In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Sheet trimmed within plate mark., Following imprint: "Price six pence.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 17., Watermark: Strasburg bend with initials LVG below., Mounted to 32 x 48 cm., and 'Gazette' in title erased from this impression; 'Evening' written in contemporary hand.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Earlier state of the print had 'Gazette' in title; this later state Gazette has been burnished out and replaced with 'Evening Post.', Description based on imperfect impression; sheet trimmed within plate mark., Following imprint: "Price six pence.", Later state, with change in title, of No. 3605 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
Title from caption below image., Year of publication in imprint written in ms., A companion print to: The chosen candidate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published (for the proprietor) by James Bulcock, 17 Park Walk, Chelsea and W. Day, lithog., 17 Gale Street
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Anger, Corruption, Crowds, Political elections, and Signs (Notices)
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", and Imperfect impression: sheet trimmed to 162 x 175 mm.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 44 cm., and Dated '1722' in unknown contemporary hand after title.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
A crowd of people, most wearing Scotch plaid, stand before a mountebank's stage, holding out their hands to the charlatan, a caricature of Lord Bute who holds bags of money. Behind him on the floor of the stage is a chest filled with more bags of money. A woman in a Welsh hat, the Princess of Wales, looks out from the curtains of a bed in the back of the stage and listens with pleasure. A tall quack (T. Smollet) wears a fool's cap, a hornbook hangs from his girdle, and the newspapers The Briton rolled under his arm; at his feet are other copies of The North Briton and The Monitor
Description:
Title etched below image., Numbered in upper right corner: "Brit. Antidote. Pl. 20.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 20., Bowditch's transcription of E. Truman's note on the mounting sheet; "Truman Sale 1906.", and Mounted to 31 x 47 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Political corruption, Patronage, Political, Crowds, Fools & jesters, and Quacks
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Heading to etched verses. Mrs. Clarke, seated on a dais, receives applicants for commissions who advance through a doorway (left). She sits on a drum, wearing a cocked hat and military sash over a white dress, and holds up a sword. A short fat soldier holds over her head a Union flag with the white horse of Hanover. Two soldiers stand at attention with fixed bayonets behind her, and a fat trumpeter blows his trumpet. Another Union flag, without the white horse, flies from the corner of the large dais. On the wall hangs a notice: 'Half-pay Commissions at Half Price for Ready Money'. The applicants press forward in a bunch, headed by a fat and gouty 'cit' hobbling on two sticks, behind whom is a chimneysweep. The first of three verses: 'Come all you brave Fellows who wish for Promotion. Wether Captain or Colonel or a General's your notion. A Warehouse I keep for the sale of Commissions, And our Prices you'll find will suit all conditions, You'll be treated with Honor if you secrecy mark Sir For my Master is Noble and I am his Clarke Sir, You'll be treated &c.' The last lines: 'But forget not the ready (Gold or Notes) for pray mark! My Master wants Money, & so does his Clarke. But forget not &c.' The verses are bordered by spears which serve as posts for plump purses, symmetrically attached to them."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Political corruption, Soldiers, British, Flags, Podiums, Daggers & swords, Hats, Staffs (Sticks), and Chimney sweeps