Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman., and Matted to 49 x 37 cm.
Publisher:
Pubd. Aug. 14, 1803, by W. Holland, No. 11 Cockspur Street, Pall Mall
"Napoleon (right) stands between two Russians; one (left) he strikes on the chin with his fist, saying, "There Sir take that, and tel your Master, I'll thras every one who dares to speak to me I'll thrash all the World D -me I'll, I'll I,'ll be King of the Universe." The injured Russian stares, saying, "Why this is club Law; this is the Argument of force indeed the little Gentleman is Dêrangé." Behind Napoleon (right) an officer in fur cloak and hussar's cap watches with indignation, saying, "The Monarch I represent, will return this insult with becoming dignity." On the left John Bull, jovial and grossly fat, and wearing top-boots, puts his arm across the shoulders of a pugilist, and points to Napoleon, saying, "There my Boy is an Ambassador who will treat with you in your own way, but I say be as gentle with him as you can." The good-looking brawny pugilist, who is stripped to the waist, clenches his fists, saying, "what! is it that little Whipper snapper I am to set too with why I think the first round will settle his hash." [An early use of this phrase which disproves Partridge, 'Slang Dict., tracing it in England to 1825, and in U.S.A. to 1807, suggesting that the English may have learnt it in the war of 1812. It was clearly current in England by 1803] Bonaparte is small and youthful, caricatured chiefly by the disproportionate size of cocked hat and sabre."--British Museum online catalogue
Alternative Title:
John Bull introducing his new ambassador to the Grand Consul
Description:
Title etched below image. and Laid down on modern paper backing and matted to 36 x 46 cm.
Publisher:
Pub. by S.W. Fores, N. 50 Piccadilly, London
Subject (Geographic):
France, Russia., Russia, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, and Markov, Arkady Ivanovich, 1747-1827
Subject (Topic):
Foreign relations, John Bull (Symbolic character), Boxers (Sports), and Insults
"Burdett in armour stands with legs astride, sword raised, left fist clenched, making an onslaught on a book which is on the ground, its pages slashed and tattered. On these are fragments of inscriptions: 'Red Book for the . . .'; 'Treasury'; 'Pensions' [twice]; 'Pensions 4000, 3000, 2.400'; 'Teller o the Ex[chequer] . . . 6000 4.000'; 'Sinecu[res]'. He declaims: "I will not stop, - till I have cut out the accursed leaves of the Red Book!!!" His sword-blade is 'Took's Improved Steel'. On the right Tooke peers at him, holding aside a curtain; he says: "Come Come my pupil goes on better than I expected - very indeed for a beginning yes - yes - he'll do after a little practice" [see British Museum Satires No. 10731, &c.]. He holds a book: 'Diversions of Purley' [see (e.g.) British Museum Satires No. 9020]. On the left John Bull, dressed as Sancho Panza with a short tunic and ruff, gapes at his master, his hands on his knees. He says: "What the deuce is he at now! he will certainly get himself into some scrape or other." Mambrino's helmet (the barber's basin) lies at Burdett's feet; it has a tricolour cockade and three feathers."--British Museum online catalogue
Alternative Title:
John Bull turned Sancho Panza
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 1807 by Walker, No. 7 Cornhill
Subject (Name):
Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character), and Panza, Sancho (Fictitious character)
Subject (Topic):
John Bull (Symbolic character), Armor, Daggers & swords, Books, Draperies, Helmets, and Feathers
"Joseph Bonaparate, the newly crowned King of Spain, stands at centre wearing doublet, slashed breeches, crown, medallion and cloak, and turned in beseeching attitude to left, where four Spaniards are standing; Joseph says, 'For this kind and flattering reception much thanks. behold the Brother of the great Napolean come to reign over you for your goods.' One of the Spanish men, with a long sword, says to another whose hand is on his dagger, 'yes Comrade and for our Chattels too if I guess right.'; behind them, a woman holding a dagger says to another, 'He was bred an Attorney and w'eel soon eject him from Spain'. Behind Joseph at right stand his French supporters, one holding a flag lettered 'Vive le Roi' over Joseph's head, and angrily crying, 'Will no one Huzza - - will no one ring the Bells - if you dont make a noise you shall all fall by the Royal Bayonet.', a cry of 'Vive le Roy Huzza' arising from a pike-carrying crowd behind."--British Museum online catalogue
Description:
Title etched below image., Year of publication precedes publisher's statement in imprint., Plate numbered "53" in upper left corner, with the digit "3" etched backwards., A pair to "King Joes retreat from Madrid, published on the same date with the same plate number. See Curator's comments in the British Museum online catalogue., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Paper damaged with loss to the word "flattering" in King Joe's speech bubble, upper left. Mounted to 28 x 38.1 cm.
"The interior of a tent. Duroc, in his shirt, lies supported by a soldier on a wooden bed, while Napoleon (right) holds his right hand, turning away (to the right) and covering his face with his left hand. An officer stands solicitously beside the Emperor, supporting his left elbow. Another officer stands (left) behind the head of the low bed. On the extreme left a soldier bends over a table compounding medicaments. Duroc's coat and sword lie on a camp-stool, beside his hat and boots. A glimpse of the distant camp is seen on the extreme right, where a Mameluke stands by the tent holding Napoleon's horse. Duroc is addressing the Emperor, with his left arm extended. Their words are etched below the title: "Duroc, "My whole life has been consecrated to your service, nor do I regret its loss, but for the use it still might have been of to your Buonaparte, "Duroc!" there is a life to come; it is there you are going to wait for me, and where we shall one day meet again!" Duroc, "Yes Sire! but that will not be these thirty years, when you will have triumphed over your enimies [sic], and realised all the hopes of your country, I have lived an honest man: I have nothing to reproach myself with, ah! Sire! go away this sight gives you pain--Be, "Farewell then my friend"."--British Museum online catalogue
Alternative Title:
Dramatic effect, or, The death of General Duroc, Death of Genl. Duroc, and Death of General Duroc
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on bottom edge., and Watermark: 1809.
Publisher:
Pubd. June 9th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Name):
Duroc, Géraud Christophe Michel, duc de Frioul, 1772-1813 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Death and burial, Generals, French, Military officers, Soldiers, Military camps, Deathbeds, War casualties, Wounds & injuries, and Medicines
A depiction of Caroline of Brunswick's funeral procession, which captures the public mood of Caroline having been both poorly treated and sent to an early grave. Groups of men are shown carrying large banners stating 'The Power of Public Opinion' and 'Friends of Humanity'. The procession is shown in four lines with mourners on foot, on horseback and in carriages. The hearse is on the third line
Description:
Title engraved below image., Probably an early work by James Pollard, possibly done under the direction of his father Robert., Sheet trimmed to plate mark., and Mounted on board 29.3 x 24 cm.
Publisher:
Pub. by Dean & Munday, Threadneedle Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Death and burial, Funeral processions, Hearses, and Mourning clothing & dress
Caption title., With a woodcut portrait of Queen Caroline above two columns of text, within a mourning border., First line: In what rapid succession has death been making its inroads upon the Royal Family of England! ..., and Laid on to cream card. For further information, consult library staff.
Publisher:
Printed by P. White, 25, New-street, Bishopsgate, for the Religious Tract Society, and sold by J. Davis, at their Depository, 56, Paternoster-row; and J. Nisbet, 15, Castle-street, Oxford-street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
Caption titles., Two verses, each printed in one column with woodcut illustration at head., "Verses on the death of her Majesty" has imprint: Pitts printer and wholesale toy warehouse, Great St. Andrew Street 7 Dials., "To the memory of our beloved Queen Caroline" to the tune of "While pensive I thought on my love.", First line of "To the memory of our beloved Queen Caroline": The fair rose of England is dead ..., First line of "Verses on the death of her Majesty Queen Caroline": Hark! the doleful knell is tolling ..., and Laid on to recent blue sugar paper. For further information, consult library staff.
Publisher:
Printed at Pitts, wholesale toy warehouse, 6, Great St. Andrew Street, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
