Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript leaves from a Sarum missal, containing text from Masses for the third and eighth Sundays after Pentecost and for the dedication of a church
Description:
In Latin., Layout: double columns of 39 lines., Script: gothic liturgical script., and Decoration: numerous initials in burnished gold or blue; extensive penwork.
Printed book fragment on parchment of a leaf from the Missale Bambergense, a printed missal. The leaf contains the Mass for rain and the Mass for fair weather
Description:
In Latin., Script: printed in two sizes of gothic typeface; the larger is for the lessons and prayers and the smaller type is for the chants., and Decoration: 2-line initials at the beginning of Masses, prayers, and lessons and 1-line initials at the beginning of chants are in red and are adorned with balls; 1-line initials of verses and within lessons are in black; rubrics are printed in red in the same script as the text; punctuated with the punctus, the colon, and the punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a noted missal containing among other texts: St. Matthias (24 February); St. Benedict (21 March); Annunciation (25 March); Ash Wednesday; Common of the Apostles; Dedication of a church; and Mary
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 4-line initial "D" for the Annunciation is outlined in red with an interlace pattern and filled with blue and red on a square ground outlined with red; 3- to 6-line initials for other feasts and for hymns in red with red penwork; 1-line initials of prayers and of hymn verses are in red; other 1-line initials are in brown rustic capitals traced with red; rubrics in red in the same script as the text; punctuated with the punctus and punctus elevatus; the alleluia and prosula hymn following the "Gaude maria templum" has interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing among other items: Conversion of St. Paul (25 January); Octave of St. Agnes (28 January); Chair of St. Peter (22 February); St. Matthias (24 February); Sts. Perpetua and Felicity (7 March); St. Gregory (12 March); St. Cuthbert (20 March).
Description:
In Latin., Script: written in two sizes of late Caroline script, with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 1- and 2-line initials are in red square capitals with round "D"; other 1-line initials are in brown rustic capitals; rubrics written in red minuscule with occasional rustic capital and uncial forms; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing the Ordo missae
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata) without feet on the minims., and Decoration: one 9-line initial "P" on fol. 1r in varying shades of blue with foliate decoration on white filigree; in the loop of the letter a peacock in blue and grey with green and gold feathers stands underneath a red rose; the text on the recto is bordered on all four sides and in the center margin with a gold band filled with blue diamons alternating with circles filled with flowers; musical notation is in black on 4-line staves in red; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a noted missal, containing among others: Sts. Felix, Simplicius, Faustinus, and Beatrice (29 July); St. Felix II, Antipope (29 July); Sts. Abdon and Senan (30 July); Chains of Peter (1 August); Seven Maccabean Brothers (1 August).
Description:
In Latin., Script: written in two sizes of Caroline minuscule, with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 2-line initials in orange square capitals, but with round "D"; 1-line intials in brown rustic capitals frequently filled with orange; rubrics written in orange minuscule with uncial "M" and occasional rustic capitals; punctuated with punctus and punctus elevatus; chants on the recto have interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing St. Agatha (5 February); St. Valentine (14 February); and the Chair of St. Peter (22 February).
Description:
In Latin., Script: written in two sizes of late Caroline minuscule, a larger module for the lessons and prayers and a smaller module for the chants., and Decoration: 2- and 3-line initials in red square capitals, which has oxidized to a silver color; 1-line initials in brown rustic capitals; rubrics written in red minuscule; line fillers in red; punctuated with the punctus and punctus elevatus; chants have interlinear neumes in the St. Gall style.
Manuscript fragment on parchment of a noted missal containing Holy Saturday
Description:
In Latin., Script: written in gothic script in red ink (littera textualis), at Klosterneuburg according to Alois Haidinger., and Decoration: 2-line initials of each verse are in green; the rubric is written in red minuscule; each word is separated by a green line; punctuated with the punctus; musical notation in gold outlined in black on 4-line staves in orange ink; the upper and lower margins are decorated with green foliage and penwork; the side margins are decorated with brown foliage and penwork.
Manuscript fragment on parchment of a noted missal containing the Prefaces of the Mass
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: four 2-line initials in light brown, outlined in black and highlighted with gold penwork on square grounds of blue, green, or red; the grounds are split diagonally with a dark shade of color on one side and a lighter and a lighter shade on the other; the edges of the side with the dark color are outlined in gold; 1-line capitals are in black and highlighted in red; rubrics written in red in the same script as the text; traces of guide letters for the rubricator preserved in the margins; punctuated with the punctus; hyphenation in the same ink as the text; the prefaces have musical notation in black ink on 3-line staves in red.
