Moses bar Kēphā, 813?-903 ܡܘܫܐ ܒܪ ܟܐܦܐ، 813?-903
Published / Created:
1225.
Call Number:
Syriac MSS 10
Image Count:
242
Resource Type:
text
Abstract:
Miscellaneos theological works by Múšē bar Kípā (Moses bar Kēphā, 813?-903), a Syrian Orthodox prelate and scholar, born in Balad (modern Eski Mosul, Iraq), as follows: 1. "On Paradise" (folios 1a-124a; pages 1-249). 2. "On the resurrection of the body", 34 chapters (folios 124b-186b; pages 250-373). 3. "Commentary on the words of Paul demonstrating the resurrection of bodies and the manner of resurrection (folios 186b-205b; pages 373-411). 4. "Words of comfort concerning children (folios 205b-208b; pages 411-417, ten chapters). 5. "On the Antichrist" (folios 209a-214a; pages 418-428, twelve chapters). 6. "Admonitions for the sons of the Holy Orthodox Church" (folios 214a-218b; pages 428-447, ten chapters). 7. "Mysteries of the tonsure of monks" (folios 218b-221a; pages 447-452, ten chapters). 8. "On the origin of the Syriac word 'dayrā' (monastery)" (folio 221b; page 453). 9. "Homily on the tonsure of monks" (folios 221b-224b; pages 453-459). 10. "Biographical note on Bar Kēphā" (folio 224b-225a; pages 459-460). 11. "On the end of time" attributed to Pseudo Methodius (225a-241b; pages 460-482). The text of "On Paradise" was copied by Joseph, a student of the Monastery of Mār Ḥanānyā (Dayr al-Zaʻfarān), on Thursday, 3 Nīsān, 1536 of the Greeks (1225) at the "little monastery" (dayrúnítā) of Mār Barṣawmā in Kfartútā (between the villages of Bagdāšiyā and Ḥašrē) in the region of Merdo (Mardin).
Description:
In Syriac., Title supplied by cataloger., Romanization supplied by cataloger., The codex starts with: "ʻAl sabrā ú-túklānā d-Alāhā bārúyā ú-ʻābúdā d-kul d-metḥzē ú-lā metḥzē kad leh nasbínan l-ʼīyālan mšarénan d-nektúb d-Pardaysā d-amír l-Māry Múšē d-Bet Rāman haw d-etknī Bar Kípā ...", 18 x 26 cm; written surface varies; lines per page vary., Binding: In wood, covered in green cloth with decorative designs., In clear West Syriac script, in black ink on cream color paper, headings in red., Pages numbered in Arabic numerals (1-[481])., On the right margin of folio 1a (in Garshūnī and Syriac): "Ṣāḥib Kitāb Ṭimtāwus Aps Palús ʼÚrhāyā.", and On page [481] (in pencil): "Ktābā d-Pardaysā l-Māry Múšēʼ bar Kípā layt leh síqúmā" (Book of Paradise of Mar Moses bar Kēphā does not have date).
Subject (Name):
Moses bar Kēphā, 813?-903., Pseudo-Methodius., and Syrian Orthodox Church
Subject (Topic):
Doctrines, Admonition, Biblical teaching, Antichrist, End of the world, Monks, Rites and ceremonies, Paradise, Resurrection, Syriac language, Theology, Doctrinal, Tonsure, and Syrian Orthodox Church
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
In Latin., Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617., Script: Written in humanistic script by a single scribe, above top line., One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., and Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gazaeus, Aeneas.
Subject (Topic):
Biography, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Monks
Manuscript on paper of a mock sermon on the misadventure of a lascivious monk
Description:
In Latin., Watermark: toothed wheel, Briquet 13311? or Briquet 758?., Script: One hand, writing Gothica Cursiva Currens (Bastarda) difficult to decipher., No decoration., The outer margins are frayed, causing the loss of a few words., and Unbound.
Syriac-Armenian lexicon (pages 4-199), with the Armenian written in Syriac script, consists mainly of an alphabetical list of verbs in various forms. The lexicon is preceded by poems of Barhebraeus (pages 1-3), and followed by: 1. Poem on the "Life of Saint John", son of Euphemianus, of the city of Rome (pages 200-216). 2. "On the transit of the Mother of God Mary from the world" (folios 216-231). 3. "Syriac-Armenian glossary" of verbs in the imperative forms, conjugations of verbs, pronouns, etc. (pages 231-241). 4. Prayer of the solitary monks (yíḥídāyē) to each other (page 241). 5. Poems by Saint Ephrem: Commandments and admonitions for Christians (pages 242-286). 6. Prayers and miscellaneous statements in a different hand (285-286). The lexicon seems to have been written for the benefit of Syriac speakers within Armenian communities. Name of copyist and place and date of copying not mentioned probably from the 17th century
Description:
In Syriac and Armenian in Syriac script., Title supplied by cataloger., Romanization supplied by cataloger., The dictionary starts with: "Eštbíw. Talnúsān ...", The poems of Barhebraeus start with: "Qúm tāʼ aḥún kašrútā lak hā mṭāyibʼnā ...", 1. Poem on the "Life of Saint John", son of Euphemianus starts with: "Kātbínan tašʻítā d-Māry Yúḥanān bar ʼÚpímyanús d-men Rúmí Mdíntā b-níšā d-Māry Aprém Súryāyā ...", 2. On the transit of the Mother of God Mary from the world starts with: "Túb seprā da-štā ʻal šúnāyeh d-Yaldat Alāhā Maryam d-men ʻalmā hānā ṣlútah ʻaman. Āmín ...", 4. Prayer of the solitary monks (yíḥídāyē) to each other start with: "Ṣlútā d-nemrún yíḥíyāyē la-ḥdādē: Alāhā d-barek la-Šlíḥāwhy qadíšē mbarek lak ...", 5. Poems by Saint Ephrem start with: "Ḥúr b-Alāhā ḥabíbay d-madnaḥ šmšeh ʻal bíšē ...", Prayers and miscellaneous statements in a different hand start with: "Ematy d-qāymat b-ṣaprā men šentā pšúṭ ʼīdayk la-šmāyā ú-sím tlātā búrkē l-apay madnḥā ú-ʼemar ..., 10.5 x 15.5 cm; written surface varies ; lines per page vary., Binding: In wooden cover., In clear West Syriac script, in black ink on cream color paper, markings in red., Inside the front cover: An erased note (four lines)., On page 285: An erased note (one lines): "Šlem ktābā ..." (The book is completed ...)., and Many of the pages in the latter half of the manuscript include marginal glosses giving the Armenian renderings of words occuring in the Syriac text.
Subject (Name):
Ephraem, Syrus, Saint, 303-373. and Mary, Blessed Virgin, Saint
Subject (Topic):
Assumption, Syriac language, Armenian, Armenian language, Syriac, Monks, Prayers and devotions, and Syriac poetry
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
Title from item., Date derived from printmaker's active dates, 1672-1692., Place of publication derived from language of text., Text in German and Latin., Marco d'Aviano lived from 1631-1699, and was beatified by Pope John Paul II., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Miracles, Healing, Monks, Exorcism, People with disabilities, and Crutches
Title in reverse at top., Date and place of publication supplied by curator., Sixteen lines of verse below image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Hôpital de la charité (Paris, France).
Subject (Topic):
Hospitals, Poor persons, Food, Monks, and Hospital wards
A monk seated in a high-backed carved chair on the left looks at a pretty young woman down on her right knee by his side. Her dress is that of the late 17th century. She gestures with her left hand while holding the right one to her breast. She appears to be aware of her charms, as well as the fact that they influence her confessor. The lady is tentatively identified as a Mrs. Russell
Description:
Title from item., Publication date based on date of publisher's business operation. See British Book Trade Index online., Sheet trimmed to and within plate mark., The lady is identified in a manuscript note on verso of the mounting sheet as a "Mrs. Russell, called by Granger a London courtezan." See also The cryes of the city of London drawne after the life / P. Tempest. London, 1711, pl. 51., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note in an unidentified later hand identifying the female subject in the image.
Publisher:
Sold by E. Cooper at [the] 3 Pidgeons in Bedford Street
Volume 1, page 13. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Friar Bacon
Description:
Title written in block letters at top of image., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 13 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
A satirical broadside, with two vignettes of the "Weaver". On the left the weaver is at his loom his back to his wife who is seated at the hearth warming her hands over the fire. On the right he is shown in the disguise of a Friar receiving his wife for confession as she kneels before him. Two columns of verse below: "A weaver jealous of his wife like many, Still dream't of horns before the Knave had any ... Twas you were the young man the old man & [the] Fryer. Finis."
Alternative Title:
Weaver jealous of his wife like many, Still dream't of horns before the Knave had any ...
Description:
Title from engraved text above image., All engraved., Date from British Book Trade Index., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With "Pro Patria" watermark.
Publisher:
Printed and sold by Samuel Lyne, map and printseller at the Globe in Newgate Street
Subject (Topic):
Adultery, Weavers, Looms, Fireplaces, Confessions, Costumes, and Monks
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
A young woman and a monk sit under two trees while a monk sews or embroiders a piece of fabric with floral motifs. They are being observed by a man hiding behind the trees. In the background on the left is a church
Description:
Title from item., Publication date inferred from publisher's address., Two lines of verse on either side of title: Alass! [sic] how vain religion's awful [sic] name. The drone monastic blots it o'er with shame ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for John Bowles & Son, at the Black Horse in Cornhill
Verse begins: "I will tell you a story, a story anon,"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In four columns with the title and two woodcuts above the first two; the imprint is at the foot of the last column, below a row of type ornaments; the columns are separated by columns of type ornaments., Mounted on leaf 67. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Aldermary Church Yard, Bow Lane, London
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
"A young lady at confession; on the right, a monk leans on his elbow, right hand resting on a Bible, lecherously looking sideways at a young girl beside him, who stands holding a rosary, looking down sorrowfully with tears running down her cheek, she wears a veil on her head. On the ledge are various symbols of mortality, and a paper, lettered "...From fornication and all other deadly Sins Libera nos Domine! 'Tis better to Marry than burn...", to the far left stands an altar; after Millar; scratched-letter state."--British Museum online catalogue, description of a later state
Description:
Title from the Catalogue of the Society of Artists, 1771, no. 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chapel of a Catholic church -- Religious rites -- Rosaries -- Allusion to sins., and Watermark.
A macaroni in a monk's robe walks to the right holding a bouquet of flowers; his belt is made up of playing cards and a dice box. The title is a reference to the social club Almack's.
Alternative Title:
Macaroni's downfall, or, The pious dove's lamentation : to the tune of The babies in the wood
Description:
Title etched above image., Text below image: The Macaroni's downfall, or, The pious dove's lamentation, to the tune of The babies in the wood., Variant state without numbering; Cf. No. 4642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., and Watermark: Strasburg bend with initials LVG below.
Leaf 38. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A macaroni in a monk's robe walks to the right holding a bouquet of flowers; his belt is made up of playing cards and a dice box. The title is a reference to the social club Almack's.
Alternative Title:
Macaroni's downfall, or, The pious dove's lamentation : to the tune of The babies in the wood
Description:
Title etched above image., Text below image: The Macaroni's downfall, or, The pious dove's lamentation, to the tune of The babies in the wood., Initial letters of publisher's name in imprint form a monogram., Three columns of verse etched at bottom of plate: A macaroni once was I, in vice and folly try'd ..., Plate numbered "V. 2" in upper left corner and "3" in upper right corner., and Second of two plates on leaf 38.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Name):
Almack's (London, England)
Subject (Topic):
Dandies, British, Playing cards, Gambling, and Monks
Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration number: 1981,U.380., Plate XXI from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: [Portraits of hounds].
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink in lower left corner: HW.B. fec.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 51 of: Bunbury album., and 1 print : soft-ground etching on laid paper ; plate mark 29.5 x 23.5 cm, on sheet 37.3 x 31.1 cm.
George III at table with the queen and seated between Lord and Lady Petre with nine other persons while a tall monk stands on the left saying grace. A crucifix and picture of a saint on the wall mark this as an anti-Catholic satire occasioned by the King's visit to Lord Petre in October of 1778 after the passing of the Catholic Relief Act
Alternative Title:
Peep at Lord Peter's
Description:
Title etched below image., Date from British Museum catalogue., and Also attributed to Gillray.
Publisher:
Sold by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Petre, Robert Edward Petre, Baron, 1742-1801
Subject (Topic):
Anti-Catholicism, Prayer, Monks, Dining tables, and Clothing & dress
"A monk walks through a ford leading a dog with a crown on its head: 'Father Peters' leading George III to Rome. The monk says "He cocks his Tail yet". He is going towards a wayside cross (right), above which are rocks, on which is seated the Pope, holding out a cross towards the travellers and saying "Hold out my Sons to the End & I'll give you a Crown of Glory". Behind him is a dome surmounted by a cross indicating St. Peter's. On the other side of the pool (left) there are also rocks, on them stands a sheep (?) and in the distance, by the sea-shore, are two small churches of rural appearance; off the shore are three dismantled ships with brooms at their mast-heads to show that they are for sale, the scene being inscribed "Little Britain."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum online catalogue., and Sheet trimmed to plate line.
Publisher:
Pub. by M Darly No. 159 Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820., Pius VI, Pope, 1717-1799., and Petre, Robert Edward Petre, Baron, 1742-1801.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Bunbury 782.02.23.01+ Impression 1
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., and Watermark: L.V.G.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Depicts Burke wearing spectacles and wig, but in monastic habit as an Irish Jesuit. He is seated on a stool peeling a potato, at a table on which is a chamber pot full of steaming potatoes, and at the other end a keg of whisky supporting a broken crucifix. Beneath the table dance 3 demons. A reference to Burke's resignation after the death of Rockingham, and to his support of the Catholic Relief Act
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 23d, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797 and Catholic Church
Subject (Topic):
Politics and government, Monks, Demons, Chamber pots, Potatoes, Tableware, Fireplaces, Interiors, and Anti-Catholicism
"Shelburne, dressed as a monk but wearing a wig, stands in profile to the left, his mouth open as if making a speech, one hand on his heart; he has an alert, propitiatory smile. In his left hand is a rolled document, 'The Speech'. Beneath his feet is etched (as is the publication line) "He wou'd & he wou'd not &c." In the distance is the sea with the sun, inscribed "Poor Old England", sinking below the horizon."--British Musem online catalogue, The old name of Malagrida the Jesuit, given in 1767, was used for Shelburne after he succeeded Rockingham as First Lord of the Treasury, see BMSat 4917 and cf. BMSat 6018, &c. "The speech" is probably that of 13 Dec. 1782 when he refused to answer questions on the exact interpretation of the independence of America in the provisional Treaty. 'Parl. Hist.' xxiii. 305 ff. Cf. also the famous lines on Shelburne's evasive speeches in 'The Rolliad', quoted Rosebery, 'Life of Pitt', p. 51. By the same artist as BMSat 5958, 5975.--British Musem online catalogue, curator's comments, and Shelburne shown in monastic dress facing left, holding a rolled paper in his hand inscribed "The speech". Probably an allusion to his evasive speech in Parliament of 13 Dec. 1782
Alternative Title:
Shell-born Jesuit and He wou'd & he wou'd not &c.
Description:
Title from British Museum online catalogue., Sheet trimmed within plate mark., Probably by the same artist as British Museum numbers 5958 and 5975., and Sheet extended to 25 x 17 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1782.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 12. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire contrasting English and French styles of dress. A stout middle-aged Englishman wearing a heavy coat and three-cornered hat and carrying a stick, is walking to left in a Parisian street with a small boy in attendance. Passers-by are amused by his lack of elegance: on the left, a hairdresser wearing his hair in a large queue, with scissors at his waist and an apron, carries a parasol and raises his hand in surprise; a fat monk grins; an elegant man driving a cabriolet and his footman dressed in furs smile; a worker wearing loose trousers and wooden shoes folds his arms and stares; two dogs follow the Englishman."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., Mounted on page 12 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching with drypoint on laid paper, partly hand-colored ; sheet 32.8 x 41.6 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, France, and Paris.
Subject (Topic):
Clothing & dress, City & town life, Carriages & coaches, Dogs, Staffs (Sticks), and Monks
Volume 2, page 11. Etchings by Henry William Bunbury, Esq. and after his designs. Page 125. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door with inscription in tablet above at right, another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue
Description:
Title engraved below image., Prinkmaker identified as Dickinson in the British Museum online catalogue., "Final third state, the aquatint considerably lighter than in the second and the inscription above the doorway in even engraved letters"--British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed to plate mark., Four lines of verse below image, following title: Thoughts of past joys before the altar rise, stain all my soul and wanton in my eyes! I wake the matin lamp in sighs for thee, thy image steals between my God and me. Eloisa., and Mounted on page 11 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 20th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Volume 2, page 8. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two girls in black capes and chip hats, their hair dressed high with ringlets, playing guitars, with a couple of dogs for audience, while a young man in a plumed hat ogles them but is pushed aside by a horrified monk, behind to right, a norman castle in the background."--British Museum online catalogue
Alternative Title:
Friar-Phillip's geese : a tale from La Fontaine
Description:
Title in French and English etched below image., Sheet trimmed to plate mark., Six lines of verse, in French and English, etched below each title. Verses in English begin: Oh the sweet bird, cries the lad in the utmost transport of joy, prithee sing a little ..., and Mounted on page 8 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octr. 3d, 1782, by T. Watson, No. 33 Strand
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Volume 2, page 11. Etchings by Henry William Bunbury, Esq. and after his designs. Page 125. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door with inscription in tablet above at right, another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue
Description:
Title engraved below image., Prinkmaker identified as Dickinson in the British Museum online catalogue., "Final third state, the aquatint considerably lighter than in the second and the inscription above the doorway in even engraved letters"--British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed to plate mark., Four lines of verse below image, following title: Thoughts of past joys before the altar rise, stain all my soul and wanton in my eyes! I wake the matin lamp in sighs for thee, thy image steals between my God and me. Eloisa., Mounted on page 125 of: Bunbury album., 1 print : aquatint, stipple engraving, and etching with rocker in reddish-brown ink on laid paper ; sheet 38.8 x 50.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Octr. 20th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
A scale is depicted in which Lord North, dressed as a washerwoman, is weighed down with the assistance of Fox (a fox on the cross beam). Or the right, Lord Shelburne, depicted as a Jesuit in monastic garb wearing the ribbon of a Knight of the Garter and holding a money bag signed "Blessings of Peace" in his right hand, sits in the upper pan of the balance, with his tombstone below. The attacks of the North-Fox coalition eventually led to Shelburne's stepping down in February 1783
Alternative Title:
Up with the Jesuit
Description:
Title from item.
Publisher:
Pubd. March 1st, 1783 by A. Killingbeck, Dover Street
Subject (Geographic):
England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Scales, Laundresses, Monks, Foxes, Obesity, and Clothing & dress
Volume 2, page 35. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"An organ grinder turning angrily to left at the sight of a soldier placing his hand on the arm of a beautiful girl from his troupe playing the mechanical organ at left, his dog at his ankles reflecting his sentiment by growling at another at the soldiers feet, behind at left a woman beating a drum and on the right a young girl plays a triangle, two friars stand behind, ogling the organ player, buildings and a church on the street behind; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 35 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 20th, 1785, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Street musicians, Organ grinders, Drums (Musical instruments), Soldiers, Monks, and Dogs
"Soldiers discovering brandy in women's bustles by the Paris gates."--British Museum online catalogue
Alternative Title:
Brandy-rumps detected
Description:
Title etched below image., Questionable attribution by repository: Henry Kingsbury., Sheet trimmed within plate mark., Engraved beneath the title, three lines of explanatory text: Two fashionable females contrived to fill bladders wtih brandy which they substituted for rumps, and thus equipped in the most outré prominence of the mode passed several times unsuspected through the gates of Paris, smuggling no inconsiderable quantity of brandy. The frequency of their excursions caused suspicion among the officers who attempted to touch their garments but were repulsed with affected modesty. They however with the points of their swords [?] pierced what now-a-days is usually made of cork, when lo! a fountain of brandy played from each orifice, to the great diversion of the spectators, and the no small confusion of the Fair ones., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ladies' costumes -- Derrières -- Bosoms., Watermark in center of sheet: L., and In manuscript at top of sheet: 54. On verso: Offset of un-identified musical score.
Publisher:
Pub'd May the [...] 1786 by S.W. Fores, at the Caricature Warehouse, No. E [sic] Piccadilly
Subject (Topic):
Soldiers, French, Military uniforms, Monks, and Gates
"The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted ... On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: The morning after marriage, or, A scene on the Continent., and Watermark: Strasburg bend & lily / W and J Whatman.
Publisher:
Publish'd by Willm. Holland, No. 66 Drury Lane, London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
Subject (Topic):
Marriage, Churches, Clergy, Monks, Royal weddings, and Sleeping
Two young women, attired in low-cut, fine dresses, their veils pulled back over their hair exposing their pretty, young faces, sit in a semi-embrace on a blue loveseat in a garden, one looking lovingly into the eyes of the other with her hand posed to encircle her companion. The other, wearing red shoes, with a rosary at her waist, looks down toward the low neckline of the first. Standing next to them is a rotund Catholic monk in brown robes. He points to the two women while with a mischievous smile he looks to the viewer. Below him is the caption: "The Scene delightful, Beauty here, what then! Ah, Benedicite! Men are but Men." The women speak: "We live recluse and are believed religious, We but dissemble for our Lusts prodigious."
Description:
Title engraved below image., Reissue, with altered publication line. For an earlier state with the imprint "London, Printed for R. Sayer and J. Bennett, map and printsellers, No. 53 Fleet Street, as the act directs, 5 April 1782," see British Museum online catalogue, registration no.: 2010,7081.3219., Sheet trimmed to / within plate mark., Plate numbered "197" in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, chart, map and printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Benches, Convents, Gardens, Garden walls, Monks, and Nuns
In a graveyard with tombstones and sarcophagi, a headless ghost in a monk's robes (crucifix and rosary hanging round his neck) carries his head in his left arm as he walks left toward a sarcophagus inscribed "This monument was erected by Simon Lord Fraser of Lovat &c. &c."
Description:
Title etched below image., Printmaker from British Museum catalogue., Lettered below the title, six lines of verse in three sections: "Disguis'd thro' Life, a Layman at [the] Block, My headless Trunk resumes [the] Monkish Frock Doom'd for my Crimes in Pilgrimage to roam. With weary steps I seek my Native Home, Where Vanity inscribes my Father's Tomb, But Justice now denies my Carcase Room.", and Sheet trimmed within plate mark.
Publisher:
Publish'd May 1st 1788, by Malton & Co. No. 132 Pall Mall
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 61 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., Ink annotations in lower margin provide the title "Fred. Zemmerman having escaped from the Abbey of La Trappe & recover'd his beloved mistress is seiz'd & thrown into a dungeon for life", the statements of responsibility "Mr. Bunbury del. ; Js. Bretherton f.", and the publication line "Publish'd 9th March 1788"., and Price written in pencil in lower right corner of sheet: £1-5s. pair.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 131 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 45.8 x 55.8 cm.
"Mrs. Fitzherbert (left) in bed, supported on her right elbow, looks fixedly towards a warming-pan held by a stout woman who approaches the foot of the bed. In the perforations of the pan are stuck three ostrich feathers; a monk, holding up a crucifix, gazes down at it. Mrs. Fitzherbert wears a large frilled cap and a nightdress with ruffles. The fringed bed-curtains are looped up. On the extreme right is part of a draped table on which are a cup, bowl, and a large urn (probably materials for caudle). On the wall are three pictures: one, the 'Royal Hunt', a man galloping beside hounds; this has the motto 'Ich Ich' (in place of 'Ich dien') with three ostrich feathers. It is flanked by two profile heads facing each other: one is 'Wig', the other 'Torey', but they do not appear to be portraits. The carpet is patterned with Prince of Wales's feathers."--British Museum online catalogue
Description:
Title from item., Attribution to Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: The compleatest [sic] collection in the kingdom. Admitce 1 Shilling., and Watermark: countermark W.
Publisher:
Pub. Dec. 17, 1789 by S.W. Fores at his Caricatura Exhibition Rooms, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Bedrooms, Births, Canopy beds, Crucifixes, Monks, and Rugs
Volume 2, page 97. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing with a basket on her crossed arms, returning the smile of a fat monk at left with a contemptuous expression; after Bunbury."--British Museum online catalogue, description of a later state
Alternative Title:
Monk and a young maid
Description:
Title from British Museum online catalogue., Early state, before title and imprint statement added. For a later state with imprint present, see British Museum online catalogue, registration no.: 1906,0419.125., Publication information from imprint on later state: London, Publish'd June 1st, 1790, by W. Dickinson, engraver, Bond Street., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 97 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Title engraved below image., Sheet trimmed within plate mark., Illustration to Cumberland's History of Nicholas Pedrosa, from the Attic miscellany, v. ii, opp. p. 153., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image center., Place of publication derived from publisher's place of business., From: Johann Caspar Lavater, Essays on Physiognomy, edited by Thomas Holloway, London: John Stockdale, 1810., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Insanity; Hospitals, Interior; Emotions; Medicine & religion; Patients, psychiatric; Terror
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted to 37 x 31 cm.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted on page 76.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., 1 print : etching on wove paper ; plate mark 25.3 x 20.2 cm, on sheet 27.2 x 21.9 cm., and Mounted on verso of leaf 57 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
A coach filled with passengers is driven by a coachman (smoking a pipe) and pulled by two teams of horses. The roof of the carriage is loaded with bags and a cage filled with poultry; the one bag is labeled 'Brussels'. Another cage of birds swings off the bottom of the carriage in the back, the top of which is covered in a tarp. The driver whips the lead team. A coat of arms decorates the door to the carriage
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., and For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157.
publish'd according to act of Parliament, June 15th 1747 [i.e. not before 1794?]
Call Number:
Hogarth 794.00.00.187 Box 130
Image Count:
1
Resource Type:
still image
Abstract:
In a graveyard with tombstones and sarcophagi, a headless ghost in a monk's robes (crucifix and rosary hanging round his neck) carries his head in his left arm as he walks left toward a sarcophagus inscribed "This monument was erected by Simon Lord Fraser of Lovat &c. &c."; the lefy side is also inscribed "To the memory ofThomas Lord Fraser of Lovat."
Description:
Title etched below image., Re-issue after plate cut down, removing Molteno's publication address?, Lettered below the title, six lines of verse in three sections: Disguis'd thro' life, a layman at [the] block, My headless trunk resumes [the] monkish frock. Doom'd for my crimes in pilgrimage to roam. With weary steps I seek my native home, Where vanity inscribes my Father's tomb, But Justice now denies my carcase room., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed), p. 306., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 147.
publish'd according to act of Parliament, June 15th 1747 [i.e. not before 1794?]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
In a graveyard with tombstones and sarcophagi, a headless ghost in a monk's robes (crucifix and rosary hanging round his neck) carries his head in his left arm as he walks left toward a sarcophagus inscribed "This monument was erected by Simon Lord Fraser of Lovat &c. &c."; the lefy side is also inscribed "To the memory ofThomas Lord Fraser of Lovat."
Description:
Title etched below image., Re-issue after plate cut down, removing Molteno's publication address?, Lettered below the title, six lines of verse in three sections: Disguis'd thro' life, a layman at [the] block, My headless trunk resumes [the] monkish frock. Doom'd for my crimes in pilgrimage to roam. With weary steps I seek my native home, Where vanity inscribes my Father's tomb, But Justice now denies my carcase room., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed), p. 306., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 147., Ms. note in pencil in Steevens's hand above print: Spurious. Not in Mr. Nichols's book., and On page 179 in volume 2. Sheet trimmed to: 23.6 x 33.6 cm.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157., and On page 232 in volume 3. Sheet trimmed to: 20.8 x 12 cm.
Volume 2, page 90. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A friar standing in a landscape, a walking stick in his left hand and his hat down by his side in his right, a sack slung over his shoulder; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "Second published state, after publication line altered"--British Museum online catalogue, registration no.: 1878,0511.823., Sheet trimmed to plate mark., Text below title: It was one of those heads which Guido has often painted mild, pale, penetrating, free from all common place ideas of fat contented ignorance looking downwards upon the Earth, it look'd forwards, but look'd as if it look'd at something beyond this world. Vide Sterne., Illustration to Laurence Sterne's A sentimental journey through France and Italy., and Mounted on page 90 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 8th, 1794, by S.W. Fores, No. 3 Piccadilly
Volume 2, page 88. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"St. Bernard, a circular halo above his head, stands with admonitory upraised thumb addressing two shamefaced men who, like himself, wear monk's robes; behind the Saint is a seated dog. In the background are three other monks. Two doorways, one gothic, are indicated."--British Museum online catalogue
Alternative Title:
Saint Bruno reproving his desciples and St. Bruno reproving his disciples
Description:
Title from text below image., Sheet trimmed to plate mark., and Mounted on page 88 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs June 1st, 1794, by J. Jones, No. 74 Great Portland Street
Volume 2, page 88. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene of the ancien régime: two elaborately dressed Frenchmen wearing swords stand 'chapeau-bras', facing each other in profile; one (left) wears a ribbon and rests his hands on a long cane. A monk (left) walks off in profile to the left. A stout elderly lady (right) holding a fan walks off to the right."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., and Mounted on page 88 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs June 1st, 1794, by J. Jones, No. 74 Great Portland Street
Plate [88] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Title-page to Bowyer's edition to Hume's 'History of England'; armed men leading monks out of a monastery, while they look back unhappily towards books, Chalice and Crucifix lying in a pile on the right; headpiece with plaque below with chapter reference and contents' list."--British Museum online catalogue
Description:
Title from text above image., Sheet trimmed within plate mark., and Plate [88] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Drawing of a scene from the gothic novel The Monk: A romance by Matthew Gregory Lewis. Ambrosio, a Spanish monk seemingly into his moral downfall, approaches Matilda either aggressively or lustfully with both arms raised in the air, a serious countenance on his face. Standing to his left Maltida (first known as Rosario) is wearing the same simple monks' robes as Ambrosio though she has pulled the top aside to expose her bosom and pulled of her hood to reveal her long curly blonde hair and feminine features
Description:
Title and artist's signature from inscription in brown ink on verso. and Date based on publication date of the novel: The monk: a romance / by Matthew Gregory Lewis.
The scene in the church after Manfred has stabbed his daughter Mathilda. She lies on a cot as Theodore holds her head in his hands; a monk with a crucifix in his hand also attends her. Behind the monk, Manfred with arms crossed against his chest looks down in anguish. In the background (right) the right arm of the statue of Alfonso the Good points down accusatorily at the scene unfolding below his tomb
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Homicides, Monks, and Tombs & sepulchral monuments
Plate [103] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Title-page to Bowyer's edition to Hume's 'History of England'; headpiece with plaque below with chapter reference and contents' list. Five monks sitting at each side of altar, a monk at right arguing with his right hand outstretched towards a cleric who sits at left with the bible in his hand, another monk at extreme right looking away."--British Museum online catalogue
Description:
Title from text above image., Sheet trimmed within plate mark on right and left sides., and Plate [103] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title supplied by cataloger., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: 1878,0511.822., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Plate from the 'Anti-Jacobin Review', ii. 233: On the extreme right the Devil holds up a canvas, 'le Tableau Parlant', which terrifies twelve Irishmen grouped round an oblong table. In their alarm the heavy table has been overturned, some are on the ground, others (left) flee in terror. The Devil, who looks round the edge of his picture, wears a bonnet-rouge inscribed 'Anarchy'; labels hang from his horn: 'Blasph[emy]' and 'Parracide'. He says "Stew it well - It cannot be Overdone for you and me". In the picture, 'Irish Stew I A Favourite Disk for French Palates', two French soldiers superintend the boiling of a Revolutionary Pot, in which stand three naked Irishmen shrieking for mercy; one says: "Liberty of being Stewed"; the other, "Equality - all to be stewed en Masse". Above the table five harpies fly off with a tattered cloth inscribed 'Map of Ireland'. They are intended for the Directors, three having belts inscribed 'Tallien' (not a Director), 'Barras', and 'Le Paux'. On the table is a paper, 'United Irishmen'. The Irishmen make gestures of terror or despair. Most look at the picture, one looks upwards, saying: "Poor Erin How thourt torn to pieces by these five Harpies." A fugitive looks round to say "What your own A. O Connor too!" A lawyer (? Curran): "So much for Republicani[sm] and glorious Independence! No Money! No Lawyer." A monk: "By St Patrick a complete Catholic Emancipation." Three others say: "I now howl in Vain - We are all gone to Pot"; "Brother John [Bull] would not have treated us so -" ; "My Merits with the Republic should have saved me, but I find we must all stew together" [he is perhaps Grattan]; "A Radical Reform by Jasus". Beside the last speaker, a ragged peasant, lies a bundle of pikes, &c.
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin review and magazine. London, 1799, v. 2, page 233, Temporary local subject terms: United Irishmen -- Maps: map of Ireland torn by demons -- Reference to the French Revolution -- Allusion to the Directory -- Allusion to anarchy -- Pictures: le tableau parlant., and Mounted to 31 x 37 cm.
Publisher:
Pubd. March 1st, 1799, by T. Whittle, Peterborough Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Barras, Paul, vicomte de, 1755-1829 and Tallien, Jean-Lambert, 1767-1820
A watercolor sketch of two rotund monks in front of a entrance to monastery in a lane within gate and wall surround. One attends closely to a young lady with two baskets on her arms; the other reads, lounging on a bench with his one foot raised
Description:
Title from note in ink in lower right corner., Unsigned; attributed to Rowlandson by Andrew Clayton-Payne, author of a catalog of Rowlandson. Similar in theme (and in architecture) to signed watercolors at the Yale Center for British Art., and With dealer's notes in pencil on verso.
Subject (Topic):
Courtyards, Lust, Monasteries, Monks, Obesity, and Reading