"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
Two soldiers shown full-length engaged in a fight. The bayonet of the solder on the left is pierced through the chest of the soldier on the right whose sword is drawn over his head and ready to strike
Description:
Title devised by curator.
Publisher:
Publish'd Octr.1, 1791 by W. Birch, Hampstead Heath from a drawing by Hogarth
Copy of the frontispiece to Laurence Sterne's 'The Life and Opinions of Tristram Shandy, Gentleman', 2nd ed. (R and J Dodsley: London, 1760), vol. 1 (illustrating an episode in vol. 2); Corporal Trim stands at right, reading a sermon on Conscience, se...
Description:
Title from original print on which this reversed copy is based. See Paulson.
Publisher:
Published as the act directs Jany. 14th 1780 by W. Strahan, T. Cadell, J. Dodsley, G. Robinson, & J. Murray, &c. &c.
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Subscription ticket for "Sigismonda" with a figure of Time as an old winged man sitting on a broken statue, blowing pipe-smoke at a dark landscape painting on the easel in front of him and which he has pierced with his scythe; at the top of the frame ...
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, ...
Alternative Title:
Country inn yard
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Copy of a Hogarth print: The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpi...
Description:
Title from caption below image.
Publisher:
publisher not identified
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the y...
Description:
Title and state from Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master an...
Description:
Title, publisher, state, and date from Paulson.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master an...
Description:
Title, publisher, state, and date from Paulson.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding ...
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding ...
Reduced composition of a painting by Hogarth, cropped substantially on both sides: The pool of Bethesda after the Hogarth painting. As described in the Gospel of St John, Chapter V, Christ is shown healing the sick beside the Pool of Bethesda, as an a...
Description:
Title from painting which this is based.
Publisher:
publisher not identitfied
Subject (Name):
Jesus Christ,
Subject (Topic):
Bethesda, Pool of., Biblical events, Diseases, Healing, Miracles, People with disabilities, and Sexually transmitted diseases
The pool of Bethesda after the Hogarth painting. As described in the Gospel of St John, Chapter V, Christ is shown healing the sick beside the Pool of Bethesda, as an angel observes from above. At the center Christ reaches out to a crippled man who si...
Alternative Title:
There was at Jerusalem a pool call'd Bethesda, frequented by a multitude of impotent folk ...
Description:
Title from painting which this is based.
Publisher:
Published Feby. 24th 1772 by John Boydell, engraver in Cheapside, London
Subject (Name):
Jesus Christ,
Subject (Topic):
Bethesda, Pool of., Biblical events, Diseases, Healing, Miracles, People with disabilities, and Sexually transmitted diseases
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; be...
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; be...
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Fantasio is being released by the hunchbacked witch Invidiosa from the chest in which he has been hiding; a young man holds the boy's shoulders. The scene is set in a ramshackle room with broom and bundle of twigs in the foreground, fire behind. The s...
Fantasio is being released by the hunchbacked witch Invidiosa from the chest in which he has been hiding; a young man holds the boy's shoulders. The scene is set in a ramshackle room with broom and bundle of twigs in the foreground, fire behind. The s...
A night scene in which Camilla is abducted by four bandits on horseback, as described by Apuleius. Three women stand in a doorway in the foreground at the right, in various poses showing their sense of alarm and distress
A night scene in which Camilla is abducted by four bandits on horseback, as described by Apuleius. Three women stand in a doorway in the foreground at the right, in various poses showing their sense of alarm and distress
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Portrait of Thomas Herring, Archbishop of Canterbury; three-quarter length, seated, to the left, looking to the front; gesturing towards viewer with left hand, his right hand holding a book; a curtain in background to the right; after Hogarth
Alternative Title:
Archbishop Herring
Description:
Title, artist, printmaker, and imprint from finished state.
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a...
Description:
Title, imprint, artist, printmaker and state from Paulson.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a...
Description:
Title, imprint, artist, printmaker and state from Paulson.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
A subscription ticket for "A Rakes's Progress"and "Southwark Fair". "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl an...
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproar...
Shown full-length wearing a hat and boots, the innkeeper consults a large ledger, sword in his right hand. From Hogarth's Illustrations fro Don Quixote (ca. 1726).
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he wal...
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he wal...
A confrontation in a bedchamber between a black woman in a nightgown in bed and four men who surround her canopy bed. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is poi...
Cave, François Morellon La, active approximately 1700-1766, printmaker
Published / Created:
[1739]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Children in front of a foundling hospital engaged in various industrious activities; on the right a weeping woman kneels, holding a handkerchief to her eyes, her child having fallen into the river behind her. A man turns to look at her; he holds a fo...
The first sally in quest of adventure: Quixote mounted on a horse at left, arrives at an inn with the sign of a bunch of grapes. Sancho Panza, far left, holds his horse as Quixote turns back and gestures to two women standing at right. In the backgrou...
Alternative Title:
Freeing of the galley slaves
Description:
Title from Paulson, 2nd edition, no. 286: Copy of The first sally in quest of adventure. No longer attributed to Hogarth.
Publisher:
publisher not identified
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Dwellings, Horns (Communication devices), and Taverns (Inns)
Copy in reverse of a print by Basire, after Hogarth: The interior of a farmer's cottage, with the farmer seated in an armchair next to a table looking at his wife (left) whose jug in her left hand spills out. To the rigtht of the farmer, on either si...
Description:
Title from another copy, signed by the printmaker Basire.
The interior of a farmer's cottage, with the farmer seated in an armchair next to a table looking at his wife (right) whose jug in her left hand spills out. To the left of the farmer, on either side of the table, are their two children, a son and dau...
Description:
Title from another copy, signed by the printmaker Basire.
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks...
Description:
Title based on published original.
Publisher:
publisher not identified
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks...
Description:
Title from published state of the print.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and ...
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and ...
Interior scene with the two men in disquise, one looking in the mirror; a wallshelf with plates, antlers and escutcheon decorate the walls; a heap of clothes on the floor lower left. Through the open door to the outside can be seen a man drinking fro...
Alternative Title:
Curate and barber disguising themselves to convey Don Quixote home
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a cro...
Description:
Title and state from Paulson.
Publisher:
Printed for John Bowles at No. 13 in Cornhill
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a cro...
Description:
Title and state from Paulson.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
An etching that appeared at the head of a broadside with the title 'Rhe Scotch yoke, or, English resentment' and nine verses in letterpress below; a satire on Lord Bute, his Excise scheme and the Treaty of Paris (1762). The image shows Lord Bute, dre...
An etching that appeared at the head of a broadside with the title 'Rhe Scotch yoke, or, English resentment' and nine verses in letterpress below; a satire on Lord Bute, his Excise scheme and the Treaty of Paris (1762). The image shows Lord Bute, dre...
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael ...
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo...
Alternative Title:
Burlington gate
Description:
Title from Paulson.
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael ...
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo...
Alternative Title:
Burlington gate
Description:
Title from Paulson.
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-...
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-...
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-...
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-...
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
