Four fragments pasted around the inset of Jacob and Laban's flock, from a tankard belonging to the Clare Market Club. (See Paulson no. 25). The four fragments are probably impressions from a large silver platter and show Juno, Neptune, Tellus, and Vulcan
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title, questionable attribution, and date from Paulson., An unique impression., Sheets trimmed to design., Ms. note mounted below: The Four Elements, represented in Four Compartments, under the figures of Vulcan, Juno, Tellus, & Neptune. These are impressions from some large Piece of Plate, very probably an oblong silver Tea-Table. The smallest is merely the center of the Tankard. See p. 3. Where I found it I have left it., Ms. note in pencil at bottom of sheet: Sold at Gulston's Auction, for £4.14.6f the Tankard. See p. 3. Where I found it I have left it., and On page 6 in volume 1.
Night scene, a couple interrupted in flagrante by the night watch, she lying on the ground at right with dishevelled clothing, he held back on the left, with his breeches undone; a censorious old woman on the far left; a watchman on the right holding up a lantern, illuminating the pillory behind
Description:
Title and date from Paulson, Questionable attribution to Hogarth, but Paulson is inclined to accept as an early work by Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 245., According to Samuel Ireland in his Graphic illustrations of Hogarth (v.1 , p. 9-10) Hogarth executed this design when he was under twenty on the lid of a tobacco box for a Captain Johnson., Trimmed sheet., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand at top of print: Impression from the top of Captain Johnson's tobacco., Ms. note at bottom: Given me by the Right Honble William Windham., and On page 180 in volume 2.
Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered in the centre 'W. Hogarth Engraver'. In an oval cartouche in the lower frame, "Aprill [the] 23 1720."
Alternative Title:
William Hogarth, engraver and Hogarth's shop card
Description:
Title etched within image., Date engraved in cartouche centered in lower frame., Sheet trimmed within plate mark., Center is cut out and ms. inscription added “W: Hogarth Engraver” on mount below showing through., and On page 3 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Perrins, Charles William Dyson, 1864-1958
A shop card with the figure of the vendor at the right in the style of Callot. An example of Hogarth's early work
Alternative Title:
William Hardy, goldsmith and jeweller in Ratcliff Highway near Sun Tavern Fields and Hardy's shop card
Description:
Title etched in image., Text engraved below image mostly burnished out: "Etch'd by Saml. Ireland from an engraving in his possession by Hogarth, suppos'd to be unique. Gamble was the name of the person with whom he served his apprenticeship.", and On page 3 in volume 1.
Title from Paulson., Questionable attribution to Hogarth by Paulson. See Paulson, R. Hogarth's graphic works, p. 199, no. 250., On page 4 in volume 1., Mss in ink on bottom of print: Only twenty five Impressins taken off this plate before it was cutt to pieces. Richard Morrison No. 10., Ms. in pencil: See Mr. Nichols's Biographical anecdotes of Hogarth, 3rd edit. Page 422., and Ms. in pencil: Arms of Sir Gregory Page br/in reverse.
Title, place of publication and printmaker from ms. note by George Steevens in his collections of Hogarth prints., Steevens's note mounted below: "Inside of an Opera-House. This plate (which in manner is strongly Hogarthian, and might have suggested to him an idea of the scenery we meet with in "Booth, Wilks and Cibber contriving a pantomime") was sold as a performance of our Artist, at Mr. Gulston's Auction, for two pounds four shillings. It was, however, engraved in Holland, with the following inscription at the bottom of it, which had been craftily effaced by some print-dealer for the purposes of deception.--P. Marot fecit, avec Privilege des Etats generaux des provinces unis et d'Holland. W.F.", Sheet trimmed to plate mark., and On page 22 in volume 1.
Title, place of publication and printmaker from ms. note by George Steevens in his collections of Hogarth prints., Steevens's note mounted below: "Inside of an Opera-House. This plate (which in manner is strongly Hogarthian, and might have suggested to him an idea of the scenery we meet with in "Booth, Wilks and Cibber contriving a pantomime") was sold as a performance of our Artist, at Mr. Gulston's Auction, for two pounds four shillings. It was, however, engraved in Holland, with the following inscription at the bottom of it, which had been craftily effaced by some print-dealer for the purposes of deception.--P. Marot fecit, avec Privilege des Etats generaux des provinces unis et d'Holland. W.F.", Sheet trimmed to plate mark., and On page 22 in volume 1.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Publication information inferred from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Funeral ticket, with a scene of a funeral procession arrived at a church, the pall being drawn back, the parish clerk on the steps at left, a clergyman reading the exordium of the burial service at the head of the procession; the mourners following the coffin, a crowd of onlookers behind, one man clinging to a pillar to see above the others"--British Museum catalogue
Description:
Title, printmaker, and imprint from Paulson., Receipt text below image: You are desired to accompany [the] corps of [blank] from h[his/her] late dwelling in [blank] to [blank] on [blank] next at [blank] of the clock in the evening. Perform'd by Humphrey Drew, undertaker, in King-Street, Westminster., This impression has been cut, with loss of receipt area., Ms. note in Steevens's hand on page above print: Original. Note on mount below print: See Nichols's book, 3d edit. P. 419 / Sold at Mr. Gulston's auction for £5.7.6., and On page 46 in volume 1. Plate mounted on sheet: 15.3 x 20.5 cm.
Publisher:
Humphrey Drew
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Funerals, Undertakers and undertaking, Crowds, and Funeral processions
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and Sheet trimmed with loss of text.
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and 'Tom. 1. No. XXII'--Upper right corner.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., Top right corner inscribed: 4B., Ms. note in Steevens's hand below: Kendal Arms. Ms, notes in pencil above: Sold at Gulston's Auction for £10.10.0. Ms. note in Steevens's hand below: Copy., and On page 4 in volume 1.
Coat of arms of the admiral Lord Matthew Aylmer, with motto STEADY etched in reverse and four Cornish choughs, ducal coronet, two sailors on either side, one holding a lead line and the other a cross staff
Description:
Title from ms. note in Steevens's hand., Formerly attributed to Hogarth., Inscribed: 4D., Ms. note in Steevens's hand below: Lord Aylmer's Arms. Ms. note in pencil below: Sold at Gulston's Auction for £7.10.0., and On page 4 in volume 1.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., and On page 4 in volume 1.
Trade card for Ellis Gamble whose shop sign was an angel; with advertisement below. With text in English on the left and French on the right
Alternative Title:
Ellis Gamble orfeure a l'enseigne de l'ange d'or
Description:
Title etched in image below angel., State and date from Paulson., Ms. note in pencil above: See Nichol's Book 3, Edit. P. 240. Ms. note to the right: Sold for £7.0.0., and On page 5 in volume 1.
A Turkish bath; a white woman, nude apart from a cloth around her legs, seats on low steps in a bath-house with a high ceiling perforated by numerous round holes; a black woman servant standing behind her and assisting her. On the wall to the right is a fountain with a shell-shaped basin
Description:
Title, printmaker, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1"--Upper left corner., "X"--Upper right corner., Sheet trimmed within plate mark., and On page 15 in volume 1.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Public baths, Therapeutic baths, Servants, and Women
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., 'Tom. 1. No. XXII'--Upper right corner., and On page 5 in volume 1. Plate trimmed to: 25.5 x 34.8 cm.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
Plate showing shows the crowning of the Sultan Achmet in the Mosque of Yup (vol. I, page 257) with the figures numbered
Description:
Title, printmaker, state, publisher, and date from Paulson., "T. I."--Upper left corner., "XVI."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., Sheet trimmed within plate mark., and On page 16 in volume 1. Figures number in ms.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey and Istanbul.
Subject (Name):
Ahmed III, Sultan of the Turks, 1673-1736. and La Mottraye, Aubry de, approximately 1674-1743.
The top of two images (by Hogarth) shows the first encampment of the King of Sweden; the lower image (by Parker) is a map of the encampment. In both cases there are keys to the numbers identifiying persons and places in the image. Charles XII and his friend Baron Ernest Fedrik de Fabrice, the Holstein minister, are riding about accompanied by the Janizaries assigned to Charles bu Sultan Achmet. One of the horsement bringing up the rear isLa Motraye himself. See Paulson
Alternative Title:
Bender
Description:
Title from banner at top of image., Hogarth signed below top image; Parker signed below border of map., Publisher and state from Paulson., 'XXX.'--Top left corner., 'T II.'-Top right corner., Each image lettered in French and English: A. Premier campement du Roy de Suede; AA. Second campement du Roy de Suede; A. King of Sweden's first encampment; AA. King of Sweden's second encampment., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and On page 17 in volume 1.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743., La Mottraye, Aubry de, approximately 1674-1743,, Fabrice, Friedrich Ernst von, 1683-1750,, and Charles XII, King of Sweden, 1682-1718,
A map of Stockholm with a medallion at the top depiciting the funeral memorial to Charles in gold, sent to high-ranking Swedes. The coins at the bottom represent Charles' sister and successor Ulrica Eleanora and her consort Frederick of Hesse. Other coins with runic characters and three alphabets decorate the perimeter of the map
Description:
Title, publisher, date, and state from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., "T. II"--Upper leftt corner., "XXXII"--Upper right corner., Sheet trimmed to plate mark., and On page 18 in volume 1.
A view of the first three levels of a silver mine in Sala. Images A and B show the elevator; 4 and 5 show the openings of the mine. 6 is a cross section of one level of the mine where miners are working
Alternative Title:
Fodina argentea sahlensis
Description:
Title, state, and imprint from Paulson., "T. II."--Upper left corner., "XXXII."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and On page 18 in volume 1.
A map of iron forges and mines near Arboga, still in Sweden
Alternative Title:
Fodina ferrea Danmorensis
Description:
Title, publisher, state, and imprint from Paulson., Engraved title etched in image, upper left., "T. II."--Middle left, between two images., "XXXV."--Middle right, between two images., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and On page 18 in volume 1.
A map of the Caspian Sea with figures below, keyed with the letters 'e' through 'i' and who are not Moscovites but a Circassian (g), Circassian maidens (f), which he is offering to sell to the Persian (h). The figure keyed 'i' is a Nogharian Tartar
Alternative Title:
Voresta Moscovitica ...
Description:
Title, publisher, state, and imprint from Paulson., One of five plates formerly (but no longer, see Paulson 3rd ed.) thought to have been partially the work of Hogarth and engraved for: A. de La Motraye's Travels through Europe, Asia, and into part of Africa., "C."--Upper left corner., "T. II."--Upper right corner., Sheet trimmed within plate mark., and On page 19 in volume 1.
A detail showing figures keyed with the letters 'e' through 'i' and who are not Moscovites but a Circassian (g), Circassian maidens (f), which he is offering to sell to the Persian (h). The figure keyed 'i' is a Nogharian Tartar. Original formerly thought to have been the work of William Hogarth
Alternative Title:
5 standing Muscovites
Description:
Title supplied by cataloger based on original as described in Paulson., A copy of a plate from: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (1st ed.), no. 268. Rejected as the work of Hogarth in 3rd ed., On page 19 in volume 1., and Ms. note at top in Steevens's hand: Copy.
Obelisk on plinth lettered 'Laponia', decorated with four coins or medals of the Swedish monarchs Gustav Adolf, Christina, Karl Gustav and Karl XI; on either side of the obelisk are two Sami with dead stags at their feet and various weapons and tools, including a canoe, skis and bow and arrow. At the top are the North star and constellations seen in the Northern sky illustrated as big and little bears (Ursa Major and Ursa Minor) and dragon (Draco). At the top left, hanging from the plinth, and below, six numbered details of medals. The monument is described as a Runnar or Runsteenar Stone, North of Hedwick Wall in Sweden in Voyages and travels of A. De La Motraye
Alternative Title:
Laponia
Description:
Title devised by cataloger., Added title, publisher, state, and imprint from Paulson., One of five plates formerly (but no longer, see Paulson 3rd ed.) thought to have been partially the work of Hogarth and engraved for: A. de La Motraye's Travels through Europe, Asia, and into part of Africa., "T. II."--Upper left corner., "XXXVII."--Upper right corner., Sheet trimmed within plate mark; some loss of characters in volume numbering., and On page 19 in volume 1.
A scene with a traditional Sami home, clothing, and customs. Figures are numbered; the key is provided in the text (see v. 2, p. 282-98). The house (no. 1) is a tent with a door through which you can see a woman cooking over a fire. To left of the tent is a small house in a tree used for drying fish (no. 4); a woman carries a baby in a traditional carrier (no. 5); in the back ground on the right is a 'magic' drum (no. 9); other figures demonstrate sleds drawn by reindeer, skis, milking, etc
Alternative Title:
Lapland hut
Description:
Title devised by cataloger., Added title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's Travels through Europe, Asia, and into part of Africa., "XXXVIII."--Upper left corner., "T. II."--Upper right corner., Sheet trimmed within plate mark; plate and volume erased from this impression., and On page 20 in volume 1.
Publisher:
A. de La Mottraye
Subject (Geographic):
Sápmi. and 12680778
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Sami (European people), Cookery, Dogs, Drums, Houses, Infants, Milking, Mothers, Reindeer, Skiing, and Sleds & sleighs
A map showing the layout of a mine with Roman numerals referencing successively lower levels of the mine
Alternative Title:
Fodina argentea sahlensis
Description:
Title engraved in image., Date, publisher, and state from Paulson., "T. II."--Upper left corner., "XXXVIII No. 2."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and On page 20 in volume 1.
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and On page 43 in volume 1. Plate trimmed to: 18.1 25.6 cm.
Scene in the Hippodrome in Constantinople with figures numbered; key provided in the text (see v. 1, p. 196-97, 249-50). In the foreground a procession for a Turkish bride who is carried by Janizaries; the group includes musicians who blow horns and beat drums. In the background are horsemen, 'Serpetine', and the ancient obelisks
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates from: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1."--Upper left corner., "XV."--Upper right corner., Sheet trimmed to plate mark., and On page 14 in volume 1.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Turkish.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743. and Hippodrome of Constantinople (Istanbul, Turkey)
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
An emerald carved in the shape of a dish, said to have been a present from the Queen of Sheba to Solomon, and/or used by Christ at the Last Supper (Travels, vol. I, page 60).
Alternative Title:
Vas mirabile ex integro Smaragdo, Genoae in sacrario ecclesiae cathedralis asservatum: prototypi accuratissima mensura ex Museo Iohannis Talman
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and Numbered "5" in upper left corner.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743., San Lorenzo (Cathedral : Genoa, Italy), and Talman, John, 1677-1726
Subject (Topic):
Art collections, Chalices, Lapidary work, and Drinking vessels
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
"The parable of the two sons (Matthew, 21:28-32); a bearded man stands at left, commanding his son to attend to an extensive vineyard below a mountain, another boy sleeping with his elbow on a rock at foreground right."--British Museum online catalogue
Alternative Title:
Frontispiece to Horneck's Happy ascetick and Master of the vineyard
Description:
Title from text below image, Above title: St. Matthew Ch. 21. Verse 28., Frontispiece to Anthony Horneck's The Happy Ascetick, or, the Best Exercise ... 6th ed. (London : Printed for Samuel Chapman, 1724)., Alternative title suggested in Paulson: The master of the vineyard., Sheet trimmed to plate mark., Ms. note in Steevens's hand above image: Original., Ms. note in Steevens's hand below image: Master of the Vineyarde. Frontispiece to Horneck's Happy Ascetic, Ms. note below image: See Nichol's Book, 3d Edit, p. 444/ Sold for £2.2.0., and On page 6 in volume 1.
Publisher:
Samuel Chapman
Subject (Name):
Horneck, Anthony, 1641-1697.
Subject (Topic):
Agricultural equipment, Fathers, Grapes, Parables, and Sons
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of [the] moon ...
Description:
Title, imprint, and printmaker from Paulson., Text continues: as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c., Sheet trimmed within plate mark., Ms. notes in Steevens hand above: Original. Mss I Pencil below: Never offered for sale. There are only 2. Copies, this & the late Lord Orford's to be found., and On page 7 in volume 1. Sheet trimmed to: 261 x 204 mm.
Publisher:
Wm. Hogarth?
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson. Price has been erased but traces remain., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Mss above in pencil: See Nichol's Biographical anecdotes &c 3rd edit. p. 124. Fourth first [scored through] impression.
Publisher:
Printed and sold by S. Sympson in Maiden-lane near Covent Garden
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., State and date from Paulson., "Price one shilling.", Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", On page 9 in volume 1., and Ms. note in Steevens's hand above: 2d Impression.
Publisher:
Sold by Mrs. Chilcot in Westminster Hall and R. Caldwell printseller in Newgate Street
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
Satire on the state lottery; emblematic representation of a draw at Guildhall with two lottery wheels and allegorical figures
Description:
Title engraved below image., "Price one shilling.", State and date from Paulson., Sheet trimmed., Engraved on left side of title: "The explanation. 1. Upon the pedestal national credit leaning on a pillar supported by Justice. 2. Apollo shewing Britannia a picture representing the Earth receiving enriching showers drawn from her self (an emblem of State Lottery's). 3. Fortune drawing the blanks and prizes. 4. Wantonness drawing [the] numbrs. 5. Before the pedestal suspence turn'd to & fro by Hope & Fear.", Engraved on right side of title: "6. On one hand, Good Luck being elevated is seized by Pleasure & Folly; Fame persuading him to raise sinking Virtue, Arts, &c. 7. On [the] other hand Misfortune opprest by Grief, Minerva supporting him, points to the sweets of Industry. 8. Sloth hiding his head in [the] curtain. 9. On [the] other side, Avarice hugging his mony [sic]. 10. Fraud tempting Despair wth. mony at a trap-door in the pedestal.", and On page 10 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Britannia (Symbolic character), Allegories, Deadly sins, Justice, Lotteries, and Gambling
An emerald carved in the shape of a dish, said to have been a present from the Queen of Sheba to Solomon, and/or used by Christ at the Last Supper (Travels, vol. I, page 60).
Alternative Title:
Vas mirabile ex integro Smaragdo, Genoae in sacrario ecclesiae cathedralis asservatum: prototypi accuratissima mensura ex Museo Iohannis Talman
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Numbered "5" in upper left corner., and On page 13 in volume 1. Plate mark 12 x 39.1 cm, on sheet 14.7 x 40.5 cm.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743., San Lorenzo (Cathedral : Genoa, Italy), and Talman, John, 1677-1726
Subject (Topic):
Art collections, Chalices, Lapidary work, and Drinking vessels
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., and On page 21 in volume 1. Plate trimmed to: 14.1 x 7.7 cm.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
The cardinal is talking to a hermit outside his hut in the mountains. Fantasio (as a lap-dog) is in the arms of Donna Angela
Description:
Title, state, and imprint from Paulson., "V: II. P: 100"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed within plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.1 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
Fantasio is being released by the hunchbacked witch Invidiosa from the chest in which he has been hiding; a young man holds the boy's shoulders. The scene is set in a ramshackle room with broom and bundle of twigs in the foreground, fire behind. The scene just before the witch lures Fantasio to her bed and changes into a beauty
Description:
Title and imprint from Paulson., "Vol: I P: 155"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
Illustration of the story of Cupid and Psyche; in a bedchamber at night, Psyche holding up a lamp, is startled to discover Cupid lying on the bed
Description:
Title and imprint from Paulson., "V: II. p: 29"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.5 x 7.4 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
A night scene in which Camilla is abducted by four bandits on horseback, as described by Apuleius. Three women stand in a doorway in the foreground at the right, in various poses showing their sense of alarm and distress
Description:
Title, printmaker, and imprint from Paulson., "Vol: I P: 113"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., A reversed copy of a print in the 1708 edition, with some changes. See Paulson., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.3 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
The stage of a theatre, with halters suspended over three managers of theatres; the labels issuing from the mouths of these persons have characteristic words. Wilks dangles Punch. The Laureat Cibber dangles Harlequin and invokes the Muses. Booth letting down the image of Jack Hall basphems: "Ha this will do G-d D- me". On the table before the speakers is a pamphlet with a print of Jack Shepard. Ben Jonson's ghost, holding a lit candle, rises to the stage on the left. In Horace Walpole's catalog, this print is referred to as "Booth, Wilks and Cibber contriving a pantomime, a satire on farces."
Alternative Title:
Three heads are better than one
Description:
Title etched above image., State, publisher, and date from Paulson., "Price six pence".--Lower right corner., First state of the print with motto in banner at top of image misspelled: "Vivetur ingenio"., Caption below image: This print represents the rehearsing a new farce that will include [the] two famous entertainments Dr. Faustus & Harlequin Shepherd to wch. will be added Scaramouch Jack Hall the chimney-sweeper's escape from Newgate through [the] privy ... [Signed] Vivat Rex., Sheet trimmed within plate mark., On page 22 in volume 1., Ms. note in pen in Steevens's hand below: Booth, Wilks and Colley Cibber., and Ms. note in pencil in Steevens's hand below: See Nichols Book 3d ed p. 143.
Publisher:
Wm. Hogarth
Subject (Name):
Cibber, Colley, 1671-1757., Jonson, Ben, 1573?-1637., Thurmond, John, active 1724-1749., and Wilks, Robert, 1665?-1732.
"Satire on John Heidegger and the taste for the masquerades which he promoted. A London street scene in the foreground of which Heidegger sprawls on the ground, his watch and coins falling from his pocket, as he begs mercy of Hercules. Hercules, clad in a lion skin, raises his club threateningly; with his right hand he holds a chain encircling a large group of masqueraders, some of whom have their hands tied behind their backs, their props or accessories are scattered on the ground; other masqueraders climb out of the windows of the building behind. On the left, Piety, Wisdom and Britannia emerge from a church followed by clergymen; beggars ask for alms, one holds a dog on a lead who rushes towards Heidegger. Mercury flies overhead holding a scroll lettered, "The Masquerade destroyt".
Description:
Title etched below image., Artist unidentified., Date 1727 by Paulson, R. Hogarth's graphic works, (3rd ed.), p. 48. Dated "ca. 1724" in the British Museum catalogue., According to John Nicholls in his Biographical anecdotes of William Hogarth (1785, p.134), this print inspired Hogarth's "Masquerades and Operas" (British Museum satires no. 1742), but the reverse may be the case., "Price 1 shilling"--Lower left., Sheet trimmed to plate mark., On page 26 in volume 1., and Ms. note in Steevens's hand above: An anonymous print to which Hogarth was indebted. See the following print.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748. and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
A night scene in which Camilla is abducted by four bandits on horseback, as described by Apuleius. Three women stand in a doorway in the foreground at the right, in various poses showing their sense of alarm and distress
Description:
Title, printmaker, and imprint from Paulson., "Vol: I P: 113"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., A reversed copy of a print in the 1708 edition, with some changes. See Paulson., and Sheet trimmed to plate mark.
Fantasio is being released by the hunchbacked witch Invidiosa from the chest in which he has been hiding; a young man holds the boy's shoulders. The scene is set in a ramshackle room with broom and bundle of twigs in the foreground, fire behind. The scene just before the witch lures Fantasio to her bed and changes into a beauty
Description:
Title and imprint from Paulson., "Vol: I P: 155"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Illustration of the story of Cupid and Psyche; in a bedchamber at night, Psyche holding up a lamp, is startled to discover Cupid lying on the bed
Description:
Title and imprint from Paulson., "V: II. p: 29"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
The cardinal is talking to a hermit outside his hut in the mountains. Fantasio (as a lap-dog) is in the arms of Donna Angela
Description:
Title, state, and imprint from Paulson., "V: II. P: 100"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed within plate mark.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, Frontispiece, Volume 1
Description:
Title, imprint, and publisher from Paulson., "Vol: I"--Lower left corner below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., and Sheet trimmed within plate mark.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson. and One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129.
A shop bill for John Barker Goldsmith, at the Morocco Ambassadsor's Head in Lombard Street
Description:
Title from Paulson., Formerly attributed to Hogarth., Description from a note in Steevens's hand., Sheet trimmed to plate mark., and On page 3 in volume 1.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, frontispiece to volume 4
Description:
Title, date, and publisher from Paulson., "Vol: 4."--Lower left, below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., Sheet trimmed within plate mark., and On page 21 in volume 1.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, frontispiece to volume 5
Description:
Title, date and publisher from Paulson., "Vol: 5"--Lower left, below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., Sheet trimmed within plate mark., and On page 21 in volume 1. Plate trimmed to: 13.5 x 17.1 cm.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XI; see p. 99., Ms. note in Steevens's hand: Breaking etc. arms & legs., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.6 cm.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XIII; see p. 109., Ms. note in Steevens's hand: Fustium admonitio., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Beating, Punishment & torture, Soldiers, and Roman
Title, printmaker, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. XVII; see p. 144., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. V; see page 50., On page 24 in volume 1. Plate trimmed to: 4.2 x 7.7 cm., and Ms. note in Steevens's hand: Verberatio.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, and Soldiers
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. XIV; see p. 116., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Missio Ignominiosa &c
In the foreground a man is shown nailed to a cross (center) and another (right) is tied to a stake and being eaten by two wild beasts (lions?). In the distance a man is being burned at the stake on the outskirts of a camp with tents; on the left a man is tossed off a cliff by soldiers
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VI; see p. 64., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Precipitation, Crucifixion, Burning &c.
Publisher:
publisher not identified
Subject (Name):
Beaver, John
Subject (Topic):
Crucifixions, Executions, Military camps, Roman, Punishment & torture, and Soldiers
A scene of a mass punishment in which every tenth man was executed and the rest condemned to live on barley instead of wheat
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. IV; see p. 41., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.9 cm.
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. V; see page 50., On page 24 in volume 1. Plate trimmed to: 4.4 x 7.8 cm., and Ms. note in Steevens's hand: Beheading &c.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, and Soldiers
A man's body is shown torn apart between two branches of a tree. Two other men are shown being sewn alive in the bellies of oxen. In the distance, a man is shown strapped to the wheel of a wagon
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VIII; see p. 80., On page 24 in volume 1., Ms. note in Steevens's hand: Soldiers Convicted of Adultery., and Numbered in ms. in upper left by Steevens(?): 8.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Dismemberment, Executions, Punishment & torture, and Soldiers
Title and date from Paulson., Designed for John Beaver's Roman military punishments., Sheet trimmed., On page 24 in volume 1., Ms. note in Steevens's hand above: Soldiers sold for slaves., and Numbered in ms. by Steevens (?) in upper left: 9.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, Enslaved persons, and Soldiers
Title and imprint from Paulson., Designed for John Beaver's Roman military punishments., Sheet trimmed., On page 24 in volume 1., Numbered in ms. by Steevens (?) in upper left: 16., and Title written in ms. note by Steevens above: Degradation.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
Title, state, and date from Paulson., Print created for a sequel to John Beaver's Roman military punishments, a work that was never written., On page 24 in volume 1. Plate trimmed to: 4.5 x 8 cm., Ms. note in Steevens's hand above this print and the one following: Two of Modern Military Punishments, designed for an unpublished continuation of the same work., and Ms. note in Steevens's hand below at bottom of mount: 2 of these are supposed to be spurious. Only 13 of them are known to have sold for £10.10.0.
Title and printmaker from Paulson., Print created for a sequel to John Beaver's Roman military punishments, a work that was never written., On page 24 in volume 1. Plate trimmed to: 4.2 x 7.9 cm., Ms. note in Steevens's hand above this print and the one following: Two of Modern Military Punishments, designed for an unpublished continuation of the same work., and Ms. note in Steevens's hand below at bottom of mount: 2 of these are supposed to be spurious. Only 13 of them are known to have sold for £10.10.0.
Publisher:
publisher not identified
Subject (Topic):
Punishment & torture, Punishment devices, Soldiers, and Roman
As described in Book 2 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance
Alternative Title:
Council in hell
Description:
Title, state, and date from Paulson., According to Paulson this print was never published., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Given me by the Rt Honble Willm Windham / original., and On page 55 in volume 1.
As described in Book 3 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance. In the center angels play musical instruments including trumpets, harps, and an organ
Alternative Title:
Council in heaven
Description:
Title, state, and date from Paulson., According to Paulson this print was never published., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Given me by the Rt Honble Willm Windham / original., and On page 55 in volume 1.
Subject (Name):
Milton, John, 1608-1674.
Subject (Topic):
Angels, Biblical events, Devil, Harps, Hell, Heaven, Organs, and Putti
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, Frontispiece, Volume 1
Description:
Title, imprint, and publisher from Paulson., "Vol: I"--Lower left corner below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., Sheet trimmed within plate mark., and On page 21 in volume 1. Plate trimmed to: 13.4 x 7.6 cm.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, Frontispiece, Volume 2
Description:
Title, imprint, and publisher from Paulson., "Vol: 2."--Lower left corner, below image., One of five frontispieces engraved for the five volume set of the third edition of the English translation of La Calprenède's Cassandre by Charles Cotterell, published by John Darby in 1725., Sheet trimmed within plate mark., and On page 21 in volume 1.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, Frontispiece, Volume 3
Description:
Title, date, and publisher from Paulson., "Vol: 3"--Lower left, below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., Sheet trimmed within plate mark., and On page 21 in volume 1. Plate trimmed to: 13.9 x 7.3 cm.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
"Satire on William Kent's altarpiece at St Clement Danes; a group of five angels playing musical instruments; the dove of the Holy Ghost above, surrounded by seven heads of putti. Keyed A-K in image with text below."--British Museum online catalogue
Alternative Title:
This Print is exactly engrav'd after [the] celebrated altar-peice and This print is exactly engraved after the celebrated altar-piece
Description:
Title from Paulson., Caption below image: "This Print is exactly Engrav'd after [the] Celebrated Altar-Peice [sic] in St. Clements Church which has been taken down by Order of [the] Lord Bishop of London (as tis thought) to prevent Disputs [sic] and Laying of wagers amoung [the] Parr[i]shioners about [the] Artists meaning in it ... 2 Smaller Angells as appears by the Wing[s].", Sheet trimmed to plate mark., On page 23 in volume 1., Ms. note in Steevens's hand at top of page: See Mr. Nichols's Biographical Anecdotes &c., and Ms. note in Steevens's hand above print: Original; below: First state.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129., Ms. note in Steevens's hand: Standing before the General's tent &c., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.8 cm.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, Frontispiece, Volume 3
Description:
Title, date, and publisher from Paulson., "Vol: 3"--Lower left, below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., and Sheet trimmed within plate mark.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
A scene from La Calprenede's Cassandra used as the frontispiece to the 3rd edition and translated by Sir Charles Cotterell and published by John Darby in London, September 1725
Alternative Title:
Cassandra, frontispiece to volume 5
Description:
Title, date and publisher from Paulson., "Vol: 5"--Lower left, below image., One of five frontispieces engraved for the five volume set of the third edition of Sir Charles Cotterell's English translation of La Calprenède's Cassandre, published by John Darby in 1725., and Sheet trimmed within plate mark.
Publisher:
John Darby
Subject (Name):
La Calprenède, Gaultier de Coste, seigneur de, -1663.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ..."
"Hudibras and Ralpho are in the stocks, the knight's boots, sword and pistols taking the place of the fiddle; a sympathetic widow, accompanied by her maid, addresses Hudibras while villagers gather round to mock, and a small boy urinates on Ralpho's foot"--British Museum online catalogue
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "6."--Upper right corner., and Lettered below image with verse beginning: "She vow'd she would go see the sight and visit the distressed knight: and 'twas not long before she found him, and his stout squire in the pound ..."
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Children, Peasants, Servants, Stocks (Punishment), Urination, and Widows
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales; the pedestal engraved with the date '1641'. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title begins: To this brave man, the knight repairs, for counsel in his law-affairs; ..., and Numbered "7" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras confronts the astrologer Sidrophel in an apothecary's laboratory; on his desk is a globe, an ink well with quill pen, a book and sheets of paper with a horoscope; from the ceiling and wall hang a stuffed crocodile (from which hangs a shell-shaped lantern with a high flame), swordfish, turtle, a bat, frogs, a snake, and other creatures; to left, a cupboard door is open to reveal a skeleton with an owl on its shoulder; on the floor, are a glass jar containing a homunculus or foetus, another globe decorated with the signs of the Zodiac, various scientific instruments including a telescope, a quadrant and plumb line, and a cat and a mouse-trap. Sidrophel has an amulet around his neck, "Homo sacarus museo Cherubozca".
Alternative Title:
Hudibras and Sidrophel
Description:
Title engraved below image., Title from Paulson: Hudibras and Sidrophel., State, publisher, and date from Paulson., Caption below image on either side of title, begins: "Quoth he, this scheme o' th' heav'ns set, discovers how in fight you met ...", and Numbered "8" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Amulets, Astrologers, Cats, Dead animals, Fighting, Globes, Mousetraps, Owls, Pharmacists, Scientific equipment, and Skeletons
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., and One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., and Caption on either side of title, begins: "This said, they both advanc'd, and rode A Dog-Trot through the bawling Crowd ..."
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode a dog-trot through the bawling crowd ...", and Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark.
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Sheet trimmed to plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
"An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
Alternative Title:
Hudibras frontispiece
Description:
Title engraved below image., Additonal title, state, and date from Paulson., Verse below image: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butlers genious in a car. Lashing around Mount Parnasus, in the persons of Hudibras, & Ralpho, Rebellion, Hypocrisy, and Ignorance, the reigning vices of his time., Lettered in image, the banner around the portrait of Butler: Mr. Samuel Butler, author of Hudibras, born 1612, died 1680., and Description based on imperfect impression; sheet trimmed within plate mark, some loss of text on the left lower edge.
Publisher:
Printed & sold by P. Overton near St. Dunstans Church in Fleetstreet & I. Cooper in James Street Convent Garden
Subject (Geographic):
England., Great Britain, and Parnassus, Mount (Greece)
Subject (Name):
Butler, Samuel, 1612-1680 and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
Hudibras and Ralpho riding on tired, emaciated horses travel on a country road. In the foreground to the left, a dog snarls at their approach while to the right, a man, holding a rake in one hand and his hat in his other hand, laughs at the sight of the rotund rider as he backs into and knocks over a table laden with baskets of produce and a tankard as he bends toward the riders. Behind him on the right, his wife grabs for the falling baskets and reaches for him to prevent further damage, a look of alarm on her face. In this end state a house has been added behind the wife
Alternative Title:
Sir Hudibras his passing worth, the manner how he sally'd forth and Hudibras sallying forth
Description:
State, publisher, and date from Paulson., Numbered '2' in upper left corner., Verse in four columns, two on either side of the title: "When civil dudgeon first grew high, and men fell out they knew not why: when Gospel-trumpeter surrrounded with long-ear'd rout, to battel sounded, and pulpit drum ecclesiastick was beat with fist, instead of a stick, then did Sir Knight abandon dwelling and out he rose a colonelling. A squire he had, whose name was Ralph, that in th' adventure went his half. An equal stock of wit and valour he had laid in, by birth a taylor. Their armes and equipage did fit as well as vertues, parts and wit their valours too were of a rate, and out they sally'd at the gate.", Sheet trimmed within plate mark., and Sheet trimmed to: sheet 26.6 x 34.1 cm.
Hudibras and Ralpho encounter a mob armed with sticks; in the foreground to right, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "3" in upper right corner., Caption below, on either sige of title beginning: The catalogue and character of th' enemies best men of war; whome ina bold harangue [the] knight defies, and challenges to fight. H' encounters Talgol, routs the bear, and takes the fidler prisoner; conveys him to enchanted castle, there shuts him fast in wooden bastile., Sheet trimmed within plate mark., and Imprint mostly erased from this impression.
Publisher:
Sold by Phil. Overton near St. Dunstans Church Fleetstreet and Ino. Cooper in Iames Street, Convent Garden
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: This said the high, outragious Mettle, Of Knight, began to cool and settle ..., and Sheet trimmed within plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
"Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher, wielding clubs; to left, Ralpho is held by a man with a rope and another with a sword."-- British Museun online catalogue
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., Date and state from Paulson., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case., Numbered "5" in upper right corner., and Description based on imperfect impression; sheet trimmed within plate mark with loss of series number in upper right corner.
Publisher:
Printed and sold by Philip Overton near St. Dunstans Church in Fleetstreet and I. Cooper in Iames Street Convent Garden
Subject (Geographic):
England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Hudibras and Ralpho are in the stocks, the knight's boots, sword and pistols taking the place of the fiddle; a sympathetic widow, accompanied by her maid, addresses Hudibras while villagers gather round to mock, and a small boy urinates on Ralpho's foot."--British Museum online catalogue
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Numbered "6."--Upper right corner., Lettered below image with verse beginning: She vow'd she would go see the sight and visit the distressed knight: and 'twas not long before she found him, and his stout squire in the pound ..., and Description based on imperfect impression; sheet trimmed within plate mark with loss of number in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Children, Peasants, Servants, Stocks (Punishment), Urination, and Widows
