Title from item., Place and date of publication conjectured from imprint of book., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842).
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 1., Place and date of imprint conjectured from that of book., and Numbered '141' in lower right of plate:
"Portrait of a stout man, full-length standing in profile to left, gesturing with his right hand as he speaks, holding a scroll in his left, wearing a dark suit with frilled cravat, fob and tall black hat. 1."--British Museum online library
Alternative Title:
Cause & effect and Cause and effect
Description:
Title from caption below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Plate numbered '219' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Tentatively identified as Mr. John Leslie in local card catalog., and Figure identified by ms. annotation in pencil on lower portion of sheet.
Title assigned by cataloger., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title devised by cataloger., Place and date of imprint conjectured from that of book., Plate probably from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1842., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '206' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An officer (right), Col. Patrick Creighton (the adjutant), standing in profile to the left, his right arm and forefinger extended, drills a body of stout volunteers who march (right to left) in a serried triangular mass in the middle distance. Behind (right) a stout officer, Captain Coulter, stands in profile to the left with drawn sword. Three men march stiffly from right to left. In the background a body of volunteers, described as the awkward squad, stands full-face. The men are conspicuous for civic portliness, and the neatness and uniformity of their dress, in contrast with contemporary satires on English militiamen, &c, cf. BMSat 8503."--British Museum online catalogue
Alternative Title:
Edinburgh Royal Volunteers
Description:
Title from text below image., Place and date of publication conjectured from imprint of book., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.).
An engraved sheet folded and mounted on wooden sticks secured with brass and bone hardware to form a fan, probably designed as a portable aide-memoire, includes musical scores for eighteen dances as well as directions for the dance steps -- e.g., "The 2nd Lady Lead round the 2d. Gent, the Gent. Do the Same, Lead Down the middle up again Cast off. Pousete" is given for the Duke of Clarence's Fancy. The decorative border is hand-colored in pink. On the verso is a sheet decorated with a small emblem with musical instruments and notations
Description:
Title from engraved text at top head of sheet., Place of publication suggested by preponderance of Scottish tunes., Date of publication based on the arrival of the waltz in England in 1791, included in this selection. See Oxford companion to Music (7th ed.), page 1112., and Width of sheet is an approximation, trimmed within plate mark. A separate sheet mounted on verso is printed with an emblem incorporating musical instruments. The contemporary fan case is covered in mottled green and orange Dutch gilt paper.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Topic):
Country-dances (Music), Country dancing, Musical instruments, and Musical notation
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., Place and date of imprint conjectured from that of book., and Numbered "166" in upper left of plate.
