Title from item., Place of publication derived from language of text., Above title: V., From: Les Metamorphoses du jour, first published 1828-1829. Edition not identified., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pharmacies, interior; Compounding of Drugs.
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Yes sir but she bery petickly engaged in washing de dishes ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Male costume: 1830., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Eyeglasses, Monocles, Servants, and Staffs (Sticks)
Title from item., Place of publication and date supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Ague.
Publisher:
publisher not identified
Subject (Topic):
Hydrotherapy, Fever, Barrels, Water, Sick persons, and Servants
Title below image., Date derived from printmaker's date of death., Place of publication derived from Library of Congress entry on Gihaut Frères., Above image: Moeurs parisiennes; No. 50., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Gihaut & Martinet and Lith. de Langlumé.
Subject (Topic):
Digestion, Physicians, Sick persons, Servants, and Chamber pots
Title from item., Date derived from printmaker's date of death., Place of publication derived from street address., Printmaker information from British Museum website. https://www.britishmuseum.org/collection/term/BIOG39848, Above image: (Similia Similibus); No. 17., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Clysters; Overeating.
Publisher:
chez Hautecoeur Martinet, rue du Coq and Lith. de Benard & Frey
Subject (Topic):
Pulse, Indigestion, Enema, Sick persons, Physicians, Chamber pots, and Servants
Six members of the society sit in a row, each singing a different song. All are ugly and elderly except one lady who turns to her neighbour singing, "In sweetest harmony we live." The latter, almost bald, sits on the extreme left, singing, "Time has not thinn'd my flowing hair." A fat, ugly lady bawls towards her left hand neighbour: "Encompass'd in [an] angels frame." He sings to her: "Together let us ran[ge] the fields." A man with closed eyes from which tears fall, sings: "Said a smile to a tear what cause have you hear." A gouty, old naval officer on the extreme right sings: "Oh exquisite harmony!! Music has charms to soften rocks and bend the knotted oak." A dishevelled footman with a bottle in his coat-pocket walks from the right, tilting his salver of glasses so that they fall on a squalling cat. He sings tipsily: "From night till morn I take my glass I hopes to forget my Chloe!!" A dog on the left howls
Alternative Title:
Catalanian picnic society at private rehearsal
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Cats, Crying, Dogs, Organizations, Rehearsals, Servants, Singing, and Sleeping
"A lady sits at a small dressing-table (left) doing her hair. She turns to answer an elderly servant in livery who proffers a large bone, saying (words under the title): My Lord has sent your Ladyship a Bone to Pick! She answers: Tell him my Eldest Son is none of his, and there's a Bone for his Lordship to Pick!"--British Museum online catalogue
Description:
Title from caption below image., Two lines of dialogue below title: My lord has sent your Ladyship a bone to pick! ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. May 27 by G. Humphrey, 24 St. James's St. & 74 New Bond Street
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 25 June 1784 by C. White. Cf. No. 6727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Military barbers -- Military tents -- Military uniforms -- Regimentals uniforms -- Male costume -- Domestic service -- Riding whips -- Guns: Musket., and Watermark.
Publisher:
Published Novr. 17, 1794, by J. Harris, Sweetings Alley & No. 8 Broad Street
Subject (Topic):
Military camps, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Volume 2, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Scene: Shaving in front of tent -- Militia: Sentry -- Officer -- Costume, 1784 -- Black footboy -- Military: Busby -- Male hats, 1784., and Mounted on page 23 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. June the 25th, 1784, by C. White, Stafford Row, Pimlico
Subject (Topic):
Military camps, Military uniforms, Military officers, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Title from item., No. 122 in Laurie & Whittle Drolls series., Temporary local subject terms: Footmen -- Playing cards -- Furniture: card table., and Watermark.
Publisher:
Published 16th Augt. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
"A grotesquely ugly old maid, wearing pattens, walks preceded by a small poodle, clipped in an exaggeration of the French manner, and followed by a black foot-boy in livery, who holds on a skewer a lump of 'Cat's Meat'. He carries an umbrella under his arm. Her dress is blown back against her skinny form; her hands are in a large muff, and she wears a fur tippet over a tight bodice defining shoulders, round to deformity. Her profile is hideously sub-human. She walks with a fixed stare, not looking at a half-naked beggar (right) with a patch over one eye and supported on a crutch who holds out his hat for alms. Behind is a blank wall, above which are a church spire and old-fashioned gabled houses."--British Museum online catalogue
Description:
Title below image., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., For a later state see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, no. 11973., A 1811 edition described in: Grego, J. Rowlandson the caricaturist, v. ii, p. 237., and Mounted to 49 x 32 cm.
Publisher:
publisher not identified
Subject (Topic):
Black people, Beggars, Dogs, Servants, and Single women
A party of two well-dressed couples, the women holding umbrellas, are caught in a wind and rain storm as they travel in a open carriage. A coachman and footman attend the party
Description:
Title etched below image., Sheet trimmed to plate mark on one side., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 8th, 1826 by T. Gillard, 40 Strand
A group of men dining around a table, one pouring gravy into the pocket of another
Description:
Title etched below image., Plate numbered '309' in lower left corner., From he Laurie & Whitlle Droll's series., Other prints in the Laurie & Whittle series of Drolls were executed either by Isaac Cruikshank or Richard Newton., Two lines of text below title: Old man. Hey Hey; what are you doing, do you mean to pick my pocket. O no Sir, only observing you put a fowl there, I have taken the liberty to help you to a little gravy, as it would be dry eating of itself., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Augt. 8, 1803 by Laurie & Whittle, 53 Fleet Street, London
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are amond the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling R.C. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Shipsfood v., and Street vendors
Title from text below image., Date of publication suggested in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum.
A copy in reverse of William Hogarth's Plate 5 of A harlot's progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Alternative Title:
Harlot's progress. Plate 5, In a high salivation at the point of death, and Elle meurt en passant par le grand-reméde
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2092., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 125.
Publisher:
publisher not identified
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
A copy in reverse of William Hogarth's Plate 2 of A harlot's progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2, In high keeping by a Jew, and Juif l'entretien somptueusement
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2047., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 122.
Publisher:
publisher not identified
Subject (Topic):
Black people, Jews, Boudoirs, Biblical events, Masks, Monkeys, Clegy, Horses, Lust, Rake's progress, Prostitutes, Relations between the sexes, Servants, and Young adults
A copy in reverse of William Hogarth's Plate 3 of A harlot's progress: In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are two portrait prints of the hero and heroines of "The Beggar's Opera", Captain Mackheath and Polly Peacham, (Polly replaces Dr. Sacheverell in Hogarth's print), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Alternative Title:
Harlot's progress. Plate 3, Compleat trull at her lodgings in Drury Lane, and Elle est reduite à la misère dans son logement de Drury Lane
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2062., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 123., and Border piece on the left slight overprinting into the design.
A copy in reverse of William Hogarth's Plate 6 of A harlot's progress: A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Alternative Title:
Harlot's progress. Plate 6, Her funeral properly attended, and Pompe de ses funérailles
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.4 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2107., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 126.
Publisher:
publisher not identified
Subject (Topic):
Prostitution, Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services