance of a Juvenile heaving Bosom. . . . NB resolves all sorts of lawful & unlawful Questions .... Casts Nativeties, and in short is the only Man in existance, caperble [sic] of treating on all Subjects in the Habitable World.'"-British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed to plate mark., Three columns of text below image: Chevr. [sic] Trussup takes the liberty to acquaint the ladies that he has by dint of intense study, astronomical, geographycal, clerical ..., Cf. No. 9456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Female dress: poking hat --
Publisher:
Publish'd Sepr. 1st, 1799, by S.W. Fores, No. 50 Piccadilly
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
Two fashionably dressed young women dose on a sofa in a sitting room with wallpapered walls and a rug on the floor. A young man stands behind the sofa and quietly tickles the check of the young woman on the right. The friendship between the two women is illustrated by the long ribbon tied on one of each of their wrists; around their necks, each, too, wears a pendant with miniature portrait of the other. An open book between them on the sofa is titled "The Fair Seducer." An oval mirror hangs on the wall between two windows behind the young man
Alternative Title:
Weary after a walk
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '200' in lower right corner., From the Laurie & Whittle series of Drolls., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 8th September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Friendship, Jewelry, Mirrors, Seduction, Sofas, Sleeping, Wallpapers, and Women
A well-dressed young woman holding a fan and wearing a large feather in her hair stands with her back towards a mirror set on a stand as she looks back over her shoulder at her reflection. She wears a small, satisfied smile on her face
Description:
Title engraved below image., Printed on one sheet together with: "Scorn.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Complacence, Mirrors, and Young adults
"A fat, elderly man, his face contorted, struggles between two men, who try to pull on pantaloons; he puts an arm round the neck of each, nearly throttling the man on his right. A boy stands (right), legs astride. A grinning head looks through a casement window (left). A looking-glass on the wall (right) has been knocked sideways. Cf. British Museum Satires No. 6723."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '203' in lower left of plate., and Temporary local subject terms: Old men -- Male dress: pantaloons -- Furnishings.
Publisher:
Published 13th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Bachelors, Older people, and Mirrors
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors
A young woman with a "big hair" sits on sofa playing a guitar, music book beside her. The sitting room is decorated with an oval mirron on the back wall, a ornate carpet on the floor, and a topiary in a pot beside the window, heavy curtains around the windows and behind her on the right
Description:
Title from item., Numbered '170' in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for R. Sayer, Printseller, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Clothing & dress, Sofas, Mirrors, Rugs, and Draperies
A young woman with a "big hair" sits on sofa playing a guitar, music book beside her. The sitting room is decorated with an oval mirron on the back wall, a ornate carpet on the floor, and a topiary in a pot beside the window, heavy curtains around the windows and behind her on the right
Description:
Title from item., Numbered '170' in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for R. Sayer, Printseller, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Clothing & dress, Sofas, Mirrors, Rugs, and Draperies
"Lady Archer sits in profile to the right before her dressing-table, applying rouge to her cheek with a brush. Her notoriously painted cheek is blotched with drink. She is dressed for driving, wearing a coat of masculine cut, and a skirt which is short enough to show stockings above laced half-boots. A high-crowned hat trimmed with feathers is poised on her hair; on her vulture-like nose glasses are perched, her profile being reflected in the draped mirror. Through an open window (left) appears her high phaeton."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 37 x 24 cm.
Publisher:
Pubd. Sepr. 29th, 1791, by H. Humphrey, No. 18 Old Bond Street
"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., Companion print to: Six stages of marring a face., Sheet trimmed within plate mark., and Watermark: Edmonds & Pine 179?
Publisher:
Publish'd May 29th, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & dress, Grooming, Mirrors, Teeth, and Wigs
"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., Companion print to: Six stages of marring a face., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 27 x 37.2 cm., and Mounted on leaf 45 of volume 4 of 14 volumes.
Publisher:
Publish'd May 29th, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & dress, Grooming, Mirrors, Teeth, and Wigs
"An engraving, which represents a clergyman (? Jeremy Taylor) showing to a lady (? Lady Carberry) a mirror, in which she is reflected as a skeleton; by her side is a child, who points to the mirror; and behind her stands an old man, lifting up his hands in astonishment. On the table, which sustains the mirror, is written "Fades natiuitatis suae, James 5. 23"; and on a scroll on the ground, "Vigilate et Orate quia nescitis horam"."--British Museum catalogue
Description:
Title and printmaker from the British Museum catalogue., Publication place and date inferred from other states described in the British Museum catalogue., Sheet trimmed to plate mark., Cf. No. 821 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., Later annotations in an unidentified hand on verso, partially trimmed off and covered by mounting sheet., and Window mounted to 23 x 14 cm.
Publisher:
publisher not identified
Subject (Topic):
Mirrors, Clergy, Skeletons, Children, and Older people
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 44 cm., and Dated '1722' in unknown contemporary hand after title.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", and Imperfect impression: sheet trimmed to 162 x 175 mm.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.
"An effeminate dandy, elongated and with very thin arms and legs, leans back in a chair, one thin arm drooping to the ground, the other curving over his head, his fingers caressing a curl on his forehead. He gazes sideways with a languishing smile at his reflection in the toilet-table glass. He has a thread-like moustache, blue tail-coat with high collar and sleeves, a rose in the button-hole, a white collar and cravat, white waistcoat with a long gold watch-chain round the neck, long light pantaloons, tight from the knee, full at the waist; low pumps with very-pointed toes. On the dressing-table are brush and comb, stoppered bottle, &c, and long tube-like bottle (of Eau de Cologne). Behind (right) on a similar chair a monkey squats admiring its face in a hand-glass. The room is bare, but carpeted to the wall."--British Museum online catalogue
Alternative Title:
Exquisite at his devotions
Description:
Title from caption below image., Questionable attribution to Crowquill from British Museum catalogue., and Sheet trimmed to plate mark on upper edge.
Publisher:
Pubd. by E. King 23 Chancery Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, Dressing tables, Mirrors, Monkeys, and Rugs
A dandy stands before a mirror above the mantel and fireplace, with his back to the viewer, admiring his image in the mirror. His large hair has been parted down the middle
Description:
Title etched below image; the letter "a" in "an" is etched backwards., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Novemr. 16, 1818, by J. Johnston, 98 Cheapside
Subject (Topic):
Dandies, British, Hairstyles, Mirrors, and Fireplaces
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., and Watermark: Charles Wise.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 87 in volume 4.
"Interior of a poorly-appointed barber's shop. The barber (left) is shaving a customer who sits in profile to the left facing the window, he holds his razor carelessly, to his customer's alarm, while looking eagerly towards another customer, who sits (right) on a stool in profile to the left, reading from the 'Morning Chronicle'. The barber's assistant or apprentice, a small ragged fellow, gapes up at the reader, he straddles across the stand of a barber's block on which is the wig which he is combing. Two other customers listen intently, both wear aprons, one of them is a shoemaker with a last under his arm. The man reading is shown to be a tailor by the yard-measure which hangs from his coat-pocket. On the wall hang coat, hat, wig, a broken looking-glass, a ballad, a roller-towel. In the window wigs are suspended. On the floor are two wig-boxes (left), inscribed 'Mr Deputy Grizzle' and 'Mr Snipp', a barber's bowl, and a night-cap."--British Museum online catalogue
Description:
Title engraved below image., Publication date inferred from the date of partnership of Bowles and Carver. See Plomer, H.R. Dictionaries of printers and booksellers., Copy after a mezzotint of the same title published by Carington Bowles in 1782., Verses below imprint begin: Sam Soapsuds was scraping the Deputys chin; when Suet and Snip, with Old Crispin came in ..., and Watermark in lower part of sheet, countermark I V in upper part.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"A satire on William Pitt on his accepting office in government showing him reacting in horror to the sight of the ghost of Sarah, Duchess of Marlborough who appears in her shroud saying “Furies Wheres my 10000 £”, in one hand she holds a paper lettered “Taken a Place” and another lettered “Voted for ye C(our)t”. Her other hand points down to a portrait of Lord Chesterfield on the floor which has been torn from its frame on the wall and in this hand she holds a paper lettered “and you too 20000£”. Behind her is a statue of Queen Anne. Flashes of lightening come through the window at the back of the room aimed at Pitt as he sits at a table with two candles on it writing “an answer to T.H.” also on the table are “Letters to W(ilia)m. P(itt) Tr(easurer) of I(relan)d” and “Letter to W(ilia)m P(itt) by T. H-y Esq. On his forehead is written “HANOVER T(urnip)S”."--British Museum online catalogue
Alternative Title:
The ghost of a Duchess to William Pitt Esqr
Description:
Title from item., Sheet trimmed within plate mark., Thirteen lines of verse in three columns below image: Ungrateful P---. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture -- Furniture -- Furnishings: wall clock and bracket -- Letters -- Legacy., Watermark., and Mounted to 32 x 43 cm.
Publisher:
Publishd. for L. Raymond
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title from the first line of verse below image., Publication date from publisher's address., Sheet trimmed within plate mark, resulting in loss of part of image and possibly title at top of plate., Eight lines of verse in two columns below image: See here presented to your view / A scene both frolicksome and true ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pictures amplifying subject.
Publisher:
Printed & sold by Henry Bryer, engraver & printseller, Fleet Street
Subject (Geographic):
Great Britain.
Subject (Topic):
Bedrooms, Cross dressing, Dressing tables, Fireplaces, Interiors, Mirrors, and Prostitutes
pub. according to act of Parliamt., March 21st 1754.
Call Number:
754.03.21.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Eight lines of verse below image, in two columns on either side of title: The figure's odd - yet who wou'd think? (WIthin this tunn of meat & drink) ..., Temporary local subject terms: Hand mirrors -- Mythology: satyr -- Bills of fare -- Drink -- Sheet music., and Watermark: Strasburg bend.
Publisher:
publisher not identified
Subject (Name):
Handel, George Frideric, 1685-1759
Subject (Topic):
Musicians, Musical instruments, Organs, Mirrors, Supernatural beings, Food, and Beverages
Title from item., Publication date from an unverified card catalog record., and Temporary local subject terms: Furniture: toilet-table -- Female dress: fans -- Curtains -- Furnishings: oval hanging mirrors with carved frames and sconces.
Publisher:
Printed for Robt. Sayer, Printseller in Fleet Street
Subject (Topic):
Boxes, Combs, Dressing & grooming equipment, Jewelry, and Mirrors
The figure of a barber whose body is formed from tools of his trade -- brushes, combs, razors, wigs, etc.-- stands grooming himself in front of a shaving mirror
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Printed by G.E. Madeley, 3 Wellington St., Strand
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: Turn away thine eyes from me, Timothy, for they overcome me thy hair is as a flock of goats that appear from Gilead!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: 1830 -- Male costume: 1830 -- Lighting -- Shells: conch --Reference to Gilead., and Print numbered in ms. near top edge of sheet: 44.
Publisher:
publisher not identified
Subject (Topic):
Candlesticks, Chairs, Dogs, Fireplaces, Mirrors, and Vases
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer
Published / Created:
[1834]
Call Number:
834.00.00.24+
Image Count:
1
Resource Type:
still image
Description:
Title devised by cataloger based on caption below image in center of sheet., Date of publication from unaltered impression in the Yale Center for British Art., Text following imprint: Also sold by T. Dewhurst, Manchester; T. Drake, Birmingham; R. Thorley, Bath; M.A. Organ, Bristol; Ross & Nightingale, Liverpool; &c &c &c., Numerous small designs on one sheet, some individually titled below., and Description based on imperfect impression; three areas of text below series title have been mostly or completely erased from sheet.
Publisher:
Pubd. by J. Kendrick, 54 Leicester Squr
Subject (Topic):
Umbrellas, Boats, Headdresses, Carriages & coaches, Skeletons, Dogs, Peg legs, Amputees, Military uniforms, Rifles, Mirrors, Deer, Sleepwear, Turbans, Monuments & memorials, Birds of prey, Devil, Cats, and Carts & wagons
Framed in an oval, the writer George Saville Carey is shown looking to his left while holding a mirror up in his extended right arm and holding a theater mask in his left arm, bent at the elbow
Description:
Title devised by cataloger. and For further information, consult library staff.
