"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., and Hogarth's signature erased from this impression.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Sheet trimmed to: 213 x 278 mm., and Ms. annotation in ink, lower right corner: '6'.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched below image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Dobson calls this the second state although he mis-identifies the publisher as Boydell., Sheet trimmed close to plate mark., Copy of: No. 2564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 105 in volume 2.
Publisher:
Published May 1, 1798 by Saml. Phillips 5. Leicester Square
Subject (Topic):
Blacks, Clothing & dress, Dandies, Fire screens, Interiors, Monkeys, and Muffs
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
"Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:
Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:
Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):
Bulldogs, Monkeys, Bears, Masks, Flags, and Globes
Title from text above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 3 (1769), p. 31., and Temporary local subject terms: Petitions: Middlesex petition and address -- Coffee service -- Wolf -Lion.
Title from caption below image., The last digit of the publication year was erased from sheet and replaced with an ms. '1'., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Scottish tam.
Publisher:
Pubd. 183[1] by S. Gans, Southampton St., Strand
Subject (Topic):
Animals in human situations, Cats, Monkeys, and Musicians
Title etched above image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Five columns of verse below image: A monkey once as stories say delighted with a cat to play and yet appear'd to public eyes, the sage Grimalkin to despise ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Animals -- Pictures amplifying subject: A view of Chatam [sic] -- Pictures amplifying subject: A view of the Isle of Bute -- Scots -- Male dress: Highlander's dress., and Mounted to 32 x 47 cm.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, and Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
