"An old sow lies exhausted on a pile of straw outside a sty roofed with dilapidated thatch. She is beset by thirty-two voracious piglets with human heads. [The identifications are those of Miss Banks, confirmed by Lord Holland. The identifications of Wright and Evans are incomplete; Ellenborough is called the Speaker.] John Bull, a clumsy yokel in a smock, holding a pitchfork, looks over the low stone wall surrounding the sty. He exclaims: "O Lord - O Lord! - well! - I never had such a Litter of hungry Pigs in all my life before! - why, they's beyond all count! - where the devil do they think I shall find Wash & Grains for all their Guts? - zookers, why they a drain the poor old Sow to an Otomy! - 'e'cod She'll make but bad Bacon for Boney, when they's all done sucking o' her - !!!' In the centre of the struggling mass of pigs is Fox with Grenville on his left. and Grey on his right. He bestrides the Duke of Clarence, whose hind-quarters only (clad in blue and buff) are visible, and supports his right. hind-leg on the back of the Prince of Wales, who is in back view but wearing a ribbon and unmistakable. Grey also clambers over the Prince. On Grenville's l. is his fat nephew, Lord Temple. The head next Grenville is that of Sidmouth, across whose back Lord Henry Petty scrambles open-mouthed. Above Petty, Sheridan scrambles avidly over the sow; Erskine, in his Chancellor's wig scampers over the sow's hind leg. Lauderdale, whose body is chequered to indicate tartan, is behind Grenville, next him (l.) is Vansittart; on the left of the latter is a group of three plump pigs one with the head concealed, the others smiling with complacent anticipation; they are Sir Watkin Williams-Wynn and his two brothers, see BMSat 9760, &c. Behind them (l.) three pigs scamper towards the sow (l. to r.): Tierney, the Duke of Bedford, and Lord Derby. Behind again, and on the extreme left. are five rather smaller animals: George Walpole, Adair (half cut off by the margin), Burdett, Horne Tooke wearing clerical bands, and Lord Carlisle. On the r. of Grey and the Prince are Lord St. Vincent, with a foreleg on the Prince, Courteney, a foreleg on Grey, Lord Spencer who has secured a teat, and Windham who clambers downwards from the sow's shoulder. Between Courteney and Spencer is a pig whose head is concealed, 'not meant for any body'. Climbing up the farther side of the sow and on the r. are Lord Ellenborough in his wig, Lord Fitzwilliam, and Moira who scampers on the creature's back."--British Museum online catalogue
Alternative Title:
New litter of hungry grunters sucking John-Bulls-old-sow to death
Description:
Title etched below image., Watermark, partially trimmed: J. Whatman 1817., and Mounted on leaf 16 of volume 6 of 12.
Publisher:
Pubd. March 5th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Vansittart, Nicholas, 1766-1851, Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Walpole, George, 1761-1830, Adair, Robert, Sir, 1763-1855, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Spencer, George John Spencer, Earl, 1758-1834, St. Vincent, John Jervis, Viscount, 1735-1823, Courtenay, John, 1738-1816, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, and Fitzwilliam, William Wentworth Fitzwilliam, Earl, 1748-1833
"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Description:
Title etched below image., Temporary local subject terms: Furniture: chairs -- Glass: wine bottles -- Wine glasses -- Champagne -- Beer: mum -- Spirits: brandy -- Smoking pipes -- Bludgeons -- Bonnet rouge -- Monkeys., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 35.3 cm, on sheet 28.9 x 42.6 cm., and Mounted on leaf 35 of volume 9 of 12.
Publisher:
Pubd. Feby 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Courtenay, John, 1738-1816
"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Pubd. Feby 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Courtenay, John, 1738-1816
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned,) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility. On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance""--British Museum catalogue
Description:
Title inscribed in brown ink below image., Date based on published Gillray print., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7894., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray ... / by Thomas Wright, 1851, no. 58., and A 'counterprint' or transfer in brown ink from another print on verso: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, George III, King of Great Britain, 1738-1820, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lindsey, Theophilus, 1723-1808, and Constitutional Society (London, England)
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching, hand-colored, on laid paper ; sheet 280 x 496 mm., Sheet trimmed within plate mark on three edges, and two holes have been cut from sheet and repaired., Added in contemporary hand in lower right of sheet: These are the Friends of the Constitution., and Watermark.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark on three edges.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching on laid paper, hand-colored ; sheet 27.4 x 50.1 cm., Sheet trimmed within plate mark., The dash preceding "Revolution Society" in title has been clipped from sheet, with a replacement dash written in ink on the piece of laid paper used to mend the hole. Below this is written in a contemporary hand: These are the Friends of the Constitution., and Mounted on leaf 71 of volume 2 of 12.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"George III, in back view, seated at a writing-table, tries to fend off members of the new Ministry who beset him with conflicting plans and proposals. He exclaims "What, What, What! [his habitual phrase] all Wrong! all Wrong." On his right Fox is seated, but falls back dismayed, his chair collapsing; he holds 'Proposals for a General Peace', saying, "I am certain John Bull will like my plan better than any of them, sign mine." Next him is Ellenborough, in wig and gown, his left hand on the back of Fox's chair, which (perhaps) he is causing to fall; he proffers a 'Plan of a New Mode of Justice', and says: "The only specimen among them of a knowledge of the Subject, Sign this." (The inclusion of the Lord Chief Justice in the Cabinet was much objected to, on constitutional grounds, see 'Ann. Reg.', 1806, pp. 28-33, and BMSat 10563.) Moira, in regimentals, kneeling on a chair on the extreme right., leans forward, one hand on Ellenborough's shoulder, to present a 'Project for improveing of Ordinance'; he says: "By St Patrick now, if you was to put the whole of them together you would not be able to make a bit of sense out of them, this is the only one for John Bull." Windham, next Ellenborough, faces the King, presenting a paper inscribed 'War on the Continent', and saying, "I say nothing more or less than that they are all bad but this". Behind him Tierney stands, profferring a blank paper; he says: "Only look at mine & you'll be convinced its quite the thing." The others are on the King's l. Sheridan, a pendent to Fox, leans forward with his paper: 'Manager of the Finan[ces]'; he says: "Here sign this, this is the only good plan of management, all complete nonsense compared with this" [the hopeless confusion and debt in which the finances of Drury Lane were involved by Sheridan's management are satirized]. He wears, under his laced coat, the chequered waistcoat and breeches of Harlequin, see BMSat 9916. Behind him is Grenville, his partly obscured paper inscribed on the; he says: "This is the only well digested plan pro bona [sic] Publico, you may depend upon it." Petty's paper is blank; he says: "This petty effusion of Ideas you'll find full of weighty argument on every subject I assure you." Erskine (the arch-egotist, see BMSat 9246, &c), in wig and gown, and with the Purse of the Great Seal, leans forward with a blank paper to say: "This is the only learned plan among them, which I have arranged, I' I' I." Sidmouth stands on the extreme left., clutching, but not proffering, a paper; he flinches from we clamouring Ministers, saying, "If this is the Union of Parties, I'll be disunited.""--British Museum online catalogue
Alternative Title:
Principles of democracy too prevalent
Description:
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Sheet trimmed to edge of plate mark on two sides., and Watermark: Strasburg Lily.
Publisher:
Pubd. March, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Tierney, George, 1761-1830, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Erskine, Thomas Erskine, Baron, 1750-1823, and Sidmouth, Henry Addington, Viscount, 1757-1844
"On the left. Fox stands at his tavern-door, which is at r. angles to the front of the house (r.), where a large open sash-window faces the spectator. Below the window is a large inscription: 'C. J. F & Co. Dealers Rectifiers and Compounders [the 'nf' of 'confounders' is scored through, and replaced by 'mp'] of foreign Spirits'. Beside the window are chequers, indicating the sale of ale; below them: 'Whitbreads intire' [cf. BMSat 10421]. Over the door is the sign: a crown, and 'The Case is Altered' [cf. BMSat 9714], with a bunch of grapes indicating the sale of wine. Fox, very neat and debonair, with a napkin under his arm, a corkscrew in his coat-pocket, a typical tavern-keeper or head-waiter, smiles at a ragged, Bohemian-looking fellow, who approaches him, with outstretched left hand, a large book under his right. arm inscribed 'Pl[an] of Reform'. The ragged reformer says: "Ah! Citizen, how do you do. I've just finisd my plan of Reform, and as you have no plan we can as well be going on with that as doing nothing." Fox, his hand thrust in his coat-pocket, answers: "Citizen!!! we-go-on-with your plan!!! I dont understand you Oh!. I suppose you mean what I used to gammon my Custommers with when I lived over the way, but that sort of fun wont do now, we are all different people!" Within the open window members of the new Ministry are seated drinking, as if at a tavern-club meeting, with Erskine, wearing a hat and Chancellor's wig and gown, in the chairman's seat, which is surmounted by the Prince of Wales's feathers (see BMSat 10525); he holds the mace. On the left. (or Erskine's r.) are Sheridan (a bottle of 'Sherry' in front of him), Grey, and Lauderdale. Opposite them are (r. to left.): Grenville, Bedford, Moira (wearing a cocked hat and smoking a long pipe), Petty, and (slightly isolated) Sidmouth. ..."--British Museum online catalogue
Alternative Title:
Design for a scene in the intended new melodrama entitled The forty thieves
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum catalogue., and Mounted on leaf 31 of volume 11 of 12.
Publisher:
Pub. March 25th, 1805, by I. Hays, 25 Marylebone St., Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Fox, in a diver's dress which leaves his face and hands bare, stands on the bed of the ocean, speaking, through a tube inscribed 'Haul up', to his assistants in a boat; these haul on a pulley attached to the mast of the boat, but cut off by the upper margin. Fox has fastened the rope to a chest inscribed '10 Per Cent'; this, with an anchor inscribed 'Pig Iron' and three barrels, one inscribed 'Beer Tax', lies on the ocean bed. He turns his back on the dead body of John Bull, lying on his back, beside the wrecked hull of the 'Constitution Cutter - John Bull commander (whose cargo he is seizing); only the top of the mast projects above the surface of the 'Ocean of Taxation'; on this a carrion bird perches, another flies towards it. The boat from which Fox has descended is 'The Experiment'; in it are salvaged money-bags inscribed '10 Pr Cent'; its crew are (l. to r.), Windham (?), Sheridan, Erskine, and Petty."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Year of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 37 of volume 8 of 14 volumes.
Publisher:
Pubd. May 31, by T. Rowlandson, N. 1, James St., Adelphi
Subject (Name):
Fox, Charles James, 1749-1806, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
Subject (Topic):
John Bull (Symbolic character), Barrels, Diving suits, and Shipwrecks
"Sheridan (l.) sits in an arm-chair at his writing-table, pen in hand. He slouches forward, peering at a large playbill in his left hand. 'Tom Hickathrift \ and the \ Giants \ a new Growlo Drama \ with \ Wittington \ and his \ Cat \ a Pur-letta \ in which a real \ Cat and Mice \ will be Introduced \ - Due Notice will be given \ of Mr Carlo's next \ Performance.' He says: "Now I have got my head down Water I am determined to go on Swimmingly." The Newfoundland dog 'Carlo' (his massive padlocked collar so inscribed) who played in 'The Caravan', faces Sheridan holding in his mouth a basket labelled 'Raw Materials for New Subjects'; these are rolled MSS. inscribed: 'Dog-Matical Essays', 'Bark-shire Poems', 'Bones to Pick'. Fox (r.), immensely fat stands beside Carlo, in profile to the left., r. hand on the dog's head, l. in his coat-pocket. He says: "You are a very good Dog Namesake - a very good Dog indeed - I wish you would Spin me a little Money thes hard times - it would be very acceptable." Behind Sheridan are book-shelves; from a shelf inscribed 'Glass Slippers as good as New' two slippers dangle. The titles of the (bulky) books are: 'Jack the Giant Killer', 'Goody Two Shoes', 'little Red Riding Hood', 'Tom Thumb', 'Seven Champions [of Christendom]'; actually these tales were best known in penny chap-books"--British Museum online catalogue
Alternative Title:
Preparations for next season
Description:
Title from item., Sheet trimmed to plate mark on two sides., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Feby. 6th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on laid paper, hand-colored ; plate mark 25.0 x 35.4 cm, on sheet 25.9 x 36.5 cm., and Mounted on leaf 23 of volume 6 of 12.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and With stamp of S.W. Fores in the lower right corner.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
"On the r. a rustic fountain gushes from the mouth of Lord Henry Petty, whose head and shoulders emerge from a stone wall or rock surrounded by trees. The water expands and falls by billowing stages into a sea, the horizon (l.) inscribed 'Unfathomable Sea of Taxation'. In this sea 'cormorants', with human heads and huge beaks (projecting from their profiles) and pelican-like pouches, are greedily fishing, while a rowing boat founders, throwing into the water John Bull, who drops an oar inscribed 'William Pitt'; only his head (submerged up to the mouth) and arms emerge. The water from Petty's mouth is inscribed (thrice) 'New Taxes'; the upper level of the fountain: 'New Salt Tax', 'new Coffee Tax', 'new Tea Tax', 'new Hop- Tax', 'new Malt-Tax', 'new Assessed Taxes', 'New Tax on Sugar', 'New Spirit Tax', 'New Tobacco Tax', 'New Candle Tax', 'New Glass Tax'. The lower level: 'new Cyder Tax', 'New Soap Tax', 'New Auction Tax', 'New Table Beer Tax', 'New Snuff Tax', 'new Horse Tax', 'new Servants Tax', 'new Leather Tax', 'new Dog Tax', 'New Hair Powder [Tax]', 'new Soap Tax', 'new House Tax', 'new Land-Tax', 'New Stamp-Tax', 'new Window Tax', 'New Hat Tax'. The sea is inscribed 'New-Property-Tax' [in whose waves John Bull drowns], 'New Legacy Tax', 'New Iron-Tax', 'New Excise-Duties', 'New Game Tax'. The most prominent bird is Grenville, on a rock by the water's edge; he stands on a pile of large fish, and throws up his head to swallow two monster fish: 'Treasury' and 'Exchequer'. Behind his back stand Sidmouth and Sheridan, greedily taking fish from Grenville's pile. Beside Grenville stands Fox, equally large, stooping over the water, to receive a dense mass of fish which leap as if by suction into his mouth; other fish swim and leap towards him. Beside Fox is the head and elongated neck of Moira, with a large lobster in his beak. On the extreme left. Windham skims the water, flying towards a number of crabs. Grey (Lord Howick) swims, holding in his beak two eels. A bird in judge's wig has dived head first; its solid shape suggests Ellenborough rather than Erskine. On the r. three birds skim downwards over the rocks towards Sidmouth; they are Bedford followed by Horne Tooke (wearing bands, cf. BMSat 9716, &c.) and Burdett. On the water's edge in the middle distance stands Buckingham, wearing a ribbon and swallowing three large fish. Little Lord Derby beside him stoops for one small fish. In the sky a flight of countless birds makes for the fish. Only the three leaders have human heads; the first has the features of Lauderdale, the one behind him resembles Adair."--British Museum online catalogue
Alternative Title:
John Bull swamped in the flood of new-taxes
Description:
Title etched below image. and Mounted on leaf 22 of volume 6 of 12.
Publisher:
Pubd. May 9th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
"George III (l.), just risen from the throne, kicks Grenville from the presence, holding him by the pigtail, and raising the sceptre to smite. Other members of the Ministry flee in confusion, their gestures showing that they also have been kicked. The Kings head, as a sign of respect, is hidden by a pillar in heavy shadow which supports the voluminous canopy over the throne, itself in full light. A large label floats from the King: " - what! - what! - bring in the Papists! - O you cunning Jesuits, you! - what you thought I was like little-Boney & would turn Turk, or any thing? - but if You have no Faith or Conscience - I have!! - ay, & a little Old Protestant Spunk too! - So Out with you all!! - out! - with all your Broad-bottom'd- Popish Plots!!! - Out with you - out! - out! - out!" Grenville wears peer's robes, which fly back, exposing his heavy posteriors (cf. BMSat 10530) to the King's toe. He drops a long scroll: 'Catholic Bill - for bringing the Papists into Power & supporting the Broad bottom Jesuits in their Places for securing the Papists in commanding of the Army & Navy & all the Public offices - .' This tears as it floats over the shoulder of Howick, the mover of the Bill. Grenville is propelled against the massive Ellenborough, who hurries forward with a savage backward glare. The spectacled Buckingham looks up at his brother in dismay. Temple, huge and globular, waddles off, feeling his damaged back. In front of him, Sheridan, as Harlequin (cf. BMSat 9916), slinks off stooping low. In the foreground Petty and Erskine lie on their backs, legs in the air, both in their gowns, Erskine having dropped the Purse of the Great Seal. Behind the nearer figures are (l. to r.): Windham, Moira with both arms raised, and Lauderdale, looking to the left.; next, Sidmouth in full flight, and on the extreme right. a head identified by Miss Banks as Fitzpatrick, but resembling Gillray's Adair. On the back of the throne within a wreath: 'G 3d/ R.' On its r., and on the extreme left., is a stool which supports a cushion on which rest a large 'Bible' and a crown. Behind the throne are the Royal Arms."--British Museum online catalogue
Alternative Title:
Emancipation of "all the talents, &c."
Description:
Title etched below image., Text following title: Vide, the fate of [the] Catholic bill., and Mounted on leaf 40 of volume 6 of 12.
Publisher:
Pubd. March 23d, 1807, by H. Humphrey, St. Jamess [sic] Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Windham, William, 1750-1810, and Lauderdale, James Maitland, Earl of, 1759-1839
George III stands before his throne, face hidden behind a pillar, his sceptre raised over head ready to strike Grenville as his kicks him. Other members of the ministry flee in confusion and terror, some rubbing their posteriors to show that they too have been kicked. A label floats from the King: What! What! bring in the Papists! O you cunning Jesuits you! What you thought I was like little Boney & would turn Turk or anything? ... Grenville has lost hold of a scroll on which can be read: Catholic Bill for bringing the Papists into power & supporting the Broad bottom Jesuits in their places for securing the Papists in commanding of the Army & Navy & all the Public offices ...
Alternative Title:
Emancipation of all the talents
Description:
Title from item. and Text following title: Vide the fate of yr Catholic Bill.
Publisher:
Pubd. March 23 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Anti-Catholicism, Catholic emancipation, Politics and government, Fools & jesters, and Thrones
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"George III (l.), just risen from the throne, kicks Grenville from the presence, holding him by the pigtail, and raising the sceptre to smite. Other members of the Ministry flee in confusion, their gestures showing that they also have been kicked. The Kings head, as a sign of respect, is hidden by a pillar in heavy shadow which supports the voluminous canopy over the throne, itself in full light. A large label floats from the King: " - what! - what! - bring in the Papists! - O you cunning Jesuits, you! - what you thought I was like little-Boney & would turn Turk, or any thing? - but if You have no Faith or Conscience - I have!! - ay, & a little Old Protestant Spunk too! - So Out with you all!! - out! - with all your Broad-bottom'd- Popish Plots!!! - Out with you - out! - out! - out!" Grenville wears peer's robes, which fly back, exposing his heavy posteriors (cf. BMSat 10530) to the King's toe. He drops a long scroll: 'Catholic Bill - for bringing the Papists into Power & supporting the Broad bottom Jesuits in their Places for securing the Papists in commanding of the Army & Navy & all the Public offices - .' This tears as it floats over the shoulder of Howick, the mover of the Bill. Grenville is propelled against the massive Ellenborough, who hurries forward with a savage backward glare. The spectacled Buckingham looks up at his brother in dismay. Temple, huge and globular, waddles off, feeling his damaged back. In front of him, Sheridan, as Harlequin (cf. BMSat 9916), slinks off stooping low. In the foreground Petty and Erskine lie on their backs, legs in the air, both in their gowns, Erskine having dropped the Purse of the Great Seal. Behind the nearer figures are (l. to r.): Windham, Moira with both arms raised, and Lauderdale, looking to the left.; next, Sidmouth in full flight, and on the extreme right. a head identified by Miss Banks as Fitzpatrick, but resembling Gillray's Adair. On the back of the throne within a wreath: 'G 3d/ R.' On its r., and on the extreme left., is a stool which supports a cushion on which rest a large 'Bible' and a crown. Behind the throne are the Royal Arms."--British Museum online catalogue
Alternative Title:
Emancipation of all the talents!
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 10709 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Text following title: Vide the fate of [the] Catholic Bill., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 59 in volume 1.
Publisher:
Thomas Tegg?
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Windham, William, 1750-1810, and Lauderdale, James Maitland, Earl of, 1759-1839
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., Watermark: (partial) crown on top of shield with fleur-de-lis., and On verso in contemporary hand: A horse being the arms of Hanover, the horse stands for the P[rince] of W[ales], 1789. Fox, Sheridan make the P[rince] of W[ales] their stalking horse to fire at the rights of the Crown & the people.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 65 with one other print.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 23.9 x 26.3 cm, on sheet 25.2 x 27.5 cm., and Mounted on leaf 47 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Above on the same sheet is printed the etching of bonnet rouge, the symbol of the revolutionary spirit of the sans-culottes of 1793., and Mounted to 49 x 34 cm.
Publisher:
Publ. 12th Jany, 1789, by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
An African woman known as 'Sartje' or the Hottentot Venus stands, left, in profile, a smoking pipe in her mouth and tall staff in her right hand. She has an enormous posterior and stands nude except for a pair of garters around her calves, a thin girdle round her waist, a beaded headdress and beaded necklace. Grenville stands behind her but looks back over his shoulder at her. Dressed in formal court dress, he too is depicted with an enormous posterior. Grenville says: Well I never expected Broad Bottoms from Africa! but one should never dispair! Mind Sherry dont let your Fireey nose touch the Venus for if theres any conbustibls about her we shall be blown up!!" In his pocket is a paper inscribed Chaselor [sic]. Between them, half-kneeling, Sheridan measures her bottom using a compass and answers: I shall be carefull your Lordship! but such a spanker it beats your Lordship's hollow."
Description:
Title from item/, Artist and imprint information based on a close copy with same title and same dialogue with misspellings. Cf. British Museum catalogue, no. 11578., Sheet trimmed within plate mark., Watermark: J Whatman Turkey Mill., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Walker Cornhill?
Subject (Name):
Baartman, Sarah, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Court of Chancery
Subject (Topic):
Officials and employees, Khoikhoi (African people), Africans, and England
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., 1 print : etching on wove paper, hand-colored ; sheet 22.8 x 32.4 cm., Imperfect; sheet trimmed within plate mark with loss of plate number., and Mounted on leaf 28 of volume 10 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 25 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., Mounted to 24 x 33 cm., and Probably a late impression from a worn plate; price statement and printmaker's signature are lightly printed and barely legible.
Title from caption below image., Originally published: December 23, 1809 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall --Carlton House -- Lighting -- Gas lamps -- Male Costume, 1809 -- Irishmen -- Quakers -- Female cosutme -- Fur muff., and Ms. annotation in lower right corner of sheet.
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Hell -- Demons -- Pitchforks -- Horses -- Gallows -- Bellows -- Allusion to Samuel Foote's Minor -- Allusion to Fox-North Coalition -- Gambling: Dice-box -- Music sheets: Catches, cannons and glees., Watermark in center of sheet: J. Whatman., and Mounted to 34 x 42 cm.
Publisher:
Pubd. by J. Wallis, No. 16 Ludgate Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Gordon, George, Lord, 1751-1793, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and Savile, Christopher, ca. 1739-1819
"A scene in the House of Commons. In the foreground is the space outside the bar, filled with burlesqued supporters of Paull's petition against Sheridan's return for Westminster (see BMSat 10619, &c). These are struck by darts of fire, lightning, and smoke from the Speaker (Abbot), a diminutive figure, almost entirely composed of a huge wig. There are two main blasts, the larger (l.) directed against Paull, the other (r.) against Bosville, Horne Tooke, and Cobbett. In the former is the fiery face of Sheridan, glaring at his enemy, with flames from mouth and nostril. Paull has been thrown violently on to his back, having slipped from the back of a goose with the head of Burdett, on which he has ridden into the House. The goose waddles off to the right., with outstretched neck, following Tooke, the toe of one of Paull's boots still in a stirrup. From Burdett's profile projects the beak of a goose; his long neck is labelled 'Green-Goose from Brentford'. Burdett and his friends seem anxious to slink off without association with the calamity that has befallen Paull. The latter has dropped a long document, which is blazing; this is headed: 'Petition - Humble Petition against Rd Brin[sley] Sheridan for Bribery Corruption . . .' Other papers on which he has fallen are headed 'Scr[utiny]' and 'Impeachment Marquiss Wellesley' [see BMSat 10561, &c.]. A bonnet rouge falls from his head; he has dropped his yard-stick, shears, a cabbage, cucumbers (cf. BMSat 10608, &c). Behind him (l.) is his Counsel, Henry Clifford, in wig and gown, with a drink-blotched face, dropping a sheaf of papers: 'Brief - Paul versus Sheridan.' He heads a crowd of disreputable witnesses, characteristic of Gillray's denizens of the underworld (cf. BMSat 9202); some wear favours in their hats inscribed 'Paul'. All fall backwards under the impact of the Speaker's blast. One man, the palm of his hand branded 'R T' (signifying that he has returned from transportation), grasps a paper inscribed 'Perjury'; a noseless old woman holds a 'Forged Letter of Richd Br Sherridan.' One man holds up a marrow-bone, another a cleaver inscribed 'No Bastille, to show that they belonged to Burdett's election mob, see BMSat 9878, &c. (though he dropped that cry in 1804). Other papers on the ground are: 'Bribery'; 'List of False Votes - J. Powell'; 'Witnesses - Conkey Bean, Bill Soanes, Drake, Hart ye Informer - .' ..."--British Museum online catalogue
Alternative Title:
Little taylor done over and Little tailor done over
Description:
Title etched below image., Text following title: Vide, the terrible effects of provoking a red-hot-shot from the broad-bottom'd-Whig-battery., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 39 of volume 6 of 12.
Publisher:
Publish'd March 13th, 1807, by H. Humphrey, S. James's Street
Subject (Name):
Abbot, Charles, Baron Colchester, 1757-1829, Paull, James, 1770-1808, Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Clifford, Henry, 1768-1813, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Grey, Charles Grey, Earl, 1764-1845
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
"Fox and Sheridan (left) sit together at the head of a rectangular table on which is a punch-bowl, &c, looking with dismay at whigs (right), who advance to hurl their wigs at a large pile of wigs on the left (inscribed 'The Heads having Scratched out of the Club'), or retire, having already done so. Fox and Sheridan wear enormous wigs, the former says, "Brother: Brother: we are all in the wrong" ... Before Fox is a list with names scored through. Sheridan grasps a bottle of 'Sherry'. A couple advance together, in the act of hurling their large wigs at the pile; one says, "I will Scratch out my Name in hopes of getting in for the City" (probably Nathaniel Newnham, returned for the City 1784, but defeated in 1790, cf. British Museum satires no. 7162). The other is perhaps Windham. The only one of the retiring wigless Whigs who is characterized is Burke. All say: "We have erased our Names for ever from the Club, when the Artful & Ambitious designs of a Faction are carried on under a Mask of Prudential Reform & when the leading Members are Notoriously known to Carry on a secret Correspondence with the Avowed Enemies of the Constitution they Affect to Support & Defend it is high time for all prudent & real friends to that Constitution to leave them to their Just Punishment, the Contemp of all true Friends to their King and Constitution."--British Museum online catalogue
Alternative Title:
Crack in the Wig Club
Description:
Title etched below image., Artist and printmaker unidentified; attributed to Isaac Cruickshank in the British Museum catalogue., Imprint continues: ... where may be had complete setts of Caricatures on th [sic] French Revolution & on every popular subject. An exhibition admt 1s. in which is a correct model of the guillotine 6 feet high., With publisher's hand-coloring., From a Humphrey's blue paper 'shop' album; price and identities written in ink in the margins, probably in the hand of James Gillray on front. See Andrew Edmunds' description., and On the back, a red stamp with a florish above 'SMP'. Also in black in, in upper left corner "Benier' and in the right corner 'AR'.
Publisher:
Pub. March 17, 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Newnham, Nathaniel, approximately 1741-1809, and Whig Club (London, England)
Subject (Topic):
Eating & drinking, Quarreling, Taverns (Inns), Wigs, Whig Party (Great Britain), and Politics and government
"Fox as Abdallah, captain of the thieves, leads his band towards the treasure-cave; he stands in profile to the right., facing the cave where a Chancellor's gown and a Chief Justice's gown are suspended. On a table decorated with the Royal Arms are three coronets; in front of it, two sacks of 'Cash', a mace, large rolls of parchment inscribed 'Places' and 'Pensions'. The thieves all wear jewelled turbans with aigrettes, Turkisn trousers tucked into boots, zouave jackets edged with fur over short sleeves. Each holds a sabre. Fox exclaims "Open Sesame." The thieves are crowded together behind Fox and Sheridan, who points to the cave, turning round to say: "Glorious spoils comrades in this Cavern of Ours, surely there is enoug to satisfy us all, I long to lead a sober steady Life." The other thieves are not characterized, and it is not clear to which speaker the different speeches belong. Behind and between Sheridan and Fox is Sidmouth saying: "Blister me [cf. BMSat 9849] if I dont think my exploits deserve that roll of Parchment." Windham (regarded as a war-monger, cf. BMSat 9871), says: "I should like a little cutting and slashing befor I left off Buisiness!" The Marquis of Buckingham, indicated by spectacles, says: "If the Cady will but make me a Viceroy ill give up this buisiness at once." This speech is also connected with Bedford's profile Next the head of the latter is that of the tall Moira. Erskine (1.) says: "I'll take the black gown trim'd with gold, and the valuble [the mace] that belongs to it. for my share". An unappropriated speech must belong to Ellenborough (not discoverable): "Well I'll take the one with the Fur upon it, and some thing to make up for the want of Gold trimming." Others of the band are little Lord Henry Petty looking up at Sheridan and the bulky Grenville with his sabre resting on his shoulder. Profiles suggest Burdett (on the extreme left.) and Grey."--British Museum online catalogue
Alternative Title:
Scene in the Forty Thievs performing at the Theatre Royal and Scene in the Forty Thieves performing at the Theatre Royal
Description:
Title etched below image., Printmaker from British Museum catalogue., Publisher in British Museum catalogue: E. Walker active from 1789-1813., Figures identified in ms. annotations along outer margin of print., and Mounted to 32 x 47 cm.
Publisher:
Pubd. May, 1806 by Walker, No. 7 Cornhill
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sheridan, Richard Brinsley, 1751-1816., Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Bedford, John Russell, Duke of, 1766-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Ellenborough, Edward Law, Baron, 1750-1818
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl., 1 print : etching on wove paper, hand-colored ; plate mark 31.0 x 42.1 cm, on sheet 35.7 x 46.8 cm., Watermark: J. Whatman 1808[?]., and Mounted on leaf 27 of volume 3 of 12.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Sheridan (left) and Fox (right) face each other in profile across a narrow table on which they lean with folded arms. They are large half length figures. Their lips are closed by padlocks (see BMSat 8693), their faces register anger and alarm. Above their heads: 'Mum, - is the order of the Day!!'"--British Museum online catalogue
Alternative Title:
Old friends with new faces
Description:
Attributed by George to Newton., Sheet trimmed within plate mark., Temporary local subject terms: Bills: allusion to Treasonable Practices and Seditious Meetings bills -- Padlocks., and Mounted to 29 x 38 cm.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
"Two doctors (left) stoke the fires of a row of seven cylindrical vessels or furnaces from which their patients (half length) emerge. These recede slightly in perspective from right to left. On the extreme right is Burke ('B------e'), drooping dejectedly, and saying, "By Jasus I have got no Juice left". Next him Fox ('F--x') declaims, hat in hand, "I have sweated enough. Sheridan ('S------n') gesticulates furiously with clenched fists, saying, "This is Scandalous the Baily's have sufficiently sweated me" (executions in Sheridan's house were frequent). Next him is the Prince ('P------'), clasping his hands, and saying, "I suppose they call this a Regency Sweat". A young woman on his right, 'Mrs J------n', (? Jordan) says "I sweat with desire". Next is ('W------e') Weltje (cf. BMSat 7509), saying, "I never sweat so much at Cooking in all my Life". On the extreme left Mrs. Fitzherbert ('F--T--T'), her arms extended in a frenzy, says, "And I with Jealousy what disregard the Marriage Rights". On the ground, below their patients, are the two doctors: Willis on the extreme left, indicated by his clerical bands, holds coal on a shovel, while Dominicetti, wearing a nightcap, kneels on one knee to stir up the furnace under Sheridan with a long poker. On the right is a 'Coal Tub'. Clouds of steam rise from the baths."--British Museum online catalogue
Alternative Title:
Sweating for opposition by Dr. Willis Dominisweaty and Co.
Description:
Title etched below image., Attributed to Rowlandson in British Museum catalogue., and Mounted on leaf 67 of volume 3 of 14 volumes.
Publisher:
Pubd. March 6, 1789, by S. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fitzherbert, Maria Anne, 1756-1837, and Willis, Francis, 1718-1807
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 34.2 x 23.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 68 of volume 4 of 14 volumes.
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., and Printseller's stamp in lower right of plate: S.W.[F.]
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"A sea-monster (l.) with a cavernous mouth spouts two cascades which deluge an open packet-boat (r.) manned by the new Ministry; these are respectively 'Ridicule' and 'Contempt'. The monster has the horns of a bull and a lashing tail which churns up the water. The boat is in danger also from heavy waves; to her broken mast is lashed (with tricolour bands) a broom to which the single patched sail is tied. (A broom at the masthead signified that the ship was for sale.) This sail is filled by a blast from a wind or winged cherub with the head and shoulders of the Prince of Wales, wearing a round hat, with his feathers, and bulky cravat, and surrounded by heavy clouds. Between packet and whale is the barrel thrown out by the crew. This is inscribed 'Real Constitutional Spirits - No Maidstone' with the letters 'MT' [empty]. In the boat are (l. to r.) Erskine, Sheridan, Petty, Grenville (dressed as a naval officer), Windham, Spencer, Fox, Grey, and at the tiller, Lord Ellenborough in wig and gown. The most prominent are Fox and Grey who have just thrown the cask. It looks as if by means of the cask and the Prince the packet will escape the whale, and reach the calmer waters near the horizon. Partly above the horizon is a rising sun (cf. BMSat 10258) inscribed 'Power'; its rays are 'Cheese Parings', 'Candle Ends', 'Pluralities', 'Dissipation', 'Sensuality', 'Libertinism', 'Private Pickings'."--British Museum online catalogue
Description:
Title etched below image., Two lines of text following title: Representing an empty-barrel tossed out to amuse the great Leviathan-John-Bull, in order to divert him from instantly laying violent hands upon [the] new coalition packet. Vide Swifts preface to the Tale of a tub., and Mounted on leaf 18 of volume 6 of 12.
Publisher:
Pubd. March 14th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Spencer, George John Spencer, Earl, 1758-1834, and Ellenborough, Edward Law, Baron, 1750-1818
Title from item., Sheet partially trimmed within plate mark., Final 'e' in 'Tooke' and 'Horne' in the title scored through several times but legible., Four lines of description of the depicted event below the image., Temporary local subject terms: Allusion to Margaret Nicholson, ?1750-1828 -- Allusion to Oliver Cromwell -- Interiors: House of Commons -- Literature: allusion to Sheridan's School for scandal -- Military uniforms: general's uniforms -- Petitions: Westminster petition -- Lighting: lanterns -- Dark lanterns -- Exploding packages -- Explosions -- Torches., and Watermark: countermark T W.
Publisher:
Pub. Decr. 18, 1790, by W.S.[sic] Fores, N. 3 Piccadilly
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Burgoyne, John, 1722-1792
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
