Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 51 of: Bunbury album., and 1 print : soft-ground etching on laid paper ; plate mark 29.5 x 23.5 cm, on sheet 37.3 x 31.1 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink in lower left corner: HW.B. fec.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title supplied by cataloger., Reissue, with different imprint statement, of a print originally published 1 April 1774. Cf. British Museum online catalogue, registration no.: 1878,0511.822., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
A view of the north front of Horace Walpole's home Strawberry Hill with a procession lead by a group of monks proceeding away from the viewer toward the entrance of the villa. Also on the road are a coach and a post-chaise with a dog racing along side, supposedly on their way to Hampton Court. On the far right along the fence that encloses the property opposite, is a fountain whose spout is in the shape of a lion's head
Alternative Title:
North entrance of Strawberry Hill
Description:
Title devised by curator. and Note on back of frame: "Rowlandson, North Entrance of Strawberry Hill."
Subject (Geographic):
Twickenham (London, England), England, and Twickenham.
Subject (Name):
Walpole, Horace, 1717-1797
Subject (Topic):
Homes and haunts, Buildings, structures, etc, Dwellings, Carriages & coaches, Houses, Monks, Fountains, and Religious processions
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157., and On page 232 in volume 3. Sheet trimmed to: 20.8 x 12 cm.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., and For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157.
"Shelburne, dressed as a monk but wearing a wig, stands in profile to the left, his mouth open as if making a speech, one hand on his heart; he has an alert, propitiatory smile. In his left hand is a rolled document, 'The Speech'. Beneath his feet is etched (as is the publication line) "He wou'd & he wou'd not &c." In the distance is the sea with the sun, inscribed "Poor Old England", sinking below the horizon."--British Musem online catalogue, The old name of Malagrida the Jesuit, given in 1767, was used for Shelburne after he succeeded Rockingham as First Lord of the Treasury, see BMSat 4917 and cf. BMSat 6018, &c. "The speech" is probably that of 13 Dec. 1782 when he refused to answer questions on the exact interpretation of the independence of America in the provisional Treaty. 'Parl. Hist.' xxiii. 305 ff. Cf. also the famous lines on Shelburne's evasive speeches in 'The Rolliad', quoted Rosebery, 'Life of Pitt', p. 51. By the same artist as BMSat 5958, 5975.--British Musem online catalogue, curator's comments, and Shelburne shown in monastic dress facing left, holding a rolled paper in his hand inscribed "The speech". Probably an allusion to his evasive speech in Parliament of 13 Dec. 1782
Alternative Title:
Shell-born Jesuit and He wou'd & he wou'd not &c.
Description:
Title from British Museum online catalogue., Sheet trimmed within plate mark., Probably by the same artist as British Museum numbers 5958 and 5975., and Sheet extended to 25 x 17 cm.
Leaf 59. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
After supper of heaven I dream ...
Description:
Title and printmaker from Grego., Six lines of quoted verse below design: "After supper of heaven I dream, but that is fatt pullets & clouted cream ..., Restrike. For original issue of the plate, published 6 May 1807, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 72-3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Companion print to: The holy friar., and On leaf 59 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Title, printmaker, and imprint from Grego., Six lines of quoted verse below design: "After supper of heaven I dream, but that is fatt pullets & clouted cream ..., Companion print to: The holy friar., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The scene in the church after Manfred has stabbed his daughter Mathilda. She lies on a cot as Theodore holds her head in his hands; a monk with a crucifix in his hand also attends her. Behind the monk, Manfred with arms crossed against his chest looks down in anguish. In the background (right) the right arm of the statue of Alfonso the Good points down accusatorily at the scene unfolding below his tomb
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Homicides, Monks, and Tombs & sepulchral monuments