Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., 1 print : engraving and etching on laid paper ; plate mark 21.5 x 30.6 cm, on sheet 26 x 36.3 cm., Mounted on leaf 59 x 46 cm., and Plate 58 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., Ms. note in pencil in Steevens's hand above print: 2nd. impression., and On page 130 in volume 2. Sheet trimmed within plate mark to: 21.7 x 30.5 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., and 1 print : engraving and etching, on laid paper ; plate mark 214 x 306 mm, on sheet 295 x 415 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., Lower left corner, below image: "Price one shilling"., and Sheet trimmed to 215 x 306 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
Plate 58. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The scene is the courtyard of the "Old Angel In", a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn"--British Museum online catalogue
Alternative Title:
Country inn yard
Description:
Title and state from Paulson., Date from Paulson: 26 June 1747., and Lower left corner, below image: "Price one shilling".
Publisher:
Wm. Hogarth
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", Ms. pencil note in Steevens hand above print: 3d Impression., and On page 81 in volume 1. Sheet trimmed to: 263 x 207 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", and 1 print : etching and engraving on laid paper ; plate mark 263 x 207 mm, on sheet 330 x 245 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", and Imperfect, lower right corner of image ripped and 'touched' by hand; sheet trimmed to 268 x 210 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756)., and On page 158 in volume 2. Sheet trimmed to: 51.6 x 40 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756)., 1 print : woodcut ; sheet 458 x 383 mm., and Printed on wove paper. Perhaps an impression published by Boydell after Mrs. Hogarth's death in 1789; see British Museum online catalogue, registration no.: Cc,2.171.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., and Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756).
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.6 x 17 cm, on sheet 25.1 x 19.4 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 18.7 x 17.2 cm, on sheet 23.8 x 20.4 cm., Mounted on leaf 59 x 46 cm., and Plate 62 in the album: Queen Charlotte's collection of Hogarth works.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., With ms pencil note in Steevens's hand above: Retouched., and On page 57 in volume 1. Plate trimmed to: 214 x 177 mm with loss of receipt text.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., and On laid paper: sheet 186 x 169 mm.
Plate 62. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Fourth state of a plate for a subscription ticket for "A Rakes's Progress"and "Southwark Fair" with the text burnished with only a couple of traces remaining. "The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of an orange girl and another young woman who takes a pinch of snuff; another orange girl reaches from the pit to tug at the sleeve of one of the gentlemen; to the left, three musicians protected from the audience by a row of spikes"--British Museum online catalogue
Description:
Title, state, publisher, and date from Paulson. and Sheet trimmed within plate mark.
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., 1 print : etching and engraving on laid paper ; plate mark 31.8 x 33.6 cm, on sheet 42 x 58 cm., and Plate 84 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Book, 3d edit. p. 402., and On page 199 in volume 2. Sheet trimmed to: 31.6 x 33.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching and engraving, on laid paper ; plate mark 320 x 338 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Hogarth 764.03.03.02+ Box 200
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching with engraving on laid paper ; plate mark 319 x 335 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., 1 print : etching and engraving on laid paper ; plate mark 45.1 x 56.8 cm, on sheet 46 x 59 cm., and Plate 38 in the album: Queen Charlotte's collection of Hogarth works.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson., Ms. note pencil in Steevens hand above print: Second Impression., and On page 97 in volume 1. Sheet 450 x 550 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Description:
Title and state from Paulson. and Sheet trimmed to plate mark: 441 x 552 mm.
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Plate 38. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Nine actresses and four child actors dressed as classical deities preparing for a performance; among props and costumes are kittens playing with an orb and lyre, a monkey urinating in a helmet and a baby being fed by a child dressed as an eagle."--British Museum online catalogue
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 31 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36.1 x 47.1 cm, on sheet 46 x 59 cm., and Plate 31 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36.1 x 47.1 cm, on sheet 46 x 59 cm., and Plate 31 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., Ms. pencil note in Steevens hand above print: Southwark Fair /1st Impression., and On page 56 in volume 1. Trimmed to: 359 x 464 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., Ms. note in pencil in Steevens hand at top of print: [illegible loss] d. Impression (“56 b” added to loss area)., Ms.note in pencil in Steevens hand below print: See Mr Nichol's Book, 3d edit. p. 180., and On page 56 in volume 1. Trimmed to: 360 x 465 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson. and Paulson cites an alternative title from Hogarth: Humours of a fair.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., and Found loose in Kinnaird
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., and Lighter impression.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., 1 print : etching and engraving on laid paper ; plate mark 21.8 x 18.4 cm, on sheet 25.9 x 20.6 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., 1 print : etching and engraving on laid paper ; plate mark 21.7 x 18.5 cm, on sheet 27.2 x 22.3 cm., Mounted on leaf 59 x 46 cm., and Plate 63 in the album: Queen Charlotte's collection of Hogarth works.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", Lower right, below image: Price six pence., On page 85 in volume 1., Ms pencil note in Steevens hand above the print and one next to it: Lecture See Nichols's Book, 3d edit p. 246., Ms pencil note in Steevens hand above this print: Second Impression., 1 print : etching and engraving on laid paper ; sheet 218 x 183 mm., and Sheet trimmed within plate mark.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", and Lower right, below image: Price six pence.
Plate 63. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A group of scholars at Oxford stare with vacant expressions at a lecturer holding an open book with title "Datum Vacuum". He is identified by Paulson as William Fisher. All are wearing square trencher caps. See Paulson
Description:
Title from Paulson., Hogarth's initials form a monogram., Variant of Paulson's state 2; imprint for state 2 in Paulson: "Published by W. Hogarth, March 3d 1736.", and Lower right, below image: Price six pence.
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., 1 print : etching and engraving on laid paper ; plate mark 42.1 x 52.6 cm, on sheet 46 x 59 cm., and Plate 34 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., Ms. note in pencil in Steevens's hand: See Mr. Nichols's book, 3d edit. p. 323., and On page 160 in volume 2. Sheet trimmed to: 42 x 52.3 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., and Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 35. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Paul before Felix, showing St. Paul (left) on trial before Felix, governor of Caesarea; Felix, his wife Drusilla (a Jewess), and two priests on a dais, one sitting, asleep, beside the governor; two clerks in front of the bench at which St. Paul stands, with a small group of women looking up at Paul; the figure of Tertullus with a scroll in his hand stands at a bench to the right; a soldier to the left with a spear; and two figures carrying fascae either side of the dais. A group of spectators look down from a balcony on the left high above the scene
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title from Paulson: Paul before Felix., Added title from caption engraved below image., State inferred from Paulson. State with altered publication line (Paulson's state 2) but without added quotations (Paulson's state 3). No gap in publication line caused by the curlicue under 'trembled'., 1 print : engraving on laid paper ; plate mark 42 x 52.5 cm, on sheet 46 x 59 cm., and Plate 35 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Israel and Caesarea.
Subject (Name):
Paul, the Apostle, Saint
Subject (Topic):
Biblical events, Courtrooms, Judicial proceedings, Soldiers, and Roman
Plate 35. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Paul before Felix, showing St. Paul (left) on trial before Felix, governor of Caesarea; Felix, his wife Drusilla (a Jewess), and two priests on a dais, one sitting, asleep, beside the governor; two clerks in front of the bench at which St. Paul stands, with a small group of women looking up at Paul; the figure of Tertullus with a scroll in his hand stands at a bench to the right; a soldier to the left with a spear; and two figures carrying fascae either side of the dais. A group of spectators look down from a balcony on the left high above the scene
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title from Paulson: Paul before Felix., Added title from caption engraved below image., and State inferred from Paulson. State with altered publication line (Paulson's state 2) but without added quotations (Paulson's state 3). No gap in publication line caused by the curlicue under 'trembled'.
Publisher:
Wm. Hogarth
Subject (Geographic):
Israel and Caesarea.
Subject (Name):
Paul, the Apostle, Saint
Subject (Topic):
Biblical events, Courtrooms, Judicial proceedings, Soldiers, and Roman
Plate 35. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Paul before Felix, showing St. Paul (left) on trial before Felix, governor of Caesarea; Felix, his wife Drusilla (a Jewess), and two priests on a dais, one sitting, asleep, beside the governor; two clerks in front of the bench at which St. Paul stands, with a small group of women looking up at Paul; the figure of Tertullus with a scroll in his hand stands at a bench to the right; a soldier to the left with a spear; and two figures carrying fascae either side of the dais. A group of spectators look down from a balcony on the left high above the scene
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title from Paulson: Paul before Felix., Added title from caption engraved below image., State inferred from Paulson. State with altered publication line (Paulson's state 2) but without added quotations (Paulson's state 3). No gap in publication line caused by the curlicue under 'trembled'., and 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.4 cm, on sheet 47.1 x 61.2 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Israel and Caesarea.
Subject (Name):
Paul, the Apostle, Saint
Subject (Topic):
Biblical events, Courtrooms, Judicial proceedings, Soldiers, and Roman
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and On page 184 in volume 2. Sheet trimmed to: 40 x 34.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and Plate mark 40.3 x 35.3 cm, on sheet 41.2 x 35.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson. and After the painting in the National Portrait Gallery, London.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.9 x 39 cm, on sheet 46 x 59 cm., and Plate 4 in the album: Queen Charlotte's collection of Hogarth works.
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., and State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson.
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 32 x 39 cm, on sheet 46 x 59 cm., and Plate 6 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson., and 1 print : etching and engraving ; plate mark 323 x 392 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson., and On page 62 in volume 1. Plate trimmed to: 31.6 x 38.7 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., and State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson., State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 38.8 cm, on sheet 46 x 59 cm., and Plate 5 in the album: Queen Charlotte's collection of Hogarth works.
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson., State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson., and On page 61 in volume 1. Plate trimmed to: 31.2 x 38.5 cm.
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson. and State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.2 x 19.2 cm, on sheet 21.2 x 24.4 cm., and Mounted on leaf 49 in: Album of William Hogarth prints.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.4 x 19.4 cm, on sheet 21.1 x 25.8 cm., Mounted on leaf 59 x 46 cm., and Plate 69 in the album: Queen Charlotte's collection of Hogarth works.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson., 1 print : etching on laid paper ; plate mark 16.4 x 19.4 cm, on sheet 21.1 x 25.8 cm., Mounted on leaf 59 x 46 cm., and Plate 69 in the album: Queen Charlotte's collection of Hogarth works.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson. and On page 163 in volume 2. Sheet trimmed to: 16.2 x 18.8 cm.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
Description:
Title, publisher, and state from Paulson. and 1 print; etching ; plate mark 164 x 192 mm, on sheet 213 x 244 mm.
Plate 69. Queen Charlotte's collection of Hogarth works. Leaf 49. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Originally designed as the subscription ticket for the "Analysis of Beauty" the design, based on Leonardo's Last Supper shows, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. On the bottom right, a dog peeps over the edge of the table, the cloth and cutlery tossed off to the side. In this state the receipt portion has been cut off and statement of responsibility added
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., 1 print : etching and engraving on laid paper ; plate mark 31.6 x 38.2 cm, on sheet 42 x 57 cm., and Plate 82 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Hogarth 759.11.05.01++ Box 305
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., 1 print : etching & engraving on laid paper ; plate mark 315 x 385 mm, on sheet 415 x 585 mm., and Matted to 558 x 710 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., Ms. note: See Mr. Nichols's book, 3d edit, p. 367., and On page 186 in volume 2. Sheet trimmed to: 31.5 x 38.3 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Kinnaird 56K(b) Box 215
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., and Sheet trimmed to 319 x 387 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Sotheby 75+ Box 200
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson. and Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., 1 print : etching on laid paper ; plate mark 22.9 x 20.5 cm, on sheet 28.8 x 25.1 cm., Mounted on leaf 59 x 46 cm., and Plate 66 in the album: Queen Charlotte's collection of Hogarth works.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., Ms. note in pencil in Steevens's hand to left of print: See Nichols's book, 3d. edit. p. 262., and On page 108 in volume 2. Sheet trimmed to: 23.3 x 20.7 cm.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., and Sheet trimmed to plate mark on three sides, leaving thread margins.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.8 x 29.9 cm, on sheet 56 x 40 cm., and Leaf 39 in: Album of William Hogarth prints.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.6 x 29.7 cm, on sheet 57 x 41 cm., and Plate 43 in the album: Queen Charlotte's collection of Hogarth works.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and On page 106 in volume 2.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and On page 106 in volume 2. Sheet trimmed to: 41.1 x 27.8 cm.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and Imperfect impression; sheet trimmed within plate mark: sheet 42.5 x 29.8 cm.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., and Date from Paulson.
Plate 43. Queen Charlotte's collection of Hogarth works. Leaf 39. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Benjamin Hoadly; three-quarter length, seated, facing to the right, his left hand raised as if in blessing. He is wearing a shoulder length curly white wig and grand ecclesiastical robes. Behind him is a draped curtain and in the background stained glass windows with images of an apostle and king(?).
Alternative Title:
Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester ...
Description:
Title from Paulson: Bishop Hoadly., Caption title engraved below image: The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, aet. 67, A.D. 1743., Date from Paulson., and 1 print : etching and engraving on wove paper ; plate mark 426 x 295 mm, on sheet 510 x 360 mm.
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 42.5 x 32.6 cm, on sheet 59 x 46 cm., and Plate 26 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 27. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 40.9 x 32.9 cm, on sheet 59 x 46 cm., and Plate 27 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 27. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 45 x 56 cm., and Leaf 15 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and On page 77 in volume 1. Trimmed within plate mark: 35.2 x 39.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and On page 77 in volume 1. Trimmed within plate mark: 34.6 x 39.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and Sheet trimmed within plate mark: sheet 355 x 408 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., and After the painting at Sir John Soane's Museum.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., Added title from first lines of verses below image., and On page 76 in volume 1. Plate trimmed to: 34.3 x 39 cm; with loss to upper right corner, repaired.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., Added title from first lines of verses below image., and On page 75 in volume 1. Trimmed within plate 346 x 394 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., Added title from first lines of verses below image., and Sheet torn at lower right edge with loss of some text and date in imprint.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., and Added title from first lines of verses below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
New to [the] school of hard mishap, driven from [the] ease of Fortune's lap ..., New to the school of hard mishap, driven from the ease of Fortune's lap, and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state and imprint from Paulson., Added title from first line of verses below image., Brevigraphs in title sometimes incorrectly rendered "ye" expanded as [the]., Added title and state from Paulson., "Plate 5"--Lower right corner., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.8 x 41 cm, on sheet 45 x 56 cm., and Leaf 12 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
