Protestant St. George too much for all the talons, or, the beast with seven heads and Beast with seven heads
Description:
Title from item., Sheet trimmed within plate mark., Watermark: Strasburg Lily., and Mounted to 29 x 38 cm.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Spencer, George John Spencer, Earl, 1758-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Title from item., Sheet trimmed to plate mark on top and sides., Text following publisher's statement: Folios of careatures [sic] lent out for the evening., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Excise: duty on sherry and port -- Budgets: Pitt's budget, 1796 -- Gibbets., Watermark: Strasburg bend; initials below obscured by coloring in the design., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. May 10, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
Title etched below image., Printmaker from British Museum catalogue., Mounted to 30 x 42 cm., Watermark., and Printseller's identification stamp in lower right corner of sheet: S·W·F.
Publisher:
Published Feb. 20, 1806 by S.W. Fores, 50 Piccadilly, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Tierney, George, 1761-1830, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Ellenborough, Edward Law, Baron, 1750-1818, and Erskine, Thomas Erskine, Baron, 1750-1823
"Fox and Sheridan (left) sit together at the head of a rectangular table on which is a punch-bowl, &c, looking with dismay at whigs (right), who advance to hurl their wigs at a large pile of wigs on the left (inscribed 'The Heads having Scratched out of the Club'), or retire, having already done so. Fox and Sheridan wear enormous wigs, the former says, "Brother: Brother: we are all in the wrong" ... Before Fox is a list with names scored through. Sheridan grasps a bottle of 'Sherry'. A couple advance together, in the act of hurling their large wigs at the pile; one says, "I will Scratch out my Name in hopes of getting in for the City" (probably Nathaniel Newnham, returned for the City 1784, but defeated in 1790, cf. British Museum satires no. 7162). The other is perhaps Windham. The only one of the retiring wigless Whigs who is characterized is Burke. All say: "We have erased our Names for ever from the Club, when the Artful & Ambitious designs of a Faction are carried on under a Mask of Prudential Reform & when the leading Members are Notoriously known to Carry on a secret Correspondence with the Avowed Enemies of the Constitution they Affect to Support & Defend it is high time for all prudent & real friends to that Constitution to leave them to their Just Punishment, the Contemp of all true Friends to their King and Constitution."--British Museum online catalogue
Alternative Title:
Crack in the Wig Club
Description:
Title etched below image., Artist and printmaker unidentified; attributed to Isaac Cruickshank in the British Museum catalogue., Imprint continues: ... where may be had complete setts of Caricatures on th [sic] French Revolution & on every popular subject. An exhibition admt 1s. in which is a correct model of the guillotine 6 feet high., With publisher's hand-coloring., From a Humphrey's blue paper 'shop' album; price and identities written in ink in the margins, probably in the hand of James Gillray on front. See Andrew Edmunds' description., and On the back, a red stamp with a florish above 'SMP'. Also in black in, in upper left corner "Benier' and in the right corner 'AR'.
Publisher:
Pub. March 17, 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Newnham, Nathaniel, approximately 1741-1809, and Whig Club (London, England)
Subject (Topic):
Eating & drinking, Quarreling, Taverns (Inns), Wigs, Whig Party (Great Britain), and Politics and government
"Naval mutineers, seated and standing at a long table, glare ferociously at Admiral Buckner, who stands (left) calmly, hat in hand, in profile to the right at the foot of the table. The man at the head of the table, seated in a chair which is higher than the others, holds a blunderbuss and wears a hat. He must be Richard Parker, but does not resemble him. At his elbow and on the extreme right stands Thelwall filling a glass from a 'Grog' can; he says "Tell him we intend to be Masters, I'll read him a Lecture"; from his pocket hangs a paper: 'Thellwals Lecture' (see British Museum Satires No. 8685). One man only is seated on the president's left and on the near side of the table. He places a fist on a long paper headed 'Resolutions'. Under the table in the foreground, lifting up the tablecloth, five secret instigators are (left to right): Lauderdale, holding a paper: 'Letter from Sheerness to Ld L------le'; Horne Tooke, Stanhope, Grey, Fox, the most prominent, saying, "Aye, Aye, we are at the bottom of it", and Sheridan. All have satisfied smiles. Four ruffians are seated at the farther side of the table, others stand behind them; one aims a pistol over the admiral's head, one man smokes, another chews tobacco, taking a quid from his box. Weapons lie on the table. On the wall behind them are a print of Britannia head downwards, and two torn ballads: 'True Blue an old Song' and 'Hearts of Oak are our Ships Jolly Tars are our men We alway are Ready', the last word scored through. On the right the slanting window of the captain's cabin is indicated."--British Museum online catalogue
Alternative Title:
Beggars on horseback
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., Sheet trimmed within plate mark., and MS. notes in pencil in an unidentified hand, describing the satire.
Publisher:
Published by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Buckner, Charles, approximately 1735-1811, Grey, Charles, 2nd Earl, 1764-1845, Fox, Charles James, 1749-1806, Lauderdale, James Maitland, Earl of, 1759-1839, Parker, Richard, 1767-1797., Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Thelwall, John, 1764-1834, and Tooke, John Horne, 1736-1812
Subject (Topic):
Sandwich (Sloop), Nore Mutiny, 1797, Spithead Mutiny, 1797, Sailors, Admirals, Interiors, Mutinies, Firearms, Ships, and British
"Lady Hertford, seated regally on a small sofa, cuts locks from the head of the Regent who reclines against her knees, asleep. The locks already cut are on the ground inscribed respectively 'Sheridan', 'Norfolk', 'Moira', 'Holland', 'Erskine'. She is about to shear off one inscribed 'Grenville'; the last, 'Grey', is still on his head. The Prince, who is conventionally handsome, and wears uniform, holds a paper signed '[Gren]ville / Grey'; his garter, inscribed 'Honi so . . .', is loose, and his left hand hides the star on his breast. Lord Yarmouth (right) stands holding a guttering candle; he points to the uncut lock, saying, "Don't forget that lock laying [on] the shoulder its Grey dy'ye see!" In his pocket is a pamphlet: 'Art of Milling' [see British Museum Satires No. 11842]. To leave no doubt as to his identity, a basket of fish is beside him inscribed '[Y]armouth Herrings'. Lady Hertford is heavily handsome; a small crown, which might pass as a tiara decorates her head; one foot rests regally on a footstool. A pillar and drapery behind her suggest regal state. On the sofa beside her is a rolled document headed 'Road to Hertford from Pall Mall'. On the ground (left) are empty wine-bottles; on a book by the Prince's feet, 'Economy of Human Life', lies a broken bottle from which wine pours. Behind (left) stands Perceval in his Chancellor of the Exchequer's gown, watching from behind a curtain which he holds aside; Castlereagh stands behind him, saying, "By Jasus, but she's as pretty a Barber as ever I clap't my eyes upon." Perceval answers: "Hush! Hush! you'l wake him before they are all cut."."--British Museum online catalogue
Alternative Title:
Delilah depriving Sampson of those locks in which consisted his strength
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed., and Album paper pasted over edge of plate at top.
Publisher:
Pubd. Feby. 1812 by Walker and Knight, No. 7 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Erskine, Thomas Erskine, Baron, 1750-1823., Grey, Charles Grey, Earl, 1764-1845., Sheridan, Richard Brinsley, 1751-1816., Grenville, William Wyndham Grenville, Baron, 1759-1834., Norfolk, Charles Howard, Duke of, 1746-1815., Holland, Henry Richard Vassall, Baron, 1773-1840., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Samson (Biblical judge), and Delilah (Biblical figure)
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., 1 print : etching ; sheet 23 x 32.6 cm, Printed on wove paper, hand-colored., and Imperfect; sheet trimmed within plate mark on three sides, resulting in loss of bottom half of title from lower edge.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., and Sealing wax present on verso; remains of album page at top.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., Temporary local Medical Library subject terms: Politics, British., and 1 print : soft ground etching and stipple ; plate mark 21.6 x 28.6 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
Title etched below image., Measurements from copy in British Museum., Identification of those depicted from British Museum., Description from British Museum: "John Bull, a carter, tips the contents of a rough two-wheeled cart, 'John Bull's Rubbish Cart', into a circular pit. The contents are the Opposition: Fox (three-quarter length), the largest figure, is sliding in; he clutches the long forelock of Burdett, who with Tierney is just behind him, and still in the cart. He looks despairingly at Pitt, who stands (right) in profile to the left, in surplice and bands, and pointing down the pit. Pitt reads from his open book: 'With a sincere hope that none of you will ever rise again, I commit you all to the Pit-hole!' Sheridan is about to fall in head first. Behind, and towering above Burdett and Tierney (who are comparatively self-controlled), is Erskine in wig and gown, holding a 'Brief', his arms raised in terrified supplication. On his left is the profile of Bedford (right) wearing a jockey-cap. The large head of the tiny Lord Derby is in the back left corner of the cart. Two small feet are disappearing into the pit, perhaps belonging to M. A. Taylor. The carter, raising the back of the cart, says: "Good bye to you, my Masters, Parson Billy will soon settle the business". His horse, unharnessed, stands with its head behind the cart.", This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and In ink on the print, the identities are 1....Derby 2. Erskine 3...Burdett 4. Grey 5. Hose 6. Sheridan 7. Pitt.
Publisher:
Pubd. by W. Holland, Oxford Street
Subject (Geographic):
Great Britain
Subject (Name):
Tierney, George, 1761-1830., Taylor, Michael Angelo, 1757-1834., Sheridan, Richard Brinsley, 1751-1816., Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., Smith-Stanley, Edward, 1752-1834., Burdett, Francis, 1770-1844., and Bedford, Francis Russell, Duke of, 1765-1802.
Subject (Topic):
Burial, John Bull (Symbolic character)., Carts & wagons, Priests, Politicians, Horses, and Politics and government
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., 1 print : etching with aquatint, hand-colored ; plate mark 26.2 x 36.1 cm., and Restrike?
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
View from the Thames of Lacy House, formerly in the County of Middlesex, with boats on the river in the foreground. Built in 1750 for James Lacy, co-owner of the Drury Lane Theatre, the mansion was later home to the playwright Richard Brinsley Sheridan
Description:
Title etched below image., Plate from: Angus, W. The seats of the nobility and gentry in Great Britain and Wales... [London] : Published by W. Angus, Gwynne's Buildings, Islington, Feby 1, 1787[-97]., "Pl. XXXVI"--Upper right corner., Window mounted to 51 x 36 cm; mounted below is the page of descriptive letterpress text that accompanied the print in the volume., and Mounted opposite page 518 (leaf numbered '117' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs Novr. 1st, 1793, by W. Angus, No. 4 Gwynne's Buildings, Islington
Subject (Name):
Lacy, James, 1696-1774 and Sheridan, Richard Brinsley, 1751-1816
Portrait of the actor William Farren, in character as Sir Peter Teazle in Sheridan's 'School for Scandal'; whole length, standing facing right, his right hand tucked inside his waistcoat
Description:
Title etched below image; the letter "z" in "Teazle" is etched backwards., Reissue of a print likely published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", probably contained the words "& pubd." in the original issue of the print., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Imperfect; sheet trimmed within plate mark with partial loss of statement of responsibility and imprint statement., Window mounted to 51 x 36 cm., and Mounted opposite page 166 (leaf numbered '207' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Farren, William, 1786-1861, Farren, William, 1786-1861,, Sheridan, Richard Brinsley, 1751-1816., and Farren, William, 1786-1861.
Subject (Topic):
Performances, Teazle, Peter, Sir (Fictitious character), Actors, and British
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"Portrait after Reynolds (Mannings 1612); three-quarter length, directed and facing to the left and looking slightly to the front, left hand at his side, glove on right hand, resting in a fist on a table in front of him, with an inkwell and papers; closed letter state."--British Museum online catalogue
Description:
Title from text below image., State from Hamilton., Sheet trimmed within plate mark., and Bound in opposite title page (leaf numbered '2' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, April 30th, 1791, by Jno. Hall, No. 83 Berwick Street, Sold by W. Dickenson, Bond Street, T. Macklin, Poets Gallery & Fleet Street, & B.B. Evans in the Poultry, &c., and Printed by C.W. Richards
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., 1 print : etching on wove paper, hand-colored ; plate mark 23.9 x 35.6 cm, on sheet 25.6 x 38.3 cm., Window mounted to 36 x 51 cm., and Mounted opposite page 436 (leaf numbered '50' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
Volume 1, after page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Later state, with alterations to imprint and addition of plate number. For an earlier state lacking plate number and with the imprint "London, Printed for R. Sayer and J. Bennett, map, chart & printsellers & globe-makers, No. 53, Fleet Street, as the act directs, Decr. 5th, 1783", see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "161" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted after page 182 (leaf numbered '223' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street, as the act directs
By His Majesty's servants, on Wednesday, March 12th, 1788, will be presented the celebrated comedy, written by Richard Brinsley Sheridan, Esq., called The school for scandal and Theatre tickets sold at the booksellers' shops will be received this night ...
Description:
Caption title., At head of title: The theatre tickets sold at the booksellers' shops will be received this night - Likewise tickets delivered for the benefit of Mr. Byles, box-keeper; Mr. Shevill, and Miss Carpenter., A playbill., Mounted to 51 x 36 cm., and Mounted before page 183 (leaf numbered '224' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Bickerstaff, Isaac, 1735-1812.
"The actor stands directed to the left, head in profile, with a whimsical expression, holding up the right coat-tail. He wears the costume of c. 1821, with long tight pantaloons, and tied shoes, with gloves and without hat."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mr. Charles Kemble as Charles Surface, in The school for scandal
Description:
Title etched below image., Reissue of a print published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", contained the words "& pubd." in the original issue. See No. 14271 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 677, no. 2., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 184 (leaf numbered '226' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Kemble, Charles, 1775-1854, and Sheridan, Richard Brinsley, 1751-1816.
"Two adjacent designs: on the left Sheridan drink-sodden and blear-eyed, stoops obsequiously, right hand on heart, hat held low, directed to the right. He says, slyly, "Gentlemen, it is with the most unfeigned submission I present myself to Your Notice, most Humbly requesting your kind suffrages to return me (although unworthy) one of Your representatives for the great City of Westminster, and when I consider whom I succeed, I cannot but sincerly [sic] deplore his loss, but much more so my inadequacy to fill his place, and can only most solemnly promise to exert the utmost of my poor abilities to keep my place." On the right Sheridan with legs astride, hands thrust in his breeches pocket, hat on his head, still drink-sodden and sly, but more alert, says, looking to the left: "Electors, I feel a satisfaction in my own bosom (which I cannot refrain from expressing,) that my transcendant Merit fully entitle me to be chosen your representative, and that you have barely done yourselves justice in returnig [sic] me, why you must have been cursed fools if you had not, & as to that Mr Paul & Mr Cobbett, their speeches are so ungentlemanlike that I do not think it worth my while to answer them, why the fellows say I get drunk one half the day, & lie in bed the other, I dont chuse to answer that, they say I don't pay my Debts Fools! what did I want to get into Parliament for, they say I have never signed those measures since I have been in administration which I so strongly declared necessary while out of Office, this shews their Ignorance! why should I propose reform now when all my Friends have got to be served.""--British Museum online catalogue
Alternative Title:
Canvassing candidate
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., Window mounted to 36 x 51 cm., and Mounted opposite page 621 (leaf numbered '58' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Decr. 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835., Paull, James, 1770-1808., and Sheridan, Richard Brinsley, 1751-1816.
Read, Richard, approximately 1745-approximately 1800, printmaker
Published / Created:
[11 April 1778]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Anne Brown (later Cargill) as the character Louisa from Sheridan's comic opera 'The Duenna'; half-length, directed and looking three-quarters to right, smiling and lifting from her face with her left hand a voluminous veil, which covers her head and is draped about her shoulders and bosom; her right hand raised in front of her, with forefinger up; wearing low-necked dress with slashed sleeves, the cuffs trimmed with pointed lace, hair worn high; oval frame."--British Museum online catalogue
Description:
Title etched below image. and Laid in after page 192 in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. April 11, 1778, by J. Walker, No. 13, Parliament Street
Subject (Name):
Cargill, Ann, 1760?-1784, and Sheridan, Richard Brinsley, 1751-1816.
Half-length portrait of English dramatist and politician Richard Brinsley Sheridan, facing left and "Portrait after Reynolds (Mannings 1612); half-length directed to and facing the left, looking slightly to the front, his coat fastened by two buttons; curtain behind."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted as frontispiece (opposite title page) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published July 1, 1825, by Messrs. Longman & Co., Paternoster Row
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, and Sheridan, Richard Brinsley, 1751-1816.
"Portrait after Reynolds (Mannings 1612); half-length directed to and facing the left, looking slightly to the front; curtain and pillar behind."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in as frontispiece (opposite title page) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jan. 21, 1814, by T. Cadell & W. Davies, Strand, London
"Mrs. Siddons as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Theater: actors in performance -- Literature: Richard Brinsley Sheridan, Pizarro, iii.3 -- Female costume: theater costume., Leaf 28 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.3 x 17.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Siddons" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Siddons, Sarah, 1755-1831
"Kemble (scarcely caricatured), as Rolla (the noble Peruvian), stands with his left hand pointing upwards, his right arm thrown back, his head in profile to the right. He wears quasi-classical dress, with barbarian adornments, feathered head-dress, heavy gold belt, and ornaments. The costume appears substantially correct, with some exaggeration of the gold chains and ornaments."--British Museum online catalogue
Description:
Title etched below image., Leaf 26 in an album with the spine title: Characatures by Dighton., and Figure identified as "Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Kemble, John Philip, 1757-1823
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Volume 4, after page 582. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan, a candle in each hand, shambles before the royal party, ushering them through the theatre and looking over his shoulder with an expression of exasperated anxiety. The King, in back view, turns to the Queen, saying, "I like the Author very much - took him for a Jacobin - no such thing - quite a different man - brim full of loyalty - I'll certainly come again!!" Behind the pair Salisbury, the Lord Chamberlain, walks stiffly, holding his staff and wearing his gold key. He is followed by one of the Princesses (Augusta Sophia), walking with the Prince of Orange, whose portly contour and sulky profile with closed eye appear on the extreme left. Through the door (probably that from the box lobby) Fox is seen holding a constable's staff and saying to the crowd, anxious to see the arrival: "Stand away there, don't stop up the passage you pack of Jacobin Rascals"."--British Museum online catalogue
Description:
Title etched below image., Window mounted to 36 x 51 cm., and Mounted after page 582 (leaf numbered '12' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by W. Holland, N. 50 Oxford St.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Salisbury, James Cecil, Marquess of, 1748-1823, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, William V, Prince of Orange, 1748-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Anxiety, Candles, Sconces, Interiors, and Theaters
Volume 1, opposite page 180. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole lengths, standing in a library, King on left, his hands clasped, before him a fallen screen, behind which, her back to a window, stands Mrs. Abington, elegantly dressed, holding fan before her face, Palmer points towards her with right hand whilst addressing Smith, who is just entering at door to right"--Smith, J.C. British mezzotinto portraits
Description:
Title from text below image., Sheet trimmed to plate mark leaving thread margins., "Price 1s. 6d."--Following imprint., Window mounted to 36 x 51 cm., and Mounted opposite page 180 (leaf numbered '218' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, 12th May 1778, by John Harris, map & printseller, Sweetings Alley, Cornhill
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., King, Thomas, 1730-1805,, Abington, Mrs. 1737-1815, (Frances Barton),, Palmer, John, 1742?-1798,, and Smith, William, 1730-1819,
Volume 1, opposite page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Probably a later state, with imprint altered and plate number added, of a print published in 1783 by R. Sayer and J. Bennett. For the early state of a print from the same series, see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "160" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted opposite page 182 (leaf numbered '222' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 99. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Charlotte Walpole dressed as a sentry at Cox Heath in her role as Nancy in R.B. Sheridan's 'The Camp', standing on a hill above a military camp at left which she points towards, a cabin with letters 'CW' on the side and smoking chimney behind; after Bunbury, published state after change of title."--British Museum online catalogue
Description:
Title etched below image., Plate originally published with the title "Miss Walpole" and without the verses below image. Cf. British Museum online catalogue, registration no.: K,66.33., Sheet trimmed to plate mark., Four lines of verse below image, two on either side of title: My Nancy leaves the rural plain, a camps distress to prove; All other ills she can sustain, but living from her love., Plate numbered "3" in upper left corner., Mounted on page 99 of: Bunbury album., 1 print : stipple engraving and etching on laid paper ; sheet 23.9 x 18.2 cm., and Imperfect; sheet trimmed within plate mark with partial loss of plate number from upper left corner.
Publisher:
Publish'd Jany. 22d, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Atkyns, Charlotte Walpole, Lady, approximately 1758-1836,
Subject (Topic):
Actresses, Soldiers, Guards, Military camps, and Theatrical productions
"Portrait of the actress Charlotte Walpole dressed as a sentry in her role as Nancy in R.B. Sheridan's 'The Camp', an infantry soldier standing pointing and directed to left, holding rifle against left elbow, wearing cocked hat on powdered hair with a cockade, a thatched cottage in background to right with a sign lettered 'CW', the tents of a military camp in a field down the hill to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Early state, before title changed to "Nancy" and before verses added below image. Cf. British Museum online catalogue, registration no.: 1906,0419.130., Sheet trimmed within plate mark., and Mounted on page 99 of: Bunbury album.
Publisher:
Publish'd Jany. 22d, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Atkyns, Charlotte Walpole, Lady, approximately 1758-1836,
Subject (Topic):
Actresses, Soldiers, Guards, Military camps, and Theatrical productions
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Hell -- Demons -- Pitchforks -- Horses -- Gallows -- Bellows -- Allusion to Samuel Foote's Minor -- Allusion to Fox-North Coalition -- Gambling: Dice-box -- Music sheets: Catches, cannons and glees., Watermark in center of sheet: J. Whatman., and Mounted to 34 x 42 cm.
Publisher:
Pubd. by J. Wallis, No. 16 Ludgate Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Gordon, George, Lord, 1751-1793, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and Savile, Christopher, ca. 1739-1819
"Fox as Dr. Busby birches Pitt and his supporters in a lofty hall with stone walls. Fox (left) sits under a statue of Justice which is in an alcove above his head, a birch-rod in her right hand, in the left, her scales evenly balanced. Pitt lies across Fox's knee, his posteriors scarred; he says, "O pardon me & I'll promise you on my honor that I will Honestly & boldly endeavour a reform!" Fox, his birch-rod raised to smite, says, "That's all Twaddle! - so here's for your India Task! there! there! there! & there's for blocking up the old Womens Windows & making them drink Tea in the dark! - there! there! & there's for------O I've a a a hundred accounts to settle - there! there! there! there! there! there." Those who have been already chastised are borne off (right), a sea of heads, on the backs of the Foxite party ..."--British Museum online catalogue
Alternative Title:
Dr. Busby settling accounts with Master Billy and his playmates
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse below title: "Illustrious burns, might merit more regard ...", Sheet trimmed to plate mark., Mounted to 41 x 29 cm., and Watermark in center of sheet.
Publisher:
Pubd. Feby. 4th, 1785, by J. Ridgeway, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Robinson, John, 1727-1802, Hill, Richard, Sir, 1733-1808, Sheridan, Richard Brinsley, 1751-1816, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
Sculpture, Justice, Scales, Buttocks, Chamber pots, and Spanking
Title from caption below image., Printmaker from another issue. See British Museum catalogue., Cf. Another state without imprint statement, no. 6777 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Money: guineas as grain -- Door of Treasury -- Signs: "Cockpit Barn Door" on Treasury -- Nicknames: "Chick of the Law."
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Lee, John, 1733-1793, Mansfield, James, Sir, 1733-1821, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Great Britain. Parliament
Title from item., Attribution in the British Museum catalogue to Townsley Stubbs pencilled on verso of print., Reissue of British Museum catalogue no. 6943 with Prince's speech altered, although the original balloon lines are still visible., Temporary local subject terms: Morganatic marriages -- Round table -- Decanters -- Glasses -- Food: Fruit -- Pictures amplify subject: Marriage -- Coins -- Curtains -- Clergy: Bishops -- Speeches: Toasts -- Punch bowls -- Bottles -- Naval uniforms -- Military uniforms -- Dice box -- Music book -- Carlton House interior view., and Watermark in center of sheet: L. Taylor.
Publisher:
Published 11th April 1786 by S.W. Fores, at the Caricature Warehouse, No. 3 Picadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Smith Stanley, Edward, 1752-1834, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Keppel, Augustus Keppel, Viscount, 1725-1786, Hanger, George, 1751?-1824, Topham, Edward, 1751-1820, Pigot, Hugh, 1721? -1792, and Morris, Charles, 1745-1838
"A bearded Jew (left) points out to Fox and North the high price of stocks; he holds out to North (right) a paper inscribed '3 Per Cents Consol done at 75 for ye next opening'. North holds out his hands in dismay. Fox stands between and behind them, looking gloomily at North. The Jew stands behind a counter on which hangs a paper, 'India Stock 162 Bank Stock 241 India Bonds 50 [ ? or 59] Prem. Navy & Victualg Bills Per Cent Discount Exchequer Bills Prem Per Cent Scrip'. At North's feet lies a paper headed 'Mr Sheridans Speech upon Mr Pitts Plan of Finance'. The background is the wall of a room with arched recesses or alcoves."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Later state of: Catalogue of prints and drawings in the British Museum, v. 6, no. 6959.
Publisher:
Publ'd [...] 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and East India Company.
Title from item., Printmaker tentatively identified in British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Song -- Debts -- Fiddle -- Jesuit -- Captain Morris., Watermark in center of sheet., Mounted on 34 x 48 cm., and Pencilled on recto mount is a names of the subjects depicted in the print as well as a quote: In July 1786 the Prince of Wales was financially embarrassed & applied in vain to his father for aid. He then decided to break up his establishment, set apart a portion of his allowance for his debts & live on the remainder as a private gentleman. Cf. Russell's Memorials of Fox, v. ii, p. 285.
Publisher:
Published for the proprietor, as the act directs, by E. Macklew, opposite the Opera House, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Weltje, Louis, 1745-1810
Title from item., Printmaker suggested in British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new and much admired prints of A trip to Brighton, The jovial crew, or merry beggears, The sudden squall, &c, &c., Temporary local subject terms: Vehicles: Coach and four -- Bellow -- Prince's debts -- Personification: Hope -- Anchor with Prince of Wales' motto: Ich Dien -- Hare -- Flowers, and Mounted to 28 x 42 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Weltje, Louis, 1745-1810
"The Prince of Wales and his adherents are travestied as negroes; the Prince stands in a doorway inscribed 'Brookes Rectifier of Spirits', which is represented as a debtor's prison: the heads of George Hanger and Burke are seen through a barred window on the left outside which hangs a basket inscribed 'Pray Remember us Poor Blacks'. Both are naked, except for Hanger's accustomed cocked hat (cf. BMSat 6924), and Burke's biretta (cf. BMSat 6026). The Prince wears a girdle of leaves, a helmet feathered like the head-dress of a Red Indian, but decorated with the triple ostrich plume, and his ribbon and star. He holds out his hands in consternation at the approach of Fox and North (as a woman), their arms interlaced, their faces contorted with grief (cf. BMSat 6193, &c). Fox's hat is inscribed 'Carlo Crusoe'; on his breast is a placard: 'We were unfortunately cast away in the British Channel on board the Portland East Indiaman' (an allusion to the defeat of the Coalition on Fox's India Bill, and probably an imitation of the placards of begging seamen). Their scanty garments are ragged; from North's Garter ribbon hangs a placard: 'Ruined by the American War'. Behind them is another couple with arms interlaced: Lord George Gordon (not a negro) with a black man who carries a primitive stringed instrument, his cap inscribed 'Man Friday'. He is perhaps intended for Sheridan. Gordon flourishes a paper inscribed 'Defence of the Blacks by Lo[rd] G------G------' and says "By all the glories of mischief they have no right to send us to Africa". At the end of the procession Thurlow with a raised stick chases a negro wearing a cap inscribed 'Purveyor', who resembles Weltje, except that he is short and fat, and says, with clasped hands, "O! Oh! - bless your heart Massa Beetle-brow - if you no lick apoor neger man he'll pimp for you.""--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new, very popular and comprehensive print entitled "The French treaty reviewed", &c, &c., and Mounted to 29 x 43 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Weltje, Louis, 1745-1810, and Gordon, George, Lord, 1751-1793
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
Farmer George delivered of a most greivous speech with the cruelty of the gossips
Description:
Title from item., Temporary local subject terms: Games: Tug-of-war -- Interior of the House of Commons -- Allusion to the trial of Warren Hastings -- George III's speech to the House of Commons, January 23, 1787 -- Opening of Parliament -- Gossips., and Watermark in center of sheet.
Publisher:
Pub'd Jany. 23, 1787, by S.W. Fores, No.3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, and North, Frederick, Lord, 1732-1792
Two men playing shuttlecock, an obese clergyman on the left and a gentleman in pigtail queue on right. Their airborne "shuttlecock" is a woman with the huge feathered coiffure of the day and the fashionable "cork rump" or bustle visible beneath her skirts
Alternative Title:
Miss shuttlecock
Description:
Title from item., R.S. monogram in image may refer to Richard Sneer (i.e., R. B. Sheridan) or to the identity of the print's subject., Publisher's initials "MD" form a monogram., Verse beneath title: Ladie likes [sic] shuttle-cocks are now array'd, the tail is cork'd & feather'd is the head., and Verso with contemporary ms. inscription.
Publisher:
Pubd. by MDarly
Subject (Geographic):
England
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816.
Subject (Topic):
Badminton (Game), Hairstyles, Badminton, and Clothing & dress
Justification of the first effort of his Royal Highness's courage
Description:
Title from item., Attributed to Gillray in an unverified card catalog record., One line of text below title: When the Duc' had ascended in the balloon forty or fifty feet from the Earth in the greatest fright he desired to go down ..., Companion print to: The battle of Ouessan between the English & French fleets., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., and Matted to 47 x 63 cm.
Publisher:
Publishd Augt. 4th 1790 by J. Aitken, Castle Street, Leicester Field
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from item., Sheet partially trimmed within plate mark., Final 'e' in 'Tooke' and 'Horne' in the title scored through several times but legible., Four lines of description of the depicted event below the image., Temporary local subject terms: Allusion to Margaret Nicholson, ?1750-1828 -- Allusion to Oliver Cromwell -- Interiors: House of Commons -- Literature: allusion to Sheridan's School for scandal -- Military uniforms: general's uniforms -- Petitions: Westminster petition -- Lighting: lanterns -- Dark lanterns -- Exploding packages -- Explosions -- Torches., and Watermark: countermark T W.
Publisher:
Pub. Decr. 18, 1790, by W.S.[sic] Fores, N. 3 Piccadilly
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Burgoyne, John, 1722-1792
"The Prince of Wales reclines on a sofa, half-sitting, half-lying, and leaning against Mrs. Fitzherbert. He is intent on a circular box or 'bandelure' at the end of a string which he holds round the second finger of his raised right hand, playing with the toy revived in the twentieth century as Yo-yo. Sheridan leans over the back of the sofa, embracing Mrs. Fitzherbert and thrusting his hand inside her decolletage. She puts her left hand on Sheridan's cheek, her right arm is round the Prince. The expressions of all three excellently indicate their preoccupations. On the left a fire blazes in the grate; above it is a decorative panel of a horse-race. On the shelf above is a bust of 'Claudius Rom: Imp:', a dice-box and dice, and the figure of an infant Bacchus, astride a cask and holding up a glass. On the wall behind Sheridan's head is a picture of 'Joseph & Potiphers Wife'. Behind him and on the extreme right is an open door showing a staircase. The Prince is stouter than in earlier prints; he wears his star, but his wrinkled stockings and slippers, like his pose, suggest indolence and domesticity. Mrs. Fitzherbert wears a tiara inscribed 'Ich dien', with three ostrich feathers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of quoted verse on each side of title: "Thus sits the dupe, content! "Pleases himself with toys, thinks Heav'n secure ..., Sheet trimmed to plate mark on top edge and sides., and Temporary local subject terms: Busts: Claudius, emperor of Rome, 10 B.C.-54 A.D. -- Images amplifying subject: Bacchus as an infant -- Images amplifying subject: depiction of horse race on mantelpiece -- Pictures amplifying subject: Joseph and Potiphar's wife -- Toys: bandalore (yo-yo) -- Gambling: dice and dice-box -- Interiors: sitting rooms -- Furniture: sofas -- Fireplaces -- Morganatic marriages: George IV to Mrs. Fitzherbert -- Allusion to Bible: Genesis, 39.7-12 -- Emblems: frivolity (bandalore) -- Prince of Wales's feathers -- Mottoes: Prince of Wales's motto -- Literature: quotation from Sir Richard Blackmore.
Publisher:
Pubd. Feby. 28th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Sheridan, Richard Brinsley, 1751-1816
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., '6' in imprint reversed to 'd'., Temporary local subject terms: Allusion to Pantheon -- Carlton House: colonnade -- Prince of Wales's support of the Haymarket Opera House -- Rivalry: Haymarket Opera House vs. Pantheon., Watermark: fleur-de-lis on crowned shield with monogram W at bottom., and Stamped 'Clark, Norwood' on verso.
Publisher:
Pubd. April 6, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
"Pitt, very thin and elongated, poises on one toe on a tight-rope; he holds a long balancing-pole in both hands, on one end (left) sits the Sultan, on the other (right) Catherine II. The Turk, whose end of the pole is slightly the lower, clutches it desperately, saying, "My dear Billy, do help me to make another push, & I'll give you - half of my Seraglio". The fat Empress sits with her hands on her hips; she wears a crown, in her right hand is a sceptre, in her left a paper inscribed 'New Russian Conquests'. She says "Both Billy - the Flat, & yourself may do your worst you circumcised dog! get me down if you can! - I'll match you all, & swallow Thousands more!" Pitt stands with his head raised arrogantly in profile to the right; he says, "The old Hag cannot move me, & Seraglios cannot bribe me: - I have nothing to do with these matters - my Pole will always remain level - ". On the ground beneath the rope stands a dwarfish Sheridan (right) in profile to the left, grotesquely caricatured as a clown; he wears trousers and long sleeves which cover his hands and hang down. He says: "O! the Devil! the Devil! The Cow leaps over the Moon! And if I could once get up on the Rope, Lord! I'd fill my Pockets soon: - I mean, I would soon bring her down: fol der lol, fol der ol"."--British Museum online catalogue, description of an earlier state
Alternative Title:
Posterity of the immortal Chatham turned posture master
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with added plate numbering. Cf. No. 7846 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Date of printing based on that of Bohn's Suppressed plates., Plate probably from: Bohn, ii, 8, Suppressed plates., Text following title: Vide Sherridans speech., Sheet trimmed to plate mark, and the number "8" has likely been erased from sheet., and Temporary local subject terms: Circus performances: walking on rope -- Allusion to Russian conquests -- Clowns -- Allusion to Sheridan's speech in the House of Commons, 15 April, 1791 -- Allusion to William Pitt, Earl of Chatham, 1708-1778.
Publisher:
Publishd. April 21st, 1791, by H. Humphrey, N. 18 Old Bond St.
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Selim III, Sultan of the Turks, 1761-1808, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
"Sheridan and Fox are prisoners behind a bar on which they lean. Burke towers above them, with a stern frown, seizing each by the hair. He says: ""Behold the abettors of Revolutions, see "the authors of Plots & conspiracies, & take cognizance of the enemies of both "Church & State; - "I know them all, & have a while upheld, the unyok'd "humour of their Wickedness," - I have bore [sic] with them 'till the measure "of their iniquity is full; but now, I will bare them before ye Justice of injured "humanity, - I will prove unequivocally, that there exists at the present "moment, a junto of Miscreant Jacobites [sic], who are aiming at the Over-"throw of the British Constitution" - Vide Burkes Speech on the Quebec Bill - ". Sheridan (left) in profile to the left, his hands clasped, says with a terrified expression, "Ha! what's that? miscreant Jacobites! - plots Conspiracies! Revolution! - O! Damnation! we're all found out! - ah Joseph! Joseph! I fear you've brought up your Neck for a fine Collar!" Fox (right), his head bowed under Burke's hand, his handkerchief to his eyes, says, "O the devil! I'm quite overcome, & stupified with Grief! to think that the Man who has been my dearest Friend, and my Chum in all infamy, for Twenty five years, should now turn Snitch at last! good-lack-a-day!"."--British Museum online catalogue
Alternative Title:
Father of the gang turnd. kings evidence and Father of the gang turned king's evidence
Description:
Title from text in bottom part of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Burke's speech on Quebec Bill -- Coalition: denounced in 1791 -- Spectacles -- Literature: Sheridan's School for scandal., and Watermark: Strasburg lily, dated 1805.
Publisher:
Pubd. May 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Jacobites, Politicians, Impeachments, Prisoners, Debates, Eyeglasses, Crying, and Handkerchiefs
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., and Watermark: armorial shield with fleur-de-lis on top and monogram W appended at bottom.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
Title from item., Attributed to Newton by curator based on other works of this artist in the collection., Sheet trimmed within plate mark., Reduced copy of a print published in London on May 26, 1791, by W. Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: satire on Paine's The Rights of Man -- Reading -- Readers., and Watermark: name (illegible).
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Jenkinson, Charles, 1727-1808
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Watermark: Hall & Taplin 1804.
Publisher:
Pubd. July 4th, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., 1 print : etching, hand-colored, on laid paper ; sheet 377 x 469 mm., and Imperfect; sheet trimmed within plate mark on upper and lower edges with some loss of top portion of image. Mounted to 40 x 56 cm.
Publisher:
Pubd. July 4th, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned,) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility. On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance""--British Museum catalogue
Description:
Title inscribed in brown ink below image., Date based on published Gillray print., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7894., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray ... / by Thomas Wright, 1851, no. 58., and A 'counterprint' or transfer in brown ink from another print on verso: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, George III, King of Great Britain, 1738-1820, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lindsey, Theophilus, 1723-1808, and Constitutional Society (London, England)
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark on three edges.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching, hand-colored, on laid paper ; sheet 280 x 496 mm., Sheet trimmed within plate mark on three edges, and two holes have been cut from sheet and repaired., Added in contemporary hand in lower right of sheet: These are the Friends of the Constitution., and Watermark.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top., Two lines of text below title: The Prince and his party were drove to the summit of a hill ..., Temporary local subject terms: Military reviews: Sydenham Common, June 23, 1792 -- Military uniforms: dragoons -- Weapons: sabres -- Muskets., Watermark: J Taylor., Names of subjects and that of the printmaker printed on mat below image., and 1 print on laid paper : etching, hand-colored ; sheet 32 x 46 cm., matted to 47 x 63 cm.
Publisher:
Pub. June 28, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834
"Fox (right) kneels in profile to the left, firing point-blank from a blunderbuss at a post which roughly suggests George III in back view: it is surmounted by a short wig and a hunting-cap decorated with the royal arms; round a protuberance simulating posteriors a circle is drawn with a bull's-eye at which Fox is firing. He is much caricatured, with large head and short fat legs; he wears a slouch hat with the inscription 'Ca-Ira', and has a pleased and sinister smile. Behind him Priestley (left) and Sheridan (right) face each other in profile with conspiratorial smiles. Sheridan is ramming the barrel of a pistol, saying, "Well! this new Game is delightful! - O Heavens! if I could but once Pop the Post!!! then you and me, - Dear Brother P, - Would sing with glee, - Full merrily Ca-ira! Ca-ira! Ca-ira!" Priestley holds out to him two books: "on the Glory of Revolution and on the Folly of Religion & Order", saying, "Here's plenty of Wadding for to ram down the Charge with, to give it force, & to make a loud Report.""--British Museum online catalogue
Alternative Title:
Swedes practising at a post
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to the assassination of Gustavus III of Sweden, March 1792 -- Guns: blunderbuss -- Pistol -- Targets: George III as a shooting target -- Toadstools -- Arms: royal arms -- Literature: books by Joseph Priestley satirized -- Music: c̦a ira., and Watermark: Whatman.
Publisher:
Pubd. April 19th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Priestley, Joseph, 1733-1804
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from item., Temporary local subject terms: Allusion to Paine's Rights of man -- Nicknames: Mad Tom [Thomas Paine] -- Conspirators -- Puns: essay -- House of Commons: breeches on fire found in a closet of the House, May 9, 1792 -- Symbols: dark lantern of conspiracy -- Expressions of speech: c̦a ira., and Watermark: I Taylor.
Publisher:
Pub. May 14, 1792, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Paine, Thomas, 1737-1809, Sheridan, Richard Brinsley, 1751-1816, and Whitbread, Samuel, 1764-1815
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells., and 1 print on wove paper : etching & aquatint ; plate mark 32.6 x 38.2 cm., on sheet 34 x 40 cm.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"The Prince of Wales lies in bed asleep, clasping a pillow with a rapt expression, his closed eyes directed towards a vision of the Princess Caroline who leans towards him floating on clouds, a radiant beauty with outstretched arms. A winged figure with the torch of Hymen (right) holds up her draperies, while a cupid with bow and arrows flying above the Princess's head holds up the heavy curtains of the four-post bed. On the left, also emerging from clouds, the King and Queen, caricatured, crouch over the Prince's bed. The former, a grotesque figure, holds out a large money-bag inscribed '£150000 Pr Annm'. The Queen holds out a book: 'The Art of getting Pretty Children'. Both have expressions of avid delight. On the left and among clouds persons flee in alarm at the approach of the bride: Fox scattering dice from a dice-box, Sheridan as a bearded Jew wearing a broad-brimmed hat. Above them are three women: the most prominent, Mrs. Fitzherbert, with clasped hands; next (?) Lady Jersey, and between and behind them a young woman wearing a cap (cf. BMSat 8611). Above their heads two tiny jockeys gallop off, indicating that the Prince will give up the turf (cf. BMSat 7918, &c). From the foot of the bed (left), which extends diagonally across the design from right to left, rolls a cask of 'Port' on which an infant Bacchus with the head and clumsy figure of Lord Derby is seated astride; he is about to fall, dropping his glass. On the head of the bed is the Prince's coronet with feathers. Beside it (right) is a chamber-pot in which is a bottle of 'Velno' (see BMSat 7592)."--British Museum online catalogue
Description:
Title etched below image., Text below title: "A thousand virtues seem to lackey her, driving far off each thing of sin & guilt." Milton., Sheet trimmed within plate mark., and Temporary local subject terms: Mythology: Hymen's torch -- Bacchus -- Medicine: velno -- Coronets: George IV's coronet -- Emblems: Prince of Wales's feathers -- Cupids -- Bags of money -- Jews -- Furnishings: bed curtains -- Barrels -- Alcohol: port -- Gambling: dice-box.
Publisher:
Pubd. Jany. 24th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Fitzherbert, Maria Anne, 1756-1837, Jersey, Frances Villiers, Countess of, 1753-1821, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from item., Printseller's statement following the imprint: Folios of caricatures lent for the evening., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: Gothic church -- House of Commons -- House of Lords -- Allusion to the Gunpowder Plot -- Watchmen: Fox as the Westminster watchman -- Opposition members -- Allusion to the secession of the Opposition., and Watermark: Strasburgl lily wtih initials I C V below.
Publisher:
Pub. June 20th 1797 by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, Thelwall, John, 1764-1834, and Stanhope, Charles Stanhope, Earl, 1753-1816
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., 1 print : etching on laid paper, hand-colored ; sheet 12.9 x 18.9 cm., and Window mounted to 15 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"John Palmer (left), striding across a miniature circular tower surrounded by a moat, falls back under the attacks of two men on the other side of the moat. He wears pseudo-Elizabethan dress, with a cloak; his feathered hat falls off. On his arm, in place of a shield, is a document inscribed 'Licence . . . Wild-moat'; he drops from his right hand a paper inscribed 'Tower Privilege'. Cornwallis, saying, "I am down again". Miniature cannon are firing from the tower. Facing him, one foot on an upturned tub inscribed 'For the Use of Cov: Gar. Wardrobe', is a man wearing nightcap, dressing-gown, and slippers, with an apron, who is about to hurl a bar inscribed 'Castile Soap', saying, "I am a Gentleman, you Vagabond"; on his left arm, in place of a shield, is a paper inscribed 'An Act for regulating the Stage'. He is probably George Colman. Beside him, his left arm in a sling, a young man (? Colman the younger) discharges at Palmer a blast from a pistol inscribed 'Breach of Articles'. Three spectators stand close together on the right, saying, "Mr Palmer, we must oppose: we told you so at Christmas!" They are Sheridan and probably his partners, Linley and Dr. Ford. In the background (right) is a building inscribed 'Circus', in front of which a man stands on one toe on the back of a galloping horse, while a monkey stands on its head on the back of a pig; the pig's saddle is inscribed 'Jacko'; from its mouth issues 'ABC', representing Astley's, General Jacko, and the Learned Pig (see BMSat 6715, &c); a scroll issuing in a curve from Astley and Jacko is inscribed 'We shall all Play'. In the moat are frogs and the bodies of two tiny women, Tragedy and Comedy, one holding a cup and dagger, the other a mask."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark on one side., and Temporary local subject terms: Male costume: Pseudo-Elizabethan -- Male costume: night clothes -- Unlicensed theatres: Royalty Theatre -- Allusion to Covent Garden -- Learned pigs -- Castile soap -- Lighting: rushlights -- Slings -- Body of Tragedy -- Body of Comedy -- Moats -- Guns: Pistols -- Miniature cannons -- Stage properties: tub -- Horace Walpole refers to print -- Towers -- Circuses: Astley's Circus -- Performing monkies: General Jacko.
Publisher:
Pubd. June 30, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Palmer, John, 1742?-1798, Astley, Philip, 1742-1814., Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Colman, George, 1732-1794, Colman, George, 1762-1836, Sheridan, Richard Brinsley, 1751-1816, Linley, Thomas, 1733-1795, and Ford, Edward, 1746-1809
"The Devil (or a satyr) crouches behind a magic lantern whose handle he is turning. Its light is thrown on a draped sheet, speared to the wall by a fork. Facing the lantern, life-size and realistic, but apparently displayed by the lantern, stand (left to right) Fox, Sheridan, and Lansdowne. Each stands as if speaking in Parliament: Fox, with right hand in his breeches pocket, left fist raised for a downward thrust; Sheridan stooping forward as if expounding, right forefinger extended, left fist half raised; Lansdowne smiling blandly. The Devil points at Fox; an angry man at his side (right) threatens Fox with fist and bludgeon."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Hastings stands in a two-wheeled cart under a gibbet. Fox places the rope round his neck; Burke also stands in the cart dressed as a parson, in a long gown and bands, holding an open book. Sheridan (right) pushes the cart from behind, looking at North (left) who holds the horse's head. Large scrolls issue from the mouths of all five and are an important part of the design: Hastings says, "Walpole said every Man had his Price but Alass! I never could find out any of your Prices." Burke says "A Poor Atonement this for Millions &c." Fox says "A Poor Atonement do you call it Ned! Egad it would have been adevil of a Job for me, if my F------r had made such an atonement for------Unaccounted Millions." (Lord Holland was called in a City Address to the King 'the public defaulter of unaccounted millions'. North says, "Dont you remember Sheri------that my now Rt Honble Friend often threat'ned to bring me to this or the Block". Sheridan answers, "Psha Fred - you know that was only to frighten you from your Station - &c - but drive on, or our friend Edmund will stand preaching here all day.""--British Museum online catalogue
Description:
Title etched below image., Printmaker suggested by British Museum catalogue., Sheet trimmed within plate mark., A satire, an attack on the Coalition., In lower right corner: "Price 2s. 6d. plain or coloured.", and Watermark.
Publisher:
Pubd. March [the] 1, 1788 for J. Doughty & Co., No. 19 Holborn, London
Subject (Geographic):
India
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774., Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, and Walpole, Robert, Earl of Orford, 1676-1745.
Subject (Topic):
Impeachment, Politics and government, Carts & wagons, Executions in effigy, and Gallows
"Fox, Sheridan, and Powys are engaged in opening a large rectangular tomb inscribed '[H]ere lie [t]he Remains [of] Mr F------s India Bill'. On the front of the tomb are two winged heads of cherubs and a scroll inscribed 'India Bill'. Fox (left), facing the inscribed end of the tomb, lifts the covering slab with both hands; the head of a skeleton looks out, holding out a crown in one hand, the other grasps the edge of the tomb and a cere-cloth inscribed 'Patronage'. Sheridan (right) stands in back view blowing a trumpet from which issues a scroll inscribed 'it was opposed by a sencless Yell'; on the banner of the trumpet are the words 'Compare the two'. Powys stands behind the tomb, leaning forward and blowing a trumpet, from which issues a scroll inscribed 'a bold Measure characteristic of the Movers Mind'. On the extreme left, above Fox, is a bell inscribed 'Vox Populi', tilted at an angle which shows that it is ringing; from it issues a long scroll which falls into the tomb, inscribed: 'Lie still if youre wise youll be d if you rise'. In the foreground are skulls and bones."--British Museum online catalogue, description of a different version of the same design
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Different version of no. 7283 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. The slight differences in text include the addition of an apostrophe in "Opposition's" in title and the abbreviation "Pubd." instead of "Pub." at beginning of imprint statement. The two versions are nearly identical in their design, differing only slightly in the details of the image and in the text within the image., and Lewis Walpole Library: Horace Walpole refers to subject.
Publisher:
Pubd. by T. Cornell
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lilford, Thomas Powys, Baron, 1743-1800, Great Britain. Board of Commissioners for the Affairs of India., India, and East India Company.
"Hastings stands holding one end of a large pie in his left hand; in his right he raises a knife to cut the pie. On the left are Managers of his impeachment; on the right are Thurlow and the Devil: both drag at Hastings and at the pie, but the latter party appear to be gaining. Small demons or imps emerge from the pie which personifies Impey. Burke clutches Hastings's coat and right arm; a scroll issuing from his mouth extends above his assistants and is inscribed 'For the sake of Injured Millions, I and my worthy Friends and Colleagues demand these Wretches as Victims to Publick Justice'. Fox clutches Burke, another man (? Sheridan) clutches Fox, his arm being linked in that of the man (? Windham) on the extreme left. A fifth man in back view clutches with both hands at the pie; a paper protrudes from his pocket inscribed 'Sr Elijah's Impeachment', showing that he is Sir Gilbert Elliot who was entrusted with the case against Impey. Thurlow drags at Hastings's left arm and clutches two large money-bags; a scroll issues from his mouth, forming a pendant to that of Burke: 'And - for the sake of Consigned Millions, I - with the assistance of my old Friend and Colleague here am resolved to protect these worthy Gentlemen'. He wears his Chancellor's wig and gown; one hairy leg terminates in a cloven hoof. The Devil clutches Hastings's wrist and the pie; he is a ferocious muscular creature with webbed wings and scaly barbed tail. Hastings as usual wears oriental dress with a jewelled turban."--British Museum online catalogue
Alternative Title:
Struggle for a Bengal butcher and an Impey
Description:
Title etched below image., Temporary local subject terms: Law -- Horace Walpole refers to subject of print., and Watermark.
Publisher:
Pubd. March 18 1788 for J. Doughty and Co., No. 19 Holborn, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Minto, Gilbert Elliot, Earl of, 1751-1814, and Windham, William, 1750-1810
"A pack of hounds is in full cry after an animal with the head of Hastings which runs through the gate of St. James's Palace (right). He wears a turban; a collar round his neck is inscribed 'Hyana', and a large bag inscribed 'Diamonds & Rupees' is tied to his tail. The hounds are being whipped back by Thurlow (left) who rides an ass with the head of the King, shouting "Back! Back!" He wears a hunting-cap and boots with monstrous spurs, with his Chancellor's wig and gown. He is riding over the hounds who have the heads of the leading Managers of Hastings's impeachment. North (not a Manager) lies prostrate and apparently dead under the ass's heels. Burke is being crushed under the animal's off foreleg, while the other kicks Fox. The foremost of the pack is Sheridan, his collar inscribed 'Drury Lane'. Behind him are Fox, a dog whose collar is inscribed 'Francis' (not a Manager, see BMSat 7268), and Michael Angelo Taylor, his collar inscribed 'Law-Chick', see BMSat 6777. The King's head is in profile to the right, his saddle is ornamented with a crown and a jewel is suspended from his neck, probably the famous diamond, see BMSat 6966, &c. Two sentries stand at the gate of the Palace with pens in their caps, probably indicating that they are the two Secretaries of State, [In Wright and Evans they are identified as Sydney and Pitt. Sidney's vis-à-vis, scarcely recognizable, resembles Pitt in BMSat 7312] Sydney (left) and Carmarthen (right), to whom there is some resemblance, and who are peers, cf. BMSat 7300, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bulse -- Military sentries.
Publisher:
Pubd. April 27th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Thurlow, Edward Thurlow, Baron, 1731-1806, Leeds, Francis Godolphin Osborne, Duke of, 1751-1799, North, Frederick, Lord, 1732-1792, Sydney, Thomas Townshend, Viscount, 1733-1800, Taylor, Michael Angelo, 1757-1834, Sheridan, Richard Brinsley, 1751-1816, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and St. James's Palace (London, England)
"An elderly Indian princess, seated on a stool in profile to the left, her hands deprecatingly extended, receives the obeisance of Burke, Fox, and Sheridan. She says, "dear Gentlemen this is too much now you really distress me exceedingly" ... Burke kneels at her feet, head bent down, supporting himself on his left hand; his right hand is on his breast; he frowns, his spectacles are on his forehead. He is between Sheridan and Fox. Fox stands full-face, holding his hat to his breast; his bow is less low. On the right seven bag-wigs are in positions corresponding to those that they would take if on the heads of persons making low bows to the Begum. Below them are three swords whose hilts are decorated with large ribbon bows or favours, also as if worn by invisible persons doing homage to the Begum. Sheridan wears a similar sword. Both wigs and swords are inscribed 'et cætera.' Under the Begum's seat appear the head and arms of Francis as if emerging from the ground; he fixes Burke and the others with a conspiratorial stare, his finger across his lips, saying, "I am at the Bottom of it." Behind and above the Begum's head is a picture of a row of conical mountains ; a mouse issues from a hole in the nearest mountain. The frame is inscribed 'Parturiunt Montes nascetur ridiculus mus'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Signed with the monogram of James Sayers., "Bow wow wow, fal lal &c. &ca."--Etched below the title., For an earlier state, see no. 7309 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Begum of Oude -- Literary quotations: Horace's Ars poetica -- Pictures that amplify subject.
Publisher:
Publd. 1st May 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Francis, Philip, 1740-1818
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., and Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India., 1 print on laid paper : etching ; sheet 40 x 56 cm., folded and mounted to 37 x 56 cm., and Sheet trimmed to and within plate mark.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
"A stage-coach drives (right to left) through water; the four horses have human heads. A signpost on the extreme right points 'To the Slough of Despond'. The driver is Burke; he lashes the horses furiously. On the box under his legs are the (broken) scales and sword of Justice and a laurel wreath. Fox sits on the roof as the guard, holding a blunderbuss. He and Burke watch with alarm the horses who are advancing into deeper water. The heads of the horses are in profile; Derby is the off leader, Sheridan the near wheeler. The near leader may be Windham. The heads of four passengers (members of the Opposition), with anxious or despairing expressions, are visible through the window. The middle of the three facing the horses resembles Portland, the man on his right Stormont. The man on his left is Francis (as in BMSat 7330). Their 'vis-à-vis' may be Lord Carlisle. On the side of the coach, which is 'Licens'd by Act of Parliament', is a crest: a bull (for John Bull) with the motto 'Pro Bono Publico'. The basket at the back is filled with documents inscribed 'Bill of Rights', 'Magna Charta', 'Impeachment of W. Hastings'. Beneath the design is etched: 'O Liberty! O Virtue! O my Country!' Two bats and an owl fly above the horses, showing that night is coming on. Dark clouds obscure the horizon on the left."--British Museum online catalogue
Description:
Title from text below image in lower right., Printmaker from British Museum catalogue., Caption below image: O liberty! O virtue! O my country!, Companion print to "--coaches," also by Gillray and published by Fores on the same day. See no. 7324 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, and Francis, Philip, 1740-1818
"An election riot. In the foreground Sheridan (left) stands over Sir Sampson Wright who kneels on the ground in abject alarm. Sheridan holds him by the collar and shakes his fist in his face; from his pocket protrudes a paper inscribed 'Drury Lane'. On the right is a party of Guards, one pierces with his bayonet Fox's posterior, drawing blood. Fox, the central figure, prances in pain and alarm, his hat falling off. Behind, Townshend (?) and Burke hold up their hands in shocked surprise. One of the Guards deliberately pierces with his bayonet the posterior of his own officer, a lean foppish man resembling the officer in BMSat 7174. The other Guards (right) carrying muskets against their shoulders watch both outrages with amusement. Behind Sheridan and on the extreme left is a man holding up a banner, inscribed 'Valiant Townsend', on which are a wine-bottle and glass and a dice-box and dice. In the background is a dense crowd represented by heads and by hats, two of which are being waved in the air. Beneath the design is etched: 'When Sampson as Justice - by Soldiers defended, Went to quell wicked Whigs who've mild peace oft offended, Bold Brindsley seiz'd on him, & swore he'd well shake him, Crying, Justice ne'er did, nor e'er should overtake him. Bow, wow, wow. Sampson down on his knees like a Saint at devotion, Drops his Jaw-Bone, - while F-x seconds Brindleys mad motion, The Guards do their duty - prick Charles - he beseeches, And alarm'd, then let's fly - thro' his sad sattin Breeches, Bow wow wow.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Guns: bayoneted muskets -- Allusion to Drury Lane -- Bible: Allusion to Judges: 15.15-17 -- Elections: Westminster by-election -- Battles: Bow-Street -- Election riots: July 22, 1788 -- Flags: Banner -- Military uniforms: Guards.
Publisher:
Pubd. July, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Wright, Sampson, Sir, d. 1793, and Townshend, John, Lord
"An election mob in which Townshend and his supporters, as butchers, are violently attacking the populace with cleavers and marrow-bones. They wear aprons with butchers' steels dangling from the waist. George Hanger (right), his hat decorated with three ostrich feathers and the coronet of the Prince of Wales, raises a cleaver in both hands and threatens two constables with staves who fall backwards, wounded or terrified. He is in violent action, one foot rests on the unconscious body of a sailor whose face is gashed and bleeding. In the sailor's hand is a flag with a ship and the words 'Royal Navy'; on this Townshend, who uses his marrow-bone and cleaver as a musical instrument, not as weapons, is trampling. Behind Hanger, Fox, climbing above the crowd, is violently smashing the sign of 'The King's Head' (a bust portrait of the King) which is over a door inscribed 'Martin'. In the foreground a woman half-lying on the ground tries to protect her screaming infant from a cleaver and bone brandished by Sheridan. On the extreme left Lord Derby attacks a kneeling sailor with a wooden leg. Behind Sheridan, Burke raises a cleaver in both hands, and behind him the Duke of Norfolk waves a flag inscribed 'Townsend and Liberty'. Behind is a dense crowd brandishing cleavers and bones, while others attempt to escape. On the right are houses inscribed 'James Str[eet]', the houses of Covent Garden are indicated on the left."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Text right of title: Price 1 s., and Mounted to 32 x 44 cm.
Publisher:
Pubd. July [...]th. by H. Humphrey, New Bond St.
Subject (Geographic):
England and Westminster
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Coleraine, George Hanger, Baron, 1751?-1824, and Great Britain. Parliament
Subject (Topic):
Elections, 1788, Axes, Butchers, Crowds, Political elections, Riots, Sailors, British, Signs (Notices), and Taverns (Inns)
"Fox, followed by Burke and Sheridan, hastily leaves a vaulted archway from which issue smoke and flames. George Hanger (left) runs in front, holding a burning firebrand; behind him is the White Tower in flames. Fox carries the crown which he partly conceals under his voluminous coat. Burke, dressed as a Jesuit (cf. BMSat 6026), holds the sceptre; he looks with satisfaction at Sheridan, who takes his arm. Sheridan holds the orb; in his hat is an election favour inscribed 'Townsend'. Hanger wears a cocked hat with an election favour, his military coat and tight breeches are in rags; under his arm is a sack labelled 'Unmill'd Coin'. Torn bills pasted on the wall behind Fox's head are inscribed 'the Westminster Election; for the Interest of Lord J. Townsd', and 'Leak's Pills'."--British Museum online catalogue
Alternative Title:
Blood and Co. setting fire to the tower and stealing the crown and Blood and Company setting fire to the tower and stealing the crown
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Following imprint: Price 1 s., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Lord John Townshend, 1757-1833 -- Allusion to Captain Mason, fl. 1671 -- Allusion to Thomas Blood, 1618?-1680 -- Tower of London -- Burning of White Tower -- Medical Signs: Pills -- Leake's -- Crowns -- Sceptres -- Orbs -- Election favours -- Attempted thievery: Blood and Mason, 1671 -- Perogatives: Fox's attempt to steal -- Torches: firebrand.
Publisher:
Pubd. July 26th, 1788, by H. Humphrey, New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Townshend, John, Lord., and Great Britain. Parliament
Title from item., Arranged in a semi-circular design, as for a fan., Variant state of no. 7440 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Women's costumes.
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Mrs. Dawkins, fl. 1788 as Gloc -- Miss Pigott, fl. 1788 as Glum -- Regency crisis., and Mounted to 28 x 38 cm.
Publisher:
Pub Nov 16 1788 by SW Fores No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
"The Prince of Wales in a drunken frolic enters the King's bedroom, followed by Hanger and Sheridan. The King (right) lies under a tent-shaped canopy with curtains; he turns his head from his son, looking down with an expression of misery; his right arm is outstretched as if to ward off the intruders. By his bedside, between the Prince and the King, sits an elderly bishop, exclaiming in horror; in his hand is a paper inscribed 'A Prayer Restoration of Health Amen'. The Prince has overturned a circular table, a Communion cup lies on the ground. He reels drunkenly with folded arms, saying, '"Damme, come along, I'll see if the Old Fellow's------or not" --'. Hanger and Sheridan are dancing with glee. Hanger, wearing his hat, holds a bottle in both hands; Sheridan waves his hat. On the wall is a picture of 'The Prodigal Son', partly obscured by the label issuing from the Prince's mouth."--British museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplifying subject: The Prodigal Son -- Clergy: Elderly Bishop -- Medical: invalid., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Nov'r 25 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Sheridan, Richard Brinsley, 1751-1816
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
[26 November 1788]
Call Number:
788.11.26.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Reference to Horace Walpole -- Trades: Apothecary -- Newspapers: Morning Herald -- Regency crisis., and Mounted to 28 x 40 cm.
Publisher:
Pub. by W. Dent Nov 26th 1788 ; sold by W. Moore Oxford St. of whom may be had the flight to Switzerland
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hall, Edward, active 1784-1793, and Hanger, George, 1751?-1824
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"Half length portraits of Dr. Willis and Sheridan in close proximity, repeated twice, the doctor being on the extreme left and right, the two Sheridans in the middle. One couple (left) is inscribed 'Sunday', the other (right) 'Saturday'. The doctor in both cases answers a question in a label which projects into the design from an unseen inquirer: 'Doctor, how is your Patient to Day'. On the left he answers with a contented expression: "Better thank God"; his neighbour angrily shouts "Damnation". On the right he has an expression of melancholy anxiety, the head of his cane held to his lip; he answers: "Rather worse - Sir - ". Sheridan, with a satisfied and cunning smile, says, "Ha - ha - rare news"."--British Museum online catalogue
Description:
Title from item., Possibly by Rowlandson. See British Museum catalogue., and Temporary local subject terms: Francis Willis, 1718-1807 -- Allusion to regency crisis -- Blue and buff.
Publisher:
Pub. Decr. 31, 1788 by S. Fores N. 3 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and George III, King of Great Britain, 1738-1820