Visscher, Claes Jansz., 1586 or 1587-1652, printmaker
Published / Created:
Ao. 1605.
Call Number:
Print01226
Image Count:
1
Resource Type:
still image
Alternative Title:
[The barbershop].
Description:
Title and date from item., Alternate title supplied by curator., Place of publication derived from language of text., Sheet trimmed., At bottom right, stamp of Friedrich August II., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Barber shops, interior., and Pencil inscription verso.
publish'd according to act of Parliament, June 11, 1746.
Call Number:
746.06.11.01.1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on barbers showing a figure composed from implements connected with the trade, the body being a mirror, the arms razors, the legs tongs, etc. In the background, three heads on blocks with names of "Three Notorious Spoil Trades": "N - cre", "Warehouse/Gr-ng - r" and "Ch-p-m-n"; woods, a house and hills beyond. Surrounded by a rococo frame from which hang combs, curls,etc.; title in a cartouche above and key below with publication line"--British Museum catalogue
Description:
Title from item., 'Price 6d.', Key to numbers in the image in a vignette below it and surrounding imprint., Earlier state of No. 2469 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend, partially cut off at top, with initials L V G below.
Publisher:
To be had of F. Hammond, engraver, in Charles Court in St. Martins Lane, and of the print sellers of London
Subject (Topic):
Arcimboldesque figures, Barbers, Equipment, Occupations, and Scissors & shears
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Title etched below image., Date of publication based on that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 28., Text above image: For the Oxford mag., Temporary local subject terms: Interior: tailor's workshop -- Furniture: tailor's bench -- Tailor's implements: flat iron -- Button card -- Reference to George III's hobby of button-making -- Female dress: petticoat hoop -- Reference to the Princess of Wales's influence -- Slang: 'cabbage' as cloth pilfered by tailors., and Mounted to 31 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Dyson, Jeremiah, 1722-1776, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norton, Fletcher, 1716-1789, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
Tailor shops, Scissors & shears, Buttons (Fasteners), and Irons (Pressing)
Volume 1, page 10b. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A grinning man with a long queue stands facing right, holding a pair of shears in his left hand. He holds wooden box that serves as a stool in his right hand, and under his right arm is a struggling dog. Behind him, in the upper left, hangs a sign with three fleur-de-lis that is lettered "LA VENGEANCE De crotteur royal Tond des CHIENS Proprement".
Description:
Title, printmaker, and publication date supplied by curator., Sheet trimmed to plate mark., For a version of this design in reverse, published 25 April 1771 by M. Darly, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 10b in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., and For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., First of three plates on leaf 57., and 1 print : etching on laid paper ; plate mark 15 x 10.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs an advertisement placard next to which is drawn a small stag's head with antlers
Description:
Title engraved below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by W. Humphrey, St. Martin's Lane
"The interior of a blacksmith's forge. Two men in leather aprons and rolled up shirt-sleeves stand at the anvil; one has a hammer in his right. hand, the iron in his left. Both gape in consternation towards a tailor, who stands on the right. He holds in his hand a newspaper, "The Morning . . . Monday July" and reads from it. Under his arm is a large pair of scissors, a yard measure hangs from his pocket. The other smith, behind and to the left., is similarly dressed; by him stands a man also wearing an apron but with a coat and a short wig. In the background is a woman holding a baby. On the left. is a large forge with a cone-shaped chimney and an enormous pair of bellows. The roof is raftered. Four horse-shoes, a bent strip of iron, and the portrait of a man (possibly Wilkes) hang on the wall. A dog is asleep in the foreground."--British Museum online catalogue
Description:
Title from caption below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Dated by British Museum catalogue: 1 July 1772., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 229., and Temporary local subject terms: Newspapers -- Pictures amplifying subject: portrait (of John Wilkes?) -- Literature: reference to Shakespeare's King John, iv.2.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs a small stag's head with antlers
Alternative Title:
City tailor's wife dressing for the Pantheon
Description:
Title engraved below image., Later state, with plate reworked to include an altered publication line and changes to the design. For an earlier state published by William Humphrey that has an advertisement placard present on the back wall among other differences, see Lewis Walpole Library call no.: 772.02.05.02+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by Heny. Parker at No. 82 in Cornhill, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early (proof?) state of the plate, before day of publication added to imprint and before drypoint shading added to image. For a later state, see no. 4669 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[29 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, 29th March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
The figure of Time, with his scythe, hovers in the air between the kneeling figures of Pitt on the left and Fox on the right. Through two pipes inscribed, "Court favor" and "popularity," he blows bubbles that Pitt catches in his mouth. Fox, his hands raised in supplication, begs Time for the same favor. His plea is supported by the Duchess of Devonshire who stands behind him. In the background, a radiating temple on a rock behind Pitt is inscribed, "St. Jameses." Behind Fox, a lighthouse with a flare hanging from its top is signed, "House of Commons." Between the two, on the other side of a river, is a ruined ancient city, a reference to Rome
Description:
Title from item. and Printmaker from British Museum catalogue.
Publisher:
Pub'd by [...]
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Political elections, Scythes, Temples, Ruins, Lighthouses, Tobacco pipes, Scissors & shears, and Clothing & dress
Inside a wig-maker's shop a bald man sitting on a stool squirms in agony as an elder woman attends to the wound on his forehead. Another man, standing to their right, looks on with visible discomfort. To their left is a table laid with scissors, razors, pliers, basin, small length of cloth and a bottle of 'Jalap.' A cat sits next to the cloth. In the background, on a wide window-sill, are wig-maker's tools and a wig in progress. Several finished wigs hang on pegs above the window. A number of boxes with the customers' names on them stand on a shelf above the door and an almanack hangs on the wall behind it. The door is wide open revealing in the background two men fighting a duel in front of the 'Crown' tavern, surrounded by several onlookers
Description:
Title engraved below image., Publisher's dates from British Museum catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark top center of sheet.
Publisher:
Publish'd April 21st, 1784, by Wm. Wells, No. 132 (opposite Salisbury Court) Fleet Street, London
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
Two tailors, stripped to the waist, fight each other with shears. One tailor has cut off the nose of his emacipated opponent ; his own ear falls to the ground. One of the seconds holds a cucumber in each hand; the other holds a cabbade while on the right another tailor holds a tape measure. On the floor are cucumbers, cabbages, garments, and a tailor's goose
Alternative Title:
Fighting tailors
Description:
Title etched below image.
Publisher:
Pub. Aprill [sic] 17, 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Tailors, Scissors & shears, Cucumbers, Cabbages, and Fighting
"Britannia (left), a buxom young woman, clasps the trunk of a large oak, while Paine tugs with both hands at her stay-lace, placing a large foot on her posteriors. He wears blue and buff with a tricolour cockade on his bonnet rouge. From his coat pocket protrudes a pair of scissors and a tape inscribed: 'Rights of Man'. His face is blotched with drink and his expression is fiercely intent, but he is neatly dressed. Behind him is a thatched cottage inscribed: 'Thomas Pain, Stay-maker from Thetford. Paris Modes, by express.' Britannia looks over her shoulder at the stay-maker (cf. British Museum Satires No. 9240) with an expression of pained reproach. Her shield leans against the tree; her spear is on the ground; across it lies an olive-branch."--British Museum online catalogue
Alternative Title:
Good constitution sacrificed for a fantastick form
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Female costume: stays -- Emblems: tri-colored cockade -- Male costume: bonnet rouge -- Reference to tailors -- Literature: Thomas Paine's Rights of Man -- Allusion to French Revolution -- Reference to Thetford and Paine's stay-making past -- Britannia's shield -- Symbols: olive branch., and Mounted to 42 x 30 cm.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809
Subject (Topic):
Britannia (Symbolic character), Corsets, Scissors & shears, Liberty cap, Shields, Spears, and Olive branches
"A whole length figure stands full-face divided by a vertical line, one half (left) representing a man, the other a woman. The background is similarly bisected, one half (left) being a surgeon's dispensary, the other a carpeted room with a domestic grate on which a saucepan is heating. Beneath the title: 'or a newly discover'd animal, not known in Buffon's time; for a more full description of this Monster, see, an ingenious book, lately publish'd, price 3/6, entitled, Man-Midwifery dessected, containing a variety of well authenticated cases, elucidating this animal's Propensities to cruelty & indecency, sold by the publisher of this Print, who has presented the Author with the above for a Frontispiece to his Book.' The surgeon, who is fashionably dressed, holds an instrument inscribed 'Lever'; the woman holds out a small vessel. The man's bottles, &c, are ranged on three shelves; on the lowest, inscribed 'This shelf for my own use', are bottles inscribed 'Love Water', 'Cantharides', 'Eau de vie', 'Cream of Violets'. Obstetric instruments are inscribed: 'forceps', 'Boring Scissors', and 'Blunt Hook'. On the ground (left) is a large pestle and mortar."--British Museum online catalogue
Alternative Title:
Man-midwife
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Frontispiece to: Fores, S. W. Man-midwifery dissected; or, the obstetric family-instructor ... , London : Published for the author, by S. W. Fores, 1793., and Temporary local Medical Library subject terms: Forceps.
Publisher:
Pub. June 15, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Fores, S. W.
Subject (Topic):
Midwives, Pharmacists, Mortars & pestles, Medical equipment & supplies, Surgical instruments, and Scissors & shears
A scissor grinder stands beside his cart, mounted with a grinding wheel. He holds a pair of large scissors in his hands
Alternative Title:
Scissors grinder
Description:
Title engraved in image., Printmaker and imprint from title page of work in which this print was published., Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820., Sheet trimmed within plate mark., and Watermark: partially cut off name.
Publisher:
Samuel Leigh
Subject (Topic):
Carts & wagons, Grinding wheels, Occupations, and Scissors & shears