"The adventure of Mambrino's helmet; Quixote on horseback, charging at the barber with his lance, the barber already having dismounted from his donkey and making an escape to right, the basin (mistaken for Mambrino's helmet) lying on the ground; Sancho on the back of his donkey, hailing Quixote from the top of a hill beyond; proposed illustration to 'Don Quixote' (unpublished)"--British Museum online catalogue
Alternative Title:
Adventure of Mambrino's helmet
Description:
Title from original Hogarth print. Added titles from Paulson., "Page 315. Don Quixote. Pl. 5."--Above image., An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 96., and On page 88 in volume 1.
Children in front of a foundling hospital engaged in various industrious activities; on the right a weeping woman kneels, holding a handkerchief to her eyes, her child having fallen into the river behind her. A man turns to look at her; he holds a folio with the words "The Royal Charter" etched at the top. In the distance, a view of the coast and ships at sea
Description:
Title from caption below image., Plate from: Ireland, J. A supplement to Hogarth illustrated. London : [J. Ireland], 1798., "Page 257"--Upper right corner., Copy after Hogarth. See Paulson, R. Hogarth's graphic works, no. 225., Sheet trimmed on right and left edges., Ms. note in Steevens's hand above print: Copy., and On page 101 in volume 2. Sheet trimmed to, plate visible at bottom: 9.7 x 13.2 cm.
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched below image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Dobson calls this the second state although he mis-identifies the publisher as Boydell., Sheet trimmed close to plate mark., Copy of: No. 2564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 105 in volume 2.
Publisher:
Published May 1, 1798 by Saml. Phillips 5. Leicester Square
Subject (Topic):
Blacks, Clothing & dress, Dandies, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Ms. note in Steevens's hand in pencil above print: See Nichols's book, 3d. edit. p. 259., and On page 105 in volume 2. Sheet trimmed to: 20.9 x 27.2 cm.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
Copy: an expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Copy of: No. 2563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in pencil in Steevens's hand: Copy., and On page 105 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Description:
Title etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Copy., and On page 107 in volume 2.
Copy of William Hogarth's portrait of Simon Lord Lovat as an elderly, rotund man seated on a chair, its back carved with putti supporting a coronet. He is counting on his fingers the number of Scottish clans that fought with the Pretender in the rebellion. To his left is a table on which sits a book (entitled "Memoirs" in the original by William Hogarth) and quill pen in an ink bottle
Description:
Title etched below image., "Page 293"--Upper right corner., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2801., For a discussion of the original see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 166., Ms. note in pencil in Steevens's hand at top of sheet: Copy., and On page 123 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747
Subject (Topic):
Jacobites, Obesity, Peerage, British, and Rebellions
Copy of the frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761); landscape, with river, domed temple and city, in foreground the upper part of a column, its capital bearing emblems of the Prince of Wales, a cupid with a book, a paper with geometrical figures struck by a ray from the rising sun
Alternative Title:
Frontispiece to Kirby's Perspective of architecture
Description:
Paulson's title for the print on which this is based: Frontispiece to Kirby's Perspective of architecture, "Page 179"--Top right., Original drawing in the British Museum., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 235., and On page 185 in volume 2.
A copy of Hogarth's design and C. Grignion's print, first version: Tailpiece to the catalogue of pictures exhibited in Spring Gardens. A monkey dressed as a connoisseur waters with a watering can three withered and sapless trees in pots. A banner under the pots is labelled 'EXOTICKS'. In his right hand he holds a magnifying glass to his eye. The trees are labelled 'OBIT 1502', 'OBIT 1600' and '[O]BIT 1604'.
Description:
Title etched below image., "Page 99"--Above image, right., Sheet trimmed within plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 3809., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 237., and On page 188 in volume 2.
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Copy of Hogarth print: The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming
Description:
Title etched below image., Text above image: Present state of the plate in the possession of Messrs. Boydell., "Page 233"--Upper right corner., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 232., Quotation below title: Believe not every spirit but try the spirits whether they are of God because many false prophets are gone out into the world. 1 John Ch. 4. V.1., Sheet trimmed to plate mark., Reduced copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1787, Reduced copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210, and On page 191 in volume 2.
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 191 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
A politician sits center in a chair before a table with a single candlestick on top. He holds the candle itself in his hand as he closely examines a sheet of paper, oblivious to the fact that the candle is burning a hole in the brim of his hat. A copy after Hogarth without the two wall maps
Description:
Title etched below image., "Page 274".--Upper right corner., On page 206 in volume 3., and Text visible from verso.
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
Description:
Title etched below image., Inscribed in plate at top right: Page 276., Illustration from: Ireland, S. Graphic illustrations of Hogarth?, Not in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in: Paulson, R. Hogarth's graphic works., Sheet trimmed to plate mark., and On page 209 in volume 3.
"The princess leaning forward and to the left, resting her elbow on a casket on top of an ornate table, and her chin on her hand, weeping, pressing to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet."--British Museum online catalogue
Description:
Title etched below image., After the original painting by Correggio., Plate from: Ireland, S. Graphic illustrations of Hogarth, 1799., Sheet trimmed within plate mark., and On page 226 in volume 3.
Title etched below image., Sheet trimmed to plate mark., Ms. note in ink in Steevens's hand beneath print: See Mr. John Ireland's Hogarth illustrated, p. 158., and On page 230 in volume 3.
Sketches by Hogarth, including one of the dancer George Desnoyer, wearing helmet and skirt, dancing; a king and queen at top left, and a shield with child's head and wings to the right; copy after Hogarth
Description:
Title etched below image., Numbered at the top right: Page 162., Illustration to the third volume of the supplement to John Ireland's 'Hogarth Illustrated' (?)., Sheet trimmed to plate mark., Ms. note in ink in Steevens's hand at bottom of print and continuing below print: See John Ireland's Supplement to Hogarth's Illustrated, &c 1798 page 162; in pencil above child with shield: 3., and On page 230 in volume 3.
Title etched below image., "Page 147."--Upper right corner., Plate from the first edition of: Ireland, J. Hogarth illustrated, vol. iii, p. 147., Ms. note in ink in Steevens's hand above print: The Vase. Ms. note in ink in Steevens's hand below print: See Mr. John Ireland's Hogarth illustrated, p. 147., and On page 231 in volume 3.
Title etched above image., Vignette from titlepage of John Ireland's Hogarth illustrated, vol. iii., Sheet trimmed to plate mark., Ms. note in ink in Steevens's hand above print: Serpentine or Dolphin Candlestick. See the title-page to Mr. John Irelandss Hogarth illustrated., and On page 231 in volume 3.
Publisher:
Published March 1798, for John Ireland, Poets Corner, Palace Yard, Westminster
