"George IV, dressed as a Turk, marches arrogantly past a row of ladies of his harem, holding a large goblet whose contents are spilling. He wears a jewelled turban with the high peak of a fool's cap, terminating in a bell. The end of his long furred robe is held by a thin man (left) wearing a turban decorated with antlers to indicate Lord Conyngham; the latter's arms and legs are bare, and he shambles along, carrying a decanter. The King says: "Variety is charming. Constancy is not for me, so Ladies pray take warning." The seven ladies, all fat and all in quasi-Turkish dress with turbans, watch him intently."--British Museum online catalogue and "Illustration to a verse satire on the life of George IV, in which the villain is Queen Charlotte. The design may derive from prints of the Prince and Lord Jersey in 1796, especially Gillray's 'Grand-Signior retiring' (British Museum Satires No. 8807). In British Museum Satires No. 8809 there is a picture of the Prince as a Turk among his harem. Among the seven here depicted, but scarcely characterized, are probably, besides Lady Conyngham and Lady Hertford, the Duchess of Richmond, and Mrs. Quentin. The print appears in British Museum Satires No. 14030; a similar print is in British Museum Satires No. 14049."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Hudibras, the younger. Sultan Sham, and his seven wives. London : Printed and published by W. Benbow, 1820., Mounted to 58 x 39 cm., Mounted on leaf 5 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Front. to Sultan Sham & his seven wives" written in ink at bottom of sheet. Figures of "Ld. Conyngham" and "Geo. IV" identified in ink below image; date "Nov. 1820" written in lower right. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Richmond and Lennox, Charlotte, Duchess of, 1768-1842., Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Quentin, Georgina.
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
"Mrs. Clarke (left) stands on one of a pair of scales which is held down by Wardle and almost rests on the ground, while three lawyers in wigs and gowns (evidently Sir W. Grant, Gibbs, and Plomer) stand on the other (right) which General Clavering tries desperately to pull down. The beam is inscribed England expects every Man to do his Duty, and is supported on a mitre (see British Museum Satires No. 11227) worn by the Duke of York, who stands on William Adam's back, which is inscribed Rock of Adam ant. Adam, who lies prone, puffs a blast inscribed Gratuisously [sic] against Mrs. Clarke. Under his hand is an Anonymous Letter. Wardle, in civilian dress, holds out towards the Duke a paper headed [Ch]arges. Perceval, in his Chancellor of the Exchequer's gown, leans towards the right scale, holding out two papers: 199 Majority and 82 Majority, another, 241 Majority, lies on the scale. Where this scale is attached to the beam there is a purse labelled Light Crown Pieces. The Duke wears regimentals with gorget and star, and holds a paper: the Honor of a . . . [Prince]. He holds his drawn sword across Perceval, as if protecting him. Clavering sits on the ground, straining at the ropes. He sits on a paper inscribed [G]enl Claver[ing], and has a paper: Prevaricating Evidence [see British Museum Satires No. 11247]. Beside him is a fragment of paper inscribed Sic donec. Beside the principal performers, and between Mrs. Clarke and the Duke, stands John Bull, a short fat 'cit', holding a large weight inscribed Vox Populi --Sterling. He says: If I dont throw in my weight, our dearest sweetest Love will get the worst of it after all. (Her scale, however, rests on the ground with Wardle's help only.) She turns to him, saying, O Mr Bull! Pray give a pull! At her feet are Letters [see British Museum Satires No. 11228, &c.]."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Grant, William, Sir, 1752-1832, Gibbs, Vicary, Sir, 1751-1820, Plumer, Thomas, Sir, 1753-1824, Clavering, Henry Mordaunt, Adam, William, 1751-1839, and Perceval, Spencer, 1762-1812.
Subject (Topic):
Military officers, British, Mistresses, Lawyers, Miters, and Scales
"Lady Conyngham sits on a chair under which crouches the King; his head, larger than life, draped by her skirts, and hands project (left). She holds a fan, on which is depicted the 'Regent's Bomb', see British Museum Satires No. 12799, with (?) the King seated astride it. In her left hand is a tulip. She wears evening dress, jewels, and feathers. On the back of her chair is a (baron's) coronet. She says: "You're Old Quarters how do you like now, My Angel." He says: "O! what a mess I am in, this part of the Country is hotter, than in Hertford!""--British Museum online catalogue
Alternative Title:
Shelter for the destitute, removed to Cunningham Lodge
Description:
Title from text below image., Questionable printmaker attribution to Vowles from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "13 Sep. 1820" written in lower right corner.
Publisher:
Pubd. 13 Septr. 1820 by S. Vowles, 31 St. Johns Square
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Adultery, Mistresses, Chairs, Fans (Accessories), Tulips, Jewelry, Feathers, and Crowns
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
George IV, with the body a rooster, stands on the "Green Bag" of evidence and looks back over his shoulder at the Queen; from his beak is a speech bubble reading "Rejected Bill," while an eagle with the words "Public Disapprobation" on its wings snatches the crown off his head. To the right of the king are two hens with human faces, likely representing George IV's mistresses. Queen Caroline, likewise with the body of a hen, stands triumphantly atop a pillar inscribed "The Law and the People"; she wears a crown and stands in a column of light that descends from the heavens. Two axes lean against the pillar, while the sword and scales of Justice rest at its base. Ships are seen sailing on the ocean in the background; the Royal Pavilion at Brighton is recognizable on the shore to the right
Alternative Title:
Royal hen, and the dunghill cock
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 10 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Nov. 1820" written in ink in lower right corner.
Publisher:
Published November 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Royal Pavilion (Brighton, England),
Subject (Topic):
Chickens, Roosters, Eagles, Bags, Crowns, Mistresses, Sailing ships, Official residences, Axes, Justice, Scales, and Daggers & swords
Print showing George IV, horned and with wings which are spread to provide a protective, umbrella-like shell for his supporters, a gouty foot well wrapped, a ribbon around the other labeled "Infidelity - Honi Soit," holding a bottle labeled "Peoples Tears," and sitting with his mistress, "Care-away Cunningham" i.e., Lady Conyngham. In the background, to the left is a line of armed cavalry "Civil Gentleman or a Rod in Pickle," at center sits Britannia covering her face in shame, and on the right, beneath "A Storm gathering," are huddled "The People."
Alternative Title:
Royal cock and chickens and Father of his people!!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 31 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "12 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 12, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Britannia (Symbolic character), Adultery, Politics & government, Gout, Bandages, Horns (Anatomy), Wings (Anatomy), Bottles, Mistresses, and Cavalry
"George IV sits on the throne, surrounded by kneeling women; he takes the hand of Lady Conyngham, who proffers their address: "Loyal Address of the Married Ladies." She says: "We the humble and Loyal Married Ladies feel ourselves bound in due veneration to your most sacred person to present to you our sincere thanks for the many tokens of Love we the Loyal Married Ladies have laid under and we humbly acknowledge the favours our Husbands as [sic] experienced through the medium of us the Loyal Married Ladies!!!--" Behind her, a second lady, resembling Lady Hertford, looks startled. With them is a third, perhaps Mrs. Quentin. Behind the throne, which he clasps, stands Hertford (or Conyngham, cf. British Museum Satires No. 13847) holding a staff topped by antlers; he gapes at the speaker, saying, "I never heard a speech from a Lady so Cunning--." The King adds "Hum!" On his right stands Bloomfield, looking slyly sideways at his master. Both wear frilled muslin boudoir-caps. There is no dais, and on the right two grovelling women kiss, one the King's left foot, the other his thigh. A third kneels beside them. On the left is a black woman, who says: "God bless Massa he kiss his black servant in the kitchen at Brighton [see British Museum Satires No. 13208, &c.], my good Massa, make no distinction, Black or White, Massa Love'm all." On the extreme left is the profile of a noseless prostitute. On the King's throne is half a (bisected) crown, emblem of the repudiation of Queen Caroline, see British Museum Satires No. 13826."--British Museum online catalogue
Alternative Title:
Loyal married ladies address to the King
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Two lines of quoted text following title: "Which both by Art and Nature made is, "The sport of sense, the toy of ladies. Royal Fable., Watermark, mostly trimmed: 1819[?]., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 82 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of thirteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Quentin, Georgina, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
Subject (Topic):
Adultery, Mistresses, Thrones, Women, Kneeling, Kissing, Antlers, Prostitutes, and Crowns
Anonymous. By Thomas Deloney., Verse begins: "When as King Henry rul'd this land,", In five columns, with the title and illustration above the first two; the columns are not separated by rules; the imprint is at the foot of the last column, below a single rule., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 39. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at No. 4, Aldermary Church Yard
Subject (Name):
Henry II, King of England, 1133-1189 and Clifford, Rosamond, -1176?
Subject (Topic):
Kings, Queens, Mistresses, Chalices, Daggers & swords, and Veils
"Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard's greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: 'I says to our Governor says I--keep your eye on them ere Leaders George'; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716."--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., and Publisher's advertisement below imprint: Caricatuer [sic] daily pub.
Publisher:
Pub. April 28, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Scarlett, James, Sir, 1769-1844.
