Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image. and Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject.
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
"An ugly elderly man, emaciated but paunchy, stands in profile to the left, head thrown back, in the effort to swallow. His right fingers are crisped as he throws over his left shoulder the contents of a tumbler. He wears night-cap, dressing-gown, and slippers, with unbuttoned garments and stockings festooning his legs. He faces a smouldering fire. The small chimney-piece is covered with medicine-bottles; above it hangs a cracked mirror. A torn hearth-rug, minute tripod washstand with broken jug, and a truckle-bed in disorder heighten the picture of sordid discomfort, but the impression is conveyed that this is due to feckless neglect rather than poverty. Under the bed a mouse scampers off. Beside it is a candle covered with extinguisher."--British Museum online catalogue
Description:
Title etched below image., Text below title: Gup gup gup!, Sheet trimmed within plate mark on upper and lower edges., Temporary local Medical Library subject terms: Taking medicine., and Watermark: J. Whatman Turkey Mill 1826.
A woman stands before a mirror in her petticoat with her maid behind her holding her dress. Caption below image: Well I declare Betty I'm getting rather too much en bon points, don't you think so? Why yes miss I think you are getting too much bone points!
Description:
Title from text above image. and Publication date from unverified data in local card catalog record.
Publisher:
W. Spooner, 377 Strand
Subject (Topic):
Clothing & dress, Mirrors, Women, and Women domestics
"Lady Archer sits in profile to the right before her dressing-table, applying rouge to her cheek with a brush. Her notoriously painted cheek is blotched with drink. She is dressed for driving, wearing a coat of masculine cut, and a skirt which is short enough to show stockings above laced half-boots. A high-crowned hat trimmed with feathers is poised on her hair; on her vulture-like nose glasses are perched, her profile being reflected in the draped mirror. Through an open window (left) appears her high phaeton."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 27.4 x 17.6 cm, on sheet 30.8 x 20.4 cm., and Mounted on leaf 12 of volume 8 of 12.
Publisher:
Pubd. Sepr. 29th, 1791, by H. Humphrey, No. 18 Old Bond Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.2 x 24.9 cm, on sheet 36.5 x 26.2 cm., and Mounted on leaf 26 of volume 13 of 14 volumes.
"A stout elderly man (left) seated in a chair shaves himself, while a pretty young woman (right) stands before him holding up a hand-mirror. A little girl is seated in a child's chair beside her father, she watches a cat and kitten at her feet."--British Museum online catalogue
Description:
Title engraved below image., 1 print : stipple engraving on wove paper, hand-colored ; sheet 26.7 x 20 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 36 of volume 3 of 14 volumes.
Publisher:
Publish'd August 21st, 1786, by J.R. Smith, No. 83 Oxford Street
"A domestic scene; a grotesque elderly woman sits at her toilette, pointing to a mirror on which a mobcap hangs, and looking upwards as a wig decorated with ribbons and a feather is about to be placed on her head by a young maid standing at right, who is momentarily distracted by the embraces of a footman; at left, an elderly man standing and looking inside a cupboard full of shelves of pottery; a cat and dog in front of a fire at left, a dog on a chair opposite the old woman."--British Museum online catalogue
Alternative Title:
My aunt and my uncle and Couple of antiques
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 70 of volume 8 of 14 volumes.
Publisher:
Pubd. Novr. 20, 1807, by R. Ackermann, No. 101 Strand
Subject (Topic):
Cats, Dogs, Mirrors, Older people, Servants, Spouses, and Wigs
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker
Published / Created:
[October 1807]
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Resource Type:
still image
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 65 of volume 8 of 14 volumes.
Publisher:
Published October 1807, by R. Ackermann, Respository of Arts, 101 Strand
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
A macabre caricature divided into two compartments, The Dandy and The Dangle. On the left, a strutting dandy ties his neckcloth in front of a mirror saying: 'I declare these large Neckcloths are monstrously handy, They [serve] for a shirt too and make one a Dandy.' The right hand image is of a dandy, head covered in a cloth, dangling from a wooden beam with a tie around his neck. Behind him is a town square and in the foreground, a crowd looks on. The image is accompanied by the text: 'When a man comes to this there's little to hope, His neat Dandy Neckcloth is changed for a Rope'.
Alternative Title:
Modern neckcloths
Description:
Title etched below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary manuscript correction in ink of the leftmost speech bubble, with the omitted word "serve" inserted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Fashion, Great Britain, Clothing & dress, Crowds, Dandies, Mirrors, Neckties, and Hangings (Executions)
Watercolor drawing depicting a speculum of kennel-coal, in a leather case, that was supposedly used by Dr. Dee the conjurer to deceive the mob in the reign of Queen Elizabeth
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., Depicted object was formerly owned by Horace Walpole and kept in the Great North Bedchamber at Strawberry Hill. For a description of the object, see British Museum online catalogue, registration no.: 1966,1001.1., and Mounted on page 189 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Dee, John, 1527-1608. and Strawberry Hill (Twickenham, London, England)
A hairdresser stands on stilts to dress the hair of a lady who sits before her mirrored vanity, her fee outstretched and resting on a foot stool. He pulls her long hair high above her head to its full length is taut as he twists to style it. She holds the sides of her head in pain. His coat is tossed on the chair to the left. On her vanity are a pin cushion, bottles, and ribbons. The mirror is supported but two female figures in classical dress and adorned with two cherubs at the top who hold a laurel wreath
Description:
Title etched below image., After Louis Gameray and published by Pierre La Mésangère. See British Museum online catalogue registration number: 1861,1012.197., Series title and number etched above image, Dated in the British Museum catalogue: 1814., and Pierre La Mésangère, located on rue Montmatre in Paris.
Publisher:
La Mésangère
Subject (Geographic):
France and Paris
Subject (Topic):
Clothing & dress, Dressing tables, Hairdressing, Mirrors, Pride, and Stilts
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The fifth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fifth drawing, Edward sits in a parlor holding the hand of a young lady as she looks down demurely. Behind the couple, an older woman sits on a sofa sewing, her basket at the table before her. In addition to the fashionable sofa and chairs, the room is decorated with an ornate mirror with swags on the wall behind. On the wall to the left is a marble mantel with a Buddha and other decorative china
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '5' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Blacks, Allegorical drawings, Buddhas, Courtship, Mirrors, Parables, Parlors, and Sewing
Leaf 72. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A man standing in profile and shown full-length walking to the right as he looks at himself in a hand-mirror. He wears a very tall wig, the queue tied in back with a very large bow, and a ruffled shirt. In his left hand he holds a tasselled cane
Description:
Title etched below image., Signed by unidentified printmaker "J.H.", Initial letters of publisher's name in imprint form a monogram., "Who calls me a macaroni"--Text above image., Plate numbered "v. 3" in upper left corner and "1" in upper right corner., For a brief mention of this print, see description for no. 5005 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Toupee wigs -- Tasselled canes -- Lockets., and First of three plates on leaf 72.
Publisher:
Pubd. by MDarly, April 2nd, 1772, accor. to act, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Mirrors, and Staffs (Sticks)
Leaf 71. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 71 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Barbers, Barbershops, Mirrors, Shaving, Shaving equipment, and Dogs
Leaf 52. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, see Lewis Walpole Library call no.: 827.00.00.38., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: E cod! one might as well shave with a saw!, and On leaf 52 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket [i.e. Field & Tuer] and Field & Tuer
Subject (Topic):
Shaving, Shaving equipment, Razor blades, and Mirrors
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
