Title from item., Date supplied by curator., Published in Le Charivari, 2 May 1843., Place of publication derived from street address., Above image: Les Malades et les Médecins. 7., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Hand-colored.
Publisher:
Chez Pannier & Cie. Edits. Rue du Croissant 16 and Imp. d'Aubert & Cie
Subject (Name):
Broussais, F. J. V. 1772-1838. (François Joseph Victor),
Subject (Topic):
Phlebotomy, Leeches, Pulse, Sick persons, Physicians, and Servants
Title from item., Date supplied by curator., Published in Le Charivari, 2 May 1843., Place of publication derived from street address., Above image: Les Malades et les Médecins. 7., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Inscription in ink verso.
Publisher:
Chez Pannier & Cie. Edits. Rue du Croissant 16 and Imp. d'Aubert & Cie
Subject (Name):
Broussais, F. J. V. 1772-1838. (François Joseph Victor),
Subject (Topic):
Phlebotomy, Leeches, Pulse, Sick persons, Physicians, and Servants
Title from item., Date derived from artist's dates., Place of publication derived from language of text., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Physicians visits.
Publisher:
publisher not identified
Subject (Topic):
Physician and patient, Lovesickness, Physicians, Servants, Sick persons, Chamber pots, Dogs, and Pitchers
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[before 1809]
Call Number:
Print01281
Image Count:
1
Resource Type:
still image
Description:
Title inscribed below image., Signed by the artist in ink at lower left., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Leaf 26. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a luxuriously furnished room, across one corner of which is a large folding screen. Behind the screen (left) a man stands on a chair looking over it, while a footman in livery crouches beside him looking round it at a pair of lovers: a fashionably dressed young military officer sprawls on a sofa, with his arms round the waist of a pretty young woman. On the ground beside them a mandoline lies across a music-book. On a small ornate table are fruit and a bottle. The fire-place, chimney-piece, candelabra, and a landscape in an ornate frame indicate a handsomely furnished room. The man looking over the screen is elderly and dressed in an old-fashioned manner with tie-wig, flapped waistcoat, and sleeves with wide cuffs."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, before S.W. Fores added as a publisher at end of imprint, see no. 8178 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 306., and On leaf 26 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by T. Rowlandson, Strand, Feby. 1792, & S.W. Fores, No. 3 Piccadilly [i.e. Field & Tuer]
Subject (Topic):
Interiors, Screens, Servants, Couples, Military officers, Fireplaces, Sconces, Mandolins, Clocks & watches, and Adultery
A Turkish bath; a white woman, nude apart from a cloth around her legs, seats on low steps in a bath-house with a high ceiling perforated by numerous round holes; a black woman servant standing behind her and assisting her. On the wall to the right is a fountain with a shell-shaped basin
Description:
Title, printmaker, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1"--Upper left corner., "X"--Upper right corner., Sheet trimmed within plate mark., and On page 15 in volume 1.
Publisher:
A. de La Mottraye
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Public baths, Therapeutic baths, Servants, and Women
A man sits in an armchair next to fireplace frantically ringing for service while boling water pours from the spout of a kettle onto one of his two gouty feet. The other foot is raised from the stool to avoid the hot water but has overturned a table with tray full of dishes which has fallen in front of a maid lingering in the doorway. Embracing the maid from behind is a black footman. A screaming cat stands, back arched, in front of the man's footstool. On the left a pair of crutches are placed against the fireplace; the mantel is lined with medicinal bottles. A map hangs on the wall behind along side a barometer
Description:
Title from dealer's label on verso of the frame., Attributed to Thomas Rowlandson., and Another drawing on this theme with the title: The old batchelor in distress. In the Ashmolean Museum, Oxford: Ashmolean catalogue, vol IV-1982 #1623.
Subject (Geographic):
England
Subject (Topic):
Gout, Interiors, Chimneypieces, Blacks, and Servants
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are among the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling Robert Cruikshank. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14941 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 342, vol. 1. Watermark: Warranted not bleached.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Ships, and Street vendors
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title, state and date from Paulson., Second state of the second plate in the series A harlot's progress, as described by Paulson, with black Latin cross in the center below design., "Plate 2"--Lower left corner., Sheet trimmed within plate mark., and Touched in sepia ink around the Harlot's and Jew's faces, and the Harlot's dress and foot; the foot of the blackamoor is extended down to meet the pile of cloth.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, publisher, date, and state from Paulson., "Plate 6"--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.6 x 38.7 cm, on sheet 45 x 56 cm., and Leaf 7 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
