"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue., Ms. note in pencil in Steevens's hand above print: Ranby's house., and On page 154 in volume 2. Sheet trimmed within plate mark to: 10 x 14.9 cm.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", and Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
Two soldiers shown full-length engaged in a fight. The bayonet of the solder on the left is pierced through the chest of the soldier on the right whose sword is drawn over his head and ready to strike
Description:
Title devised by curator., Ms. note in pencil on sheet above plate mark: Not in Nichols's book., and Formerly on page 108 in volume 2. Removed from Steevens volume by LWL conservator in 2012.
Publisher:
Publish'd Octr.1, 1791 by W. Birch, Hampstead Heath from a drawing by Hogarth
Copy of the frontispiece to Laurence Sterne's 'The Life and Opinions of Tristram Shandy, Gentleman', 2nd ed. (R and J Dodsley: London, 1760), vol. 1 (illustrating an episode in vol. 2); Corporal Trim stands at right, reading a sermon on Conscience, seen from behind and illustrating the passage in which his posture is described with 'his knee bent, but that not violently - but so as to fall within the limits of the line of beauty'; at left Dr Slop, asleep in a chair by the fire; behind, Walter Shandy and Uncle Toby sitting and smoking, Toby's map of the fortifications at Namur above on the wall; state with grandfather clock in the corner and tricorne hat on the floor
Description:
Title from original print on which this reversed copy is based. See Paulson., "Vol. I, page 214"--Upper right corner., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 233., and On page 186 in volume 2.
Publisher:
Published as the act directs Jany. 14th 1780 by W. Strahan, T. Cadell, J. Dodsley, G. Robinson, & J. Murray, &c. &c.
Title from Paulson. Questionable attribution to Hogarth in 2nd ed.; rejected attribution in 3rd edition., Alternative title from text in image., "T. I".Upper left corner., "B".Upper right corner., Plate from: A. de la Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., See Paulson, R. Hogarth's graphic works (2nd ed.), no. 270., and On page 17 in volume 1.
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Description:
Title from Paulson., From Paulson: The plate ... appeared in the second edition published May 21, 1761., Location in volume lacking in this second plate., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Description:
Title from Paulson., From Paulson: The plate ... appeared in the first edition published January 28, 1761., "Vol. 4 Page 112"--Upper right corner., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
Subscription ticket for "Sigismonda" with a figure of Time as an old winged man sitting on a broken statue, blowing pipe-smoke at a dark landscape painting on the easel in front of him and which he has pierced with his scythe; at the top of the frame of the painting is a Greek quote, and ending with its identification: "See Spectator Vol. II: Page 83." On the floor to the left is a large jar labeled "Varnish".
Description:
Title, printmaker, state, and date from Paulson., Lettered within image in this state, the name "Crates" added to the top left of the picture frame. Lower right of image inscribed with quote: "-As statues moulder into Worth. P.W." Below a couplet, "To Nature and your Self appeal, Nor learn of others, what to feel. Anon:"., Description based on imperfect impression; sheet trimmed to plate mark with loss of subscription receipt., Ms. note in pencil in Steevens's hand: ibidem., and On page 187 in volume 2.
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states., Sheet trimmed to plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above print: Proof. In pencil in Steeven's hand above row of three impressions of this portrait: Dr. Pellet. See Nichols's Book, 3d. edit., p. 407.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market
Make the label on the breast & the ring round the neck more distinct and Make the label on the breast and the ring round the neck more distinct
Description:
Titles devised by cataloger based on Paulson titles for Hogarth's originals., With: [Third modern military punishment]., No statement of responsibility below second (lower) image., The top plate with note etched above image: "make the label on the breast & the ring round the neck more distinct.", Design intended for: John Beaver's Roman military punishments., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, vol. i, opposite p. 54., On page 24 in volume 1., and Ms. note in Steevens's hand in pencil above these two plates on one sheet: Forgeries.
Publisher:
Faulder and Egerton
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
Make the label on the breast & the ring round the neck more distinct and Make the label on the breast and the ring round the neck more distinct
Description:
Titles devised by cataloger based on Paulson titles for Hogarth's originals., With: [Third modern military punishment]., No statement of responsibility below second (lower) image., The top plate with note etched above image: "make the label on the breast & the ring round the neck more distinct.", Design intended for: John Beaver's Roman military punishments., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, vol. i, opposite p. 54.
Publisher:
Faulder and Egerton
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
Quixote and Sancho meet the goatherder and his goat on a path under a large rock formation
Alternative Title:
Don Quixote and the knight of the rock
Description:
Title from state 3., Title from Paulson: Don Quixote and the knight of the rock., State, publisher, and date from Paulson., Sheet trimmed within plate mark., "Vol. I. p. 140."--Below image, lower left., and On page 87 in volume 1. Plate mark trimmed to: 244 x 183 mm.
Title from later impression with title and Hogarth's name added., After the design engraved on the tankard belonging to the Clare Market Artists Club which included William Hogarth., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., Copy after Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), no. 6., Sheet trimmed to plate mark., With Steevens's ms. note in ink below image: Tankard., With ms. note in pencil: Sold at Gulstons sale for £10.0.0., Printmaker's name erased from this impression., and On page 3 in volume 1. Sheet 12.4 x 17.6 cm.
Title from later impression with title and Hogarth's name added., After the design engraved on the tankard belonging to the Clare Market Artists Club which included William Hogarth., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 77., Copy after Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), no. 6., Sheet trimmed to plate mark., and Title added in pencil below: Silver tankard.
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., 1 print : etching with engraving on laid paper ; plate mark 21.6 x 30.7 cm, on sheet 24.9 x 37 cm., and Mounted on leaf 47 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., 1 print : engraving and etching on laid paper ; plate mark 21.5 x 30.6 cm, on sheet 26 x 36.3 cm., Mounted on leaf 59 x 46 cm., and Plate 58 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., Ms. note in pencil in Steevens's hand above print: 2nd. impression., and On page 130 in volume 2. Sheet trimmed within plate mark to: 21.7 x 30.5 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., "Price one shilling"--Lower left corner, below image., Ms. note in pencil in Steevens's hand above print: Stage Coach. See Mr. Nichols's book, 3d edit. p. 284., and On page 130 in volume 2. Sheet trimmed wtihin plate mark: 21.6 x 30.5 cm.
Publisher:
Wm. Hogarth.
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
