Volume 1, page 10b. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A grinning man with a long queue stands facing right, holding a pair of shears in his left hand. He holds wooden box that serves as a stool in his right hand, and under his right arm is a struggling dog. Behind him, in the upper left, hangs a sign with three fleur-de-lis that is lettered "LA VENGEANCE De crotteur royal Tond des CHIENS Proprement".
Description:
Title, printmaker, and publication date supplied by curator., Sheet trimmed to plate mark., For a version of this design in reverse, published 25 April 1771 by M. Darly, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 10b in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The figure of Time, with his scythe, hovers in the air between the kneeling figures of Pitt on the left and Fox on the right. Through two pipes inscribed, "Court favor" and "popularity," he blows bubbles that Pitt catches in his mouth. Fox, his hands raised in supplication, begs Time for the same favor. His plea is supported by the Duchess of Devonshire who stands behind him. In the background, a radiating temple on a rock behind Pitt is inscribed, "St. Jameses." Behind Fox, a lighthouse with a flare hanging from its top is signed, "House of Commons." Between the two, on the other side of a river, is a ruined ancient city, a reference to Rome
Description:
Title from item. and Printmaker from British Museum catalogue.
Publisher:
Pub'd by [...]
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Political elections, Scythes, Temples, Ruins, Lighthouses, Tobacco pipes, Scissors & shears, and Clothing & dress
Leaf 72. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and imprint statement., Restrike. For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374., and On leaf 72 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1832?]
Call Number:
832.00.00.42
Image Count:
1
Resource Type:
still image
Abstract:
Two groups of tailors battle each other. The group on the left, fighting under the "Journeymen Tailors Union for a fair renumeration of labour" banner, charge forward riding geese and using scissors as weapons; additional members fire bows and arrows from towers. The group on the right, fighting under the "Union of Master Tailors for a coninuance of tyranny low wages & profits 100 percent" banner, are well dressed and hang back in a defensive position; they use firearms, swords, and a shield bearing a pound sign ("£") as weapons
Description:
Title from text below image., Signed in lower left corner with the initials of Charles Jameson Grant., Date of publication from unverified data in local card catalog record., Text following title: When snip meets snip then comes the tug of war!, and Not in the Catalogue of prints and drawings in the British Museum.
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., The year of publication in lower right corner is etched over "1807.", In lower left corner of design: Rowlandson 1812. "1812" is etched over "1807.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 14, 1812 by T Rowlandson, No. 1 James S[t]., Adelphi
Two tailors, stripped to the waist, fight each other with shears. One tailor has cut off the nose of his emacipated opponent ; his own ear falls to the ground. One of the seconds holds a cucumber in each hand; the other holds a cabbade while on the right another tailor holds a tape measure. On the floor are cucumbers, cabbages, garments, and a tailor's goose
Alternative Title:
Fighting tailors
Description:
Title etched below image.
Publisher:
Pub. Aprill [sic] 17, 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Tailors, Scissors & shears, Cucumbers, Cabbages, and Fighting
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[29 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, 29th March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early (proof?) state of the plate, before day of publication added to imprint and before drypoint shading added to image. For a later state, see no. 4669 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., First of three plates on leaf 57., and 1 print : etching on laid paper ; plate mark 15 x 10.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., and For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
"Three men shear four rams with human faces and long spiral horns. The first (left), still unshorn, has the bottle-nose and drink-blotched face of Curtis; a large bell hangs from his neck; he bleats B A A A A A A. His shearer says: Come along you Blubber--alias Bell Weather S'Blood what a Cur 'tis; in his pocket is a paper: Quintus Curtius. He is Quin, who took an active part against Flower. The second, Councillor Waithman (a draper), holds Flower, the Mayor, labelled The Flower of the Flock, who is almost shaved; he says: Egad I have Cut them preelly [sic] close; his shears, like those of Quin, are inscribed Vox Popula [sic]. The third, Alderman Harvey Combe, uses a comb. He holds Alderman Price and says to Waithman: Ne'er Wait man I have Combed them well--. Price says: N'o Blubber Sperm fetches the best Price. Beside him is another ram (Shaw), completely shorn and dejected; it says: Pshaw I can never Stand upright in the presence of a great Mon but always Keep Booing, booing [cf. British Museum Satires No. 11306]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Ruse & Turners 180[5?].
"The interior of a blacksmith's forge. Two men in leather aprons and rolled up shirt-sleeves stand at the anvil; one has a hammer in his right. hand, the iron in his left. Both gape in consternation towards a tailor, who stands on the right. He holds in his hand a newspaper, "The Morning . . . Monday July" and reads from it. Under his arm is a large pair of scissors, a yard measure hangs from his pocket. The other smith, behind and to the left., is similarly dressed; by him stands a man also wearing an apron but with a coat and a short wig. In the background is a woman holding a baby. On the left. is a large forge with a cone-shaped chimney and an enormous pair of bellows. The roof is raftered. Four horse-shoes, a bent strip of iron, and the portrait of a man (possibly Wilkes) hang on the wall. A dog is asleep in the foreground."--British Museum online catalogue
Description:
Title from caption below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Dated by British Museum catalogue: 1 July 1772., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 229., and Temporary local subject terms: Newspapers -- Pictures amplifying subject: portrait (of John Wilkes?) -- Literature: reference to Shakespeare's King John, iv.2.
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
Title etched below image., Date of publication based on that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 28., Text above image: For the Oxford mag., Temporary local subject terms: Interior: tailor's workshop -- Furniture: tailor's bench -- Tailor's implements: flat iron -- Button card -- Reference to George III's hobby of button-making -- Female dress: petticoat hoop -- Reference to the Princess of Wales's influence -- Slang: 'cabbage' as cloth pilfered by tailors., and Mounted to 31 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Dyson, Jeremiah, 1722-1776, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norton, Fletcher, 1716-1789, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
Tailor shops, Scissors & shears, Buttons (Fasteners), and Irons (Pressing)
A scissor grinder stands beside his cart, mounted with a grinding wheel. He holds a pair of large scissors in his hands
Alternative Title:
Scissors grinder
Description:
Title engraved in image., Printmaker and imprint from title page of work in which this print was published., Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820., Sheet trimmed within plate mark., and Watermark: partially cut off name.
Publisher:
Samuel Leigh
Subject (Topic):
Carts & wagons, Grinding wheels, Occupations, and Scissors & shears
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the right, a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Alternative Title:
Samson asleep on the lap of Delilah
Description:
Title etched below item., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark on one side., Plate number "71" lightly etched in upper right., 1 print : etching ; irregular sheet 17 x 22 cm, mounted to 20 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed closely around the figures of Mary Anne Clarke and the Duke of York, with the rest of the design and all text trimmed away., and Mounted on verso of fourth front flyleaf.
Publisher:
Pubd. March 19, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Samson (Biblical judge), and Delilah (Biblical figure)
Subject (Topic):
Mistresses, Sofas, Scissors & shears, Military officers, and British
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the right, a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Alternative Title:
Samson asleep on the lap of Delilah
Description:
Title etched below item., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark on one side., Plate number "71" lightly etched in upper right., 1 print : etching ; sheet 23.5 x 33.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., and Bound in after title page.
Publisher:
Pubd. March 19, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Samson (Biblical judge), and Delilah (Biblical figure)
Subject (Topic):
Mistresses, Sofas, Scissors & shears, Military officers, and British
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Tailor's shears -- Irons -- Food: cucumbers -- Tankards -- Goose -- Cabbage.
Publisher:
Published August 1, 1823 by John Fairburn, Broadway, Ludgate Hill
