Manuscript fragment on parchment of a missal containing the Fifth Sunday after Epiphany and the Sunday of Septuagesima
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 1-, 2-, and 3-line initials alternate in blue and red; other 1-line initials are in black highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus, punctus interrogativus, and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing Holy Saturday
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials alternate red and blue; 1-line initials are in black highlighted with red; rubrics written in red in the same script as the text; the liturgical directions are written in black and are underlined in red; punctuated with the punctus and punctus versus; accents added by a later hand.
Manuscript fragment on parchment of a missal containing: Third Sunday after Pentecost; Fourth Sunday after Pentecost; Fifth Sunday after Pentecost; Eighth Sunday after Pentecost; and Ninth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue; written over guide letters in black ink; 1-line capitals, which include the first letter after the 2-line initials, are in black filled with yellow; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing: St. Caesarius of Arles (27 August); Mass for the sick; Mass for travelers; Mass for the living and the dead; and St. Anne (26 July).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials at the beginning of Masses and 1-line initials at the beginning of prayers in red; other 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal (use of Sarum) containing Feria IV after the Twenty-fourth Sunday after Trinity and the Twenty-fifth Sunday after Trinity
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are three 2-line initials in blue with red penwork trailing up and down the entire margin or the column; 1-line initials are in brown; rubrics are written in red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript, in a single hand, of a missal for the Use of Beauvais
Description:
In Latin., Script: early gothic bookhand., Decoration: rubricated., and Binding: fourteenth-century (?) brown leather over beveled wooden boards; remains of one clasp.
Subject (Geographic):
Connecticut, New Haven., and Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Catholic Church
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript leaves from a Sarum missal, containing text from Masses for the third and eighth Sundays after Pentecost and for the dedication of a church
Description:
In Latin., Layout: double columns of 39 lines., Script: gothic liturgical script., and Decoration: numerous initials in burnished gold or blue; extensive penwork.
