Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: Turn away thine eyes from me, Timothy, for they overcome me thy hair is as a flock of goats that appear from Gilead!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: 1830 -- Male costume: 1830 -- Lighting -- Shells: conch --Reference to Gilead., and Print numbered in ms. near top edge of sheet: 44.
Publisher:
publisher not identified
Subject (Topic):
Candlesticks, Chairs, Dogs, Fireplaces, Mirrors, and Vases
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
A man wearing laced coat and sword and holding a snuff box leans on an elaborately carved console table of the pump room at Bath, admiring himself in a mirror. An illustration for the "History of Captain S_: or, the Bath Adonis."
Description:
Title from item., Sheet trimmed within plate mark., Date and publication information from British Museum catalogue., and Extended to 26 x 18 cm.
Publisher:
The Matrimonial Magazine?
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Dandies, British, Clothing & dress, Furniture, Mirrors, Wallpaper, and Tables
Leaf 52. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, see Lewis Walpole Library call no.: 827.00.00.38., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: E cod! one might as well shave with a saw!, and On leaf 52 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket [i.e. Field & Tuer] and Field & Tuer
Subject (Topic):
Shaving, Shaving equipment, Razor blades, and Mirrors
"Four card-players at a round table in an old maid's parlour, with expressions that indicate a crisis in the game. A monkey sits on the back of the hostess's chair, about to snatch off her cap. A cockatoo is on a high perch before a tall folding screen decorated with prints. A kettle boils on the fire."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Published Jany 4, 1825 by S.W. Fores, Picadilly [sic]
Subject (Topic):
Playing cards, Card games, Cockatoos, Interiors, Parlors, Mirrors, and Monkeys
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Publication date from British Museum catalogue and Grego., and Publication line altered, with the original date of publication removed: Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand.
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
In his meager attic lodgings, a man dresses as his land lady looks on. On the wall is a poster with a portrait of Thomas Paine and a partially torn sign with the words "Buggs distroy'd", the art amplifying the subject
Description:
Title engraved below image., From the Laurie & Whittle series of Drolls., Plate numbered '174' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 28th Novr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Attics, Landlord & tenant relations, Mirrors, Poverty, and Shaving equipment
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., and For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '22' in upper left and '12' in upper right corner., Another state, with two plate numbers and by a different publisher. Cf. No. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark IV.
Publisher:
Pub. according to act June 26th 1772, by MDarly, (39) Strand
Subject (Topic):
Black people, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., On leaf 18., and 1 print : etching with engraving on laid paper ; plate mark 25.3 x 35.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
A woman stands before a mirror in her petticoat with her maid behind her holding her dress. Caption below image: Well I declare Betty I'm getting rather too much en bon points, don't you think so? Why yes miss I think you are getting too much bone points!
Description:
Title from text above image. and Publication date from unverified data in local card catalog record.
Publisher:
W. Spooner, 377 Strand
Subject (Topic):
Clothing & dress, Mirrors, Women, and Women domestics
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
A well-dressed young woman holding a fan and wearing a large feather in her hair stands with her back towards a mirror set on a stand as she looks back over her shoulder at her reflection. She wears a small, satisfied smile on her face
Description:
Title engraved below image., Printed on one sheet together with: "Scorn.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Complacence, Mirrors, and Young adults
"Five elderly men dressed in the fashion of youth."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '196' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Morning Herald -- Literature: reference to Ovid's Art of Love -- Magnifying glasses -- Pince-nez -- Walking staves -- Duelling: crossed foils -- Placards., and Watermark (partial).
Publisher:
Published 22nd August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Bachelors, Older people, Newspapers, Reading, Staffs (Sticks), Signs (Notices), Hand lenses, and Mirrors
"A fat, elderly man, his face contorted, struggles between two men, who try to pull on pantaloons; he puts an arm round the neck of each, nearly throttling the man on his right. A boy stands (right), legs astride. A grinning head looks through a casement window (left). A looking-glass on the wall (right) has been knocked sideways. Cf. British Museum Satires No. 6723."--British Museum online catalogue
Description:
Title from item., One of the series of Laurie & Whittle drolls., Numbered '203' in lower left of plate., and Temporary local subject terms: Old men -- Male dress: pantaloons -- Furnishings.
Publisher:
Published 13th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Bachelors, Older people, and Mirrors
Title and place of publication from item., Date derived from poster style., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. P. Leménil, Asniéres
Subject (Topic):
Advertising, Soap, Hygiene, Beauty, Personal, Women, Mirrors, and Soaps
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
"Two groups of persons who are candidates for the place of hangman. Inscribed labels issue from the persons of four of them. Two men sit side by side on a settee, wearing curiously shaped crowns or coronets, one (left) shaped like a wall. The former holds a paper inscribed "To J------e G------m" showing that he is Justice Gillam, who ordered the soldiers to fire on the Wilkite mob outside the King's Bench Prison on 10 May 1768 (see British Museum Satires No. 4201). He says: "Everyone knows my abilities as a Man-killer". His companion says: "Let the Place be held by Commission and let the two Kennedies & my self, be Lords Commissioners of the Rope". Behind, and to the left of the settee three persons stand together: A rough-looking man, flourishing a stick says: "I wont accept of ye Office without a Peerage to Support its Dignity". Next him is a Judge in wig and robes. On the right., their backs to a window, stand three men; Sir Fletcher Norton in his Speaker's robes, and the horns which indicate that he is 'Sir Bullface Double Fee', see British Museum Satires No. 4238, 4462, and index, says: "B------n S------h has spoil'd ye Trade, if Murderers were to be hang'd ye Place might be worth acceptce". He stands between the two Kennedy brothers and is alluding to the reprieve (for transportation) of one of them, the other having been acquitted. "B------n S------h" may be intended for Sir Sidney Stafford Smythe, a baron of the Exchequer. This reprieve was for the murder of a watchman in a drunken brawl, and was believed to be due to the influence of the young men's sister, Polly or Kitty Kennedy, see 1935,0522.2.2 and British Museum Satires No., 4463. It was made a political question by Parson Horne and others, see Walpole, 'Memoirs of the Reign of George IV', 1845, iv. 110-11; Stephens, 'Memoirs of Horne Tooke', i. 185. 1770."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed to and within plate mark., Probably an illustration in The Oxford magazine, v. 4, page 113., Temporary local subject terms: Law: judge -- Law: speaker -- Emblems: crown of the City of London -- Furnishings: settee -- Paddle -- Hangmen: Tom Turlis -- Kennedy Brothers' reprieve -- Matthew Kennedy -- Patrick Kennedy -- Justice Samuel Gillam, Magistrate of Surrey, 1715-1793? -- Nicknames: Sir Bullface Double-fee (i.e., Sir Fletcher Norton)., and Mounted to 13 x 18 cm.
