Title from item., Date from upper margin text., Place of publication derived from street address., In upper margin: Salon Caricatural de 1843.; 3., Below caption: (La Bible salon M. Steuben.), Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pedicure.
Publisher:
Chez Pannier & Cie. R. du Croissant, 16 and Imp. d'Aubert & Compie
Subject (Topic):
Podiatry, Foot, Care and hygiene, Diseases, Angels, Scissors & shears, Slippers, Fear, and Sick persons
The figure of a barber in profile made from various tools of his trade: wigs, brushes, scissors, etc
Description:
Title from caption below image., Two lines of text below title: "Twixt man and horse comparison can't harbour: let Arabs boast of Barbs, but here's a barber! -T. H., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published June 1, 1829 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Barbers, Scissors & shears, and Arcimboldesque figures
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs an advertisement placard next to which is drawn a small stag's head with antlers
Description:
Title engraved below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by W. Humphrey, St. Martin's Lane
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs a small stag's head with antlers
Alternative Title:
City tailor's wife dressing for the Pantheon
Description:
Title engraved below image., Later state, with plate reworked to include an altered publication line and changes to the design. For an earlier state published by William Humphrey that has an advertisement placard present on the back wall among other differences, see Lewis Walpole Library call no.: 772.02.05.02+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by Heny. Parker at No. 82 in Cornhill, London
"A whole length figure stands full-face divided by a vertical line, one half (left) representing a man, the other a woman. The background is similarly bisected, one half (left) being a surgeon's dispensary, the other a carpeted room with a domestic grate on which a saucepan is heating. Beneath the title: 'or a newly discover'd animal, not known in Buffon's time; for a more full description of this Monster, see, an ingenious book, lately publish'd, price 3/6, entitled, Man-Midwifery dessected, containing a variety of well authenticated cases, elucidating this animal's Propensities to cruelty & indecency, sold by the publisher of this Print, who has presented the Author with the above for a Frontispiece to his Book.' The surgeon, who is fashionably dressed, holds an instrument inscribed 'Lever'; the woman holds out a small vessel. The man's bottles, &c, are ranged on three shelves; on the lowest, inscribed 'This shelf for my own use', are bottles inscribed 'Love Water', 'Cantharides', 'Eau de vie', 'Cream of Violets'. Obstetric instruments are inscribed: 'forceps', 'Boring Scissors', and 'Blunt Hook'. On the ground (left) is a large pestle and mortar."--British Museum online catalogue
Alternative Title:
Man-midwife
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Frontispiece to: Fores, S. W. Man-midwifery dissected; or, the obstetric family-instructor ... , London : Published for the author, by S. W. Fores, 1793., and Temporary local Medical Library subject terms: Forceps.
Publisher:
Pub. June 15, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Fores, S. W.
Subject (Topic):
Midwives, Pharmacists, Mortars & pestles, Medical equipment & supplies, Surgical instruments, and Scissors & shears
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.
The sudden entrance, through the window, of Napoleon Bonaparte startles tailors assembled in their shop, i.e., the European rulers at the Congress of Vienna, busy "cutting out" portions of Europe for themselves. With a blood-dripping sabre in his hand, Bonaparte declares his readiness to join them in this activity. To his left, a startled King of Holland moves toward the Austrian Emperor, shown with a pair of small scissors and an iron in his hands, who is Napoleon's father-in-law and whom the deposed French Emperor asks, "Where is my wife and son, father Francis?" Beside Francis I, the Russian Emperor stands on a large piece of cloth lined with "Polish fur," raising in his left hand a knot made out of the measuring tape. On the opposite side of the workbench, a fierce-looking Prussian general Blücher threatens Napoleon with huge shears. Behind him, the King of Prussia, sitting cross-legged, continues sewing a piece of cloth signed, "Pattern of an Emperors Robe." To his right stands Napoleon's former marshal, Bernadotte, now allied against him as the Crown Prince of Sweden. In the middle of the room, a frightened and helpless-looking King of France lies flat on the floor, consoled by John Bull, with a large club, who promises to sew up "that rascal Boney." Behind John Bull, a terrified Pope scrambles away for the safety, his tiara and cross fallen to the ground. On the other side of Louis XVIII, the French negotiator at the Congress, Talleyrand, attempts to hide under the tailors' bench
Alternative Title:
Devil among the tailors
Description:
Title from caption below image., Artist from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 44 cm.
Publisher:
Pubd April 21st, 1815 by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Louis XVIII, King of France, 1755-1824., Francis I, Emperor of Austria, 1768-1835., Alexander I, Emperor of Russia, 1777-1825., William I, King of the Netherlands, 1772-1843., Frederick William III, King of Prussia, 1770-1840., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., Blücher, Gebhard Leberecht von, 1742-1819., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
John Bull (Symbolic character), Congress of Vienna, Tailor shops, Clothing and dress, Scissors & shears, Hats, and Crowns
Visscher, Claes Jansz., 1586 or 1587-1652, printmaker
Published / Created:
Ao. 1605.
Call Number:
Print01226
Image Count:
1
Resource Type:
still image
Alternative Title:
[The barbershop].
Description:
Title and date from item., Alternate title supplied by curator., Place of publication derived from language of text., Sheet trimmed., At bottom right, stamp of Friedrich August II., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Barber shops, interior., and Pencil inscription verso.
"Lady Hertford, seated regally on a small sofa, cuts locks from the head of the Regent who reclines against her knees, asleep. The locks already cut are on the ground inscribed respectively 'Sheridan', 'Norfolk', 'Moira', 'Holland', 'Erskine'. She is about to shear off one inscribed 'Grenville'; the last, 'Grey', is still on his head. The Prince, who is conventionally handsome, and wears uniform, holds a paper signed '[Gren]ville / Grey'; his garter, inscribed 'Honi so . . .', is loose, and his left hand hides the star on his breast. Lord Yarmouth (right) stands holding a guttering candle; he points to the uncut lock, saying, "Don't forget that lock laying [on] the shoulder its Grey dy'ye see!" In his pocket is a pamphlet: 'Art of Milling' [see British Museum Satires No. 11842]. To leave no doubt as to his identity, a basket of fish is beside him inscribed '[Y]armouth Herrings'. Lady Hertford is heavily handsome; a small crown, which might pass as a tiara decorates her head; one foot rests regally on a footstool. A pillar and drapery behind her suggest regal state. On the sofa beside her is a rolled document headed 'Road to Hertford from Pall Mall'. On the ground (left) are empty wine-bottles; on a book by the Prince's feet, 'Economy of Human Life', lies a broken bottle from which wine pours. Behind (left) stands Perceval in his Chancellor of the Exchequer's gown, watching from behind a curtain which he holds aside; Castlereagh stands behind him, saying, "By Jasus, but she's as pretty a Barber as ever I clap't my eyes upon." Perceval answers: "Hush! Hush! you'l wake him before they are all cut."."--British Museum online catalogue
Alternative Title:
Delilah depriving Sampson of those locks in which consisted his strength
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed., and Album paper pasted over edge of plate at top.
Publisher:
Pubd. Feby. 1812 by Walker and Knight, No. 7 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Erskine, Thomas Erskine, Baron, 1750-1823., Grey, Charles Grey, Earl, 1764-1845., Sheridan, Richard Brinsley, 1751-1816., Grenville, William Wyndham Grenville, Baron, 1759-1834., Norfolk, Charles Howard, Duke of, 1746-1815., Holland, Henry Richard Vassall, Baron, 1773-1840., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Samson (Biblical judge), and Delilah (Biblical figure)
Title from item., Date derived from clothing styles, which appear to be from the Republic of China era., Publisher and artists from the first poster in the series., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chinese Leprosy Relief Organization
Subject (Topic):
Public health, Communicable diseases, Prevention, Leprosy, Diagnosis, Physicians, Microscopes, Blood testing, Sick persons, and Scissors & shears
publish'd according to act of Parliament, June 11, 1746.
Call Number:
746.06.11.01.1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on barbers showing a figure composed from implements connected with the trade, the body being a mirror, the arms razors, the legs tongs, etc. In the background, three heads on blocks with names of "Three Notorious Spoil Trades": "N - cre", "Warehouse/Gr-ng - r" and "Ch-p-m-n"; woods, a house and hills beyond. Surrounded by a rococo frame from which hang combs, curls,etc.; title in a cartouche above and key below with publication line"--British Museum catalogue
Description:
Title from item., 'Price 6d.', Key to numbers in the image in a vignette below it and surrounding imprint., Earlier state of No. 2469 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend, partially cut off at top, with initials L V G below.
Publisher:
To be had of F. Hammond, engraver, in Charles Court in St. Martins Lane, and of the print sellers of London
Subject (Topic):
Arcimboldesque figures, Barbers, Equipment, Occupations, and Scissors & shears
"Britannia (left), a buxom young woman, clasps the trunk of a large oak, while Paine tugs with both hands at her stay-lace, placing a large foot on her posteriors. He wears blue and buff with a tricolour cockade on his bonnet rouge. From his coat pocket protrudes a pair of scissors and a tape inscribed: 'Rights of Man'. His face is blotched with drink and his expression is fiercely intent, but he is neatly dressed. Behind him is a thatched cottage inscribed: 'Thomas Pain, Stay-maker from Thetford. Paris Modes, by express.' Britannia looks over her shoulder at the stay-maker (cf. British Museum Satires No. 9240) with an expression of pained reproach. Her shield leans against the tree; her spear is on the ground; across it lies an olive-branch."--British Museum online catalogue
Alternative Title:
Good constitution sacrificed for a fantastick form
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Female costume: stays -- Emblems: tri-colored cockade -- Male costume: bonnet rouge -- Reference to tailors -- Literature: Thomas Paine's Rights of Man -- Allusion to French Revolution -- Reference to Thetford and Paine's stay-making past -- Britannia's shield -- Symbols: olive branch., and Mounted to 42 x 30 cm.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809
Subject (Topic):
Britannia (Symbolic character), Corsets, Scissors & shears, Liberty cap, Shields, Spears, and Olive branches
Inside a wig-maker's shop a bald man sitting on a stool squirms in agony as an elder woman attends to the wound on his forehead. Another man, standing to their right, looks on with visible discomfort. To their left is a table laid with scissors, razors, pliers, basin, small length of cloth and a bottle of 'Jalap.' A cat sits next to the cloth. In the background, on a wide window-sill, are wig-maker's tools and a wig in progress. Several finished wigs hang on pegs above the window. A number of boxes with the customers' names on them stand on a shelf above the door and an almanack hangs on the wall behind it. The door is wide open revealing in the background two men fighting a duel in front of the 'Crown' tavern, surrounded by several onlookers
Description:
Title engraved below image., Publisher's dates from British Museum catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark top center of sheet.
Publisher:
Publish'd April 21st, 1784, by Wm. Wells, No. 132 (opposite Salisbury Court) Fleet Street, London
Leaf 13. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, dressed only in breeches, tries to flee from the Devil who caught him by the leg and is shearing off the hair from his chest. On the left, in front of the "India House" a group of elated men dance around a burning stake to which is tied a fox. A reference to the rejection of the India Bill in the House of Lords and the demise of the Coalition government
Description:
Title etched below image; the letter "a" in the word "and" is etched backwards., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6283 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Several letters in imprint statement, as well as the digit "7" in "1783," are etched backwards., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 109-10., Temporary local subject terms: Bills: Defeat of India Bill -- India House., and On leaf 13 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published 22 Decr. 1783 by Humphrys, Strand and Field & Tuer
Subject (Name):
Fox, Charles James, 1749-1806 and East India Company.
Subject (Topic):
Devil, Foxes, Burning at the stake, and Scissors & shears
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Tailor's shears -- Irons -- Food: cucumbers -- Tankards -- Goose -- Cabbage.
Publisher:
Published August 1, 1823 by John Fairburn, Broadway, Ludgate Hill
A scissor grinder stands beside his cart, mounted with a grinding wheel. He holds a pair of large scissors in his hands
Alternative Title:
Scissors grinder
Description:
Title engraved in image., Printmaker and imprint from title page of work in which this print was published., Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820., Sheet trimmed within plate mark., and Watermark: partially cut off name.
Publisher:
Samuel Leigh
Subject (Topic):
Carts & wagons, Grinding wheels, Occupations, and Scissors & shears
Title etched below image., Date of publication based on that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 28., Text above image: For the Oxford mag., Temporary local subject terms: Interior: tailor's workshop -- Furniture: tailor's bench -- Tailor's implements: flat iron -- Button card -- Reference to George III's hobby of button-making -- Female dress: petticoat hoop -- Reference to the Princess of Wales's influence -- Slang: 'cabbage' as cloth pilfered by tailors., and Mounted to 31 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Dyson, Jeremiah, 1722-1776, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norton, Fletcher, 1716-1789, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
Tailor shops, Scissors & shears, Buttons (Fasteners), and Irons (Pressing)
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
"The interior of a blacksmith's forge. Two men in leather aprons and rolled up shirt-sleeves stand at the anvil; one has a hammer in his right. hand, the iron in his left. Both gape in consternation towards a tailor, who stands on the right. He holds in his hand a newspaper, "The Morning . . . Monday July" and reads from it. Under his arm is a large pair of scissors, a yard measure hangs from his pocket. The other smith, behind and to the left., is similarly dressed; by him stands a man also wearing an apron but with a coat and a short wig. In the background is a woman holding a baby. On the left. is a large forge with a cone-shaped chimney and an enormous pair of bellows. The roof is raftered. Four horse-shoes, a bent strip of iron, and the portrait of a man (possibly Wilkes) hang on the wall. A dog is asleep in the foreground."--British Museum online catalogue
Description:
Title from caption below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Dated by British Museum catalogue: 1 July 1772., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 229., and Temporary local subject terms: Newspapers -- Pictures amplifying subject: portrait (of John Wilkes?) -- Literature: reference to Shakespeare's King John, iv.2.
"Three men shear four rams with human faces and long spiral horns. The first (left), still unshorn, has the bottle-nose and drink-blotched face of Curtis; a large bell hangs from his neck; he bleats B A A A A A A. His shearer says: Come along you Blubber--alias Bell Weather S'Blood what a Cur 'tis; in his pocket is a paper: Quintus Curtius. He is Quin, who took an active part against Flower. The second, Councillor Waithman (a draper), holds Flower, the Mayor, labelled The Flower of the Flock, who is almost shaved; he says: Egad I have Cut them preelly [sic] close; his shears, like those of Quin, are inscribed Vox Popula [sic]. The third, Alderman Harvey Combe, uses a comb. He holds Alderman Price and says to Waithman: Ne'er Wait man I have Combed them well--. Price says: N'o Blubber Sperm fetches the best Price. Beside him is another ram (Shaw), completely shorn and dejected; it says: Pshaw I can never Stand upright in the presence of a great Mon but always Keep Booing, booing [cf. British Museum Satires No. 11306]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Ruse & Turners 180[5?].
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., and For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing French man with shears and a dog under his arm."--British Museum online catalogue
Description:
Title etched below image., Variant state based on comparisons with other versions in The Lewis Walpole Library. Cf. Lewis Walpole Library call nos.: Bunbury 771.04.25.01.1, Bunbury 771.04.25.01.2., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 1" in upper left corner and "1" in upper right corner., For an earlier state lacking volume numbering, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., First of three plates on leaf 57., and 1 print : etching on laid paper ; plate mark 15 x 10.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act of Parlt. Aprl. 25th, 1771, by MDarly, (39) Strand
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early (proof?) state of the plate, before day of publication added to imprint and before drypoint shading added to image. For a later state, see no. 4669 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[29 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the French, evidently inspired by British Museum Satires No. 4668: a grinning man with a long queue smoking a pipe stands wearing wooden shoes holding out a pair of shears; under his left arm is a struggling dog and two more dogs are tied to a post on which is a sign reading, "Qua[i] Ch[...]" beside a stool; a view, presumably intended for Paris, behind."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Temporary local subject terms: Paris: Church of the Sorbonne, dome -- Quais: Paris, In La Cité -- Dog barbers -- Dog barber instruments., and Mounted on page 113 of: Bunbury album.
Publisher:
Publish'd as the act directs, 29th March 1772, by J. Bretheron, No. 134 New Bond Street
Subject (Topic):
Animal grooming, Scissors & shears, Dogs, and Pipes (Smoking)
Two tailors, stripped to the waist, fight each other with shears. One tailor has cut off the nose of his emacipated opponent ; his own ear falls to the ground. One of the seconds holds a cucumber in each hand; the other holds a cabbade while on the right another tailor holds a tape measure. On the floor are cucumbers, cabbages, garments, and a tailor's goose
Alternative Title:
Fighting tailors
Description:
Title etched below image.
Publisher:
Pub. Aprill [sic] 17, 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Tailors, Scissors & shears, Cucumbers, Cabbages, and Fighting
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., The year of publication in lower right corner is etched over "1807.", In lower left corner of design: Rowlandson 1812. "1812" is etched over "1807.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 14, 1812 by T Rowlandson, No. 1 James S[t]., Adelphi
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1832?]
Call Number:
832.00.00.42
Image Count:
1
Resource Type:
still image
Abstract:
Two groups of tailors battle each other. The group on the left, fighting under the "Journeymen Tailors Union for a fair renumeration of labour" banner, charge forward riding geese and using scissors as weapons; additional members fire bows and arrows from towers. The group on the right, fighting under the "Union of Master Tailors for a coninuance of tyranny low wages & profits 100 percent" banner, are well dressed and hang back in a defensive position; they use firearms, swords, and a shield bearing a pound sign ("£") as weapons
Description:
Title from text below image., Signed in lower left corner with the initials of Charles Jameson Grant., Date of publication from unverified data in local card catalog record., Text following title: When snip meets snip then comes the tug of war!, and Not in the Catalogue of prints and drawings in the British Museum.
Leaf 72. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and imprint statement., Restrike. For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374., and On leaf 72 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
The figure of Time, with his scythe, hovers in the air between the kneeling figures of Pitt on the left and Fox on the right. Through two pipes inscribed, "Court favor" and "popularity," he blows bubbles that Pitt catches in his mouth. Fox, his hands raised in supplication, begs Time for the same favor. His plea is supported by the Duchess of Devonshire who stands behind him. In the background, a radiating temple on a rock behind Pitt is inscribed, "St. Jameses." Behind Fox, a lighthouse with a flare hanging from its top is signed, "House of Commons." Between the two, on the other side of a river, is a ruined ancient city, a reference to Rome
Description:
Title from item. and Printmaker from British Museum catalogue.
Publisher:
Pub'd by [...]
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Political elections, Scythes, Temples, Ruins, Lighthouses, Tobacco pipes, Scissors & shears, and Clothing & dress
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Volume 1, page 10b. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A grinning man with a long queue stands facing right, holding a pair of shears in his left hand. He holds wooden box that serves as a stool in his right hand, and under his right arm is a struggling dog. Behind him, in the upper left, hangs a sign with three fleur-de-lis that is lettered "LA VENGEANCE De crotteur royal Tond des CHIENS Proprement".
Description:
Title, printmaker, and publication date supplied by curator., Sheet trimmed to plate mark., For a version of this design in reverse, published 25 April 1771 by M. Darly, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 10b in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
