"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
Title and place of publication from item., Date derived from poster style., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. P. Leménil, Asniéres
Subject (Topic):
Advertising, Soap, Hygiene, Beauty, Personal, Women, Mirrors, and Soaps
"An ugly elderly man, emaciated but paunchy, stands in profile to the left, head thrown back, in the effort to swallow. His right fingers are crisped as he throws over his left shoulder the contents of a tumbler. He wears night-cap, dressing-gown, and slippers, with unbuttoned garments and stockings festooning his legs. He faces a smouldering fire. The small chimney-piece is covered with medicine-bottles; above it hangs a cracked mirror. A torn hearth-rug, minute tripod washstand with broken jug, and a truckle-bed in disorder heighten the picture of sordid discomfort, but the impression is conveyed that this is due to feckless neglect rather than poverty. Under the bed a mouse scampers off. Beside it is a candle covered with extinguisher."--British Museum online catalogue
Description:
Title etched below image., Text below title: Gup gup gup!, Sheet trimmed within plate mark on upper and lower edges., Temporary local Medical Library subject terms: Taking medicine., 1 print : aquatint and etching, hand-colored ; 320 x 228 mm., and Sheet trimmed within plate mark on bottom edge.
Title below image, in ink., Date supplied by curator., Place of publication derived from publisher's known location., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Martinet
Subject (Topic):
Diseases, Symptoms, Sick persons, Wigs, Spouses, and Mirrors
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Caricaturna 72., Originally published in Le Charivari, 14 January 1838., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert gal. véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Robert Macaire (Fictitious character)., Deals, Colic, Negotiation in business, Actors, Pain, Costumes, Theatrical producers & directors, and Mirrors
Lieutenant Bowling pleading the cause of young Rory to his grandfather
Description:
Title etched below image., Text following title: Vide, Roderick Random, Vol. I, Chap. III., Illustration to Adventures of Roderick Random., "Plate 1st"--Lower left corner., Originally issued in 1792? See: Grego. Rowlandson the caricaturist, v. 1, pages 308-310., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Disease -- Medical equipment -- Officer's uniform -- Furniture: armchair -- Furnishings: portraits -- Architectural details: door frame -- Literature: illustration to Roderick Random by Tobias Smollett., Temporary local Medical Library subject terms: Medicine in Literature., and 1 print : etching and aquatint, hand-colored ; plate mark 270 x 344 mm.
Publisher:
Publish'd as the act directs, May 12, 1800, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Smollett, T. 1721-1771. (Tobias),
Subject (Topic):
Gout, Wheelchairs, Military uniforms, Mirrors, and Interiors
Title from item., Date supplied by curator., Place of publication derived from street address., Possibly after Antoine Chazal., From: Album Comique de Pathologie Pittoresque, Paris, A. Tardieu, 1823., Above image: Album Comique., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Ambroise Tardieu éditeur rue du battoir No.12 and Lith de Langlumé
Subject (Topic):
Smallpox, Communicable diseases, Vaccination, Families, Physicians, Sick persons, and Mirrors
Muller, Harmen Jansz. (Harmen Janszoon), approximately 1538-1617, printmaker
Published / Created:
[not after 1617]
Call Number:
Print00933
Image Count:
1
Resource Type:
still image
Alternative Title:
[Thou shalt not commit adultery: Bathsheba receiving the message from David].
Description:
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's place of residence., After title: Exod. XX., Within image: ij. Samuel xi.Cap. ; 6., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
H. Cock excude
Subject (Name):
Bathsheba (Biblical figure). and David, King of Israel.
Subject (Topic):
Baths, Ten commandments, Adultery, Hygiene, Public baths, Dressing & grooming equipment, Servants, Bathing, Grooming, Biblical events, and Mirrors
"An elderly invalid sits in an armchair, his gouty legs swathed, a shawl over his head, a pair of bands shows that he is a parson. He turns to his visitor, an elderly lady seated next him in a similar armchair, wearing a hooded cloak over her cap, and holding a muff. Both talk emphatically, their faces and gestures rendering the subject very expressively. An elderly footman (left) hands two glasses of wine on a salver. Beside the host is a circular table with a bowl; behind the armchairs is a folding screen. Two windows, an oval mirror, a chair and low circular table (left) complete the design. In the manner of a pen drawing."--British Museum online catalogue
Alternative Title:
Comfort & relief often found in relating one's complaints and Comfort and relief often found in relating one's complaints
Description:
Title etched below image., Text in bottom part of image: Comfort & relief often found in relating one's complaints., "Possibly etched by Rowlandson"--Curator's comments, British Museum online catalogue, registration no.: 1932,0226.13., Sheet trimmed within plate mark., and For a probable earlier state, before the title "How d'ye do?" was etched in lower margin, see no. 7088 in the Catalogue of prints and drawings in the British Museum, v. 6.
Publisher:
Publish'd 20 Octr. 1786 by E. Jackson, Mary-le bone Street, Golden Square
Subject (Topic):
Gout, Visiting the sick, Muffs, Older people, Clergy, Sick persons, Visiting, Complaining, Servants, Interiors, Screens, and Mirrors
Title etched below image., Date from item., Place of publication derived from street address., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"The dentist, short, fat, and bald, stands in back view on a low stool, his knees pressed against the chair, his left arm round the victim's neck; he tugs at an upper tooth. The thin elderly patient raises her left leg in agony, overturning the folding wash-stand on which the dentist's appliances are spread. These include a basin, cup (both spilling their contents), a double set of teeth, a hammer, and a stoppered jar which falls against a large pier-glass, starring it. Both are unaware of the accident, though a little dog barks from under the table. The glass reflects dentist and patient, showing the latter gripping the arm of the chair. There is a window (right), the lower part screened by a slatted green shade. Above this dangle teeth with large blood-stained roots. On a chest of drawers-bookcase are laid out sets of false teeth. The books are Warbler; Winter in London; Lock on the Gums; Miseries of Human Life [Beresford, see See British Museum catalogue No. 10815, &c]; Bible; Tales of the Devil; Tommy Two Shoes; Treatise on Tooth Powder & Brushes; Feast of Wit; Tales of Terror, and two big volumes of Frankensteiv [sic] [Frankenstein by Mary Shelley, published 1818]. The room is carpeted to the wall."--British Museum online catalogue
Alternative Title:
Tugging at a high tooth
Description:
Title etched below image., The word "high" in title remains visible but was scored through and replaced with "eye"., Temporary local Medical Library subject terms: Dentists -- Tooth extraction -- Dentures., and 1 print : etching with stipple, hand-colored ; plate mark 27.0 x 34.3 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Bookcases, Dental offices, Dentistry, Dogs, Mirrors, Pain, and Reflections
Heath, Henry, active 1824-1850, printmaker, artist
Published / Created:
[July 1827]
Call Number:
Print01056
Image Count:
1
Resource Type:
still image
Abstract:
A doctor pumps the stomach of his obese seated patient while another couple wait, one who has already undergone reduction examines his deflated countenance in a mirror. A scrawny and an obese dog play next to the doctor's stool and bucket. On the wall are a picture of an obese man and a skeletal man and a picture entitled "Specimen of the reduction of a dog, performed by the stomach-pump - in 3 operations"
Description:
Title etched below image., One of a series of "Arithmetic" plates by Henry Heath. For other plates in the series, see British Museum online catalogue, registration nos.: 1985,0119.89; 1985,0119.312-313; 1985,0119.316-317; and 1985,0119.324., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 1827 by William Cole, Newgate Street
Subject (Topic):
Physicians, Patients, Obesity, Therapeutics, Stomach-pump, Costume, History, Medical equipment & supplies, Medical procedures & techniques, Pails, Dogs, Mirrors, and Stools
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "316" in upper right corner., and Temporary local Medical Library subject terms: Proprietary medicines -- Macassar Oil -- Rowland's Oil.
Publisher:
Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image., Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject., 1 print : etching with stipple on laid paper ; sheet 23.7 x 28 cm., Sheet trimmed to plate mark; mounted to 26 x 32 cm., and Mounted on page 133 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
