Subject Heading: Sandwich, John Montagu, Earl of, 1718-1792 > Caricatures and cartoons

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1. The repeal [graphic].

Creator:: Wilson, Benjamin, 1721-1788, printmaker
Published / Created:: [1766]
Call Number:: 766.03.18.01.1+
Image Count:: 1
Description:: Title etched at top of image., Printmaker and publication date from the Catalogue of prints and drawings in the British Museum., Sheet partially trimmed within plate mark., Cf. No. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Repeal of the Stamp Act, 1766 -- Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem.
Publisher:: publisher not identified
Subject (Name):: Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Found in:: Lewis Walpole Library > The repeal [graphic].

2. The repeal, or, The funeral of Miss Ame=Stamp [graphic].

Creator:: Wilson, Benjamin, 1721-1788, printmaker
Published / Created:: [1766]
Call Number:: 766.03.18.01.2+
Image Count:: 1
Resource Type:: still image
Alternative Title:: Funeral of Miss Ame Stamp
Description:: Title etched at top of image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Bowditch's notes on mounting sheet; mounted to 37 x 56 cm.
Publisher:: publisher not identified
Subject (Name):: Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Found in:: Lewis Walpole Library > The repeal, or, The funeral of Miss Ame=Stamp [graphic].

3. The recruiting serjeant, or, Brittanniais happy prospect [graphic] / Leonardo da Vinci invt

Creator:: Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:: [1757]
Call Number:: 757.04.00.01.2+
Image Count:: 1
Resource Type:: still image
Alternative Title:: Brittanniais happy prospect and Britannia's happy prospect
Description:: Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:: To be had facing Hungerfd. Market, Strand
Subject (Name):: William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):: Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Found in:: Lewis Walpole Library > The recruiting serjeant, or, Brittanniais happy prospect [graphic] / Leonardo da Vinci invt

4. The recruiting serjeant, or, Brittanniais happy prospect [graphic] / Leonardo da Vinci invt

Creator:: Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:: [1757]
Call Number:: 757.04.00.01.1+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: Satire lampooning the attempt by Henry Fox to form a ministry, with Fox leading a recuiting party
Alternative Title:: Brittanniais happy prospect and Britannia's happy prospect
Description:: Title from item., Another state, without publication line. Cf. No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Military uniforms: recruit's uniform -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Da Vinci, Leonardo, 1452-1520: travesties.
Publisher:: publisher not identified
Subject (Name):: William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Mendip, Welbore Ellis, Baron, 1713-1802, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):: Britannia (Symbolic character), Equestrian statues, Drums (Musical instruments), and Musicians
Found in:: Lewis Walpole Library > The recruiting serjeant, or, Brittanniais happy prospect [graphic] / Leonardo da Vinci invt

5. Concerto coalitionale [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: [7 June 1785]
Call Number:: Folio 75 Sa85 810
Collection Title:: Leaf 28. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:: Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:: Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):: Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):: Trained animals, Concerts, and Musical instruments
Found in:: Lewis Walpole Library > Concerto coalitionale [graphic]

6. Concerto coalitionale [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: [7 June 1785]
Call Number:: Folio 75 Sa85 782 (Oversize)
Collection Title:: Leaf 28. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:: Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:: Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):: Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):: Trained animals, Concerts, and Musical instruments
Found in:: Lewis Walpole Library > Concerto coalitionale [graphic]

7. Concerto coalitionale [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: [7 June 1785]
Call Number:: 785.06.07.01+
Collection Title:: Leaf 28. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:: Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:: Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):: Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):: Trained animals, Concerts, and Musical instruments
Found in:: Lewis Walpole Library > Concerto coalitionale [graphic]

8. The Regency twelfth cake not cut up "And all the people rejoiced and said "Long live the King" / [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: 19 Febry. 1789.
Call Number:: Folio 75 Sa85 782 (Oversize)
Collection Title:: Leaf 50. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:: Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., and Mounted on page 67 with one other print.
Publisher:: Publ. by Thos. Cornell
Subject (Geographic):: Great Britain.
Subject (Name):: Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
Subject (Topic):: Regency, Crowns, Cakes, and Knives
Found in:: Lewis Walpole Library > The Regency twelfth cake not cut up "And all the people rejoiced and said "Long live the King" / [graphic]

9. The Regency twelfth cake not cut up "And all the people rejoiced and said "Long live the King" / [graphic]

Creator:: Sayers, James, 1748-1823, printmaker
Published / Created:: 19 Febry. 1789.
Call Number:: Folio 75 Sa85 810
Collection Title:: Leaf 50. Folio album of 144 caricatures.
Image Count:: 1
Resource Type:: still image
Abstract:: "Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:: Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., 1 print : etching and aquatint with drypoint on wove paper ; plate mark 25.2 x 32.9 cm, on sheet 27 x 34.3 cm., and Mounted on leaf 50 of James Sayers's Folio album of 144 caricatures.
Publisher:: Publ. by Thos. Cornell
Subject (Geographic):: Great Britain.
Subject (Name):: Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
Subject (Topic):: Regency, Crowns, Cakes, and Knives
Found in:: Lewis Walpole Library > The Regency twelfth cake not cut up "And all the people rejoiced and said "Long live the King" / [graphic]