Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
"Satire on the opponents of William Hogarth, suggesting that Paul Sandby's 'Burlesque sur le Burlesque' "will Serve to Whipe your Bum"."--British Museum online catalogue
Description:
Title etched below image., Lettered with captions in the image, the title, fourteen lines of verse 'Patrons of Worth Encouragers of Arts ... Oh,. kindly puff their Praise when e'er You Sh-e' and 'According to act of Parliment 1754'., Sheet trimmed to plate mark., and On page 206 in volume 3.
publish'd according to the act of Parliament 1754.
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand at bottom of print: These Connoisseurs were suspected to be a work of Hogarth. They were placed, with some of his undisputed designed, in the background of the Author runs mad, which is known to be one of Mr. Sand[b]ys satirical productions., and On page 290 in volume 3.
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
The stage of a theatre, with halters suspended over three managers of theatres; the labels issuing from the mouths of these persons have characteristic words. Wilks dangles Punch. The Laureat Cibber dangles Harlequin and invokes the Muses. Booth letting down the image of Jack Hall basphems: "Ha this will do G-d D- me". On the table before the speakers is a pamphlet with a print of Jack Shepard. Ben Jonson's ghost, holding a lit candle, rises to the stage on the left. In Horace Walpole's catalog, this print is referred to as "Booth, Wilks and Cibber contriving a pantomime, a satire on farces."
Alternative Title:
Three heads are better than one
Description:
Title etched above image., State, publisher, and date from Paulson., "Price six pence".--Lower right corner., First state of the print with motto in banner at top of image misspelled: "Vivetur ingenio"., Caption below image: This print represents the rehearsing a new farce that will include [the] two famous entertainments Dr. Faustus & Harlequin Shepherd to wch. will be added Scaramouch Jack Hall the chimney-sweeper's escape from Newgate through [the] privy ... [Signed] Vivat Rex., Sheet trimmed within plate mark., On page 22 in volume 1., Ms. note in pen in Steevens's hand below: Booth, Wilks and Colley Cibber., and Ms. note in pencil in Steevens's hand below: See Nichols Book 3d ed p. 143.
Publisher:
Wm. Hogarth
Subject (Name):
Cibber, Colley, 1671-1757., Jonson, Ben, 1573?-1637., Thurmond, John, active 1724-1749., and Wilks, Robert, 1665?-1732.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., and Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ..."
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and 1 print : etching with engraving, on laid paper ; plate mark 347 x 472 mm, on sheet 472 x 611 cm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and On page 65 in volume 1. Plate trimmed to: 34.3 x 47 cm.
A copy of William Hogarth's portrait of Lord Lovat with oval portraits in the four corners of: Lord Balmerino aged 58, Lord Cormartie pardon'd, Charles Ratclif aged 53, and Lord Kilmarnook aged 42.
Description:
Title etched at top of image on a banner with the heads of Townley and Fletcher on pikes on either side., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2801., and On page 123 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747 and Balmerino, Arthur Elphinstone, Lord, 1688-1746,
New Dunciad done with a view of the fluctuating ideas of taste and New Dunciad done with a view of fixing the fluctuating ideas of taste
Description:
Title etched above image. The word "fixing" in the title is deliberately scratched out by the artist; "[the]" represents the brevigraph sometimes mis-transcribed "ye"., Printmaker and publication date from British Museum catalogue., A satire on Hogarth by Paul Sandby., and On page 291 in volume 3. Sheet trimmed: 18.6 x 22.3 cm.
New Dunciad done with a view of the fluctuating ideas of taste and New Dunciad done with a view of fixing the fluctuating ideas of taste
Description:
Title etched above image. The word "fixing" in the title is deliberately scratched out by the artist; "[the]" represents the brevigraph sometimes mis-transcribed "ye"., Printmaker and publication date from British Museum catalogue., and A satire on Hogarth by Paul Sandby.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[approximately November 1768]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A tracing of an etching that reproduces in a general way the design of "A scene of a pantamime entertainment lately exhibitied (British Museum satire no. 4220) with some additions and variations
Description:
Title etched below image., Knight of Malta identified as the Marquis Townshend., and On page 203 in volume 3.
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[ca. November 1768]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Abstract:
A tracing of an etching that reproduces in a general way the design of "A scene of a pantamime entertainment lately exhibitied (British Museum satire no. 4220) with some additions and variations
Description:
Title below image., Knight of Malta identified as the Marquis Townshend., Tracing of no. 4221 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 293 in volume 3. Sheet trimmed to:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Dr. Herring Lord Archbishop of Canterbury and Archbishop Herring
Description:
Title etched around image., C. Mosley after a painting by William Hogarth. See Catalogue of Engraved British portraits., Date from Catalogue of engraved British portraits., A portrait of the Archbishop at the head of an engraved speech., Sheet trimmed within plate mark., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and Formerly on page 122 in volume 2. Remove in 2012 by LWL conservator.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Name):
James, Prince of Wales, 1688-1766. and Herring, Thomas, 1693-1757
Pisces: Hogarth's Quadrille fish and Hogarth's quadrille fish
Description:
Title etched above image., Date, artist and printmaker from Paulson., Not in Paulson's 3rd edition., Plate from: Ireland, J. Hogarth illustrated, supplement, p. 368, 3rd editon., Sheet trimmed to plate mark., and On page 231 in volume 3.
Title etched below image., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 210 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and On page 296 in volume 3. Sheet: 7.1 x 10.3 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
A tracing by George Steevens of a print by Willaim Hogarth: Theatre stage with two dancers; on the left a woman (La Barbarina) jumps with her legs apart and on the right a man (George Desnoyer) stands with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles. With the text "C.C. Prickt lines shewing the rising Height" at the foot of the stage as in the first state and with a face on the sun
Alternative Title:
Charmers of the age
Description:
Title from item., Lengthy pencil note in William Windham's hand below: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., After Paulson, R. Paulson, R. Hogarth's graphic works (3rd ed.), no. 153., and On page 100 in volume 1.
Subject (Name):
Campanini, Barberina, 1721-1799 and Desnoyer, George, approximately 1700-1764
Subject (Topic):
Dancers, German, Italian, and Theatrical productions
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", Ms. note in pencil in Steevens's hand above print: 3d impression., Sheet trimmed to: 43.3 x 55.5 cm., and Formerly on page 171 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., and Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth."
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." In this state a cobweb has been introduced in the upper right corner of the window. The words "AND THE" in the sign on the street is imperfectly erased after "DEVIL".
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", Ms. note in pencil in Steevens's hand above print: First impression. See Mr. Nichols's book, 3d edit. p.334 &c., and On page 169 in volume 2.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., and Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth."
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Bound in Horace Walpole's copy of Analysis of beauty along with State 1 of Plate 2. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and On page 167 in volume 2. Sheet trimmed to: 38.5 x 50.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Sheet trimmed within plate mark: 38 x 50 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image. and "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols'sbook, 3d edit, p. 325., and On page 164 in volume 2. Sheet trimmed to: 39.1 x 50.8 cm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and 1 print : etching and engraving, on laid paper ; sheet 385 x 504 mm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State and date from Paulson., Ms. note in pencil in Steevens's hand above print: 3rd Impression., and Formerly on page 166 in volume 2. Removed in 2012 by LWL conservator.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 165 in volume 2.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image. and State from Paulson.
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.2 cm, on sheet 45 x 56 cm., and Leaf 36 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d edit, p. 324., Sheet trimmed to: 41.7 x 51.1 cm., and Formerly on page 162 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Kinnaird 33K Box 310
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., and Laid paper; sheet trimmed to 42.0 x 52.0 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
A shop card with an image of a ship being loaded with goods in Florence. Mercury turns to a woman (emblem of Florence) with a sampling of the goods of the region at her feet. On the right, workers carry loads of goods onto a ship as the merchant looks on. In the distance a view of Rome. The four corners of the frame are images of Naples, Venice, Genoa, and Leghorne
Alternative Title:
Shop card for Mrs. Holt's, Italian Warehouse
Description:
Title from text below image. and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. 1, page 17.
A shop card with an image of a ship being loaded with goods in Florence. Mercury turns to a woman (emblem of Florence) with a sampling of the goods of the region at her feet. On the right, workers carry loads of goods onto a ship as the merchant looks on. In the distance a view of Rome. The four corners of the frame are images of Naples, Venice, Genoa, and Leghorne
Alternative Title:
Shop card for Mrs. Holt's, Italian Warehouse
Description:
Title from text below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. 1, page 17., On page 3 in volume 1. Sheet 17.8 x 13.5 cm., and Ms. note in pencil above image: Copy.
A shop card with an image of a ship being loaded with goods in Florence. Mercury turns to a woman (emblem of Florence) with a sampling of the goods of the region at her feet. On the right, workers carry loads of goods onto a ship as the merchant looks on. In the distance a view of Rome. The four corners of the frame are images of Naples, Venice, Genoa, and Leghorne
Alternative Title:
Shop card for Mrs. Holt's, Italian Warehouse
Description:
Title from text below image., On page 3 in volume 1., and Mss. note in pencil above image: Original.
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.9 x 32.4 cm, on sheet 59 x 46 cm., and Plate 74 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.8 x 32.4 cm, on sheet 56 x 45 cm., and Leaf 51 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", Ms. note in pencil in Steevens's hand centered above two impressions: See Mr. Nichols's book, 3d. edit. p. 312., and On page 153 in volume 2. Sheet , trimmed within platemark to: 38.6 x 30.9 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 68++ Box 315
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., and Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ..."
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a joint of meat into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s."-- Lower right corner of plate., Four lines of verse in each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand centered above two impressions: See Mr. Nichols's book, 3d. edit. p. 312., and On page 153 in volume 2.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.9 x 32.4 cm, on sheet 59 x 46 cm., and Plate 74 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?).
Description:
Title engraved below image., State from Dobson., Sheet trimmed within plate mark., To the left of the imprint statement: Size of the picture 24 i. by 30 i. long., Ms. note in pencil in Steevens's hand above print: Not in Nichols's book., and On page 221 in volume 3. Sheet trimmed to: 46.1 x 58.2 cm.
Publisher:
Publish'd July 1st, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall, London
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?).
Description:
Title engraved below image., State from Dobson., Sheet trimmed within plate mark., To the left of the imprint statement: Size of the picture 24 i. by 30 i. long., Formerly laid in Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Sheet trimmed to 45.6 x 58.3 cm.
Publisher:
Publish'd July 1st, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall, London
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?).
Description:
Title engraved below image., State from Dobson., Sheet trimmed within plate mark., To the left of the imprint statement: Size of the picture 24 i. by 30 i. long., Mounted on page 210 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : engraving on wove paper ; sheet 44 x 54.2 cm., and For further information, consult library staff.
Publisher:
Publish'd July 1st, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall, London
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Inside a cottage at Stoke, Hogarth and his friends breakfast, shave, and draw as they begin their day
Description:
Title etched below image., Figures are lettered in plate with key beneath title: A. The fisherman shaving. B. Mr. Thornhill. C. Mr. Tothall shaving himself. D. Mr. Hogarth drawing this drawing. E. Mr. Forrest at breakfast F. Mr. Tothall. G. Mr. Scott finishing a drawing., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, and Scott, Samuel, approximately 1710-1772,
Subject (Topic):
Artists, Eating & drinking, Interiors, and Shaving
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., and Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth).
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth)., Ms. note in Steevens's hand above print: See Mr. Nichols's book, 3d edit., p. 449., and On page 122 in volume 2. Sheet trimmed within plate to: 16 x 8.3 cm.
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
Title etched above image., Printmaker from British Museum catalogue., The first state of this plate; in the second state the title changed to 'The Burlesquer burlesqued'. See Bindman, D. Hogarth and his times., Sheet trimmed to plate mark., and On page 290 in volume 3.
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and On page 38 in volume 1. Plate trimmed to: 27.3 x 50.2 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., and One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Sheet trimmed to plate mark., and Sheet trimmed: 285 x 501 mm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Sheet trimmed to plate mark., and On page 38 in volume 1. Plate trimmed to: 27.1 x 49.8 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Sheet trimmed to plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
Plate 40. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A rural scene depicting with three inns at election time. At The Portobello (named in celebration of the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit smoking or drinking at table while reminiscing; the tankard of the one engraved with the words "John Hill at the Porto Bello." At the second inn in the distance, is The Excise Office; on its sign is a picture the Crown. It is a Whig stronghold as its name alludes to Walpole's Excise Bill of 1733. It is surrounded by a rioting crowd; a man leans out one of the upper windows and is shooting a gun. At the third inn, the sign for The Royal Oak (its name alluding to Tory support for the Stuart monarchy) is partly obscured by the banner of "Punch Candidate for Guzzledown" which shows the Treasury being emptied of money that a candidate throws at voters. In the center of the design, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish peddler for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France. In this state the lion's teeth haved been removed and the print generally darkened
Description:
Title engraved above image., State and publisher from Paulson., Dedication etched below image: To His Excellency Sr. Charles Hanbury Williams Embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble Servant. Willm. Hogarth., Second in a series of "Four prints of an election"., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 173 in volume 2. Sheet trimmed to: .
Publisher:
W. Hogarth
Subject (Topic):
City & town life, Eating & drinking, Political elections, Politicians, Taverns (Inns), Smoking, and Riots
Plate 40. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A rural scene depicting with three inns at election time. At The Portobello (named in celebration of the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit smoking or drinking at table while reminiscing; the tankard of the one engraved with the words "John Hill at the Porto Bello." At the second inn in the distance, is The Excise Office; on its sign is a picture the Crown. It is a Whig stronghold as its name alludes to Walpole's Excise Bill of 1733. It is surrounded by a rioting crowd; a man leans out one of the upper windows and is shooting a gun. At the third inn, the sign for The Royal Oak (its name alluding to Tory support for the Stuart monarchy) is partly obscured by the banner of "Punch Candidate for Guzzledown" which shows the Treasury being emptied of money that a candidate throws at voters. In the center of the design, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish peddler for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France. In this state the lion's teeth haved been removed and the print generally darkened
Description:
Title engraved above image., State and publisher from Paulson., Dedication etched below image: To His Excellency Sr. Charles Hanbury Williams Embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble Servant. Willm. Hogarth., Second in a series of "Four prints of an election"., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.6 cm, on sheet 46 x 59 cm., and Plate 40 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
W. Hogarth
Subject (Topic):
City & town life, Eating & drinking, Political elections, Politicians, Taverns (Inns), Smoking, and Riots
A rural scene with three inns. At "The Portobello" (celebrating the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit reminiscing. At "The Excise Office" (the Whig stronghold, its name alluding to Walpole's Excise Bill of 1733) with the sign of the Crown and a rioting crowd; and "The Royal Oak" (recalling Tory support for the Stuart monarchy), its sign partly obscured by the banner of "Punch Candidate for Guzzledown" in which the Treasury is being emptied of money that the candidate throws at voters; in the centre, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish pedlar for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France
Description:
Title engraved above image., State and publisher from Paulson., Second plate in "Four prints of an election"., Sheet trimmed to plate mark., Dedication etched below image: To his Excellency Sr. Charles Hanbury Williams embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble servant Willm. Hogarth., Second in the series "Four prints of an election"., Ms. note in pencil in Steevens's hand: 1st impression., Sheet trimmed to: 43.3 x 55.5 cm., and Formerly on page 172 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
W. Hogarth
Subject (Topic):
Riots, Political elections, Taverns (Inns), Smoking, and Street vendors
Plate 40. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A rural scene depicting with three inns at election time. At The Portobello (named in celebration of the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit smoking or drinking at table while reminiscing; the tankard of the one engraved with the words "John Hill at the Porto Bello." At the second inn in the distance, is The Excise Office; on its sign is a picture the Crown. It is a Whig stronghold as its name alludes to Walpole's Excise Bill of 1733. It is surrounded by a rioting crowd; a man leans out one of the upper windows and is shooting a gun. At the third inn, the sign for The Royal Oak (its name alluding to Tory support for the Stuart monarchy) is partly obscured by the banner of "Punch Candidate for Guzzledown" which shows the Treasury being emptied of money that a candidate throws at voters. In the center of the design, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish peddler for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France. In this state the lion's teeth haved been removed and the print generally darkened
Description:
Title engraved above image., State and publisher from Paulson., Dedication etched below image: To His Excellency Sr. Charles Hanbury Williams Embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble Servant. Willm. Hogarth., and Second in a series of "Four prints of an election".
Publisher:
W. Hogarth
Subject (Topic):
City & town life, Eating & drinking, Political elections, Politicians, Taverns (Inns), Smoking, and Riots
Plate 40. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A rural scene depicting with three inns at election time. At The Portobello (named in celebration of the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit smoking or drinking at table while reminiscing; the tankard of the one engraved with the words "John Hill at the Porto Bello." At the second inn in the distance, is The Excise Office; on its sign is a picture the Crown. It is a Whig stronghold as its name alludes to Walpole's Excise Bill of 1733. It is surrounded by a rioting crowd; a man leans out one of the upper windows and is shooting a gun. At the third inn, the sign for The Royal Oak (its name alluding to Tory support for the Stuart monarchy) is partly obscured by the banner of "Punch Candidate for Guzzledown" which shows the Treasury being emptied of money that a candidate throws at voters. In the center of the design, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish peddler for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France. In this state the lion's teeth haved been removed and the print generally darkened
Description:
Title engraved above image., State and publisher from Paulson., Dedication etched below image: To His Excellency Sr. Charles Hanbury Williams Embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble Servant. Willm. Hogarth., and Second in a series of "Four prints of an election".
Publisher:
W. Hogarth
Subject (Topic):
City & town life, Eating & drinking, Political elections, Politicians, Taverns (Inns), Smoking, and Riots
A rural scene with three inns. At "The Portobello" (celebrating the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit reminiscing. At "The Excise Office" (the Whig stronghold, its name alluding to Walpole's Excise Bill of 1733) with the sign of the Crown and a rioting crowd; and "The Royal Oak" (recalling Tory support for the Stuart monarchy), its sign partly obscured by the banner of "Punch Candidate for Guzzledown" in which the Treasury is being emptied of money that the candidate throws at voters; in the centre, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish pedlar for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France
Description:
Title engraved above image., State and publisher from Paulson., Second plate in "Four prints of an election"., Sheet trimmed to plate mark., Dedication etched below image: To his Excellency Sr. Charles Hanbury Williams embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble servant Willm. Hogarth., and Second in the series "Four prints of an election".
Publisher:
W. Hogarth
Subject (Topic):
Riots, Political elections, Taverns (Inns), Smoking, and Street vendors
Plate 40. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A rural scene depicting with three inns at election time. At The Portobello (named in celebration of the naval victory of 1739 in contrast with the recent loss of Minorca), two veterans sit smoking or drinking at table while reminiscing; the tankard of the one engraved with the words "John Hill at the Porto Bello." At the second inn in the distance, is The Excise Office; on its sign is a picture the Crown. It is a Whig stronghold as its name alludes to Walpole's Excise Bill of 1733. It is surrounded by a rioting crowd; a man leans out one of the upper windows and is shooting a gun. At the third inn, the sign for The Royal Oak (its name alluding to Tory support for the Stuart monarchy) is partly obscured by the banner of "Punch Candidate for Guzzledown" which shows the Treasury being emptied of money that a candidate throws at voters. In the center of the design, a young country gentleman is being bribed by agents of both parties, while, to right, a portly candidate buys trinkets from a Jewish peddler for two young ladies on the balcony of "The Royal Oak"; the landlady counts her bribe under the watchful eye of a soldier while she leans against a carved British lion about to devour the fleur-de-lis of France. In this state the lion's teeth haved been removed and the print generally darkened
Description:
Title engraved above image., State and publisher from Paulson., Dedication etched below image: To His Excellency Sr. Charles Hanbury Williams Embassador to the court of Russia. This plate is most humbly inscrib'd by his most obedient humble Servant. Willm. Hogarth., Second in a series of "Four prints of an election"., and Sheet trimmed to plate mark: sheet 434 x 550 mm.
Publisher:
W. Hogarth
Subject (Topic):
City & town life, Eating & drinking, Political elections, Politicians, Taverns (Inns), Smoking, and Riots
Portrait of philanthropist Thomas Coram, shown bust-length to right within oval frame, eyes to the right, his shoulder-length hair loose, wearing plain, open coat and white necktie; after Hogarth. Below frame, a "frontview of [the] Founding Hospital."
Description:
Title from text in image., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint from bottom edge, and periodical's name and date from top edge. Missing text supplied from impression in the British Museum, registration no.: 1880,1113.4783., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 18 (1749), opposite p. 239., "Engrav'd for [the] London magazine 1749"--Above image., and On page 107 in volume 2.
Publisher:
Printed for R. Baldwin Junr. at the Rose in Pater Noster Row
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Description:
Title etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Copy., and On page 107 in volume 2.
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[1794]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown bust-length to left within oval frame, eyes to front, his shoulder-length hair loose, wearing plain, open coat and white necktie; after Hogarth
Description:
Title etched below image., Later state with imprint: Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London., Sheet trimmed within plate mark., and On page 107 in volume 2.
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Alternative Title:
Captain Thomas Coram
Description:
Title, artist, printmaker and imprint from later state., Later state with lettering below the image with title, continuing "who after 17 years unwearied application, obtained the Charter of the Foundling Hospital, / To the Governors & Guardians of the Hospital, this Print is humbly dedicated / by their obedient humble Servt / R. Cribb", production and publication details: "W. Hogarth Pinxt" "London, Published Dec. 1. 1796, by R. Cribb No 288 Holborn" and "W. Nutter sculpt"., Sheet trimmed to plate mark except at bottom., Ms. note in pencil in Steevens's hand at bottom of print: Not in Nichols's book. Proof impression., and On page 222 in volume 3.
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Alternative Title:
Captain Thomas Coram
Description:
Title, artist, printmaker and imprint from later state., Later state with lettering below the image with title, continuing "... To the Governors & Guardians of the Hospital, this Print is humbly dedicated / by their obedient humble Servt / R. Cribb"., Sheet trimmed to plate mark except at bottom., Ms. note in pencil in Steevens's hand at bottom of print: Not in Nichols's book., and On page 223 in volume 3.
Publisher:
Published Dec. 1, 1796 by R. Cribb, No. 288 Holborn
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.8 cm, on sheet 46 x 59 cm., and Leaf 42 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., and Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 177 in volume 2. Sheet trimmed to: 43.4 x 55.5 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., and Sheet trimmed to plate mark: 431 x 555 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., and Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Two men are seated at a table, the elder (on the left, identified as Martin Folkes) looks through his eyeglasses at a watch, a paper headed 'Votes of the Common' is on the table in front of him. On the right a younger man (identified as Addison) sits across from him, his left arm casually draped over the back of his bench; on the table in front of him is a bowl; he holds a spoon in his right hand, his hat on the seat beside him. After a drawing formerly attributed to Hogarth. See British Museum online catalogue
Alternative Title:
Martin Folkes
Description:
Title from text in image above the two figures., Series title etched below image; plate number in upper right corner above image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 31., Figures labeled with names: Martin Folkes and the other largely obscured by burnishing., and On page 232 in volume 3. Printed in brown-ish ink on wove paper, sheet trimmed to: 14.8 x 20.4 cm.
Publisher:
Faulder and Egerton
Subject (Geographic):
England.
Subject (Name):
Addison, Joseph, 1672-1719. and Folkes, Martin, 1690-1754.
Two men are seated at a table, the elder (on the left, identified as Martin Folkes) looks through his eyeglasses at a watch, a paper headed 'Votes of the Common' is on the table in front of him. On the right a younger man (identified as Addison) sits across from him, his left arm casually draped over the back of his bench; on the table in front of him is a bowl; he holds a spoon in his right hand, his hat on the seat beside him. After a drawing formerly attributed to Hogarth. See British Museum online catalogue
Alternative Title:
Martin Folkes
Description:
Title from text in image above the two figures., Series title etched below image; plate number in upper right corner above image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 31., and Plate number altered in pen from '3' to '2'.
Publisher:
Faulder and Egerton
Subject (Geographic):
England.
Subject (Name):
Addison, Joseph, 1672-1719. and Folkes, Martin, 1690-1754.
"A game of draughts interrupted; four men at a table, on the left, Alexander Pope (?) standing with a paper in his right hand, at centre, the players (one of whom is said to be Dr. John Arbuthnot) in full-bottomed powdered wigs, to right, a man said to be Count Viviani in a long curling wig and cloak, his left hand resting on a stick; after a drawing formerly attributed to Hogarth"--British Museum online catalogue
Alternative Title:
Dr. Arbuthnot. Count Viviani
Description:
Title from text in image. Series title below image; plate number in upper right corner., Sheet trimmed within plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, 1702., and On page 232 in volume 3. Printed in brownish ink, sheet trimmed to: 15.5 x 19.9 cm.
Publisher:
Samuel Ireland?
Subject (Name):
Pope, Alexander, 1688-1744., Arbuthnot, John, 1667-1735., and Viviani, Count.
"A game of draughts interrupted; four men at a table, on the left, Alexander Pope (?) standing with a paper in his right hand, at centre, the players (one of whom is said to be Dr. John Arbuthnot) in full-bottomed powdered wigs, to right, a man said to be Count Viviani in a long curling wig and cloak, his left hand resting on a stick; after a drawing formerly attributed to Hogarth"--British Museum online catalogue
Alternative Title:
Dr. Arbuthnot. Count Viviani
Description:
Title from text in image. Series title below image; plate number in upper right corner., Sheet trimmed within plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, 1702., and On page 232 in volume 3. Printed in brownish ink, sheet trimmed to: 15.5 x 19.9 cm.
Publisher:
Samuel Ireland?
Subject (Name):
Pope, Alexander, 1688-1744., Arbuthnot, John, 1667-1735., and Viviani, Count.
"A game of draughts interrupted; four men at a table, on the left, Alexander Pope (?) standing with a paper in his right hand, at centre, the players (one of whom is said to be Dr. John Arbuthnot) in full-bottomed powdered wigs, to right, a man said to be Count Viviani in a long curling wig and cloak, his left hand resting on a stick; after a drawing formerly attributed to Hogarth"--British Museum online catalogue
Alternative Title:
Dr. Arbuthnot. Count Viviani
Description:
Title from text in image. Series title below image; plate number in upper right corner., Sheet trimmed within plate mark., and Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, 1702.
Publisher:
Samuel Ireland?
Subject (Name):
Pope, Alexander, 1688-1744., Arbuthnot, John, 1667-1735., and Viviani, Count.
A game of draughts ended; four men at a table, the figure on left (Dr Garth) is in full bottom powdered wig, standing, with cane on table, his three-cornered hat beside him, the players, seated opposite each other in the centre, and to right, a figure (Pope) standing with his left hand raised; after a drawing formerly attributed to Hogarth
Alternative Title:
Dr. Garth. Pope
Description:
Title from text below image; plate number in upper right corner., Reissue with plate no. re-engraved to '4'., Plate in: Ireland, S. Graphic illustrations of Hogarth. vol.1, p. 38., Sheet trimmed within plate mark at top., and Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, 1701.
Publisher:
publisher not identified
Subject (Name):
Garth, Samuel, Sir, 1661-1719. and Pope, Alexander, 1688-1744.
A game of draughts ended; four men at a table, the figure on left (Dr Garth) is in full bottom powdered wig, standing, with cane on table, his three-cornered hat beside him, the players, seated opposite each other in the centre, and to right, a figure (Pope) standing with his left hand raised; after a drawing formerly attributed to Hogarth
Alternative Title:
Dr. Garth. Pope
Description:
Title from text below image; plate number in upper right corner., Reissue with plate no. re-engraved to '4'., Plate in: Ireland, S. Graphic illustrations of Hogarth. vol.1, p. 38., Sheet trimmed within plate mark at top., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, 1701., and On page 232 in volume 3. Printed in brownish ink on sheet trimmed to: 15.3 x 20.4 cm.
Publisher:
publisher not identified
Subject (Name):
Garth, Samuel, Sir, 1661-1719. and Pope, Alexander, 1688-1744.
