Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 30 x 22.5 cm, on sheet 30.3 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "1 Feb. 1821" written in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Title from caption below image., Four lines of dialogue below image, two on either side of title: Duke. Shew me the place; I love to cope him in these sullen fits ... Vide As you like it, Act 2, Sc. 1., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Published Novr. 10, 1795, by Thos. Macklin, Poets Gallery, Fleet Street
Dick the butcher and Smith the weaver seizing the clerk of Chatham
Description:
Title from caption below image., Lines of dialogue on either side of title: Smith. The clerk of Chatham, he can write and read, and cast accompt. ... Vide 2nd part of Henry 6th, Act 4, Sc. 2., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd August 20th, 1795, by Thos. Macklin, Poets Gallery, Fleet Street
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", and Mounted.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions
"In the tower of London, Dighton and Forrest stand beside the bed of the two princes who are asleep, arms around each other, a book open at their side over a rosary. Dighton and Forrest hold a pillow, ready to smother the princes."--British Museum online catalogue
Description:
Title engraved below image., Description based on imperfect impression; sheet trimmed within plate mark., and Mounted to 39.5 x 60 cm.
Publisher:
Published June 4th, 1790, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall & at No. 90 Cheapside
"Prince Arthur kneeling to right, the paper with King John's order on the ground in front of him, clinging to Hubert's leg when faced with the executioners, who kneel to left with a brazier and a hot iron to blind the boy, while Hubert stands with one hand on a table set with an hourglass, book and crucifix, the other at his head, torn between his duty and his affection for the prince"--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Pub. Decr. 1 1798 by J. & J. Boydell, No. 90 Cheapside & at the Shakspeare Gallery, Pall Mall
"Richard Plantagenet and the Earl of Somerset stand beside a rose-bush under a large tree, with Suffolk, Warwick, Vernon and another lawyer, each urging them to show their support for whichever party they believe has told the truth, to pick a rose, white for Plantagenet, red for Somerset. Trial proof with open figures."--British Museum online catalogue
Alternative Title:
First part of King Henry the sixth. Act II. Scene IV
Description:
Title etched below image., Sheet trimmed to plate mark., and 'Shakspeare' in open letters below imprint.
Publisher:
Publish'd June 24, 1790 by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Roberts, Henry, approximately 1710-approximately 1790, printmaker
Published / Created:
[between 1783 and 1790]
Call Number:
763.00.00.128
Image Count:
1
Resource Type:
still image
Abstract:
The full length figure of Mr. Yates in the character of Launce from Two gentlemen of Verona stands center with his right hand holding the leash of his dog Crab while he points down to the dog with his left. Launce's shoes and hat lie on the ground in front and to the left while a tall staff stands in the ground to the right. Bushes and trees form the backdrop. Engraved below the image are 11 lines from Act II, Scene III beginning: Nay 'twill be this hour ere I have done weeping ...
Alternative Title:
Mr. Yates in the character of Launce in the Two Gentlemen of Verona with his dog Crab
Description:
Title from item., Publication date inferred from William Richardson's business address. See The London book trades, 1775-1800 / Ian Maxted, p. 187, Later state of a print originally published by Roberts in 1763. See British Museum catalogue., and Watermark: Strasburg lily with initials G R below.
Publisher:
Publish'd as the act directs, by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
Subject (Name):
Yates, Richard, 1706?-1796, Shakespeare, William, 1564-1616., and Shakespeare, William, 1564-1616
Subject (Topic):
Performances, Characters, Launce, Actors, British, and Dogs
"Satire; a fine lady wearing a dress with wide skirts, puffed sleeves and an immense wide-brimmed hat festooned with ribbons, holding a handkerchief in her left hand."--British Museum online catalogue
Description:
Title etched below image; title is a quotation from Othello, Act V, Scene 2., Printmaker identified as Henry Heath in the British Museum online catalogue, registration no.: 1985,0119.86., Sheet trimmed within plate mark on two edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 28th Aug. 1827 by H. Fores, Panton St., Haymarket
Scene from Shakespeare's Merry wives of Windsor, act 4, scene 2.
Alternative Title:
Falstaff's escape
Description:
Title devised by cataloger., Inscribed by artist on verso: Merry Wives of Windsor / Act 4- Scene 2nd / Fal[staff. No, I'll come no more i'th basket / may I not go out to[o] soon / Mrs. Page. Alas, three of another Fr[ien]ds brother." [From dealer's description]., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Falstaff, John, Sir (Fictitious character) and Comedies
"Ulysses restrains Troilius, who watches from behind hangings in Calchas' tent, as Cressida sits holding Diomedes by the hand, agreeing finally to give him the sleeve Troilius gave her as a gage of his love."--British Museum online catalogue
Description:
Title from British Museum online catalogue., Date of publication from description of possible earlier state in the British Museum. See British Museum online catalogue, registration number: 1922,0428.34., and Sheet trimmed to plate mark on lower edge.
Antony and Cleopatra and Collection of prints from pictures painted for the purpose of illustrating The dramatic works of Shakspeare, by the artists of Great-Britain. Volume II.
Description:
Title engraved below image. and Print appearing on the title page of volume II of: A collection of prints from pictures painted for the purpose of illustrating The dramatic works of Shakspeare, by the artists of Great-Britain. London : Published by John and Josiah Boydell, Shakspeare Gallery, Pall-Mall, and No. 90, Cheapside; printed by W. Bulmer and Co. Cleveland-Row, St. James's, MDCCCIII.
Publisher:
Pub. June 4, 1803 by J. and J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside, London
"Rosalind gives a trinket to Orlando, crowned with a laurel wreath, who has just defeated the wrestler, while Celia peeps from behind her friend, smling at the two, in a garden with a colonnaded pavilion behind where the king walks thoughtfully."--British Museum online catalogue
Description:
Title, artist, printmaker, and imprint from later state in the British Museum., Description based on imperfect impression; sheet trimmed to plate mark on top., Later state signed: "Painted by John Downman ; engraved by Willliam Leney.", and Imprint from later state: "Pub. June 4, 1800 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall Mall, London."
"Henry, Prince of Wales reaching towards the crown on the pillow beside Herny IV's head as the King sleeps, ill and apparently dead."--British Museum online catalogue
Description:
Title from published state in the British Museum. and 'Shakspeare' in open letters below imprint.
Publisher:
Publish'd May 2d, 1791, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall & No. 90, Cheapside
